Nuevos Lanzamientos House - Novedades

Heads down, steady and to the point — Squash returns to Healer Records with 3 understated club cuts, tracing deeper corners of dub, prog and tech house. All function, no excess.

MCRV019 – VA – Phase Drift. Passage is a graceful and emotionally nuanced four-track journey through modern deep tech house. Blending reimagined echoes of early 2000s deep sounds with forward-thinking production, the release moves between moods and textures with surgical control and quiet sophistication. It’s an EP that balances warmth and restraint, melancholy and motion — built for selectors who appreciate finely tuned emotional arcs.

A1. Stephano Franca – Arriving opens with a fluid, introspective piece. Gentle and melancholic, it glides with cinematic poise, drawing listeners into a state of suspended reflection.
A2. Dot – Distance Call introduces a percussive, tribal undercurrent — earthy and grounded, yet full of bounce. It energizes the space while maintaining depth and groove.

Flipping over, B1. Reenday – Last Call (Nicolas Barnes Remix) brings a refined sense of cold elegance. Dubby and atmospheric, it’s a minimalist piece that evokes distance and stillness — a cool breath in the night.
Closing the release, B2. Jeronimo Watson – On The Prowl is a deep tech gem — emotive, seductive, and sharply detailed. With a slow-burning energy, it brings the record to a confident and composed close.

From Brazilian talent Stephano Franca to Dot and Nicolas Barnes, two of the label’s most precise and consistent producers, and rising standout Reenday, a finalist of the ANTS: NEXT GEN Artist Program 2025, this release represents the current essence of MixCult. It is sealed by the distinct touch of Jeronimo Watson, whose Los Angeles–rooted sound closes the circle with style.

Phase Drift. Passage is not just a collection of tracks — it’s a refined toolkit for navigating emotional shifts and dancefloor narratives, framed by elegance and intention.

Limited Edition.

Collecting pre-orders for a limited time only

Canny Records is here! The first release comes from label owner Swin, setting the tone with four deep and dubby house cuts.

Cipo delivers 4 deep minimal cuts. Blending dubby textures with hypnotic atmospheric layers, the EP strikes a precise balance between intricate sound design and driving dancefloor energy. Anchored by immersive sub-frequencies and evolving modular rhythms, each track unfolds as a captivating microhouse journey perfectly tuned for late-night sound systems.

D. Diggler joins the Kontakt family with two smoked-out dub techno cuts, drifting through hazy chords, submerged delays and weighty low-end motion. On remix duties, Per Hammar turns in a deep and hypnotic remix, true to the sound of his release on Dirty Hands and Sushitech. Limited coloured vinyl.

2025 Repress in Red Vinyl

This compilation features music from artists like Nima Gorji, James Dexter, NTFO, Politics Of Dancing, Steve Bug, Markus Homm, Mihai Popoviciu, Dilby & Pornbugs, Dejbali, Dust Yard, Alex Ranerro and Sascha Dive.

Repress!

Back for a limited edition 12” single from The Future Sound of London comes the iconic original ‘12TOT17R’ collection of “Papua New Guinea” mixes. Mixes alongside the classic 12” Original include the full length Andrew Weatherall Mix, reissued here for the first time since 1992. Andrew Weatherall (1963-2020) was one of the key DJs on the acid house dance scene and this mix is one of his most highly regarded works next to Happy Mondays, New Order and Bjork. This edition is a limited edition to only 2000 copies only.

MYKI joins Craigie Knowes for his label debut ‘Legz & Soul’ EP. Moody and tense house-music mastery with the ghosts of garage-past blended seamlessly into the groove of title track ‘Legz & Soul’. The lead Vocal Mix is accompanied by a Dub Mix to round off the A-side giving DJs an alternative stripped back version should the night call for something a touch darker. ‘Get Out’ is a moulding and morphing dub-house outing that change endlessly on top of rolling and hypnotic drums to take the lead on the B-side. ‘Holy Stab’ continues in the same vein – rolling and shifting delay applied to beautiful bouncing dub stabs. A real masterclass in high quality house jams from start to finish with something for every dancefloor environment.

D. Diggler joins the Kontakt family with two smoked-out dub techno cuts, drifting through hazy chords, submerged delays and weighty low-end motion. On remix duties, Per Hammar turns in a deep and hypnotic remix, true to the sound of his release on Dirty Hands and Sushitech. Limited coloured vinyl.

Introducing Music for Pet Lovers Vol. 1 – a limited edition vinyl experience like no other. The magnificent MBBKR label delivers two A-sides packed with infectious energy. This one is for both: groove enthusiasts and pet lovers. So, expect the unexpected as always - groovy, soulful, and undeniably unique, this one's sure to be a classic in the making!

An inaugural LovingTouch label release curated by the members of Flammable Sundays (Brian Lyons & Michito Iwata), a 24 year long Sunday night weekly party from Seattle, WA. Featuring: Lush & dubbed out techno track by a LA native veteran producer Kenneth Graham, a stripped down deep house edit of DJ Sulli by Summit Dub and a groove heavy deep house heater by Seattle native Lorin Gabriel (Cyan wave).

Qnete finds his way onto the label with A Thing or 2. Actually, it’s four deep tech tracks hard to place in time — strangely close to what could be called a KANN sound, if there ever was one.

Swiss label TW Limited presents a refined 12" featuring Overt’s reinterpretations of Thomas Wood’s Simple Feelings. Blending deep house, dub, and tech-house aesthetics, this release captures an elegant balance between warmth and precision.
Each remix unfolds with fluid grooves, spatial detail, and subtle low-end movement, a timeless record designed for both intimate sound systems and late-night floors. Pressed on black 140 g vinyl, TWSNC001 marks another sophisticated step in TW Limited’s commitment to quality underground sound.

A deep cut from the extensive back catalogue of South African group Splash, significant artists in the narrative of the country’s fiercely independent Gallo Record Company, CWPT presents two uplifting mixes of 1990’s ‘An Eye For An Eye’, arranged by a modern day hero of the craft, Lipelis.

Originally released in parallel with the official beginning of the end of South Africa’s decades-long Apartheid, lead vocalist Daniel Tshanda dispels the philosophy of the track’s title, instead offering a still poignant call for unity; “An eye for an eye is no good… Let’s live together as one.”

Lipelis’s carefully crafted take retains this sentiment front and centre, while nudging the arrangement toward contemporary dancefloors, enriching a steady and bubbling mix of colourful keys, bubblegum percussion and a lifting backing chorus that includes another Gallo sensation, Dalom Kids.

These same voices form the spiritual centre of Lipelis’s 12” dub version, which further demonstrates the track’s irresistible rhythm, making space for complimentary piano melodies from Lipelis, alongside collaborator Eugene Piankov. Here, sunsetting piano lines dance with the analogue techniques of Lipelis’s own production instincts, forging a blissful tribute to a potent moment in South African musical history.

Esoteric, atmospheric, dancefloor-feric! GFD012 is here! The Son Of Knuf EP is pure love for the groove and the roots of funkiness. Four wild tracks from Guy From Downstairs that hit with a fresh touch built on a faster pace, deeper basslines, and a flow smoother than ever.

Four tracks moving between deep house warmth and dub house shadow. please welcome two very talented italian producers from pisa. funksonik had an exceptional track on the goodies 4 u. The record stays close to the floor, understated, built more for the peak of a long night than the first hour.

Barac returns to MAONO Records for the label’s third vinyl release, MAO-V003, delivering another timeless EP. The “Between Past and Present” EP unfolds through Barac’s unmistakable hypnotic sound, joined by a deep and refined remix from Electricano. On the B-side, “One Thing” completes another distinctive chapter in the MAONO catalogue. Three distinct cuts come together to form a carefully balanced record. Limited quantities available. Exclusive colored cover with lacquer finish. 180G Vinyl. Vinyl Only.

Long time label collaborator and dub maestro Havantepe is back on Berg Audio with yet another journey into the deeper, more atmospheric shades of techno, unfolding across four timeless tracks. This release marks the highly awaited come back of the imprint’s “Monument” series, featuring a full cover designed by Juli Jah.

Grooved throughout, built for dancing, no filler. Pressed in Italy on 140g black vinyl. Solid. Liro back on Bosom LTD with four deep, dubby cuts. Viaje Circular opens loose and circular, percussion looping under a warm bass. Ritmo Atemporal tightens up, minimal touches, hi-hats doing the work. La Pausa on the flip, dub chords, space to breathe. Los Tatas closes heavier, more percussive drive.

Amazing Album! Following his remix on Massiel's Echoform, Nicolas Barnes returns to Devilish Affair for his first full EP on the label, joining Genning for the label's first double LP. Each producer contributes three original tracks before remixing one another, bringing together eight tracks that showcase two different but complementary approaches to deep electronic music. While Barnes leans into darker, dubby grooves, Genning brings a brighter, more driving energy, giving the record a natural balance from beginning to end. The artwork features a photograph taken by Devilish Affair founder Eric Louis while hiking through The Narrows in Zion National Park. A winding stream cuts between shadow and sunlight beneath towering canyon walls, creating a scene that feels right at home alongside the music. Whether you're listening at home or deep into a late-night set, Through the Narrows is meant to be experienced as a complete journey across four sides of vinyl

„Nowawes2“ marks the second chapter for the label, staying true to its sound without repeating itself. Poul Verner delivers another limited hand-stamped two-tracker built around warm analog textures, organic grooves and understated depth. No unnecessary tricks, no oversized moments. Just two carefully crafted cuts that unfold in their own time. The A-side, „Choose Your Future“, settles into a deep 120 BPM groove, drifting through layers of dub delays, tape noise, subtle pads and restrained chords. Equal parts dub techno and deep house, it leaves plenty of space for atmosphere to do the talking. Flip it over and „Choose Life“ raises the tempo to 130 BPM without sacrificing its hypnotic flow. Stretching across 12 minutes, it builds patiently without ever rushing its destination. More drive, more momentum, yet the same sense of space. Dreamlike, immersive and made for those moments when the dancefloor locks into a rhythm of its own. „Nowawes2“ continues to explore the space between laid back house and organic techno with patience, restraint and an unmistakably analog character. Built for long blends, late hours and selectors who know that the most subtle records often leave the deepest impression.

Recommended. Compilation format, six producers, one shared idea of dub house done properly. Erratic and Nicola Brusegan open heavy on the low end, dubby without overdoing the effects. Nick Italy keeps the A side moving, no drama, just groove. Flip side goes warmer. Lorenzo Dada and Michura work more melody into the pulse, Peter Kir shuts it down slow and hypnotic. Nothing flashy, nothing filler either. Solid all the way through.

This is our first VA on Arepas Records. A selection of tracks from befriend artists we admire a lot, collected on our Umami Series I. Each track carries its very unique taste and vibe. VINYL ONLY!

Ghanaian producer, songwriter, and cultural innovator Delasi has earned international recognition for his forward-thinking blend of traditional Ewe rhythms, soul, jazz, hip-hop, and electronic music, with recent releases on Gilles Peterson's Brownswood Recordings and support from outlets including Bandcamp Daily, CLASH, CRACK, COLORS, and BBC Radio 6 Music. His music has also appeared in the indie feature Dreams in Nightmares and the UK Premier League. Joining him are Tokyo's acclaimed experimental pop outfit TAMTAM, whose distinctive fusion of reggae, dub, jazz, soul, exotica, and electronic music has drawn praise from Gilles Peterson, Bandcamp, NTS, Mr. Bongo, and Rolling Stone Japan, alongside performances at Fuji Rock and international tours across Canada, Australia, and South Korea.

This limited 7" brings the two artists together across two richly textured collaborations. A-side "Guardian of The Green" blends alternative soul, downtempo electronica, trip-hop, and cinematic post-rock into a lush, organic soundscape where futuristic electronics meet live instrumentation. On the flip, "Celestial Bodies" explores dream pop, ambient electronica, and jazz-inflected soul, pairing hypnotic rhythms with shimmering synths, expressive guitars, and warm lo-fi grooves. Together, the release showcases a cinematic, globally minded approach to contemporary electronic music that will appeal to fans of Bonobo, Khruangbin, Little Dragon, and Cinematic Orchestra.

Doubt Records puts out a release from one of its own: Berlin-based modular live act O/Y whose debut album "Variations" set the tone for a sound moving between micro house, dub techno and downtempo. "Perpetuity Wing" continues that trajectory, threading dubbed-out chords and acid textures through three tracks built for deep, late rooms.

Timeless remixes by Ron Trent, reissued in a special limited edition.
Featuring three versions of Ron’s signature deep vibe — including “7AM Dub,” appearing on vinyl for the first time.

2025 Repress
Depth Over Distance presents: doddub.
Only 150 copies available, vinyl only, hand-stamped, all black.
100% Modular one-take jams by Sep.
The world needs more dub.

Selected by Lea Lisa, Many Shades Of House - Vol 2 is a reflection of time, movement and memory. Built from decades of digging, collecting and playing records, this new chapter captures the many emotional layers of house music.

From uplifting, groove-led moments to deeper, more obscure and cerebral territories. Each track has been chosen not only for its musical strength, but for the stories it carries: nights behind the decks, connections on the dancefloor, and the quiet influence these records have had along the way.

True to the spirit of the first volume, this selection celebrates diversity and timelessness without compromise. It is a tribute to the artists’ vision, to the culture that surrounds this music, and to the shared experience that continues to unite listeners, dancers and selectors across generations.

Diggers Society Records welcomes 2volt with a four-track EP moving within a house-oriented framework. “Crispy Affair” opens with acid-tinged pressure, followed by the tighter, more direct groove of “Little Break.” On the flip, “Activator” shifts into deeper, more progressive territory, while “London Corps” closes on a stripped-back, dub-leaning note. Four cuts, different angles, reflecting Niki and Andrea’s approach to club-focused sound.

DJ Support: Layne Fox (40 thieves), Dr Rob/Banbantonton, Don Letts, Sean Johnston, Tim Sweeney, Richard Norris/The Grid., Andy Sims/Soft Rocks, Stephen KIW, Alex From Tokyo, Pete Herbert, Pete Gooding, Ewan Pearson, Richard Sen, Balearic Mike(Down To The Sea And Back)

Craig Bratley’s sophomore album, Return To Bass, has been a long-time gestating, with a whisky-like distill time in the musical barrels from whence this came. His debut was in 2014 and 12 years later here he is again, in the blink of a, er, Jurassic age. In that time, he’s gathered a good deal of experience, released several musically varied 12-inches, as well as having Andrew Weatherall remix a few of his efforts (not completely surprising, since The Guv’nor also played Craig’s music).

Bratley has spent the last few years honing his musical and technical skills which are evident on this album, as are his influences, which can be heard on his impressively consistent back catalogue, include Italo-disco, British electropop, acid house and a slowed down version of Chicago house that lends it a heroin crawl. Added to that, though, is the dub reggae sound championed by King Tubby, Lee ‘Scratch’ Perry and our own Dennis Bovell, which is much in evidence on this set.

It seems apposite, in the wake of the death of Sly Dunbar (and, less recently, his partner, Robbie Shakespeare) that Craig’s album is now appearing, since Bratley’s sound is imbued with a dub sensibility and the engine of the whole set is built around the thud that Sly & Robbie brought to their greatest productions; the song titles are clues: ‘Plasticine Dub’, ‘Return To Bass’ and ‘No In Between Dub’.

The LP Features standout vocals from Amy Douglas, Thomas Gandey, and Ola, plus funeral-march trumpet work by Tim Hutton.

Belfast’s Deeply Armed return with a monster of a new single, “Black Ice”, which marries the post-Kraut swagger of prime-era Mondays with an XTRMNTR sense of punked-up malevolence.

If their debut release “The Healing” presented the band at their most benevolent and euphorically optimistic, “Black Ice” is very much its flip; a bass-heavy soundtrack to truth, trust and resurgence led by a hypnotic thousand-yard-stare of a vocal.

As per their established operating strategy, the group have offered the track out to fellow travellers, this time around commissioning Andrew Fearn of Sleaford Mods under his solo guise of extnddntwrk and dub legend Mad Professor to reconstitute it across two thrilling remixes that between them plot the poles of their influences.

Fearn delivers a clatter of trance, walking the line between DIY hypnotics and Messthetics-scale crunk, while Mad Professor cuts an intense live mix that marries dub science with psychedelic alchemy, playing to the black heart of the group’s heavy dub leanings.

This new 12” somehow tracks the arc of the band’s vision perfectly. Positioned somewhere between dance, dub and destructo-punk, they remain infected by some of the most irrepressible covert strains of underground music while offering up their jams as raw material for new visions of now. Watch out though: “Black Ice” is treacherous.

Harry Romero, Brothers Macklovitch, and Austin Ato team up on Rekids.

Harry Romero and Austin Ato return to Rekids alongside the debuting Brothers Macklovitch, aka A-Trak and Dave 1, with the ‘The Corner’ EP, arriving 5th June 2026. Romero has more than two decades of house pedigree behind him, continuing to refi ne a signature sound rooted in expert drum work and undeniable attitude. With a catalogue spanning seminal imprints from Nu Groove to Classic Recordings and Defected, the Bambossa Records boss builds on his 2025 debut with ‘Nice To Meet You’, once again showcasing his knack for balancing functional, floor-ready grooves with rich musical character.

Joining Harry Romero are Brothers Maklovitch, consisting of legendary turntablist A-Trak alongside his brother, David “Dave 1” Maklovitch of Chromeo, bringing decades of experience across the electronic spectrum, alongside versatile Scottish producer Austin Ato, who previously contributed to Oliver Dollar’s 2025 album on Radio Slave’s Rekids imprint.

Harry Romero, Brothers Macklovitch, and Austin Ato’s ‘The Corner’ (Piano Mix) opens the release, a warm and energetic house cut driven by bold, bouncy drums and jazzy melodic touches, as lively guitar licks and rolling piano lines inject an uplifting, expressive feel primed for the dancefloor. The ‘Deep In Jersey Dub’ follows, maintaining the heat with a more stripped-back approach, where filters and breakdowns build tension before a punchy drop, with teased-out guitars adding to its dynamic impact.

Memoria returns with MEM064, welcoming Brizman to the label for a four-track journey through stripped-back grooves, deep atmospheres and dub-infused minimalism. The A-side sees Brizman on solo duty with Detroit Awareness and That Chord, two subtle but effective club tracks where rolling rhythms, warm chords and hypnotic details do the work. On the flip, Brizman joins forces with Szafran (Oskar Szafraniec) for Reworking The Dub. Spacious, bass-heavy and deeply hypnotic, the track takes the record into distinctly dubby territory. Cirkel Square closes the EP with his remix of Reworking The Dub, reshaping the original into his own tightly-wound interpretation while retaining its deep, soundsystem-minded character. Four cuts covering the space between minimal house, dub and late-night electronics, understated, functional and made for the floor.

Vinyl Only

DeepStitched is here, and we bring our second Vinyl Release with "Dubventures" by Riccicomoto.
With massive remixes by BDTom & Dubtommy. Dub´t miss it.

Floating dubby synths and layers of improvisational percussion collide in a freaky swirl on 'Magnolia'
Jazz-influenced chords and broken beat sensibilities quietly move the low-slung groove of 'Patchouli'.
On 'Vine', kecak-like rhythms intertwine with spacious synths, creating a cosmic jungle atmosphere through a leftfield dub house approach.
Steel pan echoes dissolve into space and slowly ascend throughout 'Hydrangea'.

A fusion of tropical Asian moods and the chaotic spirit of Western free jazz.

The third private session from RYOTA OPP.



High Praise indeed from Japanese legend Chida (see below)

"Four fresh, deep tribal tunes that transform the dancefloor into a misty forest. I love them all..." - CHIDA (Ene/Mascaras)

After our last release with Dub Keyboarder Ao Inoue from Dry&Heavy Tokio/Japan we now are super proud to announce;
Our next Ep coming up in November is done by TURMSPRINGER + 2 heavy weights Producers. QUENUM labelhead of Cadenza delivered an superb minimal 80´s sounding remix and we could convince no further then Neil Fraser aka MAD PROFESSOR to join the Mole Audio Project He´s done a few “versions” on his old smokey dusty console which will come out within the next few month , Keep your ears open for this !