House News

inner Sea' Is A Journey Inwards, Delving Into The Hidden Ocean Of Unconscious Dreams And Memories. Melodies Tell Stories Of Key Moments, Anchoring Certain Points In One's Life And The Experiences And Sensations They Reflect. Giving Them Sounds To Breathe And Mirroring The Soul In Unseen Depths, These Memories Are Stored Eternally In A Shelter Floating Within This Inner World.

all These Memories Lay In The Depths Of My Inner Sea. It's Surface Reflects Pictures Of All The Worlds That I Want To Dive Back Into, Over And Over Again.' - Takeleave Nicolas De Araújo Peixoto

'inner Sea' Comes Out Worldwide On Limited Double Blue Vinyl (including Download Code)

Adding and connecting the bits, dots, hats and kicks once again, rtct.records invite two Italians to join forces for a shared EP. It features three tracks per artist and it's got everything from Ambient over Lo-fi House, Acid, Techno and even Garage. Both of the artists have been making music under different names for a long time now but this release marks the launch of their new monikers: Introducing DJ Chupacabra from the mountainous north of Italy and Crisco from mediterranean Sicily. This is where the Surf & Turf theme of the EP comes into play.
With this release rtct.records are taking a step forward and broaden their output after the well acclaimed deep house/disco tinged releases by Leo Woelfel, Demuja and Laroze. Artwork by Gus Nobel.

Frag Maddin's wizard like studio techniques don't need no black magic - just solid ingredients, being boiled in his studio cauldron. In the process, the old becomes the new again. This time, in its most musical form for Kakudo Records yet. His EP is a magical kaleidoscope of sounds and feelings that work their charms on our souls, brains and hips. Think Chicago, think NYC's kinky trax of the early 90ies, think silly amounts of bass and think flourishingly funked out synths making for an individual musical language with Maddin. Timeless sounds! Point 0 is now, these ones will last!

A1: Bullish
This one rounds off the nervous and flippant, overwhelming energy of Frag Maddin's beat and chord worx while bowing down to his funk, rap and house-routines. Bullish is an agile fighter. Beware - or you miss some of the punches coming in!

A2: Teehaus
This ceremony churns the goods from the very depths. Classic house in a raw, bassy, dirty warehouse manner. Seering vocals keeping the tension and demanding synths that slowly but surely unfold th energy - like boiling water opens the teabud!

B1: Point 0
A track that serves a basic backbone to the array of tunes here. Classic house, bowing down to Kakudo's Records beloved early nineties. Every sound a puncturing pressure point again. Machine grooves hammer home the message of this EP that has no fillers but offers raw fun(k) throughout!

B2: De Wizard
Quirky, flirtatious, somewhat trancy chords fly on high. While reminiscent Detroit sounds feed your brain and the bass tickles your guts. De Wizard's recipe is to conjure things in time. Take yours and observe, for building up tension is clearly one of Frag Maddin's best tricks!

Apparel Wax is about to hit your summer hard with the 5th gem of the collection! Four tracks delivering our approach to this sound but always from different perspectives, which helps us to maintain that fresh energy we need to be able to keep on doing what we do. 005A1 with its funk attitude, powerful chords and stunning vocals creates a proper banger; that one tune we just can't stop shaking our hips and to. 005A2 is such a perfect blend of different feelings: are the strings a bit 80's Is it just a new version of that kind of disco music Instead it's just a mixture of sensations perfectly coexisting, brought together by the Apparel Wax matrix that just makes it a mature interpretation of a big musical influence. 005B1 features a piano loop that is a great tribute to classic house music and keeps on dialoguing with catchy vocals. The track elevates the spirit of the happy tune to a next level, leaving not only a taste of summer but a sense of coolness. 005B2 played after the first three hitting tracks, with its saxophone and synthesizers is a percussive, atmospheric and fulfilling way to end the record's narrative in perfect fashion; a record that displays an uncanny array of house/disco music performances. It is almost one year since the 1st one. We couldn't think about how good the response would have been from the listeners. So we'd like to thank you all for the support: it will push us to try and keep the level as higher as we can!

Baltra's Rearview EP is back by popular demand! NYC resident and upstart producer Baltra has humbly created worldwide buzz for his saturated, NY/NJ House-inspired, RnB-inflected jams via a series of YouTube-only music videos, alongside self-released cassettes and tracks for releases on Craigie Knowes and upcoming on Lobster Theremin's Of Paradise sublabel. This blissed out set of tracks had a limited press on Baltra's own 96 and Forever label, and now inaugurates the birth of IDNK.

Smile for a while's sublabel - All That Jelly comes up with another sampler containing dancefloor-oriented House Music with oldschool flavour and some black magick.

Frankfurt local heroes C-Rock and Franksen drop a percussive House bomb with some well-known samples. Please don't sue!

Jesse Para is a youngster from Kassel who's doing high-profile parties in Berlin's Prince Charles with his LuvThang crew. - That Luv is his debut tune - a reminiscence of 90s Jersey House. Bangin' stuff!

Fonso is a producer from London. He used to run the Keep it Moving nights in Brighton. His tek-edge House tune is a floorfiller for the early morning hours.


Jacopo Sb from the greater Rome area in Italy delivers a slice of Lo-fi House that sounds a lot like early Mosaic stuff or many of the Bluetrain releases. Anyhow it's his very own kind of style. Hypnotic and powerful - new school Italo House.

The start of 2018 sees Enclave Records chalk up its third release and to say we are excited about this one could well be the understatement of the entire year!

As anyone who's been following his progress will already know, Harrison BDP has really gone from strength to strength over the last 12 months. With a slew of Grade A releases on the likes of Artesian Sounds, Music is Love and Shall Not Fade, as well as countless gigs across Europe and beyond, Harrison is rapidly approaching that milestone in any producer's journey - the point at which a listener feels they know who the artist is without having heard the track before.

Harrison's opener wastes little time in firmly establishing the EP's groove-centric core and, much like the centre of a star - otherwise known as the Convection Zone' - this one's hotter than the sun. While rock-solid rims set the track up, the irrepressible bass hook and nagging hats provide just the right amount of swung jazz flavour to keep those ears tweaking. But don't get too comfortable - just wait for the additional layer of woozy percussion to come staggering in like it's gate-crashed someone else's track. This is one seriously solid cut.

While A2 may not have a title, it certainly isn't lacking in terms of identity and sense of purpose and demonstrates that Harrison's influences are deeper and broader than you might first expect. While the bottom end is imbued with a generous lick of acid, the submerged melodics manage to suggest a touch of classic Marizio-esque dub styling. Things take an unexpected but welcome turn when a gorgeous arepeggio emerges and lifts the sonic gaze to an altogether higher plane, before the programming strips back down again for that all-important heads down section.
Enclave Records is committed to showcasing emerging artists, irrespective of where they currently are on their flightpath, and in Garth James we're adamant we've unearthed a rough diamond.
Disturbingly youthful to be turning out tracks as authentic, yet as well-judged as these, our Antipodean maestro knocks it straight out of the park with the absolute animal that is Dear Lizzie'. While the underpinnings of the track undoubtedly bang hard, Garth's synth work lends the track an arresting fragility and mournfulness that rewards the attentive listener and it adds up to an intoxicating mix you'll want to keep coming back to. This one's been extensively road tested and the look on the floor's faces at the one minute mark (you know, that look) never ceases to make us grin.

Garth's closer should leave you in no doubt that we've barely scratched the surface with this guy. While weighty toms work away in harness with frazzled percussion, the star of the show is what can only be described as a knackered church organ - lending the track a solemn, almost hymnal quality that allows us to draw breath as the EP draws to a close. Though there's an undeniable air of melancholia, a feeling only heightened by the sounding of a single, folorn, guitar chord, there's an also a life-affirming quality that hints at the hope of what's yet to come.

Undergroove Records is a new french label specialized in house music. Ug 001 is between funk and disco with the groove of house.

Vinyl only, 180G

Fresh 12" straight from Moscow based squad IDA marks label's second release. It's 2 original raw warehouse jams by Nikolay Sunak, accompanied with 90s style rave remix by Uninc & Kolomensky and dark dub by Owlson.

Recorded in an ageing holiday park during off-season, Center Parcs is the debut LP by Dutch artists Betonkust & Palmbomen II; a conceptual, musical-tristesse full of lo-fi harmony, and fanciful, psychedelic-coloured modulations, with an undercurrent of saturated, outsider-house beats, all recorded to tape. With a shared passion for experimental music, and gnarled Dutch electro, the duo have crafted an LP of esoteric-electronic-pop, reflective of the time the two spent holed-up in isolation, in the out-of-time Center Parcs setting.
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Palmbomen II a.k.a. Kai Hugo, is the electronic-focused, alter-ego of Palmbomen. Existing in his secondary iteration, Palmbomen II gained notoriety for his alternative, warped style, having released two LPs, both receiving critical acclaim. Originally from the Netherlands and now living in Los Angeles, his musical relationship with Betonkust stretches back several years, leading to a unique live, and studio-working symbiosis. Meanwhile Betonkust — hailing from the westerly Dutch shores — has been notching up kudos points with his Detroit-like analogue sound. Having found their studio-synchronicity, the duo have already notched up a couple of select EP releases, plus a featured track on Dekmantel's 10 year anniversary series.

'It's a weird environment, but we like it,' Palmbomen II says about Center Parcs, where the album was recorded. Originally built in the 70s, Center Parcs De Eemhof in Zeewolde provides a pseudo-tropical environment for vacationing families, with an ageing, ersatz jungle; its faux decor gradually fading to grey. Recorded during the winter, the two Dutch men took-up home in one the park's chalets with select hardware — predominately synths and drum machines — and recorded all of their progress to tape. Being the only occupants in the melancholic, somber settings, the duo made an LP that was reflective of the unpretentious surroundings. 'Some people think it's ironic, but this is not a tongue-in-cheek joke,' Hugo says about the record. 'There's sadness here that people try not to hide.'

Everything on Center Parcs was recorded on hardware, in the moment; 'real jams' as the guys describe them. No computers. It was through this in-the-present-process that led to the recondite, lo-fi shoegaze record, reflective of their shared influences — from the likes of I-F. through to Cocteau Twins. Opener '24x33', has a reverberated VHS aesthetic; 'De rust die je zocht' ('The peace you were looking for') sounds like an angelic score to a forgotten family game show; 'Nintendo Pantera' a solemn, upbeat Detroit-retroffited-vapourware melody. The album is a follow up to the Center Parcs EP - the producer's debut cassette release on Canadian label 1080p in 2016. This will be the first time that these tracks have been made widely available, and on vinyl release, and is seen by both artists as a chance to expand on the moment that they captured together - to share the beautiful-tristesse with all.

Gnork returns to UTTU under his ambient-jungle inspired DJ Shark alias. Three stripped back lo-fi jungle joints backed with remixes from Australia's Fantastic Man &, Den Haag's finest Legowelt.

Deadboy Returns To Uttu With Arguably Some Of His Best Productions To Date. 6 Nu-age-hippie-houz Jams.

For his second release, House Running proposes a new various artists EP with Hyas, Chinau & D-Nite on the bill. Hyas opens this EP with two tracks that blended 909 hats and disco loops that will remind you the 90's house music spirit. Chinau brings the sun with his smooth and funky track and D-Nite closes this Ep with a percussive and acid track to bring us in the deepness.

We are pleased to present our white label vinyl only series, Esuoh White. The first release includes four house gems featuring Das Carma, M44K, Akyra & Jon Billick

A new series of releases hosted by the label Superluminal.
Re Discovery represent a slightly different shade from the usual path that Matthias has been following by far, this time a feeling that evokes Lo-Fi beats towards deep/house inspirations. Since the beginning has always existed an idea of creating a "subculture" related to the initial project Superluminal developed in 2017 in Berlin, Re Discovery is considered as an experiment to re program elements which were adapted and developed considerably, particularly referring to surgical breaks and deep twisted drum patterns.

Sequenced using instruments such as: Miami Acidlab, Roland 909, Roland Juno 106, Moog Minitaur, Roland 505, Akai325Dx Cassette Deck...

For the first release of 2018 we welcome Harry Wolfman to the Outplay family!
Having followed his work for the last couple of years we're very happy to have him deliver this varied 4-tracker, which very well might be some of his best work to date.

The A side starts off with 'Hitch'. A warm and dusty groover driven by rhodes, a rubbery bassline and a thudding kick. A lovely string piece in the middle of the track slowly builds up to the break for it to return to the head nodding groove soon after. The added percussion gives it a nice lively feel as well.

'Pigs in Blankets' sets the pace a little slower, but the funk goes on. The track incorporates 80's style samples with some excellent synth and chord work. Perfect for a warm up session.

Starting on the B side Harry takes it up a notch with 'Nemoto', which will be a definite stomper for the dance floor. It takes you on a 9 minute journey of rolling bumpy basslines, screaming distortion leads and hypnotising synth work.
Finally, to ease things off, STS-136 (Final Call) comes in at a slow 88 bpm pace as a perfect closure to the EP. Dreamy pads, piano licks and a calming marimba melody combined with a beat which feels like a warm blanket will make you wander off for a moment...

WXTFX007 is another collaboration from the original Waxtefacts posse.
A side is infused with some feel good' energy from Librarian, Real J and the mystery man Tommy Kaira.
B side goes raw with Interstate's warehouse dreams while Strip Steve ends the record on a spectacular note.

Every tune of the 12" is deeply inspired by the origins of the mid 90s melodic Jungle & D'n'B movement, namely by the greats of that era: Peshay, Source Direct, LTJ Bukem and Photek.

Ray & Karl have worked together on a number of projects over the last year, the most recent one being a split 12" on 'The Other Planet' of Lyon. While Ray has been connected to the Lo-Fi House scene and acts like Baltra, DJ Boring and DJ Seinfeld, Karl has been more low-key, producing music that's relaxed and organic, mainly inspired by naature and the musical movement around Frits Wentink and Max Graef.

For this release they worked closely together, decided to stray off their usual paths and combined their different styles to form a well-rounded record.
'Make Me Feel So Good' does just what its name implies. With a rising pad chord, a syncopated break and a soothing vocal, it is the perfect opener for this vinyl.
The second and name-giving track of this EP, 'Project Chicago', samples the surely most-often heard piece of Brian Eno and transforms it to a relaxing yet uplifting track that takes you back to the days where you could easily make a cup of tea while you waited for a website to load.

The B-side unfolds with the most acute drum-programming on this release and a fairylike lead vocal, moving you to 'Feel It'.

To conclude this 4-tracker, Karl delivers a very interesting mix of organic Arps and nature sounds and punchy breaks. The deep subbass-line will resonate through your whole once you hear this one on the dancefloor.

Naples original house master S-DM deliver the next EP on the cult of E-BEAMZ.. NU age tropical lo-fi house the way it should be done..! on the flip a nice acid jam trak - TIP!!

Super deluxe lo fi 7" grape-colored vinyl housed in DIY low-budget sleeve, + includes "I love my VCR Sticker"

WRWTFWW Records is thrilled to announce the release of the long anticipated, always delayed, 30-years-in-the-making PSYCHOS IN LOVE Original Soundtrack, available at last and for the first time ever in a super deluxe low fidelity _7" grape-colored vinyl edition, housed in a DIY no-budget sleeve, and loaded with extras, including words from film director Gorman Bechard, lyrics of the theme song, a promotional postcard with a picture of the cast, a poster of a woman attacked in a bathroom, and the infamous as-seen-in-the-movie "I LOVE MY VCR" bumper sticker!

Filled with sleazy funk, macabre synths, homemade electronic kitsch, anti-grape propaganda, and rewind-worthy dialogue excerpts, Psychos In Love is the ultimate lo-fi horror-romcom soundtrack adventure with a theme song so memorable you'll find yourself humming it every morning. In Gorman Bechard's words, "For the Psychos In Love theme I purposefully wrote what I hoped were the worst lyrics of all time, giving them to Carmine Capobianco with one note, 'use them to write the worst song of all time.'"

The movie Psychos In Love (1986) is a trenchant, laugh-out-loud indictment of slasher films, romantic comedies, and grapes (that's right, pal, grapes), a true genre-defying post-modern cult classic that will wind its way into your heart as its characters work _their way through vats of gore. Packed tight with sly homages to - and parodies of the work of such cinema legends as Alfred Hitchcock, Woody Allen, Roger Corman, Groucho Marx, and Gerard Damiano, Psychos In Love foreshadows the grand guignol culinary delights of Silence of the Lambs, served up with a healthy portion of wry wit and all-American t&a.

180Gr/Hand Stamped/ Limited/Hand Numbered

Let your brain slowly melt to the delightful sounds of Dima Disk.
Having first heard their music via the Palace x Bronze skate video a year or so ago, we did a bit of digging and it turned out to be by a duo called Dima Disk, one half of whom was an old Glasgow pal called Ragnar and Robert Nikolajev from Tallinn's legendary club Lekker. You may have heard their recent ripper on Porridge Bullet. Having been fans of the shit coming out of Estonia for a good few years and also having a thing for releasing music from our Glasgow connections we felt that this needed to come out as a RAD 12".

The 1st release will be a limited 300 copies (180gr) edition with a special surprise: a kit to build your own Apparel Wax goggles.
Supported by Délicieuse Musique, Folamour, Moony Me, St Paul, Voyeur, Ponty Mython, Kian T, Kisk and many others. After 7 years in the game, Apparel Music strikes again in style with a brand new concept. The main ingredient of this recipe called 'Apparel Wax' is quality music, without any compromise or distinction. Apparel Wax is the aka of an unknown/unanimated artist, brought to life by many talented international ghost producers who, from now on, will be pulling Apparel Music's strings. Curated by Giuseppe D'Alessandro, mastered by Lopazz, vinyl cut by Schnittstelle, R.A.N.D. Muzik manufacturing, licensed by Sac A Pain Ltd

Heist #5 brings you the trademark Frits Wentink sound we've come to love through his recent output on Wolf, 2020Vision and Wolfskuil: Catchy synth loops, distorted basses, and some funky-ass grooves. With 'Shrewd", he throws in a few sexy female vocal snippets and a lovely arp, while 'Ligament' flows along on a rough kick, an equally gritty vocal and a driving portamented pad that filters in and out. 'Sauce' features Dutch singer Loes Jongerling and makes for a wonderful combination with her silky soft voice and Frits' warehouse style percussion.' If I was to gravy you' follows up on with the same rawness in the beats and a lovely sample that you'd love the girl next to you to whisper in your ear time after time: 'I like it like that baby".... Sincerely yours, Lars & Maarten

Crackboy returns to I'm a Cliché for a second EP with the label. Crackboy, the mysterious and anynomous beat junkie, so skilled at blending timeless hyper dirty sounds, for the first time has made room for original vocals. He presents three new killer tracks.1. First track 'Apes' is a sexy house song made for taking one's shirt off on the dancefloor. Vocals are sung by a previous member of the band Haussmann, Claude Violante, now colabrorating with Crackboy for her solo projects.
2. On the second 'User', a sampled ghettoish speech with aggressive claps and ecstatic chords leads to climax halfway through.The fucking monkeys are coming', says the guy. Picture them on the dancefloor, now.
3. The closing track 'Kiddo' is all about muscled acid and soundsystems being given a rough time

We’re taking it back, one more time, to 10th Street's self titled debut album. This time, Mighty Eye Records is proud to present a down and dirty lo-fi remix of the opening track “E.A.R.L.’s Theme” by the one and only DJ extraordinaire Tom Noble (Superior Records / Superior Elevation). Backed with the original version of “E.A.R.L.’s Theme” on the B-side, this 45 is guaranteed to keep you moving on the dance floor

OVERVIEW: Engelwood, or Matt Engels, is a viral 24 year-old future funk, lo-fi, hip-hip and electronic music producer from Brooklyn, NY. Drawing on influences from producers like Flamingosis and Vanilla, as well as Japanese Funk and Soul music, Engelwood’s music could best be described as the soundtrack to your trip to the beach. The blends of funk, soul and tropical music, together, creates a unique fusion of sounds you can relax or dance to. Engelwood is also known for his productions for Dillon Francis, bbno$, Cuco, sophie meiers, Mia Gladstone, and Yung Gravy’s biggest hits such as “Knockout” and “Yung Gravity.”

Jonah David has been creating and releasing music as Fantasy Camp since 2012, when he began producing and making beat tapes at age 16 in small-town Pennsylvania. Now based in Wilkes-Barre, and 10 years older, David has built Fantasy Camp into a gothic dream pop powerhouse, celebrating his first label release with Casual Intimacy on Memory Music.

The record comprises seven tracks of bedroom-produced, universe-sized dream pop, lo-fi R&B, indie rock, and electro-pop that document the aftermath of a long-term relationship’s dissolution, and the complexities of dating outside of the parameters of traditional, long-haul partnership. Casual Intimacy captured that weirdness.

David grew up in Hamburg, Pennsylvania, and started Fantasy Camp as a faceless project to put out a massive collection of mixtapes and production work. Over the years, he built up confidence and desire for a different pace, and by 2018 started adding vocals to his work. Initially, he would record on his phone’s voice memos function and clean it up on his computer, but over the years he collected equipment to outfit a basic bedroom studio setup.

'The Last of the 20th Century Girls' is the storied second album from London-based artist Findlay - a full-fledged offering born of a personal journey that sees her at her most open, transparent, and introspective yet, drawing upon her own personal experiences since the release of full-length 2017 debut 'Forgotten Pleasures'. With complex, fully-realised themes ranging from grief and loss to the struggle of losing and re-building one's confidence, through to the challenges and pitfalls of the past couple of years, all serve to inspire a range of tracks across the album. Mastered by five-time Grammy award winning engineer Antoine 'Chab' Chabert (Daft Punk, Charlotte Gainsbourg, Sebastien Tellier) and self-described as a "late coming of age story", drenched in nostalgia, melancholy and the kind of strange experiences only a misunderstood millennial could have; the album effortlessly blends a diverse melting pot of breezy alt-indie, psychedelic pop, dreamy lo-fi chill, indie-rock and expansive cinematic sounds. It's Findlay at her genre-melting finest, and a sharp, tasteful insight into her unique artistic psyche; a perfect representation of her impeccable alternative sound.

Grey October Sound has gained widespread popularity not only in Japan but also around the world through their series of cover albums, including Lo-fi Ghibli,
a collection of Ghibli film music covers; Lo-fi City Pop, featuring covers of classic and beloved City Pop songs; and Lo-fi Anime, which reimagines popular anime
theme songs in their signature style.

Amid the success of their original compilation series Timeless Lo-fi, they are now launching a brand-new series titled Late Night Lo-fi.
This new album, composed entirely of newly recorded tracks, continues to reflect Grey October Sound’s distinctive style while offering mellow and chill tunes that
evoke the atmosphere of late-night hours, just as the title suggests.

 “As a human being it’s really important to feel and express
emotions whether happy or sad,” says Hiro Amamiya, the
Teleman drummer whose solo guise is Hiro Ama. “I sometimes
struggle to and so these are a collection of songs that explore
different emotions. I want people to feel something through my
music so I called this EP ‘Animal Emotions’.”
 Amamiya follows up on swiftly on 2020’s field recording-heavy
EP ‘Uncertainty’ with a record made in his bedroom and during
a time of introspection to create something even more personal.
“On ‘Uncertainty’ I was using sounds from everywhere and
whatever sounded good,” he says. “But for ‘Animal Emotions’ I
stuck with fewer instruments so the EP feels much more united.
I also used more acoustic instruments as I sometimes feel
electronic music in general lacks some organic and human
elements so I tried to make this EP as organic as possible.”
 However, buried beneath the warm electronics, gently pulsing
grooves, infectious melodies and immersive soundscapes - that
veer from disco strut to IDM via jazz-laced ambient - you’ll still
find some field recordings. “You might not hear them as
obviously as on my previous EP but field recordings are there,”
he says. “I like them because it's very spontaneous and gives
some human feel. It also adds some air to a recording which I
quite like.” On the opener ‘Free Soul’ - which marries funk bass
with subtle electronics and squelchy grooves - you can hear a
voice sample of a woman from Southeast Asia singing a lullaby.
 “I wanted to make an up-tempo and danceable song so I can
dance in my room during the lockdown. I got lost in Jazz music
the last couple of years and it really changed and opened up
the way I make music.” The moods, tones and emotions on the
EP shift as seamlessly as the genres, never quite settling into
one single place and constantly exploring and expanding into
new musical terrain. A process mirrored by Amamiya’s own
varied influences and tastes that were funnelled into the record,
from film soundtracks to IDM to spiritual jazz such as
‘November Cotton Flower’ by Marion Brown and ‘Harvest’ by
Pharoah Sanders.

Repetitive actions, looping in your head forever. Forever? Never. Zero is endless. All flowers and fades. No permanence is ours. We are a wave, that flows to fit. And yet, “Music for a film”, a cassette tape by Swedish artists Sofie Herner aka Leda, inheres the power for perpetuity. A circulating dreamland, built on loop pedals, guitar, and tape manipulation.

The Malmö based artist, who is already famed in the global experimental, improvisational, lo-fi noise underworld for her own musical creations as well as being part of bands and projects like Enhet För Fri Musik, Källarbarnen, or Neutral, brings music made for the film “Dödfött“ - an interactive flick by director Niklas Hansson about failed online karate and caducity, screened with a stage art performance at Hypnos Theatre, Malmö, in early autumn 2022. Cinematic sounds for all the Velvets, that never awaken from their first DIY Super 8 dream.

Colorful, yet monochrome electrified and acoustic guitar melodies, monotonous, working like drones, getting all stranded in the zones. Six minimal compositions. Full of plenty, always friendly. Heavy, calm, dreamy, shredding, scratching, created for the woman of the world. And all other creatures, that seek features in unbroken repetition. As nobody keeps any of what he has, one day the eternal veil of forgetfulness will warp us all. Until that hour we dance in circles. Making karate moves, sidestepping caducity, reenacting ourselves, endless at the edges, through night and day, craving form that binds. As form is emptiness, emptiness is form itself. Welcome to the world of Leda, riff, 7/4, loop, the young, the middle aged, the old…

Tape is hand-stamped along the top, in printed card housing, with