House News

Kolja Gerstenberg serves up a funky four track lo fi House and Disco EP for Lumberjacks in Hell. The German drummer has previously released on Suol and Smile for a While.

En Transito is a document of the evolution of the Ambien Baby collaboration between D Tiffany and NAP. An ode to friendship and creative symbiosis. The tracks on this record showcase the project from its beginnings in 2015 to present day.

A term for listening to sounds within the body as a method of diagnosis is a poignantly perfect moniker for Portland producer Joel Shanahan’s most elusive and emotive electronic aura-reading solo alias: Auscultation. III arrives a full four years after its SILK predecessor, L’étreinte Imaginaire, delayed by tragedies too expansive to enumerate.

Throughout, these shadowy psychic rhythms percolated at the periphery, as both escape and exorcism. The songs share a smeared mood of longing and lament, foggy melodies gliding through low-lit spaces, dissipated dance floor ether spiraling like smoke under a streetlight. It’s a music of faces in the night and things unsaid, swaying at the threshold. What could have been and what will always be.

Mastered by Eric Hanson. Design by Britt Brown.

3 versions of Drake, Moby and Jill Scott that motherfuckin' WORK !

Already in heavy rotation for Mella Dee and Patrick Topping...

DJ Support:
***The Black Madonna - “This god damn thing goes off every single time. It's so good. I love it”
Mella Dee
Patrick Topping...

We are happy to welcome Jan Ketel & Siggatunez back on wax
together. While Siggi introduces the A-side with “Queens”, a
90ies RnB-flavoured piano anthem and continues with
“Downtown Pattern”, a typical rough and rolling piece of
samplework with a twist, Jan keeps going on the B-side with
“Bring Me Back”, a very impulsive and funky floorfiller and
finally satisfies us with “Juno's Prophet”, a deephouse futureclassic from the books you can listen to endlessly. Both give
us their trademark sound which is all we want!...basement and
dancefloor approved!

Charmin Records has long been a formidable outlet for considered house tones, and on their latest V/A, the German label reminds us in emphatic fashion just what they're capable of. Featuring four delicious house cuts, this is an expertly crafted release with four tracks of different but equally delectable persuasion on show.
Opening up the release is the sounds of Wasserfall & Vaage's 'Orbits'. A sci-fi tinged cosmic workout, it's galactic properties are matched only by its sheer dancefloor ethos. A banging track that's perfect for peak time 'floors, it gets us underway with some panache.
Garben's 'Exploitation' is a different track altogether. An analogue-inspired jam, it features all the hallmarks of a classic Larry Heard jam. The perfect track with which to welcome in these warmer climes, this deep track is characterised by its fuzzy, melancholic ethos.
Next up is ØA°ll Ha°tes' 'øøø9'. A steely, industrial track with echoes of Shed at its core, it's both a warm and uncomfortable effort, but one that's thoroughly beguiling throughout.
Culminating the package is FM's 'Saturday Voices'. This one is decidedly more banging, with an unrelenting kick and a catchy-as-hell baseline at its core. A fine effort with which to sign out on, Charmin's latest is just like the label's name suggests: absolutely charming.

Our fifth release is coming from the East. Scruscru is making his debut appearance on the label alongside Jehan. London-based Joe Corti on remix duties.

The "Forever Sabrina EP" is the premier release of Falko Kraus aka. K.Fog on Mancha Recordings. He is one of the originals of Chemnitz´electronic music scene and one of the Heads of the Beatconnect Crew. K.Fog has already brought out music on the Paris based label - Entropy, on 2 Bit Crew Recordings from Denmark and the German - Ranges imprint. The remixes for his debut on Mancha come from the Berlin based house heads KIM BROWN (Permanent Vacation, Freerange rec.), Italo Disco legend MR PAULI (Clone, Viewlexx, Bordello A Parigi) and Mancha Recordings Label head BACK FOR GOOD. Only one question remains: Will Falko ever tell us who this mysterious Sabrina is

Gafacci is well known for notable artist collaborations, eclectic edits and his Asokpor productions. On this new four track EP, he steps out of familiar soundscapes, driven by his steady desire to ex-plore a more melodic side of his own production style. This led him to experimenting with the ,Lo-Fi' and infuse it with afrobeats as well as diverse tropical sounds.
Over the past three years, the Accra based producer, DJ and songwriter Gafacci had been circulating around the term ,Low Fidelity' and he dedicates this album to all those across the globe who can relate and support the music.
The Title ,TASH BNM', meaning ,Tash bought new music' is inspired by the notifications of a music connoisseur's weekly purchases on bandcamp.

Noteworthy are also the featured artists, from multi instrumentalist Nii Quaye to Chefbanku, singer Amaarae, Ghana Music's OG Kyekyeku and rappers Tinuke & Lazee, each guest complements to this timeless piece of music in their own unique way.

We present you the third installment of our white label only vinyl series, Esuoh White. Handstamped V.A. including four house gems featuring Tom Jay, TeeTee, James Pepper & VHS.

vinyl only!

A slightly rugged rhythm creeps out of the speakers as muffled drums build into a hypnotic wave of rough and fuzzy samples topped with layers of springy synth lines. The distorted essence makes it seem as if it was produced with the help of a cheap sampler and drum machine in some Chicago basement back in the days, but it's not. After pleasing us with loads of his disco cuts, HDSN is back with a more controversial record for our NBASTWAX005 . Dreamer' is a dusty four track beauty, that shows us another side of the young beat maker. HDSN´s music isn´t typically associated with lo-fi house, but if you are into the genre, you owe it to yourself to give it a listen. #datsoulthang

Mysterious Works return with a superb VA following the success of EP's from Krewcial & Jank earlier this year. The imprints attention to high-quality basement cuts is ever prominent, with a number of underground kingpins bringing the artistic vision throughout the EP.

Kicking off proceedings is underground heavyweight, Chicago Damn, who's 'Uncle Bob' provides an exquisite, low slung, downtempo slab of boogie fusion. Osaka's Kousuke Koga (aka Jank) makes his second appearance on the label, this time teaming up with Preston's finest Simba for a deep, brooding, soul-laden number, mysteriously entitled NLA. On the flip side, label co-owner Jonna steps up the intensity with a no-nonsense, loop-laden workout while fellow co-owner Darran P provide's an infectious rework of a lesser known 80s classic! Keeping the momentum going is Iceland's Intr0beatz who's track 'Start To Make Sense' is a huge club friendly cut already a favorite with the like's of BBC Radio 1's Artwork.

DJ Support from -

Artwork, Marcel Vogel, Norm Tally, Horse Meat Disco, Red Rack'em, Pablo Valentino, Bill Brewster, Mad Mats, Soul Phiction, Charles Webster, Jimpster, Fred P, Crazy P, Gerd, Loco Dice, The Black Madonna.

GEORGI BARREL RHYME GOES ON (w/HODINI + KEREM AKDAG REMIXES) (01/02). Georgi Barrelis a producer whose reputation is enhanced with every passing release. A musician in the truest
sense of the word, Barrel is a sound obsessive with a penchant for knocking out quirky and unusual -but always enticing - house music.

From that perspective, his signing here to the Istanbul/Barcelona label, Petra Digital, is a snug fit. Flanked by some fittingly complimentary remixes by Hodini (of Max Graef and Glenn Astro's
Money $ex label) and Kerem Akdag (one of the Istanbul's most exciting new producers), this is a release that's characterized by good-time vibes throughout.

Opening the release is the sounds of the title track,'Rhyme Goes On', a discerning gem that metaphorically brings the listener to pastures new. An ethereal, dreamy cut, its dreamy soundscapes already has us longing of warmer climes. By the time the jacking vocal comes in to play, it's hard not to be charmed. Kerem Akdag's interpretation is no less emphatic. Akdag goes heavy on the synths, using them to give the remix its own sense of momentum. Pitching the vocal down considerably, he instead lets a stunning baseline and some clever
percussive tones lead the way.

The flip side kicks off with the other original, 'Recycling'.Clearly indebted to classic Dance Mania sounds, it sees Barrel deliver another almost effortlessly simple but devilishly catchy original. A majestic piece of peak-time house, it's rough-and-ready approach is sure to win it admirers aplenty. The release's closing gambit comes
courtesy of Hodini, who turns 'Recycling' on its head courtesy of an analogue-heavy jam that owes much to the dusty sounds of Moodymann and Theo Parrish. A gloriously melancholy cut, it's subtle but also striking enough to make an impression on the 'floor.

A classy example that sounds off an altogether exceptional release, Petra Digital's first release of 2018 is an an auspicious one indeed.

New 4 tracker on Voiceless
Music by DJ NYX, artwork by ARCH/
Limited copies

With 9 digital releases already under their belt, the time has come for the Sundries label to kick off their vinyl catalog with a bang.

Courtesy of Dream Raw Recordings main man gutinstinct, the '4 Real' EP is a sample-heavy four-tracker with it's sights set on sunsoaked floors. From the filtered disco delight of the title track to familiar feelgood vibes on the flip, this one is sure to do the trick.

Volume 7 continues our beloved Various Artist series, welcoming fresh faces to the camp. Mikki Funk, Dub Striker, Marc Cotterell and Outstrip drop some serious dance floor business on this one.
As always it's a limited run, when it's gone, it's gone!

Kinway is short for “no fuckin way!“ And that is exactly what
we thought, when we stumbled upon this suite of lush detuned
chords, heavily filtered down drum machines and wobbly,
pumpin tape compression. „It’s raining here“ is a five track LoFi manifesto that just waited there to be pressed on wax. …So
now it is. And it’s all yours! “Shit’s gettin’ wiggly”

Mlin Patz is a solo project of Chillera band member Polina Matskevych (electric guitar), an outlet for her experiments with sound collages, field recordings and dub sound — all accompanied by a warm southern guitar sound.

Sunlimit — exotic electronic dub with electric guitar and tape hiss, can be used for both — for listening rooms or dancefloors.

Inspired by well-known dub pioneers and recent RAMZi, Jan Shulte and DON’T DJ.

Perfectly comes together with Chillera - Pro Fun 10” on the same release date 6 September 2019!

Imagine yourself chilling on the sunny sea coast during summertime, among mountains, salty air, cypresses and junipers, listening to dub and wistfully nodding your head to the rhythm. It is not a meditative mantra, though. It is the Odessa band Chillera, listening to which, you can easily move yourself to these landscapes.

Not only their creativity but the whole atmosphere of our conversation suggests such associations. Anya Brizhata, Polina Matskevich, and Nastya Marikutsa speak smoothly and confidently. Their speech sounds tranquil and connection with nature seems unquestionable. As if the environment and the rhythm of the southern resort town found in them the very embodiment they searched for.

Chillera started in Crimea where Anya and Polina worked together at a construction site. For three summer months after a hard day’s work, they played musical instruments, listened to hi-life and King Tubby, and enjoyed the beauty of the Crimean landscapes. Some workers wore jackets with “Chillers” labels of air conditioning systems, that turned into the band’s name “Chillera,” that signifies relaxation, meditation, and chill.

“One musician said that our band is a group of profanes (Rus. Profan – ignorant, incompetent). We thought that, in principle, it makes sense. Profan is like a ‘professional fan.’ So we made a track. We began to imitate some jazz-funk stuff and joke about it. That’s how the idea of Pro Fan. came about.”

The title might also be read as Pro Fun, or ‘About Fun,’ if transliterated. That’s where the unique charm of Chillera is, in their ability to find a positive meaning in the things far removed, transforming it into the source of their main strength. It is the music, which paints breezy summertime landscapes in our imagination.

Including the long waited tracks from Ricky Razu "Motions" & "Constantly" , bringing back the mighty deep acid house boy JABES & last but not least already a pre taste, the first track for now from Interplanetary Criminal . Cause there are plenty more coming.

Dreamy housy melodies, with warm pads, lush sequences & basses with classic drums, how it should be. Deep dark & atmospheric sound design drowns in professional distorted themes & drums.

Singer, songwriter, composer and multi-instrumentalist, Desmond Coke's supremely rare, privately pressed, lo-fi, synth-soul fusion, Let's Chase The Sun is represented here in edited form. Painstakingly remastered from the original tapes, this self taught pianist, drummer and sax player condensed his musical experiences and dreams in to an opus on love and togetherness.

Desmond Coke alias 'Fatfingers' - named by fellow musicians due to improvisation and interpretation skills - began playing keyboards by ear at 15 and went on to a music career playing with the likes of Alton Ellis, Prince Fari, Barrington Levy, Dillinger, Don Cherry and Shara Nelson, as well as a gamut of the On-U Sound label's projects, including Creation Rebel, Dub Syndicate, Singers & Players and Mark Stewart + Maffia.

With an interest in reggae, dub, jazz, soul, meringue, gospel and garage, his sole album was a true fusion to create a brand new sound. Composed, arranged and produced by Coke, he worked with an array of seasoned musicians, including his own sisters Winifred (percussion / vocals) and Paulette Coke (percussion / DX-7 & M1 synthesisers).

Pressed on his own Saterlite Entertainments in 1989, Coke describes the album's purpose, "to get the message across to have focus, ambition, to dream and 'chase the sun'. That relationships are important, 'I need somebody' and naturally the chemistry is 'you and me'. Great relationships are about friendships and that it's ok to 'mesmerise a friend'. The most natural thing is to enjoy each other's company and to 'make a love child'. These good intentions and meanings, where love is the key." Some thirty years later Desmond's thoughts are as resonant today as then - Let's Chase The Sun.

2nd vinyl release from Dream Raw Recordings featuring Sportsmen & Why Axis, Wallabee, Slim Hustla, gutinstinct.

Emotional sounds just right in time for the summer parties on the beach. Just pure melo keys drowning in dreamy pads & driving drums with hazy hats. Put your hands on this one fast, cause there are only 300.

Falcon Black Ops returns to UTTU with more groove based but hard hitting techno jams. Recalling a tribal sound, not heard since the late 90s, the aesthetic is updated with more modern production values. Relentless, and aimed purely at the floor, these cuts are essential for all phunk edged, tool based DJs.

Warsaw-based Bartosz Kruczyński returns as Earth Trax to Phonica’s main label, following on from last year’s well received ‘L’Avventura’ 12”, this time in collaboration with regular production partner Newborn Jr.

The pair have created a string of brilliant records together, such as ‘Sax & Flute’ on Rhythm Section, ‘Mirage’ on Les Yeux Orange and ‘If You’ on Shall Not Fade. Bartosz also has a growing solo discography under his own name, along with a variety of aliases such as The Phantom, Pejzaz, and of course; Earth Trax.

The A side here leads with the title track ‘Truth’, in which rose-tinted reminiscences of the golden early 90s era of House music echo, with dubbed out diva vocals cascading over wide snares, 303 acid lines and that almighty bassline, appearing through shimmering delays and reverbs in a vision of bygone nights at the Hacienda or Shelleys. Next up is the ‘Back Alley mix’ or a traditional dub mix - everything you need from the main mix but less vocal and more plays on THAT bassline with dub effects.

On the flip, as its title suggests, ‘Old Way, New Way’ bridges the gap, combing the same bassline driven Chicago house stylings with the deep new age textures that have characterised previous releases from the pair, flutes and pads floating sweetly above jacking drum grooves, reminiscent of mid-90s Italo House. Finally, ‘And Then’ fulfils the transformation, with ethereal late night pads enveloping a more lofi rhythm section and more flute for a more subtle, end of night Don Carlos ‘Alone’ feel.

Oblique Russian sound strategist Natalia Salmina’s latest forking path portfolio as Atariame, Voiceless, arose in the wake of a dissociative relocation to Moscow, where she found herself adrift amidst a manic metropolis, alone in a skyscraper staring out at trees: “It made me lose faith in my ability to communicate, in my ideas about life.” Days without speaking turned to weeks. Even in private she felt estranged from her voice, and soon ceased singing.

For solace she turned to her Waldorf Blofeld, mining its panoramic frequencies to craft a shivering suite of futurist-noir nocturnes and rhythmic noise vignettes, equal parts exorcism and manifestation, desperation and delirium. Track titles hint at the headspace – “Outside At 5 AM,” “Same Thought All Day,” “Stay Late” – mirroring the music’s mood of hoods up, headphones on, wandering empty urban tunnels under flickering streetlights. Enigmatically, Salmina slips in a sliver of spectral voice on the intro and exit songs (“Breathe Exercise” and “Deconstruction”), framing them as induction into and escape from the cryptic isolationist condition of the rest of the collection. Mastered by P. Nikolsky, Powerhouse Moscow. Design by Britt Brown.

Platform 23 returns with the reissue of songs from Canadian project, Vini Vidi Vici. With just one privately pressed mini-album in 1989 that bridged the gap between the later years of New Wave and the early vestiges of House, the music included in this edited EP highlights a thriving Montreal scene in its heyday.

Vini Vidi Vici was created out of two different music backgrounds. Paul Klopstock was a classical pianist, while Mario Langlois was a DJ, self-taught musician and radio producer, who came together when both worked at the underground arts / club Le Lezard. Starting in 1986 the space mixed painting, drag shows and bands alongside the latest alternative sounds, from Rap to New Beat, Electro to Acid Jazz.

As House and Techno started to filter through, Mario (aka Ave Mario) and the other resident DJs laid the ground of what was to come. From this Paul and Mario collaborated from late 1987 through in to 1988 and created the mini-album, however this EP concentrates on the duo's self penned work.

Recorded at Oliver Sudden Production studio, the A side is made up the raw House of 'Club Stuff" and Native American meets avant percussion of 'Vini Vidi Vici'. Showing a confidence and experimentation beyond their years, the two tracks production and all round hypnotic danceability, highlight why original copies are so prized (and expensive).

The B side follows with two tracks recorded in Mario's home closet studio. Lo-fi to the max and improvised, the no wave / world beat experience of title cut, 'Ou Sommes Nous' and the proto-electro-wave of 'AA HHH' are like something again, a mesmerising fusion and quite unique.

Self pressed, the project ventured to live performance and (sadly unreleased) remix work, before the partners went their separate ways, however this archival document can be seen as their own special conquest.

Marquis Hawkes kicks off 2019 debuting on UTTU with 4 romantic house gems aimed at the mind, body and soul of the dance floor.

After teaming up with label boss Coco Bryce early last year, Dead Man's Chest aka Alex Eveson goes in for his first solo release on Diamond Life.

Drum Shanty is definitely the more rowdy one. Going straight for the throat with a ragga chant and gritty lofi drums, it'll surely get any party started in no time. It's rough and rugged, but still retains Eveson's trademark subtle style and flair.

Blue Mountain is a whole other beast. Its low pitched breaks and quirky melody make it sound more like a double tempo trip hop tune than the junglist skank outs you might expect from Dead Man's Chest.

This time ER welcome the Norwegian duo Chiraya for their first solo EP. This sheer beauty contains 4 raw house analog tracks that were all played/recorded live and crafted in the spirit of the 90's

Vinylization of the recent home fi cassette (originally released on the Australian Brierfirld Flood Press label) by this magnificent New Zealand singer/songwriter. We were never able to score a copy of the tape, despite the fact we released Maxine’s last LP, Silk FTR 410), so we figured we would perform the public service of making it generally available to the whole wide world. That’s just the kind of guys we are!

Recorded in stark and simple terms, home fi represents Ms. Funke working mostly with just acoustic guitar accompaniment. And it’s a classic. Most often, I’m put in mind of the Dandelion era recordings of Britain’s Bridget St. John. There’s a plainspoken quality to the songs and an equally straight forward approach to the musical bits that may not be indicative of the scope of Maxine’s musical art (which has lots of space for odd noises and techniques), but it sounds just gorgeous.

Hard to imagine anyone who actually likes music not falling for the sound of home fi. But hey, there’s a clown born every minute. Not you of course. But look around sometime.

-Byron Coley, 2019

Daughters Of The Sun's singer / guitarist Nick Koenigs has been toiling solo as Filthy Huns for a couple quiet years at this point, layering grease-stained drum machines with badlands guitar, mirage keys, and desolate vocals, alternately broke-down and road-burned. His debut is a dusty midnight ride through black hills. “Watch Of The Bear” in particular captures a loner-in-leather mood, headlight off, pushing 70, chasing the horizon under a sea of stars. Elsewhere there's woozy, hungover dub (“Hot Morning”), peyote campfire awakening (“Infinite Ride”) and stoned sunshine raga (“Out Of The Grave"). Barren times on the highway, through darkening deserts.

Returning After A Long-lasting Hiatus Is No Mean Feat - How To Stay Relevant, To Plug The Gap And Come Back As Strong As Where Things Were Left Off. A Man Called Adam's Return However, Is As Emphatic As It Is Endearing. Sally Rodgers And Steve Jones Are Back With A Brand New Album Of Melodic, Emotional, Pop-not-pop Tracks, Bringing Fresh Layers Of Feeling, From Warmth And Passion, To Sentimentality And Sorrow.

Displaying A Wealth Of Knowledge Gained Through Two Lifetimes Spent Immersed In Music, Farmarama Showcases A Myriad Of Styles And Richness In Arrangements. Moving From Soulful Slow Jams To Lo-fi Disco, Balearic House To Dub, Post-rock Electronica And Art-house Ambience, There Are Glistening Horizons And Windswept Beaches Conjured Up At Every Turn.

Take To The Likes Of 'mountains & Waterfalls', 'farmarama' And 'michael' And Hear Dancefloor, Disco Tinges That Marry Live Percussion, Sultry Rhodes And Hearty Basslines, Oozing Emotion. But Venture Deeper To Uncover A Pensive, Yet Equally Expressive Side To The Record Through Tracks Like 'higher Powers' And 'top Of The Lake'. Take The Later As An Example, A Neo-classical Slice Of Magical Ambience, That Wouldn't Be Out Of Place Soundtracking Sweeping Views Of Shimmering Scenery. Or 'spots Of Time', Beginning As A Frenetic, Glitched Out Piece Of Electronica, Before Opening Into A Brooding Breakbeat Journey.

Full Of Vintage Warmth, Analogue Synths And Intricate Textures, Rodgers, Jones And New Collaborator, Paul Smith, Combine Experimental Touches With An Undeniable Catchiness, Balancing Electronic Elements, With Acoustic Sparkles. In Harmony With This, The Contemplative, Poetic Verses, That Considers Life As A Hi-definition, Westworld-like Simulation, A Farmarama, And Disco As A Way Of Being, Meld And Morph A Conceptual Narrative That Tugs On The Heartstrings Of Life.

Farmarama, Then, Isn't Your Archetypal Album. It's An Emotionally Charged, Intelligent And Enlightening Body Of Work That's Balearic To The Bone.

Over the course of his first two releases, Jeunesse 7 wants to tell the tale of the 6 Jeunesses that preceded him.

'Hobbies galore', an effort to describe the lives of Jeunesse 5 and 6, is the logical follow-up to Nividic. These lives happened to be longer than the previous ones; successes and failures led to fuller, richer and more exciting chapters. The two sides of the tape patiently narrate a journey through different landscapes and let you follow the two Jeunesses as they spend their days with various hobbies, from calmer, soothing ones to more active and exhausting ones.

The tracks are charmingly lo-fi and warm; the beats slow and crackly.

The entire tape was made using a cursed Roland Sp404 sx, filled with broken beats, warped vocal samples and playful synths and glitches. The sounds range between meditative ambient, lo-fi beats to study to and jungle. The composition is relaxing and zen, but in the meantime will give you enough quirky details to hold on to.

Enclave Records returns for its second release, following the well-received sell out debut from Denmark's Bioroot.

ER002 sees the label drop the debut release from covert operator Moutier. Personal fans of previous work under their original moniker, Enclave jumped at the chance to release the first four choice cuts to see the light of day from a selection of tracks intriguingly labelled 'new project'.

MOU001 commences proceedings with a serious statement of intent. Built around a driving, hypnotic loop, a heavily syncopated groove purposefully hustles its way in and out of a continually evolving filter envelope. Having been extensively road-tested over the last few months, the track's ability to move a floor has been well established and a future as a long-standing secret weapon beckons.

If the EP's opening track focuses intently on creating a heads-down atmosphere, MOU002 effortlessly opens up the horizon, serving equally well as an early-doors mood setter or a light through the shutters moment. Brittle hats concatenate as ethereal pads ebb and flow, the touchy-feely bass frequencies adding to an overwhelming sense of wide-eyed innocence.

MOU003 raises the temperature with a grainy groove of the highest order. Taking its retro-futurist cues from classic Motor City creations of the past, brutal bottom-end pressure bumps up against layer upon layer of raw synthesis, creating a fevered sense of urgency only heightened by the relentless percussion workout.

MOU004 seamlessly rounds out proceedings, fusing timeless house sensibility with a sound design very much of the present. Its tactile melodics and insistent vocal refrain draw you in, as the insistent bassline snakes its way through murky drums. The breakdown comes on as cool as a coastal breeze before stepping back off into the night for one final foray.

Ace ambidextrous addendum to Brandon Knocke's latest limited vinyl offering, Midnight Companion crossfades a dreamer's delight pirate mix of unreleased originals, flowing through glow-fi house, balcony bump, decadent noir, and assorted velvet rope rhythms. Both sides slip and slide with signature Body San swing, out late with nothing to lose, skipping steps up to the roof, a 36-minute 360 skyline of magic hour motion and distant city lights. Bring yourself, bring a friend.

SUPPORT: Ben UFO (Hessle), Oli_N (Phonica), Ander B (Robsoul), Eltron John (Uncanny Valley), Simon Caldwell (FBI radio), Herzel (Hivern Disc), Nori (Posivision), Sascha Funke, Nathan G, Dmitry (Neo Violence) Acid influenced many of us. In fact, for a huge proportion of us, acid kicked off this sweaty, painful, yet incredibly fulfilling journey. The 2 originals by Dircsen utilize the 303 in different ways - the opener 'Beyond Collapsing Silence' sounds like an instant acid house classic with its energetic drums & dreamy atmosphere, whilst 'Depth Scan' slows it down, focusing more on hypnosis. Rounding off the 3-track EP is an idiosyncratic remix of 'Depth Scan' by L.I.E.S. legend, Florian Kupfer. A dubbed out original gets well and truly saturated.

Berlins premiere Bass Collective continue their march into history with yet another TKO vinyl from regular contributor Bridge Guy. His 4 originals are joined by an absolute hammer of Deepness from Jesse Bru who steps up to remix Psilocybin.

Bridge Guy is exploring Deeper sounds in this EP and Isopropyl opens proceedings with a trip of clattering percussion and synth work, all with a laid back slant. Deep enough for the heads but with a sound that just pulls you in.

The theme is somewhat continued in Lone Frenchman, but where the previous track takes a step to the left, The Lone Frenchman turns right and gets his rhythmic jam on. Tightening up the groove and laying the dancefloor to waste.

Psilocybin really pulls the bass and groove centre stage, bouncy and warm and with a whole load of rhythm in the boot. This one is for the turning point right in the middle of the night where things start to get a little more freaky.

Cheese on Toast, drops things back a touch. Thick tones and a more relaxing vibe perfect for losing yourself in, as the last of Bridge Guys originals rounds out a remarkably vibey EP.

Closing out the package we have Jesse Bru's storming remix of Psilocybin, easily up their with some of the best lo-fi House of the past few years. Jesse rings his own vocal work and really heats things up. Peak time killer.