House News

Funkyjaws Music comes though with more of that lovely loose-limbed disco goodness that is never going to fail in energising a decent dance floor. Let's Dance Volume 4 is another various artists affair that launches with James Greenwood & Aniello's feel-good 'Look Of Love' which has it all - the sweet female vocal, the florid strings, the rolling bassline and big brass leads. Scruscru & Los Protos's 'Corason' brings some Latin flavours with a more deep and seductive groove and Jkriv and Love Drop offer up two b-side jams packed with soul and irresistible rhythms that effervesce with uplifting vibes.

Tiger Cuts is back with a brand new EP with 2 remakes of 80's dance hits!

Limited edition, transparant vinyl

Mom's Spaghetti Returns for the 5th installment and it's the biggest record so far!

Club ready edits and remixes of Soul2Soul, Doja Cat, Prince and MF DOOM!!!

After a long break Ketiov is back with his Edits.

A dance floor sensation from DJ Agent 86, now finally gets a vinyl release thanks to DJ DSK and the DNA Edits crew. This well respected Melbourne producer and DJ brings a blend of funky 70s disco samples and hip-hop snippets to 7” vinyl, ensuring a guaranteed party starter. As a special treat, the B-side features a fresh edit of the disco classic "Rapture."

Excitement levels are reaching their absolute peak here at M.A.D Towers as we present the first in the Lextended series. Lex Wolf is no stranger to dance music, being one half of Acid Mondays with releases on iconic labels such as Warp Records and R&S, as well as hosting his own night at Pikes in Ibiza. A serious selector with an ear for gold, his latest offering shows that off in full force, with four roaring edits that roll through new beat and cosmic, to proto house and electro.

Vinyl only, these edits are sure to become a permanent fixture in your record bag. Full support from Seth Troxler and Skream on this one.

The 2nd of 2 singles from the wizards of editing, with lysergic renderings of some well-known pop/dance classics, just not as you might expect.

Finally on vinyl after some considerable time, this one has a limited pressing!

M.A.D have rounded up some friends new and old to bring you this stomping VA.

One of London’s most loved underground parties, Tangent, celebrates its 10th birthday this year with a new compilation on Mr Bongo. Its residents, John Gómez and Nick the Record, have curated a selection of prized, rare and dancefloor-ready tracks that have soundtracked the past decade of their parties. Alongside remastered reissues of these original cuts, the CD version of the compilation also houses three incredible edits from Nick, John and Dan Tyler of the Idjut Boys. These were too good not to press onto vinyl, so we’ve given them the standalone 12" they deserve.

Contextualising their edits Nick states, “Tangent was not only the place for us to play the music we love the most, it also became the testing ground for our edits. It was really helpful being able to see the effect each of these had on a dancefloor before the records were released and many of them also became firm Tangent classics.”

Up first, Nick is joined by Dan Tyler (Idjut Boys), who he runs the edit label Record Mission with, for a furiously feel-good re-edit of Leo Basel’s ‘Quelle Drôle De Vie’. Basing their edit on the 1987 ‘Special Remix’, it does what any great re-work does, dropping the sections from the original that don’t quite hit the mark, whilst focussing on the gold in amongst it all. The result is a slice of peak-time, French boogie joy, that will warm even the coldest hearts.

John then joins Dan at the dials for a cosmic revamp of Love Isaacs 'Surprise Surprise'. A serving of ‘80s electro-funk, dripping in swagger with a highlife tinge. John and Dan extended the grooves for maximum dancefloor power, space echoing it into the stratosphere at all the juiciest points.

Lastly, Nick takes on Rick Asikpo and Afro Fusion 'Let's Get High' from the super sought-after 1980 album, Got To Be Me. Celestial, gospel-infused soul from Nigeria, Nick homes in on the energetic last 2 minutes of the original as the building block of his 12-minute edit. A completely reworked, feverishly paced creation, Nick switches the sections around, saving the slow, soulful segment for a brilliant cosmic breakdown before the track erupts back into its full flow. Synthesised, jazz-funk elation from start to finish!

Schenkelspreizer Vol. 10 – High Spreiz! The 12” contains two
more hidden A + B sides!

Whiskey Disco returns with another brilliant EP by Australian producer Kayroy, known for creating new intersections between edits, reworks, and originals that the label is known for.

A driving, tension-heavy original A-side reminiscent of early Sound Stream, complimented by two wonderfully selected reworks - a smartly tightened up beautiful instrumental gem originally by Japanese guitarist & composer, Shigeru Suzuki, and an almost necessary revision of euro-disco genius Alec Costandinos’s opus "Romeo & Juliet".

A wide ranging and fantastic record all around.

Repress!

Limited White Label kicks off 2024 with a new white label reissue record featuring 5 tracks by Russian DJ and producer Scruscru.

Known for his jazzy-electronic House and Disco joints the Yerevan based musician delivers some of his latest works for this bit of lacquer!

Legalize Lambada is back and there ain’t no moldy gorgonzola in this Italo homage! Legendary cosmic captain Albion returns to Lambada-land and starts this edit compilation with 'Nucleare', a robotic jam seasoned with Italian vocals which serves as a great intro to the release. Ric Piccolo’s 'Disco teacher' on A2 and 'Alright' on B1 are serious floor fillers, possibly ready to injure part of the Boston dynamics fleet after inducing uncontrollable dance moves. At the end it’s Hysteric’s 'Moment' on B2 that prompts a soulful side of italo for some deep machine learning.

We’ve got a rather large bomb on our hands here. Leonid & his friends have lovingly recreated ’Street Player’ with a whole host of talented musicians, but why stop there? So we enlisted the Parisian rework Maître to do what he does best and make a great song even better.

Two special versions exclusive to Vinyl, Dimitri’s epic 'Special Disco Blends’ which is split over two parts brimming with breakneck samba percussion & bouncing brass sections before heading into an epic guitar workout.

On the flip DFP serves up a more stripped back Dub focusing in on the well known sections made famous by The Bucketheads before adding a sizzling synth solo midway for that extra euphoria hit.

Grey Marbled Repress!

A collection of cuts, edits and finely crafted sounds by talented artists.

Pirka Vinyl Cuts - the home of unnamed beats.

New smooth edition of the Jazzfloor Edits series, this time on 7". A pleasure for your ears!

Four tracks from another new school Detroit name who's been around for decades, Tink Thomas, who returned to his first musical love - house - after forging a highly successful name for himself as a hip-hop and r&b producer, not least producing for Madonna's Maverick label.

Although they would happily fit in alongside the latest Kyle Hall or Theo Parrish, thanks to some sexily syncopated work in the rhythmic department, there's a markedly different vibe to the likes of overtly disco-slanted rug cutter 'Gonna Make U Dance' and the prominently reggae flavoured overtones of 'Wat A Bam' and 'Mistic Flow', that means it'll stand out while knowing exactly how to keep the faithful on their feet. Irresistible.

Hand the king of re-edits Late Nite Tuff Guy the keys to an unreleased Silk recording from the ‘70s hey days and you’ve got yourself a recipe for greatness. A’s and Bees line up their second heavyweight 12 inch pressing, with two exhilarating edits from LNTG alongside the first ever release of the original recording. As ever 50% of the profits from this release will be donated towards the British Beekeepers Association.

It's rare to crack the vaults on a recording that’s as good as this, that never saw the light of day. Courtesy of ‘70s Philly International wonders Silk, most famed for their soul sensation ‘I Can't Stop (Turning You On)’ that was sampled by LF System for their 8 week strong number 1 release, ‘Somethin' 'Bout The Way’ has all the elements of a smash hit. As catchy as they come, singalong sensibilities and musicianship of the highest order with vocal harmonies to match, it’s genuinely astonishing that this never got released. Who better to tweak this into an all-out disco stomper, than re-edit royalty Late Nite Tuff Guy. His Disco Dub teases in, loops up and adds extra punch to all the elements that make the original such a standout track, before letting loose those joyous vocals. Big room, full body, DJ friendly business this!

On the B side, the original mix gets it’s first ever release, with LNTG providing a shorter edit of his full throttle re-work to round off the package.

The first release from KLV has arrived, and it is shrouded in mystery. The enigmatic faces behind the label aren't driven by ego, but rather by a deep reverence for the ethereal vibrations that unite us all.With meticulous edits that defy the boundaries of time and space, Kool Little Vibes seeks to take us back to the basics. To a place where raw, unadulterated sound reigns supreme, and the essence of music is palpable.

This was it. This IS it. A true Big Bang for the scene as we know it today, materia prima out of which Príncipe came to be. "Vol. 1" was originally dropped in September of 2006 (first day of school) by Marfox, N.K., Jesse, Pausas, Fofuxo and Nervoso, then collectively known as DJs Di Guetto. With maximum respect for Nervoso's previous (and fiery) path, this was the next level, introducing a new generation capable of improving upon standards and in turn inspiring a still younger generation famously represented by Piquenos DJs Do Guetto: Firmeza, Lilocox and Maboku.

The original compilation included 37 tracks, but we feel this selection of 13 perfectly captures spirit, sound and fierceness, a leap forward from straight kuduro and other crystallized styles that fed neighbourhood parties. Testing ground as well as tested ground, sureshot killers.

Direct transport to the outskirts of Lisbon and the afro-portuguese experience with a sense of purpose, a mission if you will, the certainty of being part of a highly regarded heritage, the vision of fresh forms and details to continue carrying the torch, a futuristic and real transcendence of life conditions and limitations.

Raw, uncompromising, respectful, true positive expression that branched out in all the beautiful ways we were blessed to be exposed to and later helped develop. Africa redesigned, repurposed in the bedroom and for the street, seeking to impress peers and make people happy in the dance. Not always understood and even marginalised within the more conservative-minded strands of the African music scene, this "guetto" style quickly became associated with trouble, even causing Nervoso (a few years older than the bunch) to suspend his DJ activities. There was a sense of danger in these grooves but maybe also of a type of freedom that was not merely artistic, a representation of the less glamorous aspects of the community.

With the crew's permission we reissued "Vol. 1" 10 years ago as a free download package. Now presented in its compact version, it reappears with its power of expression intact, a beacon indicating the future, never a museum piece, prefiguring all the forthcoming new music and new artists to be undisclosed as our catalogue expands. A quick but fundamental touch-base.

From the mind of Caserta comes a brand-new imprint. God Hour picks up where Bridge Boots left off putting Caserta right back to work doing what he’s come to be best known for; turning old school joints, usually not meant for the dance floor, into modern day heaters.

'Playa' takes a '70s ballad about the one who got away and makes it a little less heart wrenching and a lot more danceable! The A side features the full vocal surrounded by the driving bass, drums and horns any good disco record should have. With lush Rhodes, strings and synths to warm things up and make you wonder where things went awry even while you’re 2 stepping the night away.

For those of you who cant come to grips with the fact that that special someone is gone or just plain hate lyrics then flip-er on over for a classic Caserta Dub.

GAMM heads down under with prolific producer Inkswel for a tasty 7 inch crammed with deep hip hop, funk, soul and overall jazziness.
You'll hear reminiscence of Dilla, 90's R&B and even Jersey House (pitched down) on the two track Chill (feat vocals from Blu & Ta'Raach) and Hanna-Ma-Dia.

If you're an open-minded hop hop or soul head...this one's definitely for you.

London polymath producer Josh Ludlow, co-founder of the already seminal MAD Records and one half of the dynamic Make a Dance Duo, explores new sonic territories with his inaugural solo EP release on Belfast imprint Nocturne. Embracing his passion for eclectic disco, hypnotic chug, and music tailored for those transcendent nocturnal hours, Ludlow showcases his versatility and distinctive flair on his debut outing.

Leading the charge on Josh Ludlow's debut solo EP is the bass-led 80's influenced odyssey of 'MindwayS.' A sonic journey through contemporary psychedelia, inviting audiences to lose themselves in the sweet spot where boundaries between reality and imagination blur. In 'Touch,' Ludlow ventures into seductive sonic territory, delving into a world of cowbell-laden, slo-mo erotic disco. Live guitar licks sit comfortably shoulder to shoulder with low slung hypnotic grooves and alluring vocals in "Little Love" - perfect for the more discerning european dancefloors.

'Diska Tek!' delivers a fusion of playful cosmic energy, sitting comfortably between Cowley-esque hedonism and the contemporary Scandinavian greats. The track pulsates with infectious rhythms evoking the carefree spirit of the dancefloor while showcasing Ludlow's ability to blend nostalgic influences with modern sensibilities. With its vibrant energy and irresistible grooves, 'Diska Tek' is a testament to Ludlow's prowess in bridging the gap between disco's golden age and contemporary dance music."

Through MindwayS, Josh Ludlow not only introduces his solo endeavors but also marks the resurgence of Nocturne after a short hiatus. This statement intent by the imprint positions it as a platform to continue to champion forward-thinking sounds.

TN Edits 001
Is based on an old jazz and child song from Denmark with danish child vocals - and now cult classic from Lotte Kærså - titled: "Prøv og Gør li'som Jeg" rediscovered by a dj collective from UK, heavily plaid by eclectic dj's and on the acclaimed collection.

The take on an edit is a straight up techno remix from the Danish techno wizard and genius Bjørn Svin doing his edit of the edit for the first and one time only.

Capturing the soul from the original this is a classic and a hands in the air floorfiller!

After the first ep "the brazilian edits", Biga and Mirko Casalini are back on their label with a second bunch of edits from disco to afro and funk music.

Pleasure of Love reissue imprint, New Islands, launches with a quiet storm, soulful balearic stunner. Kim Yaffa’s Once Bitten was recorded in LA and released on a 1989 private press 7 Inch, only to be buried in american record bins for decades after. A re-emergence of Yaffa’s music on the internet in the last couple years has reached fever pitch, with collectors thirsting for copies of the record. Now, New Islands has worked directly with the artist to deliver an official reissue, professionally transferred from the mixdown reels, carefully restored, and remastered. The title track is an effortless class-act pop tune, with 80s blue eyed soul/Sade inspired sounds, and unknowingly balearic production that make it timeless (reminiscent of Linda Di Franco, Edie Brickell or 80s Fleetwood Mac). The 12 Inch is rounded out by new mixes from Nick the Record (Record Mission) and Michael David (Classixx)

DJ - Feedback

Ian Blevins (Me Me Me, ESP Institute, Futureboogie) - Love the lot!
Eclair Fifi (Lucky Me / NTS) - love the og but really amazing remixes 5/5
Louise Chen (NTS) Lights of LA is the one!
Erol Alkan (Phantasy Sound) Big! Thanks
Severino Panzetta (Horse Meat Disco) - LOVELY
Curses (Rinse France / Ombra INTL / Dischi Autunno)- OG 1988 is gorgeous
Hot Toddy (Paper Recordings / Future Disco / Glitterbox) - New to this one, Once Bitten is a gorgeous bit of balearic pop and the edit works great
Massimiliano Pagliara (Live at Robert Johnson)- nice tunes!
PBR Streetgang - Summer cant come quick enough to play these ones ! great stuff !
Bill Brewster (NTS) Really lovely package will play.
Luke Solomon (Classic / Freaks / Music For Freaks)- Nicks edit is killer
Al Zanders (A-Z, Lodger) - Enjoying the Nick the Record and Dan Tyler Edit!
Ruf Dug - more balearic than burger king ibiza airport
Beyonders (Me Me Me) - nice, like this
Charles Webster - original and MD remix are v cool....thnx
Rollover DJs (Rollover Milano) - Michael David remix is so good
Jacques Renault - Enjoying the Nick the Record & Dan Tyler version!
Rotciv (Live at Robert Johnson / Luv Shack) wowI love these!
Bottin (Bearfunk)- Nick + Dan edit for me.
Ambient Babestation Meldown (Optimo Music / Rye Wax) - Lovely reissue, just at the right time for me to get back into italo-y vibes.
Vinny Villbass (badabing diskos) - More flute! Lovely beach disco.
Heidi Lawden - nice one love the OG
Plaisir de France (Pro-Zak Trax) - Kim Yaffa - Once Bitten (Michael David Remix)!

As the vinyl revival continues to sweep the globe, Copenhagen finally wakes up and launches this new white label edition, which showcase some of the hidden jewels that has stirred the floors of the Danish capital. Supplies are super limited, and demand is expected to be high because these stands out – and too hot to mention, but the focus remains squarely on the music itself…Copenhagen floor fillers…!!

Detroit native Blair French joins the RNT fam with a 4-tracker of burning summer edit heat! From the Brazilian boogie burner 'Cut The Crust', to the cruisy camp of 'Surrender', the 'welcoming' uptempo instrumental disco vibes of 'All Is Welcome', to the explosive and percussive 'Excuse Me', this record is a peak-time party from beginning to end.

Dickie Landry’s saxophones have challenged, soothed, and blown minds around the world in his lengthy career as a jazz and avant-garde blower of the highest regard. He was a founding member of the Phillip Glass Ensemble and (according to Wikipedia lore) introduced Paul Simon to zydeco, one of the indigenous sounds of his native southern Louisiana.

Rarely, though, does Dickie’s saxophone make you want to get up and dance like a crazy person.

Such is the effect of “Hang The Rich,” a nugget of slinky, ecstatic punk-funk that was until recently completely lost to the sands of time. Recorded in 1986 (or thereabouts) in New Orleans and featuring vocalist Evelyn Erhard, percussionist Billy Ware, drummer Ricky Sebastian and Dickie himself on saxophones and a Roland Jupiter 4 synthesizer, it’s the kind of song that compels you to move any which way you can, drunk on indignance and the power of satan’s music.

The track came to DFA via LCD Soundsystem’s Korey Richey, who knows Dickie from back home in Louisiana. After a lengthy search, we located the original tapes in a storage locker somewhere in the Southeast and finally were able to get a clean, quality transfer done here at DFA HQ.

From there, we only had one person in mind for a more DJ-friendly edit: Glasgow’s JD Twitch, one half of Optimo and a selector of similarly puckish spirit. Twitch’s ability to contextualize these older, skronkier sounds for a modern dancefloor are in full display on his version, which hits hard and jagged but then opens up into those ineffable rapturous moments.

Repress!

Early spins from James Holroyd and Ruff Dug.

Pyramid Stage Specials, wrong-speed 3rd wave Koln tekkers, Priceless Zouk & totally unknown Stockport Psych all bunch up on this debut record from Manchester’s OPEN SECRET crew - 2 of the city’s most esteemed DJs who joined forces to put on the best underground night anyone’s seen in years… here come 4 of their secret weapons, from an undisclosed Miles Platting location to ur ears.

Early spins from James Holroyd and Ruff Dug.

These dancefloor-inspired edits have been approved by BMG, Partisan Records and Fela estate, with all profits going to the UN World Food Programme in Yemen.

In Fela’s own words: Music is a weapon of the future, music is the weapon of the progressives, music is the weapon of the givers of life.

Supported by All City Records, Partisan Records, BMG France, NTS Radio, Dublin Digital Radio and Worldwide FM.

Very limited stock first come first served.


12 inch black vinyl, white disco bag in black outer sleeves with a sticker. Hand stamped labels

RESPECT003 serves up two certified anthems that have blown the roof of many a dancefloor before, re-edited for the modern mind, body and soul.

Digwah do it again! A mid ‘90s classic you never thought you’d see reworked into a pure peaktime roller. Buy on sight.

Light Touches Records is devoted to shed new lights on hot rarities, unknown grooves as well as forgotten classics. 2024 welcomes the new 12” on the label with 4 hot and rare gospel disco/funk tunes to uplift your sets and throw people’s hands in the air!

“The Top” is an uplifting and relentless disco roller for incendiary peak times, “Hear my prey” suits the openings with its midtempo funky groove. On the flipside, “Lil Longer” gets deeper and moodier for the most demanding djs out there while “Giving It Up” rounds things up with its lovely boogie vibes.

All tracks have been carefully edited by Andrea Passenger without overdubs, in order to bring the spirit of classic disco manipulators to today’s dancefloors! 12” limited to 300 copies (no digital).

We are honoured to have none other than Jamal Sul better known as Moving Still as the first artist to bless us with two ‘90s Kuwaiti edits on a 12” EP release, the first of the ‘Yallah Ya Ashab’ (Let’s Go Friends) series. The release is in collaboration with Kuwaiti cassette label Al Nazaer who have had a major impact on music from the Gulf region since the ‘80s. Moving Still follows on from his infectious disco floor-filler Sidi Mansour (Moving Still Edit), which took the festival circuit by storm, and his italo-esque edit of Egyptian pop star Azza Kamal’s Maadna Bkra in collaboration with Dutch producer Tjade. Both edits reached #1 in Rush Hour’s best-sellers chart and were played out across the world with support from Palms Trax, Hunee, Skatebård, David Vunk, CC:DISCO!, Esa Williams and Nabihah Iqbal. He recently came full circle with a beautiful 6 track EP Kalam Hub on close supporter Palms Trax’s label CWPT.

For the A side, Moving Still & Disco Arabesquo have combined forces to flip Omrena, a 1998 track from Kuwaiti singer and actor Bashar Ali Sultan, best known for his playful song El Galb El Mehtas. Omrena (‘our lifetime’) is a tale of longing to that time spent with our loved ones and the desire to unite with that lost love. The edit is brought to life with Moving Still’s signature arpeggiated bassline and drums, and masterfully arranged by Disco Arabesquo. The result is a percussive club banger, adding a sense of urgency to the yearning of the original.

The B side Nerjaa (‘we return’) is a mystery of a one hit wonder by the obscure band Firkit el Lotus (the Lotus band). Recorded in 1994 in Kuwait, written by Sultan Johar and produced by Meshal Jumah, there are no further details on the band’s members or how long they were together. The original track was a Moving Still find from a Kuwaiti mahragan (festival) compilation, sharing it with Disco Arabesquo during their first in-person meeting in Amsterdam in 2019. The Arabic new-jack swing track has been a quiet obsession of the two ever since. This stripped back edit transforms the original with a refuelled and recreated 808 drum and sub-heavy bass, with crooning vocals to have you fall in love while dancing in the club.

Who doesn't love a good edit, some nice Balearic, and especially some mystical Balearic edits? Well, that's just what we have here from Matsoaka who taps into several worldly flavours on this new six tracker courtesy of Magic Wand. 'Parlband Utmed Kusten' starts slow and steady, wet and dubby. 'Jah Banana' is a supremely horizontal and sun-kissed beach groove and 'Alligator' cuts loose on glistening melodies and playful chord vamps. Gentle breakbeats power the seductive 'Shish Balearic' and 'Asian Dance Groove' closes out with loose, percussive rhythms and funky guitar rifts. A truly global sonic trip.

Hot on the heels of Daje Cutz Vol. 1 which featured a trinity of talented producers in the shape of Monsieur Van Pratt, Matalo! and Paul Older, Samosa Records modern funk offshoot Daje Funk continues to evolve. Their follow up EP ‘Daje Cutz Vol. 2’ jumps from 10” to 12” so that they can pack in more of the finest dance-floor groove to help satiate even the most enthusiastic listeners among us.

‘Daje Cutz Vol. 2’ brings in five heavy hitting tracks including club jams from M.B. Edit, C. Da Afro and label boss Les Inferno. There are also return appearances for Paul Older and Matalo! who’s Vol. 1 jams were picked up by DJ’s all over the globe.

Up first and keeping the labels support for Italian producers running strong is M. B Edit aka Massimo Berardi. His track ‘Your Love’ is packed with groove aplenty. Warm bass notes, funk edged guitar licks and smooth keys all surround a bluesy funk vocal. Building up slowly ‘Your Love’ is soon dancing head first into Temptations-esque smile inducing vocal harmonies and powerful brass solos which give us a quintessential hands in the air moment.

Matalo!’s 'Abeja' takes us off into heavy percussion edged 70’s vibe house music. This one is a gilt edged groover whose Caribbean flow is a real rollercoaster of emotions. With summer vibes through and through this one could very well become a BBQ rave and carnival staple.

Greek Disco machine C. Da. Afro is up next with ‘Manhattan Groove’ and it does indeed have that 70’s NYC feel coupled with a distinct and vibrant Latin edge. It’s a real musical tapestry of influences all flowing happily through its party spirit. Feel good energy aplenty right here!

Over on the flip label boss Les Inferno gets in on the act with 'Hey Santana' which again has a 70’s Latin spirit swirling around within it’s percussion fuelled soul. This is another wonderful track which brings to mind the Blackout Allstar’s ‘I Like It Like That’ for it’s anything goes crossover dance-floor potential and we all know where that one ended up.

Last up but most certainly not least is Paul Older’s 'Amor Mio' and its a real monster of a set closer which brings to mind a Latin superstition with its heavy funk clavi loop. Paul has come up trumps yet again, he’s a producer to keep a close eye on with his deft dance-floor touches always impressing. Here he has looped this in all the right places as it ebbs and flows constantly with its sultry vocals and string stabs.

If you love your funk with a 2020 edge this is another huge release from Daje Funk.