Fairies, Gnomes, Mermaids, Wizards, Giants, Angels
Harpies, Vampires, Unicorns, A Faun, Phoenix, Hydra
Grendel, Kraken, Dragons, Valkyries & Demons
Ghosts, Witchcraft, Spirituality;
All gateways to another dimension, an anonymous force, we like to call the “Fantasy Zone”.
We are over the moon to welcome Sedef Adasi with her debut EP to Public Possession.
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Antioco churned out his debut ep "The Night Break", two
rich and emotion-filled tracks! "Night Light" is like waking
up from a beautiful dream. The joyful percussion
accompanies a crescendo of explosive grooves that are
drawn-out by an absorbing rhythm, towards a piano solo
composed on a moonlit night.
With "The Black Cat's Shadow" Antioco reveals a deeper
side to his soul through an intoxicating harmonic pad
alongside the bass riff, the vocal sample and the synths
which allow for a darker and more engaging sound.
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Casino Shanghai was a 'techno-pop' band started in the mid-80s in Mexico City. They released their debut and only album 'Film' in December of 1985. An album considered today as cult status.
Casino Shanghai were part of a great cultural change in Mexico and its music scene. The band made various controversial appearances on TV when a band without a drummer or guitarist was unheard of. All members had been in different notorious bands in the local scene. Ulalume was the lead singer of The Casuals (Punk-New Wave) and DenseUndergrowth (Avant-garde). Carlos Robledo and Walter Schmidt were part of Size (Post-punk) and have been playing together for many years in Decibel (Experimental). Humberto Alvarez played with MCC (Prog Rock) and is currently a well-known musician and multi-instrumentist.Before the band split-up they recorded two last songs in 1986, 'Le Tombeau d' Edgar Poe' and 'L'Action Minimal', as part of an unreleased solo EP for Ulalume. These tracks were edited in 2014 on 12 by Mannequin Records together with a remix by In Aeternam Vale.The music of Casino Shanghai was also used for the soundtrack of some Mexican films. 'Crónicas de Familia' directed by Diego López and nominated for the Ariel Award for best original soundtrack in 1986, and 'Juana La Cantinera' directed by José Loza.'Film' has been restored and remastered for this new edition including all original tracks plus two bonus: 'Le Tombeau d' Edgar Poe (Haunted Version)' and 'Cuerpos Huecos' (Spanish version of 'Hollow Bodies' available only on a promotional 7). Limited to 350 copies on white vinyl with a new artwork and printed inner sleeve with photos and song lyrics.
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Ethimm scratches the pop, does a pirouette and then takes another direction. Both on stage and in his productions, the young producer from Zurich shows his unique style. After three releases on the cult label Light of Other Days he now shows himself more danceable and club-oriented than ever before. ‘Don’t Go Away’ has already been approved in clubs several times. At peak time the track shows all his power. On ‘Lies (feat. T.A.V.)’ Ethimm speaks directly to us. His pitched voice perfectly intertwines with the beat and the melodies. The slow groove of ‘Island Jam’ is peppered with a penetrating bassline and playful sound snippets. This EP is for DJs and home listeners alike.
Produced by Elisabeth Thimm. Vocals on A1 by T.A.V. Bass on A1 by Reto C. Gaffuri. Vocals on B1 and B2 by Geraldine Roth. B1 written by Warren Doris, Deirdre Heart and Elisabeth Thimm. Mixed by Hannes Bieger. Mastered by Reto Muggli.
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French Disco maestro Dimitri From Paris' Le Edits imprint is back supplying you with the excellence you've come to expect.
As ever beautiful new versions of deep soul and disco classics alongside the most fantastically realised limited physical artefacts are the name of the game. When you buy a Le Edits release, you know you are holding something très magnifique in your hands!
Le Edits No.6 is truly a treat. A split 12" featuring 2 very different artists, reworked to stunning effect. The A-side sees 2 mixes of Leo Sayer's 1977 stepper 'Easy To Love' sit comfortably across the whole side of wax. A real connoisseurs track, this midtempo treat has seen numerous cover versions and has long been a play for underground DJs and diggers for many years. Naturally, Dimitri has crafted these special versions in true Le Edits fashion - with infinite love, care and respect, from the master tapes - we're even treated to a 'dubstrumental' take that eases Richard Perry's languid original arrangement into new places in the best possible way.
Average White Band's anthemic 'Let's Go Round Again' is a stone cold disco classic, instantly recognisable and one of many highlights in the Scottish groups enviable discography. AWB have long been cherished by true fans of disco and soul music, and their music has been sampled, reworked and rediscovered numerous times. Dimitri brings his deft studio expertise and knowledge to the table and turns out a stellar new remix and 'club dub' of this evergreen mover. With much care, sensitivity and unfettered access to the licensors, source audio and tapes, Dim has managed to breath new life into these records and continues his reign as one of contemporary music's top remixers.
All mixes are fully sanctioned and created in conjunction with the artists, rights holders and Above Board Distribution. These releases are 100% official and therefore essential. This isn't an 'under the counter' operation, Dimitri and Le Edit are here to bring back quality and class to the re-edit game by doing things, once and for all, properly and respectfully. All Le Edits releases include a no re-press guarantee. Utilising the highest end tip-on heavy duty sleeves, and outer protective sleeves, pressed onto 100% virgin vinyl. These new mixes have been legitimately commissioned and will not be available digitally. This product cost 4 times as much to produce than your average Disco edit 12’’ because Le Edits believe in quality first and foremost.
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KosmoramaDisco Vol. 2 is the second of a series of compilations that KosmoramaDisco label begun to release in 2018. This is a follow up of what the label it's been trying to show in the last 2 years. For this we have a new bunch of artists which music styles fit again with the philosophy and taste of the label: from Italo to Dark Disco and Slow Mo all wrapped, as usual, in club dancing format.
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Part five in a series of 12” vinyl EP’s celebrating 30 years of Z Records and the legendary Dave Lee. Featuring sought-after tracks and remixes by, Joey Negro, The Sunburst Band, Loose Change & Gwen Guthrie.
First up the funk fuelled boogie of ‘Stomp Your Feet’ gets a more hypnotic nu disco groove flip from the ever dependable, super talented Hot Toddy delivering a mix that builds and builds. Following that, one of THE best dancefloor tracks of all time, Loose Change ‘Straight From The Heart’ gets the rework treatment from Joey Negro, elevating it even further into stratospheric, peak party anthem territory.
Flip it over to find Dennis Ferrer taking on the sophisticated disco of The Sunburst Band ‘Journey To The Sun’, turning it into a deep but powerful bass heavy groove with techy stabbing synths under those dreamy vocals. Finally, closing out the package a trademark Joey Negro remix of the classic Gwen Guthrie - What A Life that’s sure-fire feel good power.
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Let us introduce to you the Mr. Disc Organization brand new series
"Obscure Tracks", made of essential, stand-out and rare italo and
electro tracks straight from the label's catalogue, remastered and
pressed on limited-edition vinyl for the first time ever.
A very diverse array of material in this special "Volume 1" that begs to
be explored.
Up first, Moy Boy's "Notte Divina" (Divine Version), originally released
in 1990 and recently spinned by Neapolitan instrumentalists Nu Guinea during their infamous set for Boiler Room at Dekmantel Festival. Jet Set's "Love Dance" is pure diamond of Italo disco with exquisite vocals to carry you away. So much anticipated and requested.
On Side B, the fizzlin' electro of 1984 "New York To Moscow" by Jimmy Ross, with busy, bristling drums and plenty of cinematic atmosphere plus the instrumental mix of the heavy funky italo jewel "Shame" by Stephanie overflowing of tropical attitude coming from 1983. All killer, no
filler!
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From the mists of 1981 comes the most contemporary and ground breaking of the criminally underrated London group New Musik, helmed by prodigious writer, producer, mixer and engineer Tony Mansfield (Nick Straker Band, B-52's, Captain Sensible & more).
'The Planet Doesn't Mind' is a flawless piece of shimmering electro disco, uptempo, synthetic, futuristic - almost a perfect fusion of pop and 'proper' electro. A truly exceptional track that stands out through its originality and its sonic aesthetic, the mixing, the lyrics.... everything. An early 80's electronic masterpiece. On the B-side we have the very different, but equally as exciting and forward looking '24 Hours From Culture - Part II', a heavy and moody slice of instrumental dub. A record that, over the years, found favour with contemporary DJ's and producers who sought inspiration from the left-field fringes of popular music, counting Ame and Todd Terje among its fans it is a true left-field nugget, deep and soaked in atmosphere.
This is pretty much a flawless 12" all around, and the fact that it is 37 years old and sounds like it could have been made next week makes it an essential record for any music lovers collection. Sublime.
This is a fully licensed and 100% legit reissue, remastered and repressed in conjunction with Above Board distribution and all relevant license holders.
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Soundway Records kick off 2019 with a 12" EP from New Zealand outfit Flamingo Pier to coincide with their annual island festival, it's a 4-track exotic disco-boogie journey from start to finish.
Strong DJ/selector support already from Bill Brewster, JD Twitch (Optimo), Session Victim, Ray Mang and more.
Following their self-released debut EP, DJ residents Luke
Walker, Dominic Jones and Bradley Craig have crafted 4
dancefloor-worthy tracks influenced by the boogie, disco,
Afro and classic house that their parties are known for.
Slick, rolling disco synths and punchy drum machines are
woven in with Afro-centric percussion and dreamy vocal
chants, for an exotic disco-boogie journey from start to
finish.
Early support for the EP already coming from Bill Brewster,
JD Twitch (Optimo) and Ray Mang, with Earthboogie laying
down a tribal remix of 'Find Your Way' for the digital EP.
The EP is being released to coincide with the Flamingo
Pier Festival in Waiheke, New Zealand on 9 February 2019.
Confirmed acts include Tim Sweeney (Beats in Space),
Harvey Sutherland, CC:Disco, Lord Echo, Julien Dyne and
Earthboogie
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In the early 80s Japan was in a flourishing bubble, becoming the world’s second-largest economy, threatening to overtake the West with its cutting-edge innovation. Middle class Japanese citizens indulged in luxury clothes, imported wine, and international travel, enjoying unorthodox freedom. City pop emerged as the soundtrack to this cosmopolitan lifestyle: an ode to bright colours, sunny beaches and naive romances, with a clear West influence. Such influence also brought together the first health and fitness wave to Japan: for the first time, taking care of oneself was trendy, and Aerobic, the word in everybody’s mouth.
Hyped by the momentum, both the Aerobic Fitness Association (A.F.A. U.S.A, still running) and the Nippon Aerobic Association put together a program to help audiences follow Aerobic classes on channel TBS. Not surprisingly they hired one of the most inspired young talents of the Era, the guitarist Yuji Toriyama (now well known as one of the fathers of Japanese fusion), to perform, together with Ken Morimura (keyboardist for the salsa band Orquesta Del Sol) a series of tracks that could help the viewers keep their body moving.
As surprisingly as it seems, that fusion of killer boogie guitars and synths with kitsch aesthetics was made for exercising. Aerobics is a soundtrack made up of boogie beats that span the genres of funk, technopop and even City Pop with the purpose of getting folks off their heinies and moving around rhythmically. As this album plays fully instrumental, Toriyama’s rhythms and glossy arrangements melt together perfectly with uplifting synths and programmed drums to give birth to a distinguible cheerful atmosphere. An Aerobic Jam.
A refreshing and vibrating experience from beginning to end to kick off the summer in perfect shape.
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Our first adventure with Makèz concludes with Levitation, the sequel to Elevation, their first EP for LPH, which we released on Valentine's Day this year. With this five-tracker, the slinky funk is back, but now it has an added layer of sensual, late-night, richly-detailed disco that slowly heats up over the course of the flight.
The A side is a more contemplative affair, the soundtrack to dancing alone, under moonlight in a cobblestone courtyard or a jumbo disco ball in a freshly-mopped club; it prompts you to close your eyes and dive deep within. The other side is the community side, the overcapacity-party side, the collective-consciousness side, one big-room, sprawling anthem with razzle-dazzle diva vocals in the middle, one beachy, tropical affair that's an all-smiles comedown for the high.
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Salford '95: a rave devotee with a penchant for Air Max cops an MPC1000Â off the back of a lorry & a cheeky lend of a Korg MS-20 from a local sputnik huffer, feverishly setting to work with a battered pile of hardcore breaks and mad love for the dancefloor. A bunch of explosive warehouse cuts are rapidly thrown down before he switches off his machines and heads off down Bowlers for the usual weekend pleasantries. Returning many days later and trounced off a wild combo of mitsis and brown acid, DJ AB is devastated to learn that a crew of lads from Hyde have ransacked his bedsit scrounging for his last ten bag - leaving the recently recorded DAT nowhere to be seen.
Thought to be lost this whole time, Red Laser CEO, Il Bosco (and distant Absolutely Shit family cuz) was 'unbelievably buzzing' and 'jizzing in my pants' upon happening across the item at one of his frequent car boot forays prompting a huge celebration down here at RLR HQ when we realized we'd finally be able to let the public in on this subversive aural gold from one of the scene's most elusive heads.
A super limited white label EP containing 2 dancefloor bombs and a couple weirdo tracks were pressed and hawked in record time back in 2017, and now change hands for top dosh. At the time of writing there's only 1 for sale in the shark pool (discogs init) for a whopping £500 and has got a jizz stain and 'shane is a ball bag' written on it. Almost like someone (possibly DJ Ab Shit himself after hacking into a mates account) is taking the mick here, crossing their fingers for a Japanese investment banker with infinite yen to pull the trigger only to be sent a jizz stain and no record via recorded delivery for an extra £38 postage...Henkin nashi (no refunds) g...
Anyway, for the second instalment from DJ Absolutely Shit and his first 'proper' release, Il Bosco (operating strictly within the original blueprints) has revisited these epochal rave musings and, alongside some help from extended Red Laser fam has tweaked em for modern playage.
1) A Night At Shelley's Laserdome (20.2k remaster)
First released on that white label teaser, now the stuff of nightclub folklore; the original DJ Ab mega-anthem is given a proper release and kicks off the EP; destroying the discogs market value of the white label whilst delivering a bona fide and timeless slice of dance music history to those that need fulfilment. If you missed it first time round, expect rushing vox, tingly melodies and pure ruffage breaks. It's been touched up for maximum grunt too...Tidy!
2) Return To Shelley's (Metrodome, Il Bosco and Begin XR2 M6 mission)
RL Cru on the remix tip! In house mastering specialist, LVLs beatmaker and probably the most underrated producer in the universe, Metrodome joins old guard rukus maker, Begin aka James Holroyd and gets frisky after some warm tins and slack zoots in Bosco's studio. Conjuring up a focussed remix that cracks and thuds HARD we like this new version as much as the OG. Two pharaohs please Dudderz - sharpish! 3) Cut Those Tory's Down To Nowt
Lauded for causing the infamous White hotel 'flasher' to vacate his crow's nest and hit the dancefloor unabashed, it's hard to ignore that rugged bassline and those gliding synth stabs. Throw in some proper b-boy biznis like live scratches and vocodered vox and it's a veritable tapestry of warehouse music wondertropes tha'll find mass appeal at large late nite gatherings...
4) Bang Into Breakbeach
Sourced from a crusted minidisc and dated sometime around 2003, a track for the smokers and the after party. A chilled instrumental laced with seductive horns and a baggy break, it harks back to that original Grand Central sound and proudly dons its favourite pair of Nikes for the occasion. Head nodding goodness from beginning to end and a beat so catchy fuckin' Jay-Z's queuing up to drop a verse or two on it...
Only recently dipping out of the wilderness to allegedly and briefly appear at the legendary Pomona Island raves bellowing his infamous catchphrase 'INABITEVERYONEELSE' over the mic, DJ Absolutely Shit's whereabouts remain a bit of a mystery with even Il Bosco 'not being able to get hold of the turd'. Spray canned graffiti throughout the city centre suggests that he's still active. That or a load of NOS-quaffing, snap-mapping yoot have gotten onto the myth and have been mimicking his tags in town for a buzz. Who knows...Perhaps news of the Red Laser crew creaming the coin offa the top of his crusty old DAT tapes will coax him back into the fold...he probably couldn't be arsed though...
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GAMM150 is here and it's a big one.
Rahaan is back on GAMM and this time with his buddy DJ Emanuel with some nasty (!) post punk/funk disco.
The A-side runs down a timeless Garage classic...but with a gritty twist.
The B-side is just sex, orgy and disco crammed together on black plastic. Imma Phreak is just...phreaky! 

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Three mixes from the brand new Berlin based label/project 'In Love We Trust'.Classic New York house inspired for the A side opening tune, driven by an off partiture alto-sax unfolding over a throbbing bass, four to the floor beats and great message delivered by a strong male voice, followed by a slower tempo roller-skate, atmospheric, Garage inspired disco cut with a solid 80's style linn drum grove, catchy riffs and a powerful bass line.
Rougher beats and a more acidic vibe for the flip side, direct and effective floor stomper guaranteed to raise heartbeats.
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(180 gr) There is something wonderfully uplifting and naive about the mittle European B-Movie Pop and Library Music of the 1970's. An imperfect perfection of sound palette and melody, creating & encapsulating a whole world of hypnotic intrigue.This feeling is what comes to mind when listening to the debut album of Californian Scott Gilmore, which is reminiscent (in more modern times) of the pre 'Moon Safari' Air.
There is something wonderfully uplifting and naive about the mittle European B-Movie Pop and Library Music of the 1970's. An imperfect perfection of sound palette and melody, creating & encapsulating a whole world of hypnotic intrigue.
This feeling is what comes to mind when listening to the debut album of Californian Scott Gilmore. A wonderfully concocted tincture of yard sale instrumentation, Walker Brothers guitar, offbeat refrains and home-brew Synthesizers, put together with a truly different sense of perspective, from a musician seeming to exist outside of time and scene.
Scott's debut is reminiscent (in more modern times) of the pre 'Moon Safari' Air. The playful opening of 'E70 No.01' leads us on to the Bowie and Eno-esque shimmerings of 'Europe' and the Gainsbourg hazed moments of 'Flight Through Grey' and 'Subtle Vertigo'. The album closes with 'Walking Underground', a Valley Boy diary of the outsider looking inwards at the bizarrity of everyday life. This is a travelogue of the timeless and gently obscure, a bunch of rarities all in one place, at one time, woven together with an accomplished sense of harmony, counterpoint and vision.
From the river side of the Dordogne, to the Grünewald of Berlin, the white sands of Playa de ses Illetes and the urban sprawl of Van Nuys, this is an alternative sonic reality sent to free the mind and open the heart, as the sun rises high in the sky and the cotton wool heat envelopes us all in it's gilded cage.
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Suha's "Hora EP" consists of organic bodies composed by an electronic mind.
On his first release on The Magic Movement, the emerging electronic musician from Istanbul imagines a three-track story: The mythical figures - Hermes and Hezarfen - are in search of a unified space named Hora above variant timelines.
Under the arabesque shadow of occidental chords and oriental strings, the EPs multi-layered tracks take you on a cosmic flight: Folkloric dance elements build up progressively over a driving rhythm while Suha's ethereal vocals flow alongside old chants. Massive brass and gritty 70's synths accompany ancestral lyrics that herald of unknown realities soon to be realised.
The EP is produced and mixed by label head-honcho Noema, whose magical touch reflects through well-thought arrangements of Suha's compositions and their powerful sound.
In this EP, you'll be witnessing a harmonic gathering of two figures on the obscure mountain of Hora.
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Compiled by cratediggers Loud E & The Wild, Discophilia Beligica' is a collection of next-door-disco and local spacemusic from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk. Most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe and back again.
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LTD Blue/Yellow 2LP+MP3
16 bisher unveröffentlichte Tracks von Poolside, Roosevelt, Kraak & Smaak und vielen weiteren exklusive auf dieser Compilation!
The Sunset Manifesto erscheint am 04.12.2020 auf How Do You Are? und versammelt eine eklektische Gang von der Westküste der USA bis nach Norwegen und allem was dazwischen liegt- mit einer gemeinsamen goldenen Wurzel: Diese warme, akustische, aus Laurel Canyon Leuten und LA Session Göttern bestehende Clique, ausgestattet mit einer zeitgenössischen, elektronischen Sensibilität. All diese Acts berühren den zurückgelehnten, Daytime Disco-Style, der als Balearic in die Musikgeschichtsbücher eingegangen ist. Aber es liegt etwas Neues in der Luft. Die Künstler*innen auf The Sun Manifesto versuchen nicht einfach die Vergangenheit neu aufzurollen. Nein, das hier ist mehr „Parallel Pop“- und damit der Soundtrack für eine herrliche, imaginäre, aber dennoch zeitgenössische Welt jenseits von Retro-Kitsch. 16 anspruchsvollste, AOR- und Dance-orientierte, zeitgenössische Popsongs aus dem Too Slow to Disco-Universum. Wie ein Detektiv hat DJ Supermarkt die Künstler*innen auf dieser Compilation lange beobachtet, ihr Schaffen verfolgt und dann im richtigen Moment Nägel mit Köpfen gemacht. Worauf wir dieses Mal ganz besonders stolz sind: Alle Tracks auf The Sunset Manifesto sind exklusiv und unreleased und wurden teilweise extra für unsere Compilation gschrieben, was für eine Ehre!
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*Repres*
Musical blog and house party "Craft Music" from Saint Petersburg launches a new label. For the first release they've invited talented musician Funkyjaws from Grodno. His music has been released by labels such as Kolour LTD, Shadeleaf Music, Pusic (Austria) and others ...
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Velvet Season & the Hearts of Gold is the musical adventures of Gerry Rooney & Joel Martin. They have a rich musical history with Gerry Black Cock Records & Joel Quiet Village.
Aldo Tamborrelli – ‘Voices’ (VSHOG Special Version)
VSHOG present their official special version of this highly desirable hidden treasure of hypnotic electronic sleaze excavated from the cult soundtrack to a 1983 Italian ‘Apocalypse Now’ cash-in, and transform it into an 8 minute erogenous bump n’ grind trip to the twilight zone torture garden, cruising leather boys & fetish girls looking for Love in all the wrong places !
‘Voices’ is a narcotic synthesised masterpiece of body music to completely immerse your dark desires on the dancefloor. A dark risqué world of crisp chugging drum machines, mesmerising warm bass pulses, and the erotic wails of seductive screams in the night !
Stefano Torossi – ‘Having Fun’ (VSHOG Special Version)
The VSHOG version of 'Having Fun', from Stefano Torossi's 1974 album 'Feelings' (a holy grail of Italian library music) is an uplifting lush orchestral string laden funky breakbeat feel-good track to raise your vibrations!
Opening with a chunky stripped down drum & bass intro, the strings entice you further in & then the Disco Funk Psyche guitar riff really lifts the track to the sweet spot & you are completely hooked! A beautiful piece of music for all occasions - Balearic Sunsets/Sunrise, Disco dancing, B-Boys and Hip-Hop heads, Jazz Dancers & library music connoisseurs!
Another fantastic offering from the VSHOG Special Version series of releases.
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Velvet Season & the Hearts of Gold is the musical adventures of Gerry Rooney & Joel Martin. They have a rich musical history with Gerry Black Cock Records & Joel Quiet Village.
Aldo Tamborrelli – ‘Voices’ (VSHOG Special Version)
VSHOG present their official special version of this highly desirable hidden treasure of hypnotic electronic sleaze excavated from the cult soundtrack to a 1983 Italian ‘Apocalypse Now’ cash-in, and transform it into an 8 minute erogenous bump n’ grind trip to the twilight zone torture garden, cruising leather boys & fetish girls looking for Love in all the wrong places !
‘Voices’ is a narcotic synthesised masterpiece of body music to completely immerse your dark desires on the dancefloor. A dark risqué world of crisp chugging drum machines, mesmerising warm bass pulses, and the erotic wails of seductive screams in the night !
Stefano Torossi – ‘Having Fun’ (VSHOG Special Version)
The VSHOG version of 'Having Fun', from Stefano Torossi's 1974 album 'Feelings' (a holy grail of Italian library music) is an uplifting lush orchestral string laden funky breakbeat feel-good track to raise your vibrations!
Opening with a chunky stripped down drum & bass intro, the strings entice you further in & then the Disco Funk Psyche guitar riff really lifts the track to the sweet spot & you are completely hooked! A beautiful piece of music for all occasions - Balearic Sunsets/Sunrise, Disco dancing, B-Boys and Hip-Hop heads, Jazz Dancers & library music connoisseurs!
Another fantastic offering from the VSHOG Special Version series of releases.
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K-Noiz presents the 2020 versions of the Italo Disco hit “Pretty Face” (over 400,000 copies sold in over 20 countries) with five new versions by Andrea K, Joe Mangione, Diego Mates, Daniele Ippolito and Sweet Suite and with the original voice of Alberto Styloo. This record marks Alberto Styloo’s “return” to dance after a period of work on different genres.
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Such Luxury Records exists to release music that is about feeling first and functionality second. This release from Des Meegan wholly embodies this ethos. The opening track—“Heat”— features punchy and uplifting synth chords over a Latin-inspired rhythm. The thick synth bassline dances between the drums to create the groove and London musician Matt Sluys contributes film noir-esque saxophone lines to complete this tense tale of sexy, urban twilight.
The A2 further pushes things onto the dance floor, albeit at a lower bpm. The entire track floats on a looping filtered guitar riff. Big drums sit atop a warm Reese-style bassline which nods to Des Meegan’s history as a respected drum and bass producer under a different alias. On the flip is the titular track of the EP.
Thematic and hypnotic, Courage of the Hero unfolds over 8 minutes to tell the tale of our Hero on their journey as they battle the ultimate enemy and return victorious. The pinnacle of the track is an emotionally charged, live guitar solo.
The release is completed with the track “Atmosphere Burning”.
This beat-less piece breathes in and out in synch with the universe. The track was inspired by the beauty of our home planet floating in space, existing beyond humans.
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Giorgio Records is an independent label whose purpose is the rediscovery of some Italo Disco tracks that have never been reprinted to present them to the new generations who love the genre. The Mad Work musical project with the song A Night Alone is one of those. Italo Disco gem of the mid-80s now available in vocal and instrumental version and enriched with Casionova Edit and Flemming Dalum Remix.
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KHANDoIt's hypnotic 100 BPM stomp does not adhere to genre or fickle trends, it simply bangs.
The track begins with a sturdy kick and piano glissandos which recall Alice Coltrane's most transportative work.
As the beat picks up, a creeping, filtered arpeggio enters its journey between rhythmic and downright nasty serving as the track's primary drama.
Its a stunning intro to the new label GRIMY TRAX, a musical chameleon that can be dropped at the beginning, middle or end of the night.
To complement the epic A-side, Grimy returns to the endlessly talented midwest and emerges with LULU, an original track by deejay/edit ace Bruce Ivery.
The track seamlessly combines the Chicago acid sound with the clever vocal sampling of early 90s NYC house. The result is pure peak-time heat.
Towards the end of the track, Ivery arranges brief melodic elements into a propulsive disco facsimile. This unexpected turn summarizes the philosophy of the new label and the way this small group of artists selects and makes records. It doesn't matter if it's house, disco, or techno, just make it GRIMY!
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Acid vibes and cathartic rhythms are the weapons on this second release of Musica Altra. Produced by those crazy Indianizers, the psychedelic italian cumbia band who is rocking dancefloors and stages all around the Europe. Here is a preview of their upcoming album including a remix by Don't Dj and a dub version by Passenger (Light Touches Records). Close your eyes and let your journey begin.
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3rd release on 7's Clash comes from Justin Deighton and Leo Zero with remix from Pete Herbert, a pair of Italian piano-house influenced Balearic cuts with heavy chugging b-lines and familiar vocal snippets to take you back to the golden age of everything-and-the-kitchen-sink sample tracks. Made for enjoying in the sun.
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Disco Bits are back with another party time 45.
Cannon & Mirrorball are in the edit suite once again re-touching and consensually grappling with funky old 70's grooves and late nite club accapellas to bring you the heat that your record box has been needing.
A - Hot Lovin' (Dont Stop Dont Quit)
On side A they they serve up some peaktime Studio 54 realness mixed with a bit of late 80's style hip house.
This is Cerrone meeting Sergio Mendes uptown, Saturday Night, whilst Chali 2na and his posse bumrush the show and grab the mic.
B - Shack Attack !
On the flipside the boys funk it up with some never fail drum breaks from the Disco Shack, vocal snatches of a houseparty classic and a swathe of brand new instrumentation.
The result is a jam is so dope you'll get a contact high by un-sleeving the wax.
Ain't no party like a Cannon & Mirrorball party, y'all !
Get 'em while you can.
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Los Angeles' Daniel T. joins the RNT fam with a stellar EP of homegrown and international flavor.
Known for his crisp production work as half of Cosmic Kids and more recent solo outings on Chit Chat and Let's Play House, on this 12" Dan also shows his talent for selecting and editing.
From the corner-store funk of Hit the Streets, percussive tropical sway of All Day, to the frenetic bounce of Trinidad Trouble and beatdown soulful vibes of Penguin Vacation, this record covers continents in just 4-tracks!
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Following his “Cosmic Sands” cassette on Light Of Other Days, Greg D debuts “Ocean Walk” under his new alias, GEE DEE. Recorded in 2019, the EP marries ambient, dub, and house influences to create an enticing body of mid-tempo magic. Using limited hardware 505, Juno 6, D50, and a Space Echo the four-tracker bears a hazy vibe throughout and pairs simple drum programming with sun-kissed synths and hypnotic bass lines. Whether dusk is upon you at your local cafe bar, or the lights are down in the discotheque, GEE DEE delivers an array of leftfield bumpers that will fit just about any mood. Coming 2020 on Superior Elevation Records.
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