House Novedades

REPRESSED !!
On his previous Midnight Riot releases, Joutro Mundo has always included a number of scorching reworks of Brazilian disco and boogie faves. Now from his debut album the fast-rising producer is serving a 12" feast of authentic Brazilian fare.
A ride through unchartered Brazilian boogie territory, strictly for the Late Nite Tuff Guy contingent where new productions are smoothly wrapped around golden sun-kissed loops, jaunty horns with additional added acid b-lines, funky beats & percussion.

"SUCIO is a series of weekly parties, which take place at the Goethe University of Frankfurt/ Main since 2010. The idea to start a record label under the same name is as old as the event itself. SUCIO is also a platform for local DJs, artists and music lovers. With this record we want to offer these people a medium.

A1 - Phonk D opens the release with a great hybrid of Disco Edit & Housebanger. The raw and funky loop heads up to the peak which exposes the sample source more and more.
A2 - After a joint gig at the SUCIO Homebase ‚Café KOZ', Jacob Stoy & Le Rubrique recorded their experiences in a session. The result is a classic Deephouse track that reflects the evening with all its facets and emotions.
B1 - The young live artist Dan Bay is adding an experimental piece that connects House with Bass Music. The low frequencies and the dreamy melody drive the listener into absolute trance and melancholy.
B2 - This dark Downtempo Edit reminds you of early 1990s smoky folk evenings in New York. Raw & dirty, he rolls down everything that gets in his way."

La Vie D’Artiste Music proudly present The Thirsty Guys, Knuckle G, Le Hutin and Vanderkraft, also known as De La Groove, and they are the coolest monkeys in the club! The french crew deliver here 4 wonderful House tracks representing their musical universe. It sounds deep, it sounds classic, in one word it sounds authentic, enjoy!

French finest synth-pop band Bon Voyage Organisation release his second opus after a feature on Cocktail d'Amore 10 Years compilation.

"La Course" is a cinematic, synthesized and library-esque journey that could be a mixed-up between Italian early 80's productions and french 00's disco.

"This record marks the beginning of a new attitude towards recording," says Bon Voyage Organisation's Adrien Durand. "Switching from a busy studio that I shared to having my own very quiet cabin in the North West of Paris has inspired me to adopt a more meditative approach."

Whilst it's fair to say Durand has been constantly on the move for some time - be it touring or producing records for the likes of Amadou & Mariam, Papooz and Bagarre - there's a sense of new momentum, as well as stillness, that hangs over this record. One that's fully instrumental and as he describes being more free.

The band's trademark glistening production, disco flair, shimmering electronics and incandescent melodies still remain but a more intuitive and striped back approach was favoured this time around. Some of this attitude stemming from an evening opening for Kamasi Washington. "Because of the constraints of being an opening act we played as an instrumental quintet instead of our usual 9-piece band," says Durand. "We rehearsed the day before, our set opened with John Coltrane's 'Naïma' followed by a hard-bop ish version of Kraftwerk's 'Trans Europe Express'. It felt so good to perform that repertoire in that configuration that I had the vision of bringing this aspect of the band in the studio."

There was also a removed sense of pressure with this record - no major label expectation of a radio friendly record, combined with a deconstructed approach to songwriting. "Since 2014 I've been working mostly on projects involving a lot of conventional songwriting," Durand says. "I was keen on producing a record based on performance and atmospheres more than repertoire." He also sought inspiration from a perhaps unlikely source: The Arctic Monkeys. "I was really encouraged by them going out of their comfort zone on their last album - it really caught my attention in a Bowie / Berlin period way."

The result of the album is one that oozes the natural momentum of experimentation, texture, mood and intuition while managing to retain a sonic coherence. In a none-obvious and zeitgeist clichéd way, there is perhaps a more jazz-leaning approach to the record that weaves between soft subtle moments to the more atonal and experimental, all underpinned by sweeping, engulfing soundscapes and the usual touch of non-Western musical flourishes. This vibe came from a distinct lack of editing, says Durand. "In the studio we had everyone sitting in the same room - sometimes up to 6 players - and I never edited the playing. I just went on to record some additional synth and percussion, insert the soundscapes, and mix the record."

This less is more approach, avoiding indulgence and superfluousness, is something Durand can't help but feel is an artistic response to the pace of modern life. "There is a frenetic approach to everything," he says. "People want to binge on everything, expect ultra fast changes on any political cause etc. The response is a big comeback of things like the practice of meditation, yoga and ambient music." There are times when this record falls into the territory of meditative ambience, as on the immersive plunge one takes swimming through the beautiful 'Un Am Ricain En Danger'. It's an album to bathe in and to be carried along by, it's gripping by being so rather than fighting for your attention

Ultimately the record is one that feels it's been allowed room to breath, a sonic sphere in which musicians have been allowed to roam as freely and thoughtfully as the listener. "This record is about welcoming the music and being able to let each musician express themselves during the recording process," says Durand. "This is a valuable trade that takes time."

REPRESS

pepe bradock mixes

Repress

Two funky sounds tracks from Lego Edit & Vito Lalinga b2b on
the new Legofunk records 7 inch.

Emerging when humanity needs him most, and currently adopting the body of a 60 odd-year old carpenter with a penchant for animation and Red Stripe; Terry Perace teams up with Red Laser's own Pharaoh Brunson to form a new perpetual EP series.
The Peraceamid project begins with EP 1. 4 x Hyper-ancient, super-hi-tek audio tools for us Earth dwellers to utilise, corrupting RL's standard "Manctalo" vigour with abandan.

(A1 - Terry Perace - Trip Pop 2020)
Perace himself, ditching the Carpenter attire and hardwiring himself straight into basic circuitry, conjures up skeletal, repetitive reduxes, born outta the oldest primordial gloop, churning together into embryonic life form rhythms that have now existed since the earliest signals of dual-cell organisms on our planet.

(A2 - Kid Machine S.D.M (Terry Perace's InSlaved mix)
Terry sparkles his Martian magic across Kid Machine's S.D.M from the 2020 'Magico' LP. An already high Manctalo watermark now given further accreditation by the highest Elders of Ancient Egypt which Terry confers with on the regular. Welcome to the top of the pyramid gee!

(B1 - Marcus Paulson - Wrecked in Utrecht)
The elusive Marcus Paulson we so far know very little about other than that he's an unconfirmed UFO enthusiast from Warrington...Terry received 'Wrecked In Utrecht' when he accidentally plugged a random USB drive into his earhole (he's not that up on our basic tech yet) in Pharaoh's studio at Hidden. An otherworldly Manctalo vortex and a holographic, plasma-soaked acid track designed to provide a cross-planetary bridge to raves and free parties on Cygnus.

(B2 - Ste Spandex - Examples of You)
Terry's been warmly applying his cosmic voodoo on Red Laser veteran Ste Spandex, nudging him further into the inter dimensional discipline of sonic energy manipulation, the fruits of which are a hyper-driven re-vamp of a '98, Earth-based club classic which he blasts into 5D thru the galvanised circuitry of his palladium-boosted studio.

Licensed and published by Red Laser Records here on Earth. First volume in a perpetual series...

The crushing news of Kenny Gino’s sudden passing in July of this year hit very hard. Having only just come out of hiatus to release new Solid Gold Playaz material for us here on Freerange, the US underground house heroes are set to introduce their uncompromising deep, jacking sound to a whole new audience. And with Kenny’s partner Mike T’s blessing for the previously scheduled follow up EP to go ahead, we are proud to present you with the Solid Gold Playaz Next To You EP. For the hardcore fans out there, this music will blow you away, and feels to me at least, like the ultimate SGP release, even without the added weight and poignancy the tracks now carry.

Opening up we have Next To Me which is as deep as it gets with beautiful floating synths drifting on top of an unrelenting rolling groove whilst Kenny’s vocal adds a powerful and emotive edge.

My Soul Is Quiet follows with another incredible piece of music, drawing you in with its hypnotic mood and simple yet ridiculously compelling bass and synth hook. Again, the drums are unapologetically minimal - not a fill or breakdown in sight - but that is what locks you in and creates something entrancing which makes you feel like it could go on for eternity!

Flip over for Who’s Playin’ For Ya, a more old school Chicago-inspired slice of raw, underground house which cuts up Rhodes, strings and snippets of vocal samples around a glitchy FM synth sequence. The funk is real on this one.

Closing out this very special record we have Do You Think, going deeper still with expansive pads, soprano sax sample and chiming percussion all underpinned by a massive, dub bassline.
Rest in peace Kenny Gino. You left a powerful legacy of amazing music! - Jamie

Fresh summer feeling with The Rebel and Pablo Ruiz on
Legofunk 7"

Get back to the rich musical universe of Daft Punk with this album dedicated to the legendary duo. Rediscover their best hits with versions interpreted by :Chilly Gonzales, Christian Prommer, The Dø, Señor Coconut, Chamberlain, Kid Loco, Soulwax and many more…

Ragoo Records celebrates its debut on wax with an highquality record, “Break It Down”. The release features an
original cut from Astratto & Brine plus three stunning
remixes from the best young talents in the Italian house
scene. Recorded and fully composed on the first day they
met in the studio, the Original Mix is a dusty deep house
jam perfect for the club or for chillin’ wherever you want
to. For Astratto, Ragoo Records co-founder, this
represents his first official vinyl release. Brine has
delivered hot tracks through the infamous Irma and has
recently appeared on Boogie Cafè Records and Trend
Records. On the A2 Sam Ruffillo offers an impressive
remix that merges the Original to the land of jazzy vibes
with some smooth Rhodes and an extra groovy bassline.
Over the last years Sam Ruffillo has been releasing great
EPs via Irma Records and the Bristol-based Boogie Cafè.
DJ Rou’s remix occupies the flip side with a real classic
deep house joint full of warm pads and rolling drums. Chief of L'Archivio record store in Bologna, charismatic DJ and
outstanding producer, DJ Rou has released his music
through labels such as Bosconi Records, Cognitiva, Red
Rooster and Daphian Prod. The B2 remix is produced by
D’Arabia, Red Rooster founder and House of Disco
affiliated artist, who accomplishes an hot groove
explosion, with a special Jamiroquain feeling, perfect for
burnin’ the dancefloor. This EP is intended to be a
snapshot of Bologna’s house music scene. All artists
featured on it are based in the city and contribute to its
musical landscape.

Blair French returns to Rocksteady Disco with an EP of pan-African dance floor heat. Picking up from where he left off with his The Art Of Us LP and his recent Razor-N-Tape EP, this 3-tracker sounds like being happily lost in a hot jungle. Tons of drums, chants, flutes, and basslines for the finest parties. Limited vinyl pressing, don’t sleep.

Music written and produced by Blair French
Pressed at Archer in Detroit
Mastered by Pontchartrain

Originally founded in Spain and now based out of Berlin, Golden Soul Records, the brainchild of James Rod, Aleito and Azaria has been releasing synth-heavy, mind melters and brain busters that traverse the galaxies of Italo, nu disco, synth pop and new beat since 2015. The best remixes from the label have now been perfectly packaged onto this new 2021 EP.

Kicking things off, a slice of futuristic machine funk from James Rod who puts a cosmic twist on Javier Busto - Robot in Mars, before Aleito works up a arpeggiated whirlwind with From Beyond - Body Resonance.

On the B side Azaria lets loose a new beat monster remix of Tiempo de Maldad - Disco Gold with Jarle B providing an Italo stomper of a rework for Aleito’s - Always Here to close out proceedings.

For their third release, P&F Recordings makes a departure from original compositions in favor of 4 beautiful down-tempo edits, by none other than modern day master of the craft: JAZ.

Known to many as perhaps the only Episcopal minister / DJ / digger, JAZ has had a prolific career of uncovering obscurities, distilling them down, and delivering them to the masses.

In an ode to the slower end of dance music, here we see JAZ survey four of his favorite 100bpm-ish cuts. Start the party, end the party, funk the party with these genre-bending, globe-travelling monsters.

Just in time for summer, Sol Power Sound is proud to present its 4th release, the Djidjo Vide EP, a 1-2 punch of Afro house by label heads, the Sol Power All-Stars.

Djidjo Vide, the title track on the A-side, features DC (via Togo) Afrobeat band, Elikeh. It's a vibey slice of propulsive Afro house about finding joy in the face of hardship. Massama Dogo's commanding vocals (sung in Mina) combined with the driving bassline, and aggressive horns (performed by DC's Sticky Bear) make Djidjo Vide a summer sure shot for a roof-top jam, beachside dance floor, or nightclub near you.

The B-side, Tell Me Why is darker and deeper, chock full of percussion, a chopped vocal sample, and in-your-face afrobeat horns (performed by Matt Rippetoe and Joe Herrera of DC's the Harry Bells). It's a late-night beatdown that will set things off proper in a dark room!

An infrequent but invigorating contributor to Phantasy, U returns with a beguiling new single entitled ‘Ecstasy’. Initially available as a limited pressing with a sleeve designed and printed by U themselves, this haunting return promises to draw the curious into two divine rhythms, transferring unknowable forces and mysterious energies.

The first side of the artefact portrays ‘Ecstasy’, a wide-eyed and spectral incantation rich in intimacy, whispering voices and earthy psychedelia. Somewhere between machine funk and folk canticle, a sonic gift perhaps for a field in England bathed in moonlight, else a dire basement dripping in energy, ‘Ecstasy’ leaves the system almost spiritually.

On the contrary, ‘Morpheus’ presents a tougher meditation, a creeping jam with an analogue consciousness, ghostly rave echoes and a conundrum at its heart. The dream seems so real, but what if you can’t wake from it after all?

Geraldine Hunt's 1980 classic "Cant Fake The Feeling" gets the remix treatment from none other than Carl Cox. Featuring 2 new mixes from Carl plus the original and the highly useful dub.

"Can't Fake The Feeling" held the #1 spot of the Billboard Dance chart for several weeks in 1980 and sounds as fresh as ever... Carl Cox needs no introduction with a career dating 4 decades and still going strong. Oh yes.

The Stoffige Vingers crew is back with more vinyl rarities from Belgium and Holland compiled on a 12" EP: new beat pianohouse, funky souljazz, groovy coldwave, sleazy dubdisco, blue-eyed boogie and franglais synthpop. Extended DJ versions by George Hysteric, cool sticker artwork by Turbo Island.

With some of the best DJs and selectors there is a certain mysterious sound or underlying feeling which unites the music they play, regardless of genre, year or tempo. Luke Una is a master of telling a story through music and this compilation is a perfect example of his musical alchemy in action. Featuring tracks from Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and many more, it is a collection of new, old, rare and under-discovered music from around the world, all united by Luke under the banner of “E-Soul Cultura”.

It’s best described by Luke himself, who writes: “As the 5AM city sleeps and the strobe lights are slowly turned off, we gather on the wrong side of town in a transcendental journey alone together. We are the late night disenfranchised holding on in various after parties, flats, lofts, random kitchens and basements into the outer cosmos with É Soul Cultura. Music from exotic tear jerkers, Afro-spiritual jazz, cosmic Brazilian celestial grooves, machine street soul, dark horses, lost B-sides, £1 bargain-bin bombs, hidden gems, late night Italo dubbing, deep velvet N.Y.C garage, bass buggin sonic futurism, wrong speed 33BPM pitched up +8 new beat, majestic sunset strings, sweet vocals from heaven, no half steppin jazz dancing in outer-space and odd numbers. Yes… magical moments, together, holding on in witness protection suburban cul-de-sacs and Castle Court flats. Cosmic É high, 3000ft above the city getting evangelical to murky, wonky timeless beautiful music. This thing of ours dreaming of better days. Fail we may, sail we must, the sun will come up again.”

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene, and later Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to E soul, house, disco and techno. Luke’s much loved, long running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ cultural landscape.

Luke’s Friday evening show on Worldwide FM has captured imaginations and has already become a cult four hour must-listen monthly journey with fans all over the world. Today Luke remains, as ever, at the forefront of a changing scene, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.

• Brand new compilation series curated by Luke Una.

• New, old, rare and under-discovered music from around the world

• Feat. Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and more.

Roman Flügel’s debut on Running Back under his given name (Roman IV doesn’t count) is a wonderful confirmation of his outstanding position in the past, present and future of electronic music. Needless to mention all his merits (or monikers for that sake) and excessive in almost any style, „Garden Party“ highlights his competence in the dance hall and sees Flügel in a jovial mood. Presented by someone who knows the roots of it all, you can hear and envision traces of disco, stories of Manchester’s Hacienda, memories of the night life in Frankfurt as well as the reflections in and of US-American mirror balls. But simultaneously, the rich content here also shows the blossoms of the seed, if one avoids the danger of retromania. This is serious fun and as uplifting as a garden party should be. Or based loosely on the creator’s thoughts: if ABC’s blue-eyed soul stems from punk and new wave, Flügel’s „Look of Love“ is a direct result of more than 25 years of kick drums .

crafty 1980s Wave/Electro Disco leaning tunes

A vinyl only label focused on music from deep house hero's Saison. V3 is a collection of unreleased music from the duo focusing on borrowed sounds and reinterpretations. The label focuses on deep, disco, and house influenced jams that have been supported by many of your favourite DJ's over the past year. We hope you enjoy them as much as we do!

Jessy Lanza has always made music that perfectly suits the mood - whether it's the heads-down trance of the dancefloor or that hazy, post-club bliss. It's no surprise for an artist that takes electronic music's most intoxicating sensibilities and effortlessly reimagines them as experimental pop and R&B. The Canadian singer, producer and DJ from Hamilton, Ontario, has trodden an inspiring path which led to 2013's boldly minimalist debut Pull My Hair Back, released on revered UK label Hyperdub. Gorgeously complex follow-ups Oh No - shortlisted for Canada's prestigious Polaris Prize - and 2020's All the Time crowned her as a singular talent in the left-of-pop sphere. It's with this genre-bending approach that Jessy Lanza presents her entry for the DJ-Kicks series - a sprawling, club-indebted odyssey that draws you in closer and closer with each listen. Recorded this summer, the mix is an incisive snapshot of her emotional landscape during the past 18 months. In 2020, with nothing but a van, a few personal belongings and her musical gear, Lanza and her partner relocated from New York City to the Bay Area to ride out the pandemic. A change of scenery, buoyed by the slower pace of their new home, gave her a fresh perspective during a worldwide screeching halt. Jessy Lanza's DJ-Kicks mix also arrives as a divine stroke of timing. As the world slowly starts to re-open, it's a portal into the ecstatic energy of the dancefloor; an emblem of genuine healing - both personal and communal - that transports listeners to a state of pure euphoria.

Mori Ra strikes back at MM Discos with "Gaia Edits", after the successful release back in May on the label of the "portuñol" duo, Da Silva and Dj Katah welcome again Osaka's best record collector with 4 new high quality editions.
Staying loyal to his eclecticism, Mori Ra approaches this time a lil more to the dancefloor by doing a more hedonistic work than his previous release on "MM Discos" , an exuberant "disco-no-disco" exercise mixed with ethnic references, wicked percussion, charming marimbas and an endless of psychedelic elements. A record done for the soul; spiritual, mystic, highly addictive and 100% danceable.

A very special release where the Japanese artist has involved his son who helped with choosing the sound source for this record.

Enjoy the trip! :)

As we enter an exciting second year of Flat White Records putting out records, it is with great pleasure to bring you the third instalment, courtesy of Gijon and Poetry In Motion Music amigos, Paul Rudder & Hurlee.

A1. Got To Be

If you researched 'Dancefloor Ready' in the dictionary, this track would be what you'd find. This peak time stomper has all the elements required to bring a smile to every head on the DF.

Pumping drums, with addictive disco loops. A recipe for dancing.

A2. Three Hours To Midnight

The second track by the two Spaniards warms up its listeners with some sample wizardry, before exploding into a track worthy of closing your eyes, and putting your hands in the air.

B1. Les Belles Dames

On the flip, proceedings are started with a more down tempo groover. With mesmerising chords and an addictive hook, Les Belles Dames would add a certain romance to any dance floor.

B2. Les Belles Dames (Danvers Remix)

Bringing a different vibe to the EP, Danvers expertly reworks the B Side of FW003. Danvers already boasts outstanding solo projects, on WotNot and FINA White to name a couple of labels. He also has releases on Heist and Phonica White as one half of Kassian. For a more breakbeat, 2 step audience, this is the track for you.

SUPER LIMITED NEW PPF AMMO !!

Reliable as ever, the PPF return with a fresh batch of club-ready ammunition from their secret stash !!
Something a little more than an edit, but still flirting dangerously between acceptable sampling & straight up sonic shop-lifting
Four more certified floor-fillers from the vaults...

Artist debuts and secret aliases mixing together like Cool Aid and LSD at a church picnic. No one said it would be easy but it’ll certainly bring you closer to God.

The original vibe is respected whilst new elements are added with the result being a progressive houser which retains a subtle groove and that all important new romantic sassiness and exuberance.

East-London based producer Riva Starr releases his electrifying new single ‘Ride This Sound’ on Club Sweat. The globally respected producer uses a classic 1920s blues-inspired vocal, adds delicate piano chords and a thumping bassline, creating an instant dancefloor groover. Up on remix duties are four in-demand artists, mixing mainstays of the scene with rising stars. From Germany’s Oliver Dollar to Canadian goldenboy Pat Lok, coupled with two U.K. dynamos, Biscits and Connor-S, all of which stamp their signature touch on ‘Ride This Sound’.

Support from Yolanda Be Cool, Gorgon City, Phil Fuldner, Hardwell, John Summit, Oliver $, Claptone, Mousse T, Jamie Jones, David Penn, Hector Romero, Shiba San

Early Radio Support: BBC Radio 1 with Charlie Hedges, Kiss FM with Gorgon City, Galaxie Radio Belgium, Radio FG France

Combining our favourite tracks from Situationism Records latest 2 part compilation, where ‘2UP 2DOWN’ met the 'In The Bag' series, we are releasing a special 12" vinyl sampler of only previously digitally released grooves…

Javonntte 'Soul People' – released digitally earlier this year on his 'JMarsFrank EP' is an Amp Fiddler style groove of pure soulful underground Detroit badness …enough said!

Laroye’s 'Best Girlfriends' (Soulful mix) - released digitally last year - is a lovely Rhodes laden bumping kinda groove. Nice and heavy organ driven chunkiness, bringing an infectious swing around those urgent vocal samples. Some pretty tasty synth solos in there too.

BRS 'Night To Remember' - released digitally as a single last year, is a classic BRS house groover, with deep chords over an irresistible 4/4 shuffle with rhythm guitar, meandering flute and boogie bass, building and keeping you locked until that vocal bursts through to finish the job.

Mike 'Agent X' Clark’s 'Journey Thru Afroism' was an exclusive for the compilation and is as the title suggests a true journey into Mike’s world of Afroism with cleverly hypnotic sampled chants over a deep tribal style groove and soaring synths and hints of jazz.

Edit superstar C. Da Afro comes to Super Spicy Records fresh off the back of a series of big outings on labels like Tropical Disco, Samosa Records, Masterworks Music, and many more. Once again this increasingly vital studio whizz comes correct with a series of playful disco house bombs. 'Don't Give Up The Groove' plays with filters, layers up the funky riffs and soars on a diva vocal. 'Wantin' U' is a classic house tune with authentic old school production chops and 'Holding On' is a super sweet outside party tune for the warmer months. 'The Solo Groove' sends you home on some feel good strings that melt any heart.

The first release comes with four massive dance floor tracks. Four artists with different musical backgrounds combined together for this project, three countries melting a precise hypnotic music style. Already supported by your favorite djs around the world. Australian Monika Ross, Italians Nobodi and Nomo.ar and Romanian Dragosh will spin your head right round with this 12".

Lex first grabbed our attention following his brilliant release on B2 Recordings which became a staple vibe setter in Jimpster’s DJ sets and Sofa Sessions streams in 2021. Gaining his deep musical knowledge through his own revered record store Radical Soundz, the Greek DJ and producer has been immersed in dance music for over 20 years and considered one of the key figures in the Athens underground house scene. With releases and remixes on labels such as Leng, Samosa, King Street and Black Riot, Lex is making waves internationally with a unique sound that fuses live elements and expansive arrangements taking influence from masters such as Ron Trent but adding a warm, cosmic glow. Fellow Greek artist Locke joins pro- ceedings for this EP bringing his own psychedelic sound garnered from his years playing crazy events taking in South American jungle parties, burning hot African desert raves, the underground clubs of Berlin to the sparkling coastal shores of Baja California. Locke is more than just a DJ. He is a connector, educator and traveler whose soulful music has the crowds chasing the sun as he brings love and celebra- tion to the events he plays.

On title track 7 Day Path we’re treated to a beautiful spacious jam which unfolds across 7 minutes, driving, live percussion keeping the energy high whilst Herbie- esque synth leads help to create a beautifully paced and dynamic arrangement.

Next up we have Italian legend DJ Rocca onboard for a remix of 7 Day Path. The prolific producer and DJ has been a tour de force since the late 90’s collaborating with the likes of Howie B, Dimitri From Paris, Chris Coco, Daniele Baldelli and Jazzanova producing singles, remixes and albums for labels such as Sonar Kollekt- iv, Compost, Classic, Rekids, Futureboogie, !K7, Tirk, International Feel, Defected, Rotters Golf Club and Faze Action Recordings. Here he adds his trademark dubby disco wiggle pushing the original in a jazzy direction with live flute. Definitely one to be heard under the stars on a Croatian beach for maximum Adriatica effect!

Flipping over, things head deeper and darker with See No Ball featuring Locomot- ives, a more straight-up heads-down stripped back club jam with a repeated vocal, funky guitar chops and a smattering of improvised synth and Hammond B3 keeping things jazzy and musical.

Closing out this brilliant EP we have Catch Up With The Sun which drops the BPM’s for a low-slung cosmic jam loaded with good vibes.

At the start of 2021 I realized I hadn't paid much attention to my own productions lately, rather spending time doing remixes
or mixdowns for others or like many others, worrying over what the future will bring.

I started going through tracks and ideas I had started on but not completed and now as another annus horribilis nears the end
I have 2 albums ready for release, entitled "8" and "9".

Although I promised myself to never say it I personally think they're my best work so far and I hope someone else will get the
feeling of "a light at the end of the tunnel" when listening to these tracks just like I feel when listening back to them.

There are contributions from the very capable hands of Bugge Wesseltoft("8") and John Carroll Kirby(on both "8" and "9"), besides that it's just me.
Prins Thomas December 2021

Following on from big recent releases from Neue Grafik & Oliver Night, CoOp Presents Sivey, with an all-new double-header of heat, 'Nobody Else' and 'Somebody Samebody'.

For those that don't know, Manchester-based Sivey became a player in the future beats scene a couple years back, releasing music with the LA-based collective Soulection, as a solo artist and via collaborations with Evil Needle, which came to fruition after a series of online beat battles, as well as releases and remixes with labels like Astral Black and Ninja Tune.

His last wave of output was greeted with enthusiasm by fans of soulful beats championed by artist collectives such as HW&W and Darker Than Wax, and saw Sivey subsequently spinning at events across the UK, and perform shows as far afield as Los Angeles and Tokyo.

Rooted in hip hop production, Sivey's largely instrumental tracks have brought together elements of millennial R&B, neo-soul, UK garage, jazz and 80s funk. In the few years since his previous releases, Sivey has continued to experiment with new ways of exploiting his diverse influences in his productions. As his listening habits became increasingly orientated around jazz and obscure 70s fusion records, his own productions began to reflect the shift.

The recent resurgence of the broken beat movement was something that also inspired him, admiring the balance between musicality and danceability of the genre. He made his first experiments with bruk in 2017 and found that it mixed perfectly with what he'd already been creating. Eager to share the results with the world, it made perfect sense for his first offerings of this ilk to find a home here with us at CoOp Presents.

These two tracks exemplify the ever-evolving progression of Sivey's sonics; the familiar deep keys and synth sounds of his previous productions are there, but nestled alongside more uptempo grooves, and the lush rhythmic complexity of bruk. Tied in with his love for jazz fusion, 'Somebody Samebody' sees Sivey reinterpret a late 70's track by Japanese guitarist, Kazumi Watanabe; this one also enlisting the help of Trian Kayhatu on keys. As well as the original tracks, prolific Selectors Assemble crew member Danvers adds in his own tasty heads-down version of 'Nobody Else', and label co-founder IG Culture (who recently received a Worldwide Award for 'lifetime achievement'!) provides a dope bruk-funk flip of 'Somebody Samebody' to close out the set.

Masterworks Music mastermind 80's Child unleashes the third in his Masterworks compilations. A two-part vinyl release with volume one joining the dots between The Funk District, Oldchap, Dr Packer and Hotmood. Stepping up first, The Funk District harnesses those glamorous grooves into a DJ friendly, uptempo slice of sunshine, sure to make an impression in those peak time sets. Oldchap takes things into deeper territory with a disco house joint filled to the brim with sleazy synthwork, staccato guitars and dreamy percussion coupled with touches of funk vocal brilliance. *Flip it over and Dr Packer dissects some disco gold, re-stitching into a brass led, boogified roof raiser. Closing out part one of Masterworks Vol. 3, Hotmood lovingly loops up a bass riff and tight percussion with reverberated vocal samples to create a bumping floor filler. Hold on for a spiritual synth solo that elevates 'Your Big Chance' into the far reaches of the sonic stratosphere.

Part Four in a series of 12” vinyl EP’s celebrating 30 years of Z Records and the legendary Dave Lee. Featuring sought-after tracks and remixes by, Joey Negro, Horse Meat Disco, The Sunburst Band, Mistura, The Revenge and The Reflex.

First up, Dave Lee joins forces with London's super disco collective, Horse Meat Disco to rework the classic, 'Candidate For Love'. This 2014 debut collaboration for Dave and HMD also features long-time Sunburst Band vocalists Diane Charlemagne and Donna Gardier.

Kendra's original downtempo version of 'Smile' was a monster on the UK soul scene. JN gives it a housed up mix for the A2 with a clear nod to the classic Suburban sound of Musto and Simonelli.

On the B side, South African goddess Letta Mbulu has one of her classics, ‘Kilimanjaro’, reworked by edit royalty The Revenge before The Sunburst Band - The Secret Life of Us gets that magic touch from another standout re-edit wizard The Reflex.