House News

Dan Tyler and Conrad McDonnell, aka Idjut Boys, are an English duo
whose dub-heavy home songs incorporate their playful love of life - The duo met in the late '80s in Cambridge discovering that they shared a passion for similar music - Soon after, both moved to London and established the U-Star parties - The Idjuts' fusion of dub, house, and techno soon caught on and landed them gigs DJing all over the world McDonnell and Tyler established U-Star Records in 1993, releasing their debut 12" Idjut Boy.

They continued releasing numerous 12"s throughout the 90's up to the current period consisting of original productions, along with remixes & re-edits of obscure and not-so-obscure material by other artists and a handful of DJ mixes.

A proper Idjut Boys studio album, Cellar Door, was released on Smalltown Supersound in 2012. This was followed by Versions, an album of reworks of material from throughout the duo's career, in 2015.On this 12" vinyl, the Idjuts remix a single, "What's Life" from De Lux's most recent Do You Need A Release.

Exceptionally talented keyboardist, DJ and producer Moon Boots (Peter Dougherty) has revealed his third studio album ‘Ride Away’. The ten-track LP will land on March 17th on Anjunadeep. The first single, ‘Hot Minute’ featuring Black Gatsby, is out today. Written and produced over a nearly two-year period beginning in early 2021, ‘Ride Away’ contains themes of love, companionship, and personal exploration. Hauling in a crate’s worth of musical influences, Moon Boots has imbued ‘Ride Away’ with his characteristic blend of soul, disco, and house music, whilst also introducing the sounds of synthpop, breakbeats, and psychedelica. Marrying these eclectic styles is part and parcel of Moon Boots idiosyncratic sensibility, honed through years of living and DJing in Chicago, the birthplace of house music, and in the musical melting pot of Brooklyn. ‘Hot Minute’ is the first single and features the vocals of longtime collaborator Black Gatsby. With a sassy chorus that echoes Anderson Paak and Sylvester with a gospel-inflected breakdown, ‘Hot Minute’ shows off the full range of Black Gatsby’s talents and his unique musical rapport with Moon Boots. This bop is a tantalising taste of what Dougherty has been up to in the studio. ‘Hot Minute’ follows the recent release of ‘Come Back Around’ which featured indie darling Cherry Glazerr. The summer anthem was supported by the likes of KCRW, Triple J, and SiriusXM. ‘Ride Away’ follows in the footsteps of Moon Boots’s debut ‘First Landing’ (2017) and sophomore album ‘Bimini Road’ (2019). With an impressive catalogue atypical of the dance world, Dougherty’s third album represents both his tenacity and evolution as a producer and songwriter.

Featuring a swathe of colourful vocalists including the likes of Cherry Glazerr, Dope Earth Alien, and Nic Hanson, ‘Ride Away’ celebrates Dougherty’s longstanding affinity for collaboration, fun effervescent songwriting, and dance-focused production. Other international artists on the album include French singer Praa and Norwegian band Ora The Molecule, whilst longtime collaborators Ross Clark (St. Lucia) and Steven Klavier feature as writers and instrumentalists on the record, rounding out a global ensemble of incredible talent. Having accrued well over 100 million streams on Spotify alone, and having been championed by the likes of Annie Mac, Diplo, Danny Howard, and The Blessed Madonna, Moon Boots has established himself as a trailblazer of R&B-infused dance music.

The mysterious Kayroy appears on his second Whiskey Disco record bringing the heat by way of sampladelic dancefloor collages packed with funk and a slight left-of-center aesthetic. 'Like Damn!' and the titular, 'Pavlova Casanova', are both hands-up, disco gaiety that will rip the heart of your chest.

'Sandy Shackles' closes out the EP conjuring the disco dub vibes of editors like Idjut Boys or Ray Mang. Just who is Kayroy - and who was he on his first Whiskey Disco appearance

Drum Chums is back with the Snack Attack!

For the uninitiated, our Bobby is a man of true culture. Look for a sun-kissed cafe on Stockport's cobbles and you might just find him, sat back in a string vest and shades, coiffing a natural wine and cracking the wisest. Or else deep in the pound bins and car boots of the North West, calmly cutting through the AOR ocean to find the next Yacht Rock gem. And when Snacks snatches the scalpel, he's a wizard, a true star. So dig into this debut delight to find anthemic soft-rock, swooning Balearic, fizzy cosmic and the greatest left-field club track we've ever heard.

Bobby opens his account with the yearning Yacht boogie of 'Picking Up', a timeless tune which sounds a little like a Doobie Brother doing devotionals over a fist pumping rhythm box. Tempo Moderato, trilling sequences, serious synth bass and searing guitar solos are gonna get the hands in the air, believe me.
Snacks slows the pace a touch for the shoulder-rolling sway of 'Wipe Y'Hands (XXXtra Chant Version)', a sultry slice of Balearic disco replete with orchestral flourish, tumbling percussion and a spine-tingling serenade perfect for fans of Sarcastic Disco.

Flip the pancake and prepare for genius as Bobby Snacks manipulates a sample like a deep house Dilla, arranging swelling strings, hand percussion and Linn drums into a living, breathing, sacred rhythm, before taking the whole club west into ecstatic uncharted territories. 'Slippy Energy' is the power source of the future.

Last, but by no means least, Snacks puffs on the grape vape gets narcotic, slowing sugary synth-disco into a suitably sleazy cruise through the cosmos called 'Shaky Boys'.

100% Drum Fun Guaranteed.

Detroit producer Norm Talley shares his debut album, Norm-A-Lise' on FXHE Records. Having started his career when disco was king, Talley's real life influences over his 25+ year career have included the originations of house through various iterations. His reference points as one of the original members of the West 6 Mile Detroit crew and his dedication to his Analog only studio position him as one of the more dynamic Detroit artists who's finally taking the time to release a complete project for his long awaiting fans. The album features 14 original tracks with influences of disco, house, and beyond taking his signature infectious style deeper. On top of all of that, the album includes a track written by FXHE label boss Omar S aka Alex Smith featuring L 'Renee.

One year after his first release, the french producer and multi instrumentist Antoine Bourachot returns with Diversions, a groove filled journey into espionage.

Inspired by great fusion and disco records, with the help from virtuosos Jim Grandcamp (Guitar) and Shoko Igarashi (Soprano Saxophone, Flute), this record is a tribute to musicians and their craft.

Alongside cinematic instrumental tracks, a pop side of the record emerges. Miracle, with epic celestial vocals from Giacomo Lecchi d’Alessandro and the ever so sweet Action with his trusted studio mate Irfane (Breakbot).

Created in a gear sanctuary somewhere in Paris this record takes the listener into a spy fantasy, portrayed on the cover by the very talented Julia & Vincent.

Samosa Records is very proud to have under their banner one of the heavyweight edit masters, Chuggin Edits, delivering the "Soultempo EP", a musical journey of cool'n magnetic vibes straight out of the Soul Funk archive. This triple header wax by the UK producer has been already championed by Craig Charles on his BBC Radio "FUNK & SOUL SHOW" which has already aired several times the epic edit of 'ALL IN' when it was just a demo!!!

Rainbow Disco Club and Rush Hour, a long-standing friendship that transcends continents! House, disco, new wave, Caribbean, rare groove, leftfield.. Antal compiles the second release on "Beyond Space And Time", loaded with personal choice cuts.

Internationally recognised and much-loved festival from Japan, Rainbow Disco Club’s offshoot project "Beyond Space And Time" record label presents their sophomore release! Following the work by DJ Nobu, their second compilation has been compiled by none other than Antal. Also known as the festival's headliner and the man behind Amsterdam record shop/label Rush Hour, all 11 tracks are selected by Antal in a 2 x 12-inch + bonus 7-inch format. From local Dutch newcomers to '80s Japanese cult music, rare grooves to danceable house music, and rare Caribbean soul, this compilation is a portrait of music enthusiast Antal Heitlager’s enormous collection and 30-year DJ career, a work of art that can be enjoyed by all music fans!

An afro electronics track recommended by South African collector DJ Okapi, who co-produced the masterpiece compilation "Pantsula!: Rise Of Electronic Dance Music In South Africa: 1988-90" released in 2017, which brought Kwaito back onto the map. A-1

Improvisation Organic Deep House track by New Zealand’s newcomer. A-2

A rare breezin' boogie by Larry Heard’s alias Trio Zero from 1989. Highly sought after by all collectors as a cult Balearic track. Previously unreleased version. B-1

From the 2015 album by L.A. funk maker DAM-FUNK on the prestigious Stones Throw label. LO-FI beats and synthetic breakdowns that are reminiscent of early Rush Hour works and ‘90s house. B-2

The debut single of Japanese idol unit, Shohjo-Tai. Haruomi Hosono also produced some of their tracks later on in their career. Japanese new wave disco from 1984. C-1

The soundtrack from the Japanese manga "Touring Express". RDC fans will recognize this track from the final hours of the festival. A nostalgic oriental disco from 1985. C-2

80s Silky Mellow Soul by Connecticut jazz vocalist Dianne Mower who also contributed to the re-press of the prestigious Numero Group. D-1

The original version is a masterpiece from 1983 by Zouk singer Jocelyn Mocka of French Guadeloupe. This edit still very much emphasizes an emotional mid-tempo Caribbean soul, nicely reconstructed by Rush Hour's Bonnefooi. D-2

The first 500 copies will include a limited 7-inch bonus disc featuring a Dutch artist.
Modal jazz track from the Han Litz Group led by Han Litz, a jazz flute player representing the local Amsterdam scene. A-1

A freestyle percussion jam track inspired by Brazilian and Klaus Weiss music. Los Calxunxos Tuyos, derived from the band Zuco 103 formed by students of the Rotterdam Conservatory. B-1

A mysterious electronic pop floating, between the dance floor and easy listening by Rush Hour's Kamma. B-2

A total of 11 tracks from all types of genres and generations, a true masterpiece and representation of Rainbow Disco Club’s vision “Beyond Space And Time”. Bringing you the love from Amsterdam to the world!

Repress!

With the last slice of 10” action on the Make A Dance sub label coming in at 136bpm the guys thought they would slow things down a little and offer up two versions of a boogie classic.

The A side ‘Body II Body’ is a straight dance floor edit, beefed up and chugged out for maximum dancing effect.

On the flip ‘Body II Dub’ the boys take things sub 95bpm working with horn player Freddy Wordsworth who provides a Flugelhorn overdub, that combined with 303 acid flecks takes the track in a new tripped out direction.

Vibes come in three flavors: Sunsplash has the feel of summer heat, heavy synth bass and bouncing leads from New York to Negril.

Original Vibe adds sharp synths over an electro bassline á la Freeez and Body rounds off with a smoother soul vibe.

Dave Lee presents an EP of brand new slap bass heavy tracks for this exclusive vinyl release. Slapping the bass string hard with the thumb to create a twanging sound is a technique developed by Sly & the Family Stone’s Larry Graham in the early 70s. It’s been used by the likes of Stanley Clarke, Mark King, Marcus Miller and the worlds greatest bass players ever since. All the tracks on the Slap Around The Bass EP feature the legendary UK bassist Julian Crampton (Incognito, Down to the Bone, Sunburst Band) who delivers some serious Slap, Pop and Funk to the proceedings.

From the opening Earth Wind and Fire esque ‘Magnificent Mango’ by The Sunburst Band featuring Xan Blacq, through to Bah Samba’s conscious lyrics, Brit funk style ‘Save Our Freedom’ and finishing off with the boogie synth fuellee ‘In the Mood’ by Foreal People the whole EP is laced with killer live bass lines.

Expect some serious air slap bass moments on the dancefloor.

Brothers in disco Moodena & Sartorial take the helm for the imprint's sixth outing, packing another constellation of deep feeling, classy edits.

It's evident how musically informed the label-heads are, once again mastering the art of transmuting vintage US sound palettes into contemporary dancefloor missiles for 'Tropical Disco Edits Vol.6'.

Opener, Sartorial's 'Just For You' sets a colourful scene, bringing infectious bongos tickling from below. The breakdown is a righteous, hair-raising incline, eventually plummeting you into slinky vocals and extended strings that are as emotive as they are hedonistic.

The game is in the name on 'Sweet Music', The bongos, kicks and shakers tracing out a clean, spacious groove. Nifty effects feature more than usual, bringing a raucous sense of energy to the track.

Infamous party starter Moodena takes control on the flip with the records real highlight 'Jupiter Rising', a divine gospel of modern soul, penetrated with the artist's signature emphatic drums. Piano and vocals conspire to elicit a bubbling sense of wide-eyed optimism, perfect for beating those autumnal blues.

'Boogie Monsta' closes off the release, pitching it down a couple, Moodena conjures visions of a rodeo showdown at 3am in a bourbon-drenched Texan saloon.

Don't sleep, this series doesn't just bang, it flies!

After proving his finesse on Düsseldorf’s essential label Themes for Great Cities, Lucas Croon, resident of the intrepid Salon des Amateurs, reaches his creative peak in his first solo album for Ediciones Villasonora. Generously spreading his eclectic repertoire over ten tracks; Hals und Kopf travels through a spectrum of spaced-out downtempo, cinematic kosmische and breaky balearica, amid classy percussive textures and alluring synth lines.

'Live at The Fillmore Miami' features performances by Toro Y Moi and Khruangbin.

Yellow Vinyl

A collective of musicians led by Barcelona-based producer Miguel Ferre Falcon, Kokoro Disco San first appeared on the RNT radar with their 2019 Isla Fantasia release on Rocafort Records.

KDS now brings their uncanny ability to capture the mood and instrumentation of classic disco and soul with the uplifting summer anthem 'Sunshine' and the Candido-esque sonic journey 'Jungle Deep.' Rounding out the EP are two remixes of the title track by label co-head JKriv, who delivers an extended acidic exploration with his Beach Burn Mix, and a bumped up yet loving treatment of the original song with his SPF76 Mix.

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The very first vinyl release from Blur Records features eclectic, talented Russian DJ and producer Scruscru, dropping a quartet of funky disco tracks on his brand new EP entitled 'Boss Of The Coast'. The title track kicks proceedings off, a fluttering flute holding sway over a nicely retro disco/house hybrid groove, before 'Frog Business' drops the mood to a more relaxed, chilled tempo, with smooth pianos, vocal snippets and languid jazzy brass embellishing the beat. 'Juicy Brass' is the EP's proper brassfest, as well as being blessed with a bouncing bassline and percussive frills, before 'Lucky Piper' sees us off with its irresistible bassline, smooth guitar riffs and more of those jazz-inspired flutes. One for fans of the early Talking Loud or Acid Jazz releases, perhaps, although it's hard to imagine anyone with a penchant for cutting a rug being able to turn this one down.

New York City 1976 and D.C. LaRue is dancing at David Mancuso's 'The Loft' party with friends, as they get higher and the atmosphere more intense DC loudly proclaims 'These places are the new cathedrals'. This epiphany sent him straight back to his Manhattan studio where he wrote the seminal Disco anthem that is 'Cathedrals'. A classic that has lasted because of the quality of the song writing and the stunning musicianship.

These mixes (apart from Greg Wilsons Edit) are taken from the original multi tracks that DC and his crew created that hot summer of '76. Maurice Fulton takes a beautifully eccentric leftfield view that drips drama. Chicago's Jamie 3:26 jacks it up chi-style but without ever losing the soulful essence of the track.

Faith's Farley & Jarvis take a different approach choosing to loop the big hooks under some fresh 909 House beats creating what we hope will be a terrace summer anthem. Greg Wilsons edit has been a heads fave for some time but now its remastered on quality vinyl.

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LA producer Blake Robin aka LUXXURY’s new full-length album finds the bassline obsessed disco addict experimenting with funk, synthpop and even (gasp!) pure instrumentals. ‘Increasingly in my most recent singles I’ve been treating vocals like instruments’ says Robin, ‘backgrounding and balancing them as sonic elements instead of centerpieces, so the listener gets lost in the groove.’ And indeed the star of these 11 songs is undoubtedly the 11 stellar basslines that ground the swirling synths and melodies as vocal fragments coolly dip in and out of the mix along.

Highlights include: KCRW fave ‘What Are We Gonna Do?’; the slap bass workout ‘Somebody Tonight’; the contemplative ‘…At Any Moment’ (playlisted by Purple Disco Machine) and its sister track, the title track ‘Alright’; while playful disco-house burner ‘Let’s Stay Together’ blends house and jazz funk rhythms with his trademark dusty basslines.

The album was 100% created by Robin, who wrote, performed, recorded and mixed all 11 songs, and even created the artwork. The 11 songs on LUXXURY’s album are all infectiously rhythmically-oriented while exploring new disco direction

Bright & Findlay - James Alexander Bright und Tom Findlay (Groove Armada) - eint ihre gemeinsame Liebe zu Machine-Funk, Outsider-Soul, 70'/80'er Nautica und Basement-Disco des 21. Jahrhunderts. Auf ihrem Debütalbum 'Everything Is Slow' auf Athens Of The North präsentieren sie eine atemberaubende Bewegung und Atmosphäre, vollgepackt mit Sunshine Boogie, Cosmic Disco, einer Prise balearischem Funk und Inspirationen und Widmungen von Dâm Funk bis Metro Area.

Two edits of tracks taken from Patience Africa's rare 'Let's Groove Tonight' LP. On the A-side Antal extends 'Isilingo Sendoda' with one cut - it's so nice but just too short. On the B-side Bonnefooi works his edit skills on ''Let's Groove Tonight'', changing the song structure to his liking. South African nuggets from 1980, Officially licensed via Gallo and now available again in edited form on a expertly remastered 12''

«Opening Soon» is a culinary buddy movie with a background of gourmet grooves where body tricks at the turntables have been replaced by acrobatic pizza tricks. This album from Jean Tonique and Mi Man is a real tomato concentrate and ingredients cleverly dosed which abound in suave and feel good tracks. 11 tracks that we can imagine as the perfect soundtrack to accompany the dolce vita 2.0 of this great musical duo (between Mario Bros and Cheech & Chong).

A tasty and pop cuisine that gives pride of place to a nostalgia that gathers behind the tiled counter («No One Really Knows», «Memories») or on the dancefloor («Running After Time», «The Music»). We let ourselves slide and be lulled by the smoothness of the arrangements as silky as an «Extra Virgin Olive Oil».

Do The Right Thing, as they say, and it seems like those two found a way to celebrate a lifestyle full of friendly looks.

Tonique, who had already accustomed us to the spiciness of his sharp guitars continues to demonstrate a knowledge all in funk and finesse. He is accompanied by Man, who brings his sweetness and harmony. They combine their strength on this project initiated with the title «Day & Night» and its languorous disco tinged with rhodes and percussions with Salsoul accents.

If the tablecloths are white and red, we don't doubt that the inside of the delivery van is lined with silk and velvet of the most beautiful effect to "cruise" the night as in Brooklyn and East Harlem to the rhythm of «Never Get Old». Lightness and nonchalance for a songwriting full of coolness and analogical charisma boosted by a Moog which invokes the best of the 70/80's.

Iconic and timeless, with or without a disco ball, wouldn't the key word be Pizza-Yolo?

Global Underground präsentiert die neueste Ausgabe der Select-Reihe mit Musik von Kölsch, Rodriguez Jr., Frankey & Sandrino, Patrice Bäumel, Yotto, Tinlicker, Booka Shade, Cubicolor, Captain Mustache, Einmusik & Solee und vielen mehr. 33 Tracks auf 2 kontinuierlichen
Mixen mit herausragendem melodischem Techno, treibenden progressiven Grooves und tiefem, dubbigem House. Erhältlich als farbiges Deluxe-Doppelvinyl und Doppel-CD.

New label Golden Ape Records kick off their journey with some raw Electro-Funk chic from the Funk Messiahs with their brilliant debut single, 'Save Me' Vocalist Lucy (Veeresh's Humaniversity Sound), whose deep sultry understated vocals soothe the soul; the amazing Pest trio (Ninja Tune) of Matt on guitar, Vinny on sticks and Tom on Trombone to provide the rhythm and driving funk. Super talented Kitty (Kitty, Daisy & Lewis) moving booties with the bass, and A-Lo adding Electro vibes with his vintage synths. Remixes from Crazy P's Jim Baron, who delivers a seductive percussive Disco vibe under his Ron Basejam moniker; 'Dark Wobble' (aka Michel Williams), who injects some Scouse street style flavas; and Ben Pest amps up the electro filth with a gritty electronic outing.

The 2nd EP from Japanese label 'UGFY Records'.'UGFY' by Tokyo based dj 'You Forgot' and producer 'Yuji
Namiki' .Hybrid sound of techno house breaks disco sounds. Killer for dancefloor.

Let’s celebrate Claudio Coccoluto with a special reprint of the 20th
Anniversary Edition vinyl of the international hit “Belo Horizonti” by The Heartists, aka Claudio Coccoluto & Savino Martinez.
The release includes the remastered original extended version and the
exclusive 20 Anos remix. “Belo Horizonti” was originally released in 1996 on Atlantic Jaxx Records and subsequently licensed to VC Records (Virgin). The Original version, a mix of over 12 minutes, found Claudio struggling at the time to find a record label to sign it for release without cutting the original mix short. It was only thanks to Basement Jaxx and their independent label that it was released with the original 12 minutes intact and further remixes by the likes of Basement Jaxx and DJ David Morales. “Belo Horizonti” has often featured as the choice of soundtrack for celebratory football goals and is often played by the most respected and renowned djs in the world today during their live dj sets at peak time. Over the past 20 years Belo Horizonti has also appeared in numerous compilations around the world. An unforgettable success for all fans!

2023 Repress
The most obscure and sought after italian electronic release, but also another extraordinary 70s output from the legendary Regson Studio of Milan (remembering in 1976 "Funky Bump" and a year later "Disco Shitan", both produced by Pino Presti). The eclectic brother of Vangelis (chit> he was playing keyboards like him), helped by Yorgos Pentzikis for the "vocoder" vocals, reached the right sound for one of the craziest electronic disco song now available for for the first time on 12, containing also the unreleased instrumental version. Nikos Papathanassiou in 1976 achieving success with the disco-hit "U" by Chrisma, but Maurizio Arcieri (cousin of Pino Presti and Chrisma's leader), moved towards new-wave and punk. So for the orchestral conducting of a new cosmic-disco project titled MoreI Like It he involved Rodolfo Grieco who later produced in the emerging genre of Italo-Disco great classics like "Going Crazy" by Lily Ann."

Featuring Lisa Shaw

With Micky More & Andy Tee Remixes

‘Lose Control’ is arguably one of the best songs written by Miguel Migs & Lisa Shaw - released in 2011 on the album ‘Outside The Skyline’ by Salted Music in partnership with Om Records. Italian house masters Micky More & Andy Tee provide a new package with three mixes to suit all tastes via their label, Groove Culture. Side A sees the vocal mix centred around a timeless Wurlitzer groove with a delectable bassline played live and an unexpected trumpet solo in the final part, all of which beautifully compliment Shaw’s dreamy vocals.

First up on the flip, a dub version for the dancefloor featuring an infectious piano and bass groove. The package ends with the B2 a rhodespella version played by maestro Riccardo Burattini who wrote an emotional arrangement for Lisa Shaw's voice. All in all, a timeless record and a must have.

Re-issue from this ’84 italo jam including Flemming Dalum and Victor Ark remixes.

Remastered tracks from original tapes carefully selected from various RAH Band albums and presented over a double vinyl with printed sleeve from the seminal 70's/80's British Studio Project masterminded by Richard A Hewson.

'Clouds Across The Moon', 'Messages From The Stars' and many, many more delights.

Linea Beat 5 The fifth collection in our dance-floor only series is the aptly named Dance'. Arriving in two different versions for those times when you need alternative vibes on the dance-floor, 'Music' is backed up by a slamming, jack-time remix from Passarani, a.k.a one half of Tiger & Woods.

"Friendly Fires" was the debut album from the St Albans-three piece, Ed McFarlane, Edd Gibson and Jack Savidge. Featuring hit singles "Jump In the Pool" and "Paris", it was an era-defining record. It launched the band to huge critical and commercial success, nominated for The Mercury Prize and a Brit Award. The LP is now reissued for its 15th Anniversary on silver vinyl. Aeroplane"s remix of Friendly Fires" "Paris" has been out of print on vinyl for over a decade. A cover more than a remix, their version of Friendly Fires" first big single was all over the radio waves when it was first released, surely due to its sweet female vocal provided by Au Revior Simone. Now reissued for its 15th Anniversary on gold vinyl, the 12" also contains a remix by Justus Köhncke.

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Coyote's Magic Wand Special Editions EP

Back in February Risk Assessment hit the headlines via a high-profile outing on Glitterbox Recordings that proved the fast-rising artist's ability to create fresh and funky revivalist disco-boogie jams. This four-track missive on Midnight Riot showcases the producer's re-edit skills.

No messing around, "Bad Times" is an '80s wonder dripping with sleazed up synthwork. Yam Who? straps it to a rocket and fires it into the stratosphere with those punchy basslines and beefed up percussive hits that knock you straight for six.

On the B side "You Must Be The Girl" powers through, with Risk Assessment turning a colourful early '80s synth-disco jam into an attractive, tooled-up disco-house romp. "Bionic Lover" closes out proceedings with a house style revision of another low-slung, guitar-laden chunk of disco-rock funkiness.

repressed !

Limited edition re-mastered reissue of the massive italian soul disco cut from 1983 produced by Maurizio Sangineto (Sangy Productions), including the extended instrumental dub version instead of the short radio edits.