House Новости

Dripping Acid is a series of 6 separate 12"s exploring themes of melodic liquid acid. Part 2 of 6 limited releases by the Tin Man!!

Trading Places is what happens when three talented producers from different parts of the globe come together in Throne of Blood’s Brooklyn studio. Long time friends Moscoman (Disco Halal), Max Pask (Throne of Blood/Crodwspacer/DeeWee) and NYC legend Justin Strauss have built upon years of hanging out in New York and Berlin to form a loose, improvisational partnership. Recorded whenever Moscoman found himself in NYC and supplemented by sessions from frequent collaborators Strauss and Pask, Trading Places transforms a handful of days jamming together into one of Throne of Blood’s finest releases. It’s also the label’s first formal collaboration with Disco Halal, a one-off partnership similar to previous releases with Monty Luke’s Black Catalogue and Adam Marshall’s New Kanada.

Opening the EP, the haunting and percussive “Submission” features vocals from The Golden Filter and is backed by a special Moscoman remix.

“Elevated” takes a turn for the cosmic with its feet planted firmly in the club, and the EP closes with the epic slow burner, “Trading Places.

Photography and Design by Nuphar Blechner

The masters for this EP were long lost. These recordings have been made by Ron Wells using a high end LINN cartridge, restored digitally (clicks, noise, rumble) using Izotope RX by Robin at Music Preservation Society and Remastered by Subvert Central Mastering by Bob Macc.

Mysterious trio Mount Kismet are dropping debut single ‘Teenage Fantasy’ on Oct 11th, and their debut album “Warmer Lanes” on Nov 15th via Disco Halal.
Strung together by the dark, alluring vocals of French-Canadian artist C.A.R., the 1st single, ‘Teenage Fantasy’ combines sparse, synth-driven cold wave with the kind of Middle Eastern electronic elements that have become synonymous with Disco Halal. The track will feature alongisde 9 other tracks on Warmer Lanes.
Based between Berlin and London, Mount Kismet is a project driven by an eastern music obsession and a taste for the heavy pulse of drum machines and the rumbling of analog synthesisers. The group’s only other release, the track ‘Prunes & Dunes’, was included in Perfect Strangers, a ‘various artists’ compilation put out on Disco Halal last year.
An established artist in her own right, C.A.R. has previously collaborated with the likes of Maceo Plex, Red Axes and Bawrut.
Based in Berlin, but firmly rooted in the diverse and forward-facing musical scene of Tel Aviv, Moscoman’s Disco Halal label hails from beneath the minarets of the Holy Land. The imprint exists to present a tight-knit and growing community of musicians and producers, each transmitting their unique musical identity, yet each united by a unique sensibility, as well as a harmonious balance of rhythm and experimentation

Chilean DJ/Producer Demian Muller finally returns to 8bit after a 5 years break. After countless productions with other artists (on Cadenza, Circus Recordings, Dechapter...) this is one of his very few solo releases.

So let's release the beast.

Shadows lengthen, the nights heat up, and Flexi throws down the new Piada Vibes. Like any Italian dish the ingredients are simple and effective (let's say Piadina Romagnola) ! On the A side, experience the salty smooth blend of DJ Rocca's acid, a cosmic cocktail that's sure to take the listener to higher planes, followed by Capofortuna simmering live mix of Ricky Cardelli and Rame with amazing "Color Club", before the A side draws out with Joyfull Family's sweet summer anthem, 'All About the Jazz'. In the B side Nasty Boy drops a savory Chicago sequence of high-caliber craftsmanship on "Choose Your Way" and the labelboss Relative lights up the vibe with a perfect dancefloor track.

Brand new 12” from BLD on his own imprint. 3 highly effective cuts of stomping break beats combined with 303's, hypnotic basslines and mellow chord synths.

A contemporary blend of lush dreamy synth washes, occasional acidic 303 meows & heavy hitting syncopated beats. Skilfully crafted playful arrangements work equally well both on peak time dance floors and on concentrated headphone listening. Australian DJ Life brings his esoteric ambiance on Finnish label, Echocentric Records after impressive string of releases on Gnork’s Blorp Label and Gestalt Records. This 4-track ep is sure to cement his place as a young producer to watch.

Protofuture’s newest release is a reissue of the 3rd installment of Beppe Loda’s “Acid Jazz” tapes. Acid Jazz is a series of 10 mixtapes recorded by Loda between 1994–96 in Brescia, Italy for the Sound Music Room Club. Only a limited amount was dealt among a small circle of clubbers, from Rimini to Vienna. Protofuture has reissued them with the original cassette covers, the original numeric stamp, and even ink from the time, used by Loda since the 80s -
(Protofuture - PF3T).

Steffi and Virginia return with an eight-track double EP on Ostgut Ton, inviting us into new dimensions of the sonic world they have crafted together over a number of years. Work A Change is out September 20, 2019 on 2x12” vinyl and in digital formats. Since their iconic 2011 collaboration “Yours” – which became an instant classic – the duo have experimented with new ways to express their unique strand of dancefloor melancholy. Unlike the grand maximalism often associated with vocals in dance music, Steffi and Virginia’s creations use the voice less as a centerpiece and more an integral part of the groove itself, subtle in temperament and equal to its counterparts. Impassioned vocals spiral around melodic leads and warm harmonies, offering a gentle kind of catharsis that deepens with each listen. Work A Change immediately transports us to a parallel aural universe, refusing to settle into one style and merging multiple references into peculiar new formats. Opening track “Be True To Me” is subdued but inviting, working its way into the conscious with harmonic glitches and a deep, grooving bass lead. “Sight From Above” then slows things down for an angular cut of low-slung machine funk. The B-side, “Help Me Understand” lands us on another planet entirely, complete with extraterrestrial synths and animated robotics. Opening up the C-side, “Until You’re Begging” is a molecular construction of fragmented motifs, both precise and hazy at the same time. Similarly, “Internal Bleeding” takes segments of percussive grooves and rearranges them into complex polyrhythms whilst retaining a careful sense of balance. Closing off the release is title track “Work A Change”; one last high-speed voyage into spiralling drums and hammerdrill bass. Work A Change expands on Steffi and Virginia’s aesthetic, merging elements from a number of genres into a cerebral, highly personal release. It also signals a change of direction for the duo's work, voyaging through new terrain while retaining a sound that is undoubtedly their own.

Steffi und Virginia kehren mit einer Acht-Track-Doppel-EP zurück zu Ostgut Ton und laden ein in neue Dimensionen ihrer sonischen Welt, die sie im Laufe mehrerer Jahre geschaffen haben. Work A Change erscheint am 20. September 2019 als 2x12”-Vinyl und in digitalen Formaten. Seit ihrer ikonischen 2011er-Kollaboration „Yours“ – das Stück wurde zum Klassiker – experimentierte das Duo mit neuen Arten, die eigene, einzigartige Dancefloormelancholie auszudrücken. Anders als bei sonst mit Vocals in Dance Music assoziiertem großen Maximalismus, nutzt Steffi und Virginias Schaffen die Stimme weniger als zentrales Element, sondern mehr als integralen Teil des Grooves selbst, subtil im Temperament und zu gleichen Teilen ihrer Gegenstücke. Leidenschaftliche Vocals schrauben sich um melodische Leads und warme Harmonien, eine sanfte Art von Entspannung, die mit jedem Hören tiefer wirkt. Work A Change transportiert uns unmittelbar in ein paralleles Gehöruniversum, entzieht sich einem festen Stil und mischt vielfache Referenzen in eigene neue Formate. Das eröffnende Stück „Be True To Me“ klingt dezent aber einladend, arbeitet sich einen Weg ins Bewusstsein mittels harmonischer Glitches und einer deepen, groovigen Bass-Lead. „Sight From Above“ nimmt das Tempo mit einem kantigen, tiefliegenden Maschinen-Funk raus. Die B-Seite „Help Me Understand“ verfrachtet uns mit extraterrestrischen Synths und reger Robotik auf einen gänzlich anderen Planeten. Die C-Seite eröffnet „Until You’re Begging“, eine molekulare Konstruktion fragmentierter Motive, gleichermaßen präzise wie unscharf. „Internal Bleeding“ nutzt Segmente perkussiver Grooves und rearrangiert sie in komplexe Polyrhythmen, bewahrt sich aber eine Balance. Den Abschluss bildet das titelgebende Stück „Work A Change“: eine letzte Hochgeschwindigkeitsreise in wirbelnde Drums und Bohrhammerbass. Work A Change erweitert Steffi und Virginias Ästhetik, verbindet Elemente einer ganzen Reihe an Genres in ein zerebrales, höchst persönliches Release. Es signalisiert auch einen Aufbruch des Duos in neue Gebiete, sich dabei aber einen ureigenen Klang seiner selbst bewahrend.

Acid Pauli is back with another three-track EP on the label he co-manages with friend and collaborator Nico Stojan. This EP, self-effacingly titled 'Had to get rid of some Shit', showcases Martin Gretschmann’s dancefloor prowess yet again. 'Dancing In The Trunk' is a hyped-up loopy banger - minimal in instrumentation but fully psychedelic in execution. 'Goran Utan' has a deeper, darker edge, with a tension that will tighten the grip on many dancefloors. 'Shakmat, but happy' appears in 'Pauli's Psychedelic Breakfast Take 9' and is a slow-building, loop-based groover, eventually opening up to reveal tinges of acid.

Repress

Modern forward thinking house music by Panthera Krause on his new EP for Uncanny Valley. The successor to his highly acclaimed Umami EP is not only rich in giving the dancers material to freak out on the floor. Beyond that, All My Circuits Part I is a perfect showcase for the Leipzig based producer's wealth of variety. Heppy is a piano driven anthem that will surely capture many hearts thanks to an irresistible dynamic. There's some Acid in the veins of Stomping Ground, a track that you should show your rocker friends when they doubt that there is energy in House music. Unraveled Dreaming is as demanding with strong sample use as it is beautiful with a build-up for eternity in the second half. Finally, Le Phoque is quite a playful affair with its whirring sounds and driving percussion work. Tip!

For the second release we squeeze the lemon with Mamosato, an Italian trio composed by Paolo Macri, Cristian Sarde and Emanuele Montalto, and characterized by a sound born from house and evolves to his different shades.

‘This is the first release of Peach Discs new white label series – two extended, propulsive house trips from the slightly mysterious TH’

Apparel Tronic comes back after the heat of summer introducing the first V/A on the catalogue as well as its 10th release overall (Varioustronic 1). This 3 tracks V/A is an ambitious project that unites 3 great artists with diverse approaches to music production, 3 different minds and visions, 3 declination of the same verb brought together under the same roof, our roof. We always like to experiment, to try and push our boundaries over again in everything we do and surely this is an organic evolution to the so-called "Bliss-Beat": the identificative concept behind our ideas. The 3 producers we chose, Anton Kubikov, Artizhan & Tommy Vicari Jr. need no introduction so we're simply grateful to them for their availability to huddle up and create some great music for one cause and it's surprising how the three tracks, colliding, offer different but likeminded perspectives, like fragmenting planets creating new ones. This release is the result of 2 years of research, ending up choosing Anton's "Freak Out Little Bit", Artizhan's "Birthday" and Tommy's "Conceal" amongst many others. APLTRONIC010 V/A is clear for the take-off, on vinyl and digital versions, and we hope you'll like it!

Hard Fist comes back stronger than ever with a sixth release, this time from Pletnev with a remix from Sascha Funke.

Extra prolific Russian born Alex Pletnev has been making music under various aliases and in a number of live bands. Now settled in Vilnius he explores stellar chugging rhythms, afro and oriental vibes for labels like Media Fury and Bahnsteig23 and more atmospheric, dark and industrial EPs on Le Temps Perdu records. This new one is “the tale of an imaginary world, a babel myth of when human beings were together as one because they spoke a single language. It is an allusion of No Border movement supporting freedom of mobility and fighting human immigration control.”

This fantastic release is the most club focussed music Pletnev has ever produced with instrumental, heady opener ‘Guest from Bangkok’ really locking you in a groove. Loose percussion and churning drums make for dark disco of the highest order. Then comes ‘Peep of Dawn,’ an almost frightening, long and slow ceremony of menacing electronic music. A voice resonates while powerful bass sends shivers down your spine and the whole atmospheric and absorbing affair really casts a spell.

Excellent punchy guitar riffs and shamanic rhythms on ‘Red Shoes’ reminds you of a run to catch the setting sun. It’s another spellbinding and rock-laced disco track that oozes grit and rawness. With the closing track, BPitch Control man Sascha Funke remixes ‘My Word Against Yours' into a cosmic and jerky affair that alludes to a journey into outer space. It’s sparse and creepy and brilliantly evocative.

Once again here, the Hard Fist label—which has its own residency at Paris’s mighty Rex Club—tells its unique story with forward thinking club music full of a wide array of influences.

Third Son returns to 17 Steps for his diverse 'Avril' EP. Bringing Electronica and Acid soundscapes alike, the 4 tracks highlight the endless benefits to his vulnerable, raw and unconstrained production technique.

Solid Tapes label and Ritmos Comunes nights boss Fabio Vinuesa delivers his first EP in Hooded Records. '4 Cuts' is a solid representation of Fabio's work and aesthetics: strong melodic sense, mastering of deepness and feelings, great production skills and stylistic eclecticism. Electro, techno, house and dreamy hardcore all have something to say in this record, making it a great tool and essential EP in any record bag.

Josh Wink’s ‘Higher State of Consciousness’ gets a respectful touch-up 25 years on courtesy of the Adana Twins.

The German duo come strong with a pair of remixes, fit for two very different dancefloor scenarios. The first a smart, stripped back breakbeat version that switches from a sparse percussive soundscape to the famous acid warbles, before introducing undulating retro trance synths to the composition for a headmelting finish. Remix Two is a driving, four-to-the-floor, rave-focused affair that builds up the 303s with exhilarating intensity, only letting up in the final moments of the track.

The fresh interpretation follows on from Adana Twins’ super re-work of Patrice Baumel’s ‘Roar’ that dropped on Watergate last November and reinforces the duo’s golden touch on the remix front

OK THEN GP IS ONE OF MY CLOSEST PPL IN THIS GAME, IT'S ME AND HIM TILL THE FKIN END.

WE'VE BEEN PUSHING EACH OTHER FOR A DECADE NOW AND IT'S THE BEST BUZZ TO RELEASE A FULL 3 TRACKER OF ALL OG MATERIAL FROM MY FAVOURITE GUY.

THE FIRST CHUMP WHO CALLS ANY OF THESE TUNES AN EDIT IS GETTING DECKED BTW...

THIS IS PURE CREATION FROM A TOP JOCK...RHYTHMS FOR UR FLOOR STRESS-TESTED THE WORLD OVER.

FUCK ALL PRESSED SO DIVE IN WHILE THERE'S STILL SOME WATER IN THE POOL.

Side A sees LB aka LABAT offer up two brooding house cuts, textured and tweaked for maximum sonic pleasure and enticing you effortlessly down a rabbit hole of grooves.

On the flip Mr. Fries goes hard with two lo-fi, gritty electro joints full of crunched percussion, low-end weight merging with zaps, bleeps and acidic undertones.

Pushmaster Discs presents a new various artists series called “Pattern”,with old and new artists signed on the label.
On the A side you can find a new artist italian producer V111,who released for label as LNDN White/EartoGround with a raw techno track, 909 infected rhythm and nice arp. The other track on the same side is a big hard groove tune by the label boss Mattia Trani, ”Centaurus” is a groovy beast with minimalistic detroit chord.

On the B side new artists AADJA from toronto,canada and e11011 from buenos aires,argentina with 2 killer dancefloor tracks. Last but not least a crazy Track by Milan based producer Grienkho,150 bpm powerful track “T-E-X” with rave/gabber influencer and hypnotic melodies.

This release comes out with transparent vinyl and limited copies of 150. Don’t miss this strictly limited project!

It’s 1989 in Chicago, House is sweeping the world.
Mickey Oliver, radio and club DJ star with the Hot Mix 5 and owner of the (now legendary) Hot Mix 5 Records decides to drop a compilation on M Records, a division of Hot Mix 5 Records he created in 1988.

“Sweet House Chicago” is the result - a perfect snapshot of Chicago in the late Eighties (all the way down to the front cover picture taken at one of Mickey’s gig).
It features 8 incredible tracks produced by the who’s who of Chicago House at the time: Dj Pierre, Mickey Oliver, Phortune, Ralphi Rosario and more…
The track “I Need A Beat” being an actual Larry Heard production that was made for Mickey Oliver.

So here it is, reissued for the first time by Still Music, on a yellow colored vinyl DLP while the CD includes two bonus tracks including the magnificent “Anticipate 12” Remix” by Mickey Oliver.

Chicago’s House has never been so sweet!

PBR Streetgang return to their newly launched KURTZ imprint this October to deliver ‘Acid Tools’, accompanied by Wilde Renate residents Longhair on remix duties.

Founded in Leeds but now found touring the international scene week in, week out, Bonar Bradberry and Tom Thorpe, aka PBR Streetgang, have cemented their position as leading names within the current house and disco landscape via a slew of stand-out releases on imprints such as Skint, Crosstown Rebels and Futureboogie, plus appearances in 2019 alone at Glastonbury, Love International, Printworks and a summer residency at Pikes Ibiza to name just a few. Launched earlier this year, their new KURTZ imprint quickly found favour amongst a who’s who of the industry’s leading names, from Andrew Weatherall to Bicep, Hot Chip to Soul Clap, and here we see the duo step out again on home turf to deliver the second instalment as they reveal their Acid Tools’ EP, featuring three versions of the up-front ‘Ron’ - each of which have been doing damage in their sets across the summer months - backed by a remix from Wilde Renate residents Longhair.

Up first and delivering the ‘Full Fat’, version one sees Bradberry and Thorpe introduce punchy analogue percussion arrangements in tandem with a chunky, menacing acid line at the production’s core, whilst infectious vocal samples and hooks ebb in and out of the mix to guide the production as it chugs along, whilst the ‘Half Fat’ mix strips back the vocals to reveal a driving and warping journey across six-and-a-half minutes. Next up, Berlin duo Longhair’s remix welcomes a low-slung interpretation armed with delayed effects and sci-fi atmospherics to provide a combination of rich depth and space, before rounding out proceedings via the ‘Fully-Skimmed’ mix – a high-energy 909 fueled workout set to feature as a favourite for many across the months ahead.

Take equal parts 808, 909 and 303 and you might get an idea of what to expect on Adrian Forcinitis debut on Dizzy Tunes, "Swedish Royal Ass-iieed". His tempting acid tunes give you quite a challenging listen while trying to discover the secrets of the various analogue, genuine nooks and crannies involved in this remarkably fulfilling experience. If all you ever wanted was real, sturdy acid music, this record is one to which you'll come back and play repeatedly.

Mastered at SCHATZ.MASTERING.STUDIO

supported by DJ Krime, Snuff Crew, Jesper Dahlbäck

Dizzy Tunes' latest drop - Ghetto Traxx puts your feet directly back to the dancefloor having it all set in wavering melodic tunes coming from a 303 combined with classy yet swinging drums produced with a 909.

All four tracks will convince your mind with ambitious, challenging sounds your body fills up with - two of them being Ghetto House Traxx, the other two Chicago House Dance Traxx.

Mastered at schatz mastering studio

1x each customer !

vinyl only!

Tone Dropout's finest Dawl delivers on the A-side, two gems with electro influences, like only he can do. On the B-side is Moxx from the Viennese House and Techno label called Yoshi, with his first solo works after the infamous 'Waves' EP in 2014.

Elitechnique. Bordello A Parigi. Finally! Right The Rotterdam duo arrive in Amsterdam with two cuts of groove dipped electro disco. 'Disco D'Azur' starts as it means to go on. Juddering bass and crystalline synth lines open into astral avenues, chords cascade and flow before they build into triumphant highs. The flip keeps the party fires burning. 'Riva Riviera' takes its cue from 'Disco D'Azur', bold and broad bars with clean percussion with just a touch more mirrorball romance. Keys intertwine, embrace and twirl away as Elitechnique lead you from dusk to dawn.

John Talabot and Pional bring back their Lost Scripts project to start a series of 12" with some of the jams the duo has been recording during these past years between Barcelona, Madrid and Giske. The release comes housed in a sleeve by Arnau Pi.

DJ Pierre’s legendary Jack Trax Records returns with a vinyl release from Malta’s Acidulant.

He made his smashing digital debut on Jack Trax last year with his “We Are Children of Acid” EP, and returned for more with “Attack of the 303” featured in Acid 88 Volume III.

This release features four new originals “Jack into House”, “The Makers of Sound”, “Dream Knowledge”, and “Surfing Nebulae 303”.

Detroit Acid master Jared Wilson with 4 fresh grooves that makes your ears melt...

Four tracks full of acid and spacey atmosphere. Featuring Arkanoid from Belgium, Joel John and Pete Hope from UK, Vadim Sharygin from Russia and Acid Youth from Italy. No borders, just music. This is Land Of Dance.

THE VERY FIRST ADULT ENTERTAINMENT RELEASE COMES BY INSERT NAME HERE.

IS IT ACID? IS IT HOUSE? IS IT ELECTRO? IS IT TECHNO? IS IT DETROIT? IS IT CHICAGO?

IT'S MUSIC FOR ADULTS!

21+

MUSIC SPEAKS FOR ITSELF!

limited repress, be fast to secure your copy
Soulful way deep house in the Heard tradition featuring smooth vocals by Mr White which sound a lot like Larry's own style.

Repress of long out of print Laurent Garnier 12” – originally released in 1991 on FNAC.