House News

2023 Limited repress! Not even a couple of months have passed since the first release on the Moscow’s label by Orbet & Sorv, but apparently fans of powerful dance music will have no time to rest even during a global pandemic. Because Exarde is not planning to slow down and now the crew is gradually revealing the details of the upcoming series of vinyl releases.

Paradise City Breakers are welcome back on Discarded Gems with solid EP, ready to serve the dance floor at each need, from the peak to the morning lights.

Our fourth release follows the ebb and flow of a night out in a strange mood.
For starters, guided by the concerned voice of Query D, we turn a few corners and go to the local 24h store to pick up some Night Shop Gold, aka the best midnight snack, a samosa. After that we do some Doomstrolling to a tune that invites us to indulge in the night’s pleasures, absently grinning through it’s darkest hours. When the sun comes up again, The Sleepless rounds out the EP for all the insomniacs out there, with some reflections on the dangers of sleep deprivation set to a melancholy beat.

At the very coalface of the UK rave/breakbeat/techno/call it what you like scene since the 1990s, Jerome Hill is something of a hidden treasure amongst the plethora of DJs and producers to have dropped both bangers and bloopers over the ensuing three decades. With minimum of fuss and fanfare, Hill has steered record labels like Super Rhythm Trax, Don’t, Fat Hop and Hornsey Hardcore to revered acclaim, as well as firing out a consistent stream of releases for imprints such as Matthew Herbert’s Accidental Jr, Exalt Records, and I Love Acid, to name but a few.

Surprisingly, ‘Flow Mechanics’ is Hill’s debut album after a production career that kicked off in 1998 as one half of Groove Asylum. And its collection of unabashed acid and rave bangers is a perfect fit for the Hypercolour label, whose personnel over the last few years has included Luke Vibert, DMX Krew, Shelley Parker and Gary Gritness. Tracks produced directly for club play; the album features 8 cuts destined to fit in cross-genre sets.

With pumping electro cuts such as ‘Deafening Lull’ and ‘Knob Jitter’, four to the floor acid stompers like ‘Walk The Plank’, the mutant garage of ‘Brought Up Badly’ and the house groover ‘Stax Had The Funk’, ‘Flow Mechanics’ is a joyous romp through rave’s sound palette, replete with playful samples and skits (featured on the vinyl LP version), and a mischievous demeanour that affords the listener an lively album that doesn’t take itself too seriously.

With unprecedented prosperity and growing worldwide fame in broadcast, game, and synthesizers, the 1980s Japan entered a golden decade. New genre splashes from technopop, Pacifica, and AOR/City pop merged local sensibilities with jazz-funk and Latin influences. Spiced in sugary US West coast sparkle and boasting naive lyrics with opulent arrangements and cover designs, it beamed millions of listeners on the cosmic journeys of Japan and its connections with Asia.

Looking to bet on the city pop phenomenon, a group of young, just out-of-school in-house studio players gathered for ad hoc recording sessions between 1982-1986. Spearheaded by up-and-coming associate producer and arranger HASEGAWA Joe and keyboardist KATSURAGI Mariko their goal was to produce a hit album concept with a musical journey from Japan to Asia and beyond.

Just short of wrapping a handful of test-pressings for studio and radio executives and a few tapes of demo recordings, the sessions came to an abrupt halt in 1986 with a striking personal loss. With the band's consequent disbanding and members embarking on their decades-long sessions careers, the original tapes were archived and lost in the Akihabara district for decades…

…until Japanese pop culture *connoisseur extraordinaire* and producer Sten SALUVEER aka MILDHANS discovered a rare demo of the original recordings in one of Tokyo's Ebisu district's revered vinyl bars. After a lengthy period of digging and tracings for the original tapes, the lush soundscapes of KATSURAGI Mariko and HASEGAWA Jo are finally here to take you on a jazzy journey to City Heights of Asia.

// ORIGINAL MUSICIANS //

Drums: ホンダ　タケオ　HONDA Takeo
Bass: マツモト　ケンジ　MATSUMOTO Kenji
Backing Guitar: コンドウ　タロウ　KONDO Taro
Electronics, Linndrum, CR78 & 808 programming: タケダ　ヒデオ TAKEDA Hideo
Percussion & Support: ナンバルミ　NAMBA Rumi, アレハンドロ　ジュンイチ　スズキ　Alejandro Junichi Suzuki　(Special Guest)
Vocoder & Electric Guitar: ジョーハセガワ HASEGAWA Jo
ボーカル/Vocals、Fender Rhodes, Sequential Circuits Prophet, Synclavier, Yamaha CS80, Arp 2600 & Quadra, Minimoog & Memorymoog, Yamaha DX7シンセサイザー: カツラギ　マリコ　KATSURAGI Mariko
Written, Recorded & Produced between 1982 - 1986 by KATSURAGI Mariko & HASEGAWA Jo for City ハイツレコード.

Reimagined and reedited for Dirty Keys records by Joe HASEGAWA & Sten SALUVEER, with mixes by Julius TALVIK.

Tempo Temple (Caravan & Lord Safari) longtime Planet Trip family enter the stage with a heavy 12” of elevated machine jams and dance-floor ready heaters.

The A side starts things off with high intrigue initialised through the exotica laden, midtempo weapon Spell. Steezy title track Enter The Temple (Outstanding Invoice Mix) splices together a forward facing arrangement with early Belgian New Beat DNA to create a downtempo track for the ages. On the flip the energy gets boosted up to the maximum. The heaving Days of Chandra is a pure, non-stop body mover primed to raise a dancer's heart rate. Its companion piece Nights of Chandra raises the pressure and enhances the euphoria. Closing off with the two steppin’ Spell (Transit State Remix), flipping the records opener into the garage and finishing things off in style.

Another Planet Trip Sureshot!

After the quadruple compilation “Flash Dynamic Triade Color Test”, seekers return with a beautiful double LP entitled ”What He Does”, comprising 4 tracks recorded on tape cassette in the 1990’s and 4 tracks recorded in the 2000’s. The LP also incorporates an intro where the producer’s father is explaining on the phone to a friend how his son is producing electronic music with his gear. Artwork by @mona_bit_

Semi Delicious label boss Demi Riquísimo is set to release his latest EP via DJ Tennis' renowned Life & Death imprint. The release, entitled the ‘Proto Call’ EP, features a double helping of cross genre, hands in the air jams sure to set the day party and club scene alight this coming summer.
The release opens with the titular ‘Proto Call’. A thoroughly diverse track ‘Proto Call’ melds disco percussion with elements of vintage Italian house, squelching acid and progressive all whilst chugging along with propose, a key feature of many efforts in Life & Death’s back catalog.
On ‘Talk To Frank’ sensual vocals set the tone for this bonafide hip shaker. A rhythm that implores you to dance, an inviting organ top line gives way to subtle acid grooves with both then working in unison over a classic house bass line.
DJ Tennis has long been known for his impeccable taste in music and his ability to spot talent. The pair have shared the stage in a series of recent back to backs and the ‘Proto Call’ EP is another touch point in the burgeoning creative relationship between the pair.

Addition by Subtraction are beyond excited to announce ABS006 due for release later this year.

Pushing Australian artists alongside global ones is something we feel deeply passionate about at Addition by Subtraction. Inviting Nate S.U to kick off the release was therefore an absolute must as the Sydney and now Barcelona local has been making serious waves across the globe. You may recognise Nate from co-running Conspiracy with previous ABS recruit, Elijah Something, or through his signature production for his very own When Dogs Fly - regardless, he has been one to watch for sometime now having released on a variety of world-class labels like Gene on Earth’s Nug-net. It’s safe to say everything has fallen into place for the artist as he continues to turbo charge his name around the globe. A1 and A2 bring a deep yet bouncy groove, a unique feel that piqued the ears of Enzo Siragusa who ripped into ABS006 at Fuse Barcelona as well as Voigtmann at Houghton a couple of weeks ago. Timeless tracks are hard to come by and we feel Nate has truly delivered with Eastern Turbo and Jerry Don’t Do Desserts.

The B side is strongly backed up by Frenchman Occibel. About 10 years ago, he started making music with absolutely no background but it was an “insatiable desire to create my own songs'' that brought about the rise of his incredible talent. Now signed to the esteemed Chevry agency in France, Occibel’s production is highly recognised by his driving electro bombs that light up any and all dance floors in peak moments. B1 and B2 were crafted with this in mind, so for all DJs that have been given the gift of controlling the dance floor, enjoy the reaction of Occibel’s Open Minded and 7 Miles, loaded with cheeky vocals and energising basslines to boast a stunning journey from start to finish.

Early Support from: Enzo Siragusa, Raresh, Voigtmann, Archie Hamilton, Kepler and Baldo.

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Mastering by Rob Small Mastering

Vinyl and Cover Artwork by Michael Askew

3D Animation by Matthew Hopkin

LIMITED TO 100 COPIES: After having cake & coffee at least twice a week studio neighbors Joris Biesmans & Johannes Albert teamed up again. Remember "Luft"? This time they got a little inspired by the sun and even more - the legendary sunshine blotters from California. As a result, the duo hammered out a tune that you will dance to all summer and beyond: Sunshine Inc. is fabricated out of concrete chords, the bass was welded, and the lead is still dripping with sweat. Add a little acid here and there and BOOM we're off to space! Before you ask: Tripping is more than okay.

Dial 303! The new and hopefully also durable sampler series on Running Back is here.

Dedicated to the twang of Roland’s silver baseline box with a varied string of artists: DVS1, Marko East & Jordi Chu (whose collaboration sparked the idea of a whole series), Like A Tim via Prins Thomas, Katerina and I:Cube.

The Parisian put it in a nutshell, too: „Although rinsed to death to the point of becoming a parody of itself, acid will last forever.“ Therefore, his Folie Noire is combining the original recipes with hypnotic European influences, while Marko and Jordi present a rough and direct 303-909 live jam, Prins Thomas puts his wickedest smile on Like A Tim’s Wonderline from 2005 and Katerina sets a lucid dream to sanguine music.

Finally, there is a rare and much desired musical outing by the unique DVS1. A direct ode to Chicago’s acid and beatdown styles and its Midwest companions, it is a heads-down-lights-down late night track made for driving up and down Lower Wacker Drive. Trippy trip artwork by the inimitable Gasius.

Trivia: If the piano is the bread of house music, the acid line is its butter!

QUAINT BUT EXTRA's first vinyl EP with 4 fantastic house & techno remixes of NATE MANIC: "IT'S NEVER EASY (DERRICK CARTER REMIX)", "LATE FOR WORK (GUILLAUME & CONTU DUMONTS REMIX)", b/w 2 remixes of "YOU WILL NOT RUIN ME" by JUSTIN CUDMORE and LINDSEY HERBERT. 303 numbered copies.

Rob Mello really needs no introduction, but you're getting one anyway.

Rob has been instrumental in putting UK House music on the map since the early 90's. Numerous legendary projects and collaborations, including the enormous Disco Elements series with Zaki Dee, Reel Houze & the exceptional, way-ahead-of-their-time psychedelic Disco / House jams via Sensory Productions, not forgetting his later, superb work for Classic.

Oh and did we forget Black Science Orchestra ?
Yeah, he was there too.

We helped out with some of Rob's early noughties DISCO45 releases (still sound absolutely amazing)
As well as the slo-mo sleaze (and a secret weapon) of Beulah Heights.

So what do we have here ?

Rob revives his No Ears moniker for a duo of perfectly crafted dancefloor delights.
Pieced together with diligence and more than a little trademark Mello funk, this is up there with his best work.

House hero, master craftsman and absolute gentleman.
Get on it !

Clear Vinyl

Paula proceeded to question each dot down that wave and each answer led her back cross the river, up the ruler which measured her life.

Remixes by Cignol, Vertical67, Sound Synthesis, 36

Label’s family tree is getting bigger and bigger, and looks like soon we will have a fully packed roster from all corners of the world. But for now, to celebrate a full dozen of records from Exarde, we wanted to get in touch with our new brother from the land of the rising sun. Mr. Sugimoto is not a newcomer to the electronic scene but only recently he started to release his own music.

Looks like Riku has his own delicate world, where he fuses and juggles with a lot of personal representations of the dancefloor “styles” if we may say. Sugimoto's record is balancing on a razor blade between a full-blown party and that feeling of some peculiar hi-fi nostalgia. We are welcoming everybody under his private curtains where air is filled with accurate melodies and raw mechanical grooves.

Our fourth analysis of frequencies from the void above resulted in a recollection of sounds obtained from the catastrophic death of an atom in another dimension. FTVA04 consists of four cuts by Chilean producer MOYA81.

On the A-Side the record opens with Decode, a slow-burning intro to this journey. A2, Akasha is a modern take on electro with italo elements where the hectic bassline is in constant conversation with the apocalyptic pads and sound effects.

The B-Side affirms the feelings generated on the A-Side, opening with A World Beyond, a 7 minute journey through the depths of this atomic catastrophe. B2, Face Of The Future closes the record with an intelligent expression on MOYA’s synth driven style where the vocal and groove take us on a never-ending journey.

“Accept the existence of the void as a real entity, in which atoms can move and rearrange themselves”.

After three EP's in his own name, and one with Moreno Ácido at Holuzam, Diogo makes his debut 12” in the Discos Extendes series with “FINALMENTE!”. In a singular appropriation of the vast legacy of rave culture, Diogo crosses, along four tracks, a certain time span between the 90's and the 2020's, with all kinds of recycling and updates that the exercise entails. Syncopated rhythmic patterns, robust basses, junglist echoes, haunted voices or celestial pads make up a revivalist sound palette, here rearticulated beyond linear structures. “Até Segunda” sets the tone in territories close to Objekt's Theme from Q in a live sound design amidst sudden disturbances and rallying hooks. Tracks 2 and 3 stand out for their plot twists: “Ponto de Não Retorno” starts with a frenetic breaky maze before get immersed in a oneiric landscape, and “What?!” progresses gently within Vancouver coordinates to be opened to a schizophrenic rawness that, from there, completely remakes the track. “Errar É Ok” is an exercise of decompression, melodically woven, with a dreamy coda pointing to nostalgic horizons. Violet closes the EP with a muscular version of “Ponto de Não Retorno”. "Finalmente!" marks for this unstable balance between familiarity and strangeness, intuitiveness and disturbance, euphoria and immersion. Tracks for the dance floor, yes, with a twist, to be rediscovered as often as you like.

We welcome the RabaukeN Crew ! Not only doing famous club & boat
partys in North Rhine-Westphalia (Germany) the guys now drop their
own vinyl imprint. 001 coming directly from the - Head of the Chaos'
Sebastian Phillip with two driving & acidish techno tunes. Remixes are
coming from the RabaukeN members Moritz Ochsenbauer and Danito and
from M.in (Desolat, Cecille, Get Physical).

Played & supported by Danny Tenaglia, Markus Schulz, Martin Eyerer,
Kaiserdisco, Umek, Magda, Butch, Luciano, Paco Osuna and many
more.

2022 Repress

Parisian underground cult-figurehead VOIRON is next up on Glasgow's Craigie Knowes. The 4 track VOIRONZINOR EP strikes with a ferocious blend of Acid, Rave and Hardcore sounds with that signature VOIRON dusting of Gabber-esque roughness. Those with knowledge of 1980's French rave culture will catch the nod in the EP title too. A record of true heavy hitters.

Italian House Music producer, Fabio Monesi, delivers a smoking 8 track double lp of old school bombs for L.I.E.S. Records. These tracks go right back to the essence, hitting the full spectrum with stripped back classic New York and Chicago House cuts that wouldn't seem out of place in a BMX or WBLS mix from back in the day.

Catchy dx basslines, slammin reverb drenched drum programming, and deep strings are on order for this one. All guaranteed to more the party all night long, drop the needle and let these do the talking....Huge huge party cuts, check the Moonriver vocal and you'll hear it immediately...recommended.

A must have!

Repress!

Disco beats to make people dance, warm basslines for a warm groove, emotional chords to give a soul to the track and of course some notes of piano to get that jazzy vibe. Here is what Herr Krank needed to build his new ep « Delighted ».

This release composed of 4 tracks influenced by Kerri Chandler’s piano house and Daft Punk’s french touch delivers a very sunny and joyful vibe that has a lovely smell of summer.

An Apparition introduces the hazy feeling of the EP with a thundering kick, dubbed-out chords, and a mysterious vocal sample topped off with a funky 303 interlude. The A2 track CoupCoup builds the late night suspense with looming strings and chords driven by deep, groove-soaked percussion.

Molecular kicks off the B side with eerie vocal samples and gorgeous, otherworldly synth work, and is held together with a heavy broken beat and a morphing acid line. The final track, It’s You, summarizes the EP’s concept with a mesmerizing exploration through propulsive percussion, deep bass and immersive, evolving chords.

Drawing from a substantial archive of equipment, knowledge
and experience, Mike McClure and Craig Lambert’s approach to production results in modern music that remains true to old school sounds, methods and ideologies. Rather than adhere to the strict demands of any given genre, they seek out what sounds and feels authentic in the moment when they come together to write. With their attention focused on live performance and capturing that same energy in the studio, AutoClub infuses electronic music-making with refreshing, intimate, human qualities. Warm tones against a deep, celestial backdrop characterize their sound. Brisk, stimulating tempos, analog textures and organic, nearly seamless transitions between genres keep their performances fluid and engaging.

Cut from the 90’s rave cloth, AutoClub understands the crucial role music plays in bringing people together. Supporting and collaborating with other creatives is important to them. AutoClub are hands-on producers, synthesizer enthusiasts and community supporters/ organizers who value connecting with their community as much as with their instruments.

It’s also worth noting that Craig and Mike are both accomplished solo artists, Craig is also known as Midnight Music Club, and Mike as Autokinetic.

Laurent Garnier - “this is soooo gooooood”
Om Unit - “Tasty morsels!”
Daniel Avery - “lost in dub”
The Black Dog - “Sweet vibe with a spot of aciiiiiiiiiid, strong EP.”

Following on from the standout second Ciao Italia compilation, the mighty Rebirth bring together another collection of tracks that surf between the past, present and future, highlighting the importance and continued influence of the Italo dream house world.

Alternate versions, unheard gems, certified classics and pure class as you’d expect from the likes of Doni & Leo Young, Pastaboys and the coming together of G.P.M., Steve Mantovani, Dan-E-MC and Daniele Mad alongside a double dose of new productions flying the flag for dream house via Hiver and Feel Fly.

A new perspective from the highest altitude is given by our expert pilots Eros and DJ Void. The travel is linear and without turbulences, just a mixture of emotions developing when looking down at our mother Earth.

The project was born after a forest trip in August 2021.

Repress from the PCP14, an acid House deep dark production over-expensive nowadays because defenitly didn't get a riddle !! BIG !

Field Of Dreams are back with a stunning new EP.

Is it deep house, acid house, jackin' house or what?
Whatever it is, it's pure house music and the world is a better place for it.
Just don't call it a comeback!

Discover all the gems of House and Techno music in a double vinyl special collection! A selection by the Rex Club, the emblematic Parisian club that has hosted the greatest names in electronic music, from Laurent Garnier with the Wake up nights to Jeff Mills, as well as Chloé or Ellen Allien.

DISCOVER THE FIRST VOLUMES OF THE REX CLUB COLLECTION! HOUSE & TECHNO

Evasione Digitale is a new label devoted to the Italian Progressive sound of the 90’s. The label is kicking off with the reissue of "Punto G,” the sought-after Italian Techno 12” originally released on Spock in 1995, under the umbrella of Leo Mas, Gemolotto and Fabrice. The "Triade,” with their influential labels, coined a trademark sound for the city of Udine, creating a solid acid kingdom and giving space to modern experiments.

Produced by Fabrizio Vascotto (Skeela) and local dj Marco Bellini, resident in cult clubs like Area City and Aida, "Punto G" sees the light again via Torino and Berlin.

“Muzik Fantastique! is another example of their hidden talents” – NME. 1993’s Muzik Fantastique! will receive its first ever vinyl issue in March. The album finds Chris & Cosey in one of their most dynamic and melodic periods with an album that slides towards subtler grooves and textures.

DMX Krew announces his return to Peggy Gou's Gudu Records with a new four-track EP, sharing the dreamy, Detroit-inspired title track, ‘Return to Jupiter’.

The full EP - out 14th April 2023 - will be his second release for the label and Gudu’s first release of 2023, set to be the label’s busiest year yet.

Ed DMX made his debut for Gudu with 2019’s Don’t You Wanna Play? EP, becoming the first artist to release on the label outside Peggy herself. Ed and Gudu have retained a regular working relationship ever since: he mastered Indonesian crate-digger Dea’s ‘Glazer Drum’ release for Gudu, contributed a pair of remixes to the reissue of Riff’s South African electro curio ‘Jacks Jive’, and now returns to the label with Return to Jupiter, a new original four-track EP.

Ed has been one of electronic music’s most respected faces for over 25 years. Debuting in the mid-1990s, he released his first decade of music almost exclusively through Grant Wilson-Claridge and Aphex Twin’s Rephlex label and his own Breakin’ imprint, but recent years have seen him ply his trade across a who’s who of dance music’s most respected underground labels: including Hypercolour, Balkan Vinyl, Central Processing Unit and, of course, Gudu.

Inspired by the futurist funk and vivid synthesiser epics of classic Detroit, ‘Return to Jupiter’ is dripping with richness and colour, driven by the sort of thick analogue basslines and distinctive melodies that have come to define Ed’s catalogue. The EP’s title track sets the tone for what’s to follow, introducing a language of sorts for the record - before ‘Altered Chords’ turns the funk up to 11, ‘U Ain’t Down’ aims its distorted kicks and wiggy, manipulated lead straight at peak time dancefloors, and ‘I Love Juan’ closes the EP on a star-gazing tip.

Founded by Peggy Gou in 2019, Gudu releases music from a global roster of artists, including DMX Krew, Maurice Fulton, Hiver, Dea, Mogwaa, Brain de Palma, Dukwa, JRMS and Peggy herself (including the hits ‘Starry Night’, ‘I Go’ and ‘Nabi’). 2023 will see Gudu’s busiest year to date, with new releases scheduled from the current roster and some exciting new faces.

Donnie Cosmo is next up on Physical Education. The Colombian maestro’s Signs Of Life EP leaves few prisoners in its wake, taking us on a riotous journey through the tech house sound we know and love.

Long time collaborators Meat Beat Manifesto (Jack Dangers) & DHS (Benjamin Stokes) get together on fresh new 12” EP ‘Man From Mantis’. Both artists have rich musical histories, Dangers having released an extensive collection of music as MBM since the late 80s including pre-hardcore/jungle breakbeat touchstones (Helter Skelter/Radio Babylon) & late 90s masterpiece ‘Prime Audio Soup’, released on Trent Reznor’s Nothing Records and recognisable from its use in The Matrix. Stokes on the other hand has a smaller back catalogue but no less influential, having been responsible for all-time-classic foundational techno blueprint ‘House of God’.

Dangers & Stokes have always played around beyond the edges of the familiar and this EP is no different: 4 tracks of breakbeat techno future-sound that live in a world of their own. ‘Pandemic’ opens the EP with squeaky-clean mechanical acid, intentional and direct, tight and well-controlled, underpinned by a revolving, bubbling acid line. ‘Aggressive Mantis Squad’ comes bearing weighted breaks and hinterland bleeps, spanning the past and the future. B-Side opener ‘Automatic Mouth’ is a twisting chugger, occasionally breaking down to reveal a whirring & stuttering machine-spirit before the EP closes with the drum-fest dream sequence of ‘International Sound System’.

These are lab-grown rhythm bombs, finely tuned off-kilter grooves, razor sharp crucial beats ready for the future, out on Love Love Records, June 9th 2023.

Vibes come in three flavors: Sunsplash has the feel of summer heat, heavy synth bass and bouncing leads from New York to Negril.

Original Vibe adds sharp synths over an electro bassline á la Freeez and Body rounds off with a smoother soul vibe.

Hot off the heels of a fast sold-out first release, Gideön returns to his very own Homo-Centric, and we expect this banging collection of steaming dancefloor fillers to follow the same path. Unmissable for the house music fans !

It’s been a quiet couple of years for Posthuman’s I Love Acid series, but it’s back with the first of three 12”s to see out 2023. ILA027 comes from Australian hardware wizard Dylab. Three tracks of 3am heads-down-in-the-haze chugging acid DJ tools, with a remix from Vault Wax label head Beyun. As always, out on just 303 copies of hand-stamped and numbered heavyweight 180 gram wax, in a stamped card sleeve. No digital. No represses.

Another strong 4 tracker of the finest acidic vocoder electro. Limited hand stamped copies.

Gudu Records is proud to welcome Special Request - aka Paul Woolford - for his first release for the label, a collaboration with constantly innovating London MC Novelist.

Pairing Novelist’s unmistakable cadence and flow with classic grime square-waves and booty house-esque drums, ‘Sliver’ has been a highlight of both Special Request and label boss Peggy Gou’s recent sets, climaxing in a tempo change designed to turn the dancefloor inside out. As potent in intimate dark rooms as it is festival main stages, you’ll be hearing this one all Summer and beyond.