House Новости

It’s a new day – and 2022 marks a very special new chapter for Parisian producer Hugo LX, who delivers his latest sound offering on his freshly founded imprint Doma Music.

A collective adventure, « The Platinum Wave » sees the return of Hugo’s most frequent collaborators – trumpeter Hermon Mehari and guitarist Christopher Johnson, with the addition of pianist Tony Tixier – the four of them connecting, building and weaving their sonic textures over these five sound cuts.

A starting point in the Doma music catalogue, « The Platinum Wave » aims to propose a different sound in dance music, both a continuation of a certain musical legacy and an exploration of today’s boundless possibilities, as much as an intimate soundscape from four artists deeply involved in the Paris creative scene – and most definitely, a first taste of things to come on the label.

Repress!

Sounds Familiar is excited to inaugurate their new record label with the launch of “7 Inch Nails” - a series of 7" records aimed at expanding boundaries and opening up musical horizons. The series will feature a range of extraordinary artists that we have crossed paths with, both established and up-and-coming, all of whom are adept at keeping the groove in check.

The first installment of “7 Inch Nails" arrives courtesy of musical genius Kaidi Tatham and double A-side ‘ Sooner or Later / Feeling Happy. Channelling Kaidi's signature fusion of jazz-inflected future soul, 'Sooner or Later' unfolds across four low slung minutes, before breaking out in a joyous, orchestrated Latin groove. On the flip, 'Feeling Happy' does what it says on the tin, as Kaidi brings his inner Herbie Hancock to an uplifting, piano-led sunshine jam.

Stay tuned for more uncompromising freshness to be announced in the months to come.

Neroli release n. 60 and is indeed a special one…Dominic Stanton aka Domu is back! Not much else to add really, as a return of a Domu release after more than 10 years of absence from the scenes should already say it all! These brand new songs still have all his signature elements but with a modern twist, and feature the vocals of Hiatus Kaiyote’s Lori on the breathtaking ‘On The Line’, the skills of K15 on ‘Ya Nah Gonna Get It’ and the help of long time collaborator
Marin on bass! A unique sound that we missed so much….

La Fête Recording Is The New Music Lab For The Parent Company Imported, Which, After 3 Various Releases In 3 Years On Its Flagship Imported Recordings, Offers A Fresh Twist, With A Brand New Sublabel, Ready To Conquer All The Bazaar From Here To The Moon. Behind This Word "fête" (party In English) That Seems Innocuous, Hides The Singular Project To Make Everyone Dance, Without Half-measure And Always With The Pleasure In Focus. Fuif, Evening Or Party In Dutch, Is The Synonym Chosen By Ghetto Chords To Qualify A Dancefloor-oriented Ep, 100% Groove, Which Simply Makes You Want To Wiggle Not To Forget That Life Is, And Must Remain A Nice Rave.

Born and raised in New Jersey, Ardio Zemog delivers the goods for the next Obia Records release. Soulful harmonic percussion filled tracks with a whiff of Latin. Passed on from generation to generation people inherit their ancestral spirits and devotional practices to create vibrations that lift our souls. Ardio Zemog takes on the skin of Obiaman for a sonic trip through connected spirits both young and old. The main cut “Generations” takes the dancer and listener on a wholesome state of well-being. Soothing percussion rhythms with a solid signature bassline drives the listener into a never ending feeling of bliss, the youngest generation has spoken.

Followed by “Yeochu” a deeper more mature arrangement of drums characterizes the unseen spirit from the father figure. A message of analogue synth stabs and pads deliver a blessing followed by hypnotic piano riffs. Instructions and spiritual advice are given for those who are able to open up.

“Nights in Leblon” behold the oldest wisest spirit of them all. A breathtaking deep harmonic pad layered by countless drum percussion. The presence of ever evolving synth stabs and piano chords define the tracks rhythm and timbre.
To finish the EP Wendel Sield takes us on a completely different ancestral path. Flipping the script on “Nights in Leblon Acidic Rework” with a solid tb-303 acid line layered with tr-505 drums. The rework focuses on playful rhythm and minimal usage of elements. Surprisingly the record takes on a different harmony mid tune what makes the track ideal for DJs who like to switch it up during their sets.

From the deep south in Louisiana comes a new debut on GAMM from producer Koichi Toyama.

Over this four-track EP Koichi has selected some of his favourite Japanese Jazz-funk and Jazz-fusion tracks from the 70's and 80s'.
With tasteful editing skills, the tracks are re-arranged and sometimes remixed into heavy Jazz club jams.
No pump, just thump of course!

INTERSPECIES RECORDS, an inter-disciplinary label that brings together not only DJs and producers, but also visual artists, electronic instrument engineers, and other specialists in sound and space, is proud to release its fourth 12-inch record!

For our latest offering we present the return of Recloose, a veteran producer who has created numerous masterpieces on labels like Planet E, Rush Hour, Peacefrog, and other global imprints since the late 1990s. He continues to explore his sound in this ambitious work, blending old and new influences, samples and synths, delivering two anthems for the dancers and heads alike.

This release also includes stellar remix work from Middle Point, DJ NORIZM and kashi, the label crew of INTERSPECIES RECORDS. In the spirit of their label, each remix presents a unique twist on the original by pushing musical boundaries, fusing elements of Balearic, Loft House, Dub, UKG, Jazz House, and African sounds.

As is the case with the world’s best DJs, this is a piece of music that conjures a new, unknown world by freely mixing without restraint.

Flankup Recordings strikes again! This time with the first issue of a brand new catalogue, inaugurated by a substantial release: a stunning five-track EP by Il Mare Di Fronte, the newest moniker of Paolo Russi (Discojuice), co-founder of the Milanese record label together with Francesco Bellini.

The Disco/Boogie tinged record, which will be released both on vinyl and digital versions from the 30th of June 2022 onwards, also features a great remix by the man himself DJ Rocca and his ‘Salsedine’ version of the title track.

SOUR records is a label based in Paris whose aim is to put underground talents on wax. This second release brings back deep house in the limelight. It contains dope and dirty oldschool grooves with a fresh twist made by parisian producer Ernesto.

The two groovy & jazzy tracks on the A-side are full of club energy. And the beautiful 8-min long electronic journey on the B-side is perfect for stirring up the crowds under a rising sun next summer. Warm samples, groovy analog basslines, bouncing beats and lush ambiances : this E.P. is the kind of cocktail you just can't stop sipping...

Cheers !

Evening News is the new moniker of instrumental dance group formerly known as Beatnik Collective. A 4-piece hailing from Melbourne's inner north, the band composes house and electronica infused grooves, with influences ranging from Drum & Bass and 2 Step Garage.

The initial limited white label copies sold out in record time, and this "official" release now on black vinyl in full color printed jacket will likely do the same. These two long playing jazzy heaters are sure to move feet directly to the dance floor. The debut vinyl release on the new label started by the iconic Chicago retailer

On June 16th, 2023, Steven Julien and Kyle Hall return with their first EP together in ten years, CROWN. The record follows earlier EPs the duo created under their former alias Funkinevil, 2013's Ignorant and 2012's Night/Dusk. The record once again brings together two artists from opposite sides of the pond—Julien hailing from London and Hall representing Detroit—with a shared love for soul in its purest essence.

Opening "Page 1", a pitched-down vocal by James Massiah pronounces, "My plan—won't let you take it from hand." That alone could be considered the nut graph of a record about taking ownership, created by two vanguards in the electronic music scene that, a decade ago, insisted on infusing their music with soul in a commercial club circuit lacking in it.

Assembled from a few years-worth of studio jams in Julien's studio, Crown dials up the staticky warmth present on earlier Funkinevil tracks like "Dusk" and "In The Grid." Across seven songs, Funkinevil shaves off some of their tougher elements, instead shooting for pastoral melodies and funky basslines, like on "Page 2", where Vicky Flint's flute flutters sleepily over breaks and a groovy Korg synthesizer. But the atmosphere on the EP is also grander than ever—on "Page 5," Cloud's wistful melisma soars over Flint's bleating saxophone and wandering sci-fi synths.

With all this attention to funky musicality, it's only fitting that two legends specializing in the craft would land on the B-side—Däm Funk revs up "Page 3" with a slamming kick and his unmistakable coolness, and Reggie B turns "Page 5" into a sludgy, jazzy dance party.

In the words of Julien, "I think a lot of people have forgotten about what this whole thing is about. Musically, artistry and everything. So I'm happy this is what we represent on this project."

Marbled Vinyl
Ornaments presents the latest LP 'Tizinabi' from the skilled trio Wareika, a 45-minute cohesive album that effortlessly blends electronic and organic sounds. Despite its roots in dub and house music, the album offers a unique experience by including classical instruments such as guitar and piano flawlessly integrated. The result is a captivating and harmonious sonic landscape that stands on its
own.
Each part flows into the next, creating a dynamic that holds the listener's attention from start to finish.
Throughout the LP, Wareika masterfully combines intricate layers of sound, weaving together hypnotic melodies and smooth percussion to create a tapestry of sound that is both complex and accessible.
For fans of deeper electronic music with funk and soul, "Tizinabi" is a must-hear that showcases Wareika's dedication to pushing boundaries in the genre. With previous releases on esteemed labels
such as Perlon and Mule Musiq, Wareika's distinctive style and musical character are fully showcased on this album. So sit back, relax, and let the beautiful sounds of "Tizinabi" transport you to new and exciting places

Bringing the club vibes like they love it.

Lively atmosphere, oldskool grooves with a new texture is what they aspired to achieve in their musical trip together. They had a lot of influences from big names in the scene as you can tell listening to these tracks. We have selected 8 tracks for you to enjoy. Hope you like them as much as they did making them.

For Those Who Dance

Kyle Hall treats us to a new and special pressing of his standout Equanimity EP which was last reissued back in 2020. This one comes on limited edition translucent teal vinyl and was initially put out to mark the ten-year anniversary of Detroit native Hall's own Wild Oats label. In that decade he has established it as one of his hometown's finest for dusty deep house explorations. The four tracks on it are just that with a whimsical melody over bumpy beats on the opener, then more zoned-out beats on '4wrd Motion' and glitchy kicks and hits on 'No More Moon'. Last of all is the star-gazing cosmic house of 'Ghosten 4 A 2nd X'. A timeless EP for sure.

Legendary producer Dave Lee returns as AC Soul Symphony with the “Metamorphosis” LP - his most ambitious production project in his 35-year career.

With an inimitable CV and discography that includes over a thousand production credits to his name, hundreds of singles under renowned pseudonyms including Joey Negro, and three UK top 40 hits as Jakatta, Dave Lee is one of the UK’s most revered producers of disco and house music, defining each genre with a signature sound. Always looking to push the boundaries of what it means to make music, his latest project sees Dave return to one of his lesser-known pseudonyms – AC Soul Symphony – to deliver an epic disco record that takes the sound back to its roots in every way possible.

“A few years ago, I produced a remake of David Shire’s orchestral disco masterpiece Manhattan Skyline under the alias of AC Soul Symphony. I really enjoyed reworking that classic track in a way that retained my favourite parts of the original but also writing new musical sections that gave it more my own flavour.”

Comprising 15 beautifully arranged disco tracks that effortlessly span almost two hours, “Metamorphosis” is an album by definition, but at its core, much more than that – it is a labour of love, meticulously composed, arranged and crafted through a very tangible and human creative process which is unmatched by many modern producers.

“I do it because I love the process of creating something. My aim is to come up with an end result I genuinely think I’d want to buy, play and listen to if it wasn’t me.”

Inspired by happy memories from the golden era of TV and the soundtracks of his favourite childhood shows, “Metamorphosis” was borne of a desire to put the strings center stage and recreate the same analogue sounds that brought instrumental albums by Love Unlimited, MFSB and Salsoul Orchestra to life.

“I thought making a whole album of this mainly instrumental, string heavy, tv theme like music would be a really enjoyable project and one that would play to my strengths as a producer. It was also slightly new territory musically and a bit of challenge.”

Taking disco back to a physical place, “Metamorphosis” was an organic writing process that saw Dave lay down his ideas digitally, before reshaping the MIDI strings into a proper arrangement and recording them live with a 20-piece orchestra at RAK Studios. By his own admission, it is an album of pure indulgence, but by relying on digital production methods, it can be easy to lose sight of the soul that makes music such a unifying entity. Backing up the immaculate strings with catchy vocals and enough groove to level a discotheque, it’s this soulful energy that Dave has captured and expertly delivered with “Metamorphosis”.

Captn K of Picnic Records Australia is back with his trademark style of ultimate chill and vibe with a two sided Balearic odyssey. Sax-drenched, synth splashed and tuff drums.

Soon to be a rare find, an exclusive release availabe on a limited run of 200 10" lucky dip rainbow vinyl. (Please note image is an example, due to the lucky rainbow pressing process every record will be different).

In 2001 legendary Japanese outfit Kyoto Jazz Massive put out the ‘ Spirit Of The Sun ‘ album for Munich based Compost Records. 22 years later Echoes Of A New Dawn Orchestra who have been the live international band members for Kyoto Jazz Massive over the last 2 years got to do their own rendition of this classic.
In this particular version, 3 members of Echoes Of A New Dawn Orchestra also happen to be part of Jéroboam who record for buzzing Dutch label Space Grapes and in this Mukatsuku release feature from Agyei Osei (vocals),Carel Cleril (bass), Kevin Le Bellec (guitar)from Jéroboam .
It’s a funky slap bass jazz flex affair with seductive horns that make for an irresistible dancer. On the flipside an unreleased exclusive instrumental version.

Curated by Lazy Susan (2StepBec, oliver.r and Zeus) the Truffle101 project sees the light of day this Spring with their inaugural release from co-founder oliver.r under his Raynerfromfinance moniker. The first on the label explores a multitude of textures, gliding between sleek jazz, hazy dub, ethereal ambience and everything in between. Music from the soul, for the soul, as the man on the numbers, Raynerfromfinance shares his debut offering in the realms of downtempo productions.

A loungey quest paying testament to the versatile direction of the Truffle101 label, a project from three aficionados of the slower end of the spectrum, looking to share idyllic sounds from friends and artists they meet along the way, presenting them to a new and appreciative audience.

“Please make yourself comfortable, sit back and relax, whilst we take you on this journey of the sounds of Truffle101”

Less J presents his highly anticipated second release on his renowned label, Law Heart Records, with "3 Hermanos" - an EP that pays tribute to his two lifelong friends. Together since their early years, they have shared countless adventures in the world of nightlife and music, creating cherished memories along the way.

This captivating EP skillfully combines samples of Jazz and bossa nova, creating a musical tapestry that transcends boundaries. Notably, it features the mesmerizing storytelling of Argentine illusionist Rene Lavand in one of the tracks, offering a beautiful narrative about friendship in the celebrated B.1.

Adding to the EP's allure is the exceptional talent of Claudia Urbano, a gifted self-taught pianist. With her youthful enthusiasm, she revives classic boleros and infuses them with the soulful essence of Jazz, resulting in a delightful blend of musical styles. "3 Hermanos" by Less J on Law Heart Records is not just a vinyl release; it is a heartfelt
homage to the enduring power of friendship and the limitless creativity that blossoms when kindred spirits unite. Get ready to be captivated by this extraordinary musical journey.

4 years after the release of his EP ‘Nights’, TAOS is back with a debut concept album ‘Reflection’, against the tide of an industry reserving this format for artists whose fame is well established. Above all, it is an overflowing creativity and a raw talent that animates Fabian, TAOS, and which draws him to the heart of ‘Reflection’. An instinctive mix of genres between electronica, abstract hip-hop and jazz, stories in the story and without worrying about labels and trends.

"We've now been at this since 2010 and over the years we've really tried to deliver the kind of house music (and beyond) that we would play, listen and dance to ourselves.
We really tried to avoid the dangerous traps of following trends which in the long run can water down labels to just a music portal instead of a music brand with character.

Basically, we aim to deliver our own musical personality via artists and producers that we love and respect. To sum things up, we are proud to present Local Talk - 13 Years Later.

On this 13 Years Later compilation we reached out to some of our friends on the house scene and as always, we try and aim for a wide spectrum of styles.
You'll hear everything from classic house, deep house and soulful house to Detroit(ish) and Jazz(ish) from some of our fave producers.

We sincerely hope you will enjoy this selection of dance MUSIC as much as we do and that there's something for everyone on our compilation."

Being in love with music since his adolescence, Frédéric forged a culture, integrating song, Latin music, jazz, as much as Kraftwerk's electronic preludes in the late 70’s. In addition to studying drums and piano, his interests is also in African and oriental music. His curiosity is limitless, and all musical cultures find an interest in his eyes, which makes him a personality apart on the electronic scene.

In 1997, his meeting with F-communications was an important step since it gave him the opportunity to release his first record. He combined electronic music and jazz in a new way. So much so that the classification in one genre or the other is impossible. The album, "Frédéric Galliano & the African Divas", recorded especially in West Africa with African singers, is the perfect missing link between traditional music and electro music.

HAUKE FREER'S latest offering includes two warm and moody original cuts plus an intense, bass heavy MATTHIAS REILING Remix - is that really you, SESSION VICTIM? While the duo's records usually strike a chord with a somewhat broad audience, Freer's solo output never tries to cater to the House Music masses. In fact, it feels very much tailored to please an acquired taste. ONE TINY UNIVERSE is a case in point, built upon a steady but wonky drum groove and a brizzling, retro, sci- kind of pad, eventually leading the song into an array of synth melodies that will reward you with discovering new things when listening repeatedly - showing Hauke's ability to subtly combine little bits and pieces into something that effortlessly outgrows the sum of its parts. Moving on to the ip, Reiling stripps the title track off it's warmth and beauty and replaces them with a tougher
drumset and a pressure heavy UK style bassline. You'll be reintroduced to Freer's synth work eventually, but in a less
fairytalish and, well, slightly hostile environment. MMMMM is the closing cut of the EP, a composition just as bare and raw as it feels soothing and gentle - like.... let's say beans and rice over a campre on a cold night under the starry sky of a far away tiny universe in the ngernail of some other giant lifeform.

Italian duo Night Passengers aka Nicola Loporchio and Emanuele Del Carmine serve up their first collaborative album this summer. Find A Way comes on Born just a year or so after the project was spontaneously formed during lockdown, and is a seamless nine-track instrumental fusion of soul, jazz, funk, breaks and 80s grooves.

Nicola Loporchio is also known as Nico Lahs and Cosmic Garden and is a producer with more than a decade's experience. In that time he has landed on countless influential labels with a range of EPs and EPs that take in everything from downtempo to deep house, hip hop to funk. During the lockdowns of 2020, he hooked up with fellow Italian musician Emanuele Del Carmine who has served up some fresh disco sounds in the last couple of years. They began jamming together in early 2021 and soon found they shared common ideas when it came to good time grooves. Now, that plays out across a proper full-length that is perfect for close home listening and laid back Sundays, but always with one eye on a cosy and intimate dance floor.

This most cohesive of works opens with the joyous keys of 'Moonlight Sonata' which sets an immediately romantic mood. 'Illusion' is then a golden bit of jazz-funk with warm, glowing chords and dusty broken beats that make you want to shuffle. 'Wandering' is another piece of fine musicianship with perfect interplay between the live drums, jazzy keys and cosmic leads. The title track then slows things down. It's deep, spacious and atmospheric with suggestive bass, pillowy chords and distant melodies twinkling like stars in a night sky.

'Escape On A Sunny Sunday' has a lush retro-future feel, with freeform keys racing about the scales as the cosmic leads and tight drums tie the whole track together. During 'Moments Of Insanity,' the album launches further into the cosmos on waves of radiant melody and splashy cymbals. 'Past Memories' taps into 80s nostalgia with more blurry-edged chords and natty synth sequences riding on louche drums. The heady 'On A Cloud' is a go-slow piece that invites you into a seductive jazz-funk dreamworld and lastly, Brazilian Zopelar remixes 'Illusion' into a tumbling bit of boogie-tinged house funk.

Find A Way is a vibrant work from seasoned musicians whose virtuoso playing brings every track to life in a heartwarming fashion.

Producer Tony Price returns to Telephone Explosion Records with his new “MARK VI” LP, an eclectic set of songs with a distinctly late-night feel. The album features 16 tracks of oblique drum machine funk, sizzling electro dubs and freaky public access TV atmospheres that spill into the streets with the combustible energy of a late night radio dance party before dissolving into a melt of bizarro techno-surrealist jazz by album’s end.

“MARK VI” is sixth full length from Mr. Price. This stretch of albums - “I Prefer Coca Cola” (2079), “Celica Absolu” (2018), “86’d” (2019), “La Vie” (2019) and “Interview/ Discount” (2020) - is a masterclass in uncouth production techniques, genre-melding and sonic satire. His production expertise has played role in breakthrough records from the likes of U.S. Girls, Young Guv, Ice Cream, the Badge Epoque Ensemble, Miss World, and Michael Rault, on labels like 4AD, Capitol Records, Burger Records, DFA, Slumberland, Run For Cover and more. In 2017 he founded Maximum Exposure, a record label and creative services unit tasked with providing top notch knob twiddling to the musical underground of the 2020’s.

His new record is named after the 1981 Lincoln Continental Mark VI that Mr. Price purchased off of a former radio DJ and archivist towards the end of 2020. In the trunk of the car was a bag full of cassette tapes of homemade mixes and radio show recordings from the late 1980’s that featured the kinetic clank of Detroit Techno, bombastic Def Jam instrumentals, TR-808 freestyle workouts, jacked-up Chicago House and hundreds of advertisements for outmoded products and redundant services. Utilizing early samplers like the Ensoniq Mirage, various drum machines and synthesizers, Tony ventured to create an album that celebrated the unabashed eclecticism, futurism and explosive production techniques of the music and commercials he heard on those tapes.
The crude and unrefined sonic source material that “MARK VI” is built from comes embedded with sizzle, hiss and hum. The messy leakage of parallel channels, telecommunication lines and metropolitan sound matter bleeds through in the spaces between beat and bassline. Foregrounding the auditory characteristics of the machinic unconscious, “MARK VI” is a celebration of the ghostly sonic artifacts from a time just before the future ceased to feel as though it were still in front of us.

Repress!

DJ Kemit & Luke Austin each have stellar RnB, Jazz and Soul credentials in their own right having worked with the likes of Arrested Development, Jill Scott, Robert Glasper and Chris “Daddy Dave to name a few, but it’s in their joint Lounge Lizards guise they get to explore their shared passion for House Music with Soul.

The “Detroit Boogie E.P.” is an homage to the hip-hop of Detroit told through the sound of Atlanta House, with Kemit & Luke supplying four tracks featuring their trademark live instrumentation, crisp production and beats with an irresistible urgency sure to tear down the party.

Little Girl Blue Remixed is the 2015 remix album of the iconic 1958 debut album by Nina Simone, Little Girl Blue. The original debut album was released by Bethlehem Records, the label that earned its place in jazz history by releasing acclaimed debut albums by Carmen McRae, Chris Connor, Herbie Mann, and Johnny Hartman amongst others.

When DJ Maestro got the chance to remix this album, he was thrilled. Soon he got the idea to ask some of his favourite producers to collaborate, like Mop Mop, Renegades of Jazz, Gramophonedzie, Fab Samperi, The Reflex, and Mees Dierdorp. They all had one thing in common: excitement to work with the original recordings from this iconic album. The result is 14 remixes, each with a unique approach to the original song, and all with a contemporary feel.

Little Girl Blue Remixed is available as a limited edition of 1000 individually numbered copies on translucent green coloured vinyl.

We don't know who Your Ex is (lol) but what we do know is that they go beautifully deep here across a pair of jazz-tinged and seductive deep house delights. First up is 'Lima' which opens with swirling pads and steamy sax motifs that drift up top and mean love is in the air as the lush chords melt the soul. On the flip is 'Keep Shining' which is a more dynamic cut with a well-swung groove and the sort of rich piano chords that really hit home. Add in some crisp percussion and more mellifluous sax licks and you have a pair of timeless and truly musical house gems on a vital little 7".

After our last release titled “jazz Baileys” we are back with House Experience Vol.2., this time in Ep format, presented by Bs As deep.
The previous volume was clearly dedicated to being a various artists, also with the participation of Bs As deep.

We have been working since vinyl number 4 with musicians, who have a participation in almost all the tracks released.

When we talk about musicians, we are including keyboardists, saxophonists, percussionists, guitarists or bassists.

Our goal or common thread has always been to achieve a warm and forceful sound, so that it can be heard in any environment, and at the same time be used at any time of the night, on a dance floor.
With those involved in both past and current releases, we share a common idea, which guides us in the interpretation of each song.
We also base ourselves on house influences from the late 90s (96,97,98,99)

Personally, we are moved by those times in which the sounds become more sophisticated, more elaborated in detail, and that is when we believe that the house that we listen to today with soul and jazz sounds, take on more relevance.

They also promote Afro and Latin percussion, leaning towards that New York and Puerto Rican fusion.

For all this, we like to include classic instruments, such as roland rhodes, the much-loved Juno, or korg packages with their inevitable M1.

Many shots are made live through a session expressed by the musician, who improvises for a while, from there we extract some part, which can be used several times in several tracks.

It is always necessary to do an editing job to adapt and correct any dissonance or variation in time that implies desynchronization in the beat. All this working in the sequencer of the daw to use.
On this album you will be able to hear soulful house sounds strongly impacted by keyboards, flutes and session basses, as well as some perfectly adapted percussion samples.

Super team production for this classic house gem from '94. Written and arranged by Chez Damier, Ron Trent, Derrick Carter, Chris Nazuka and remixed by St. Germain. A must have item!

Selections mark the milestone of making it to a 10th release with Mate Records founder and Madrid mainstay Rafa Santos serving up his unique deep house sounds. Santos has been around a while now, with EPs dating back over a decade on the likes of Greta Plan but mostly on his own label since 2019.

He brings elements of funk and soul to his house and it is well-versed in the traditional sounds of New York and Chicago. Never overproduced and with just the right amount of raw, all four of these pair competing drum programming with emotive synth work that both soothes you and moves you on the dance floor.

Mostly records, the onward recordings sub-label, presents Unum Festival by Franco Cinelli, which includes two remixes made by Bs As deep. One of these versions is with his pseudonym "System T", chosen to do some works inclined to tech house and more experimental sounds sometimes.

Unum festival is an event characterized by five simple elements of life; music, sand, pines, the sea and the mountains.

The golden beach of Rana e Hedhun is where the festival will host 50 international and local acts over the course of 5 days and 4 nights.
Franco Cinelli is summoned every year to bring his music from Latin America to Albania.

Franco had a good idea in his head to print on a vinyl one of the tracks that had been Anthem in one of those events, which is also used as the official track and curtain of one of the promotional videos of Unum festival.

In "Mostly" both Bs As deep (owner) and Maxi iborquiza (owner) they had thought of ​​including Franco in their next release. They talked about it, and presented some ideas.
This is how this project was born, proposed by Franco himself to Mostly Records.

Diego (Bs As deep)
"We thought it was a very good idea, we keep in mind the exposure of the event and that Franco is also our friend, and we know what he can offer. Franco is an icon in our country, not only as an artist, but also as an excellent person. In addition, we had already worked together on Onward Rec.

With maxi we are low profiles in the scene, we like to work and contribute our music and our imprint without being behind any fashion conditioning, that is why we opted for two completely different versions for this vinyl; influenced by the sound that we like the most, house, with very musical and instrumental overtones, and on the other hand a more intense and effective sound for the DANCE FLOOR." with several American influences.

The main track is the one that occupies the entire A side, is the original, composed by Franco Cinelli, said track is like a loop that introduces us to the rhythm and with a very attractive arrangement of vocals, what is interesting is the constancy of the track, Franco manages to keep the public's attention with productions that have a particular attraction in his beats, which maintain the groove all the time and as the track unravels, it changes little by little, to return again to that hypnotic loop that very few can achieve.

The cover art is based on the photographic images of the same event, captured by a great professional such as Bruce Wuthrich, to whom we thank and give all the credits.

There will be a limited edition of several copies for Argentina, which will contain inserts with information and photos.
We like to do that as part of an added value; In addition, the followers of the label like it and value it.

"Softened but no less remorseful, nostalgic but ready to claim a new future, the JSM trio's long-awaited full length is one of the most indulgent sunny house albums of the year. We had fun to make it".
Scruscru, Jehan, Meowsn

DJ Feedback:

Some heavy grooves on here! Le Jazz, Le Rythme is jumping out at me on first listen but lots to love all over this.
Jimpster

Oh yes .. both sides are fire ...
Lars Behrenroth

Brilliant. Some of the tracks bring me back to late 90's "La Funk Mob" or "Superdiscount", with a modern twist.
Art Of Tones

Wonderful soulful jams!
Delfonic

Quality cuts all the way <3
DJ Caspa

The balance and controlled quality here is amazing. Could be played in both chilly daylight and night club. I can see so many DJs in Tokyo gonna play these!
Boys Get Hurt

A delight for my ears.
Hotmood

Outstanding collaboration from this three prolific and distinguished gentlemen. Definitely years ahead from today, full support on this stunning release.
The Funk District

Beautiful release guys! A pure pleasure for my ears.
Saint Paul

Such a beautiful release! These guys are always on point. Love every single track of this LP :)
Yann Polewka

World class, sick collection of tracks. This is it!
Third Attempt

Always love from me <3 but this is something really special.. wow! absolutely gobsmacked by this jazzy gem
Luke Bestrom

Tasty tasty bizness from the holy trinity. on heavy rotation. Also shout out to the best designed promo system i've ever seen, that's a lot of work!
Danny / SlothBoogie

Absolutely love the full release. Incredible vibes from three of my favorite producers. Really love this x
Moment Cinetique

Digging some of these!
Jad Lee / Beats Of No Nation

Wow, that's dope! I love the jazzy flavors and diversity in styles. Difficult to choose a favorite but full support on this one.
HATT.D

Three of my favorite artists all in one collaborative work. Fantastic stuff, really well produced.
Sweet Fruity Brunch

Another GAMM debut, this time it's Berlin's infamous Delfonic who comes thru with a supa strong four track EP.

Over both sides Delfonic offers the listener, DJ or dancer a wide range of styles ranging from piano-driven disco-jazz, classic rare grooves, proto-funk and high-energy funk-disco.

As often on GAMM, there's something for everyone here .

Stefan Schwanders Repeat Orchestra presents “Infamous Lost Tracks”, an album appearing out of the blue, coming from spheres where time, space and Zeitgeist are nothing more than words.
With the Repeat Orchestra Schwander (who of course also is Harmonious Thelonious, A Rocket In Dub, Antonelli and a lot more) found a unique way of channeling deep House Music, a minimalistic setup and an idea of creating enjoyable music into amazing tracks that sound so effortless and natural. From first track "Call And Response" on it’s obvious that the main thing that this album is about is the groove, sometimes euphoric, sometimes quite unobtrusive but always irresistible, build from massive basslines, complex rhythms and the masterfully performed interplay of repetition and modulation. Warm harmonies, multilayered (at times quite unusual ("Nightdubbing")) melodies and subtle arrangements complete these Infamous Lost Tracks and their very own formular between Düsseldorf, Chicago and Lagos. There’s nothing harsh in this music, no aggression, still it’s far from being tame or tranquil: The pumping energy of "A Means To An End" or the sublime liquid shuffle of "Less Sensational" show the swing and kick inside these works that are made for delight but not to please.

And “Monks In A Club” is the most brilliant example of dancefloor understatement that you’ll ever hear in your life. Reduction, elegance and the right kind of mania concentrated into some minutes of pure club heaven. Handclaps, nonchalance & madness. An essential singularity and the swan song to the Repeat Orchestra, there will be no more of it. Get It And Smile.

After a journey to the Oasis revealing past, present and future structures in a musical dialog, Fred P embarks on a interstellar
voyage into the otherness with Abstract Soul. This is the follow up to
short story introduced back in 2020. The concept is simply to bring the essential out of the void and present a thought provoking energetic with rhythm, energy and vibration to inspire forward thinking harmonics to an ever changing world.