House News

Limited Edit business from Lego Edits.

Off the strength of just two tracks (included here), Melbourne multi-instrumentalist Liam de Bruin has won the affection of like-minded locals Close Counters, Horatio Luna and Teymori as well as global tastemakers Osunlade, Jimpster, Mousse T, Gilles Peterson, Peacefrog, Art of Tones, Delfonic, Jazzanova, Red Rack'em, Smoove, Carista, Jazztronik and many more.

'Thinking About Dancing' is Liam's debut EP, with six tracks of soulful deep house and grooves, including a club-ready remix from Zeitgeist Freedom Energy Exchange that takes things more in the raw tech funk direction of Underground Resistance/Planet E affiliate Waajeed. A limited edition of the vinyl includes a felt cover (assorted colours) with stitched on Heard and Felt embroidered logo tag.

A project conceived during Melbourne's extended lockdowns, Liam found himself separated from his band projects and with lots of time to spend in his garage studio in the beachside suburb of Frankston, which has a surprisingly long association with dance music (Carl Cox/Butter Sessions/21st Century Dance Club/Andy Van, etc). There Liam recorded himself playing drums, bass, keyboards, guitar and percussion and then shaping those recordings into understated but funky organic grooves, full of hooks, twists and variations.

This is house made with a love of club and DJ culture, but from the perspective of a musician.

“Every time I play this, there is a large influx of interested emails wanting to know more.”
Gilles Peterson — BBC/Worldwide FM/Brownswood

Four Flies is delighted to present a super juicy treat for all 7-inch vinyl devotees: the first 45 single ever to feature tracks from Giuliano Sorgini's masterpiece Zoo Folle. To ensure maximum DJing pleasure, we've picked two of the grooviest tracks from the original recording session, never before released in this format.

The psychedelic funk number "Mad Town", on Side A, drags you in with its infectious drum breaks and the rapid yet hypnotic flute of Nino Rapicavoli. "Ultima Caccia", on Side B, is sheer afro-tribal bliss, with drums by Sorgini himself and massive funky percussion by legendary session player Enzo Restuccia.

If you want an ace up your DJing sleeve, look no further.

A soul-funk studio project for the Italian label S.P.Q.R. (Sound Production Quality Record) featuring vocals by Nathaniel Bush and arranged by Marco Colucci (aka Mark Owen). Comes on a 2020 re-edition of 300 copies!

Red hot Modern Soul 45 recorded in Memphis, Tennessee in 1985. Big thanks to Robert Garcia @mrbighappy & Daniel Mathis @quartzwatches for the research and words on this one!!

Brotherhood Band was started by Ernest Coleman(EC) and Clint Hyson, who met thorough a US Navy band called "Mid-South", which was the US Navy's premier musical organization operating out of Millington, Tennessee (20 min outside of Memphis). The group initially played as an instrumental jazz band. In keeping up with the times, they shifted gears towards a more contemporary sound. Shortly after, they decided to cut a single. Enter "Nicci's Theme", which is the B-side here and it's a beautiful jazz tune EC wrote for a girl he fell in love with. This song was supposed to be his door way in, but he actually never opened the door with her.

A few weeks later Clint called EC and played this syncopated bass line for him over the phone. And then EC being the ladies man that he was wrote the lyrics to "Leather Pants" to it. Part of the lyrics read "The pants they stretch, but they don't bust. Enough to make a blind man cuss", but it originally read as, "The pants they stretch, but they don't bust. Enough to make a PREACHER cuss". The song was ready, but they needed to find a singer. That's when member Richard Owens mentioned that he had a young cat back in Atlanta named Taji. In a gamble Taji drove up to Memphis for the Sunrise recording studio session to record the track. According to EC when Taji laid the vocals down he took the song to the next level. In fact it was so impactful that EC, who is now a Grammy producer, still references Taji's sessions when working with new artist.

After the single dropped the group played at Memphis hot spots, Bills Twilight Lounge and Club No Name. EC even had an idea to host a local leather pants contest as a way to promote the song. This lead to a frenzy of women seeking to be "Miss Leather Pants".

green vinyl

For a duo whose youthful energy rejuvenated the world of house music at the start of the 2010s, it seems incredible that Disclosure are now into their second decade of musical life. The incredible vigour of those early records, the spark of invention and ever-onward musical thrust, remains with the Disclosure brothers, Howard and Guy Lawrence, to this day. The emphasis throughout DJ-Kicks is on motion. After a brief ambient introduction from Pépe's Life Signs, Disclosure keep the energy high, in a mix that showcases the wonderful malleability of a house beat in the right hands. From sub bass to disco samples, African funk to 303 tweak, all is welcome in Disclosure's house, with the mix allowing individual songs space to breath even as the pace remains harefooted.

Hot Creations prepares to welcome in a milestone release this March, as Riton’s Gucci Soundsystem project makes its debut on the label with Fuck Me Right feat. DJ Funk & Vula. Made up of Grammy Award winning producer Riton and long-term friend Ben Rymer, the single features legendary Chicago house veteran DJ Funk and esteemed Basement Jaxx vocalist Vula.

The single begins with Vula’s enchanting vocals, the likes of which open into rapid kick-hat combos. A funky, guitar-like bassline swiftly complements proceedings, as 4x4 drum patterns march on to create that four-to-the-floor feel. It’s an outright party anthem - as to be expected from Jamie Jones’ flagship imprint - but one that retains a soulful underlying groove courtesy of DJ Funk and Vula’s signature contributions.

Riton is a globally-recognised artist in today’s music world. Crossing the bridge between contemporary pop and underground electronic music, the renowned British producer received a Grammy nomination in 2017 for one of the year’s biggest singles: Rinse & Repeat. He followed this up by winning a Grammy Award in 2019, for his production work on Silk City (Mark Ronson & Diplo) and Dua Lipa’s Electricity. Since then, Riton has continued to work with some of the industry’s most iconic talents, including Kylie Minogue, The Chemical Brothers and Gorgon City to name a few.

Ben Rymer has been a stalwart of London’s club scene for decades. One half of Gucci Soundsystem and formerly a part of The Fat Truckers, the likes of whom toured with Jarvis Cocker’s rock band Pulp, Ben’s club history boasts performances across some of the scene’s most respected night time venues, including Fabric, London and Space, Ibiza.

Born from the friendship between Luke Solomon and Derrick Carter, Classic is above all else a family label. Creating a platform for artists to satisfy their artistic intentions with left-of-centre house creations, this release sees Classic return to its vinyl-only beginnings for Volume VIII of its 12” Label Sampler series. Kicking off the A-side, Classic co-founder Luke Solomon, Amy Douglas & Queen Rose deliver ‘Love. Hope. Happiness’, a joyous boogie-filled track destined to uplift listeners. Jansons’ ‘Less Ordinary’ follows featuring Liz Cass’ uniquely hypnotic vocal, with a devilishly deep bassline providing boundless dancefloor appeal. On the flip, Scotsman Austin Ato’s groove filled track ‘Heat’ opens, featuring choppy guitar riffs and a soulful vocal, this record radiates good energy. Wrapping up the sampler is Jaden Thompson’s ‘To The Light’ with warm synths and a gloriously deep bassline sure to captivate its listeners. This sampler is the perfect dose of Classic’s signature grooves that are always full of character, and with all tracks previously unavailable on 12” is not one to be missed.

Situation & Andre Espeut join musical forces again to bring you the next Situationism release 'What is Going on' (SITU022). This project has been a long time in the making and boasts a complete fusion of funk, soul and house vibes with a gospel twist!

Situation bring us the original and a dub version to this release. 'What is Going on' of course comes with an array of quality remixes starting off with the Andromeda Orchestra aka Robin Lee of Faze Action, taking a full funk groove angle, complete with brass, fat bass guitar and a bongo break!

BRS then take it to a smooth house groove level with their interpretation. Rob Evans from the BRS collective puts an underground house twist on things. Bitter Suite continue with a quality heavy space funked fiesta of a version.

First to be released will be the limited vinyl 12' featuring the remixes by Andromeda Orchestra, BRS, Bittersuite and also the original mix.

Since 2014, Public Release has been enlisting the raw, trademark groove of Richard Sen on a variety of now- renowned remixes. Label boss Eug has cited him in numerous interviews as being one of his all-time favourite producers, so it was inevitable that a solo EP would eventually materialize. That time has finally come, and in the Spring of 2022, the UK legend drops his solo EP “My Definition of Funk” on Public Release.

These three raw, gritty, hard-hitting, peak-time tracks are quintessential Richard Sen, combining the energy and influences of post-punk, breaks, and house in one sturdy sonic package.

2022 Repress with new Label Design.
Illegal Jazz Vol. 1 was the start of the cooperation between Toy Tonics / Kryptox Head Kapote & Delfonic / wordandsound. Not only this jazzy serie is going on and on, they even have a Club Night now with live Bands & DJs called "Kryptox Sessions" in Berlin!
Watch out for these guys!

The debut album by the Italian Massimo Napoli aka Galathea received excellent critical acclaim and demonstrated how the artist was able to create an interesting and balanced blend of musical genres with an Afro / Tropical electronic atmosphere. “Samba de Sausalito” is a song composed by the Nicaraguan percussionist Chose “Chepito” Areas, famous all over the world thanks to the version of the guitarist Carlos Santana published in 1973 on the album Welcome.

This new single released on Space Echo Records contains two particular versions. The first, proposed by Galathea, maintains the typical carioca colors of the original version with the addition of hypnotic and futuristic sounds, making it a perfect modern dancefloor anthem.

The second consists of a rework of the first version, by The Invisible Session – further percussive elements are added to the already full-bodied mix, embellished with an exclusive live drum solo in the studio – between samba, afro and jazz-rock, for a explosive result that will appeal to lovers and DJs.

DJ SUPPORT KRUSE & NURNBERG / THE LITTLEMEN / JIMPSTER / SCOPE / JAMES JOHNSTON JAY TRIPWIRE / JOEY SILVERO / AKI BERGEN / CHUBBY DUBZ / GIOM / LOVEBIRDS DEMARKUS LEWIS / KINKY MOVEMENT / JOHNNY FIASCO / JOSH WINK ETC

4 slices of underground House & Garage in a variety of flavours from UK producers Club of Jacks on this their fifth vinyl-only EP. The A side starts with the smooth, deep groove of 'Dreamin' before moving onto pumping jazzy sample house cut 'The Rush'. On the flip side the piano flecked bass heavy 'Move to the Groove' has that packed outdoor terrace, sun coming up, hands in the air vibe and finally the nostalgic, old-school Hip Hop inspired 'Infinity' finishes off the EP in style.

Cruise Music presents 4th Vinyl Jams release! A side starts off with the Italian jackin don, Angello Ferreri and one of the label's biggest releases to date, combined with the Cruise Music bosses' jackin anthem "Little Bit Of Love". B side brings some true disco house vibes with Patrick's & Threejay's "Saturday Vibes" and one of our all time favorite releases, Super Drug - "Jump"

Volume 4: JAZZ N PALMS is back with another selection of some of the most iconic sunset, poolside sounds to be heard at Pikes Hotel (Ibiza), reworked, retouched and edited for your listening pleasure. A trusted taste, JAZZ N PALMS warms up the monthly exclusive Ronnie Scott's (London) jazz concerts held at Pikes, fusing jazz sartorially with latin, funk, rock and international sounds to be enjoyed under the palms and the sun of the Mediterranean sea.

Heavenly Recordings announce the release of ‘Heavenly remixes 3&4 - Andrew Weatherall volume 1&2’, a brace of compilation albums collecting together some of the finest remixes from the label’s long-time friend, collaborator and go-to remixer. These compilations follow ‘Heavenly remixes 1 & 2’, which showcases some of the label’s other great remixes.

 By the time Heavenly was born in the spring of 1990, Andrew Weatherall was already an inspirational sounding board, as well as a fellow traveller on the bright new road that stretched out ahead, thanks to the massive cultural liberation of acid house. Back then every energised meeting could be turned into a fortuitous opportunity in this burgeoning new underground economy. Bored of your job? Start playing records out! Start a club night! Get in the studio!
Start a label! Just don’t stand still. Commandments Andrew would follow for the rest of his life.

 At the start of things, Andrew was a regular visitor to Capersville - the pre-Heavenly press office run by label founder Jeff Barrett (soon to become Andrew’s manager). It was there that he famously picked up a copy of Primal Scream’s unloved second album and singled out a
track that would later become ‘Loaded’, after being given an instruction to “fucking destroy” it by the band’s Andrew Innes; it was there too that the idea to remix the first Heavenly release
came about.

 Andrew’s mix of that first Heavenly record is very much a product of its time. ‘The World According To Sly and Lovechild’ is a swirling bass punch topped with a hypnotic marimba line and the kind of ecstatic diva vocal that you’d hear coming out of the speakers all night at postShoom clubs like Yellow Book.

 His take on the label’s next release - Saint Etienne’s ‘Only Love Can Break Your Heart (A Mix of Two Halves’) - would set the template for his next three decades of audio exploration. A drawn-out imperial dub, the track builds and builds with a moody intensity (partly down to the
melodica played by Weather Prophets legend Pete Astor) that’s far more Kingston JA at dusk than Kingston-upon-Thames at kicking out time. It’s both a dancefloor record to get lost in and
headphone psychedelia of the highest order - a perfect example of what he did better than anyone else.

 Between 1990 and his untimely death in 2020, Andrew fed more Heavenly bands through the mixing desk than those of any other label. Consistently, he returned visionary music to the
office, often in person for (at least) one ceremonial playback - a ritual that would involve the volume cranked up high and Andrew rocking back on his heels, eyes closed, lost in the alchemy of it all.

 Each time, he would warp and twist originals into beautiful new shapes - elasticated club records that might evoke Detroit techno one second and Throbbing Gristle the next, before wheel-spinning into something akin to The Fall produced by King Tubby.

 Andrew’s studio adventures would always be guided by that early advice to destroy the source material. It’s why he was the first name that came up when remixes were discussed; the first number on the speed dial. Listening back to these remixes now - to thirty years of glorious outsider sounds - it bangs home again just how fucking good Andrew was.

Off the strength of just two tracks (included here), Melbourne multi-instrumentalist Liam de Bruin has won the affection of like-minded locals Close Counters, Horatio Luna and Teymori as well as global tastemakers Osunlade, Jimpster, Mousse T, Gilles Peterson, Peacefrog, Art of Tones, Delfonic, Jazzanova, Red Rack'em, Smoove, Carista, Jazztronik and many more.

'Thinking About Dancing' is Liam's debut EP, with six tracks of soulful deep house and grooves, including a club-ready remix from Zeitgeist Freedom Energy Exchange that takes things more in the raw tech funk direction of Underground Resistance/Planet E affiliate Waajeed. A limited edition of the vinyl includes a felt cover (assorted colours) with stitched on Heard and Felt embroidered logo tag.

A project conceived during Melbourne's extended lockdowns, Liam found himself separated from his band projects and with lots of time to spend in his garage studio in the beachside suburb of Frankston, which has a surprisingly long association with dance music (Carl Cox/Butter Sessions/21st Century Dance Club/Andy Van, etc). There Liam recorded himself playing drums, bass, keyboards, guitar and percussion and then shaping those recordings into understated but funky organic grooves, full of hooks, twists and variations.

This is house made with a love of club and DJ culture, but from the perspective of a musician.

“Every time I play this, there is a large influx of interested emails wanting to know more.”
Gilles Peterson — BBC/Worldwide FM/Brownswood

Fueled on pizza and the spirit of dance music, Chef Sam O.B. has lovingly cooked up four courses for our aural connoisseurs to enjoy: "Just A Slice."

Like any good pizza, it all starts with the dough, and "Making Dough" gets us right on track. Borrowing elements from house classics of the past, it rises on a jackin' groove complete with a funky fermented low-end and dashes of vocals from the chef himself.

"Le Sauce" offers a tangy burst of flavor atop our dough foundation; a sort of subtle and seductive palate that only the most refined of sauces can provide. Twists and turns await as the layers of seasoned live instrumentation unveil themselves (best enjoyed past dusk).

Next, as you might have expected, is "Cheezin'" - many people's favorite part of a pie. This one is sharp; bursting with mouthwatering umami energy and, like any good chef, O.B. has added just enough to leave you wanting more of the catchy interwoven melodies and rhythms sprinkled within.

Finally, it's time to grab a piping hot "Just A Slice" out of the oven - an amalgamation of all groovin' ingredients added thus far and the title track. A bubbling and elastic bassline pairs with the percussion of various textures and savory synth lines, combining for a well-balanced meal sure to keep your senses engaged.

A satisfying listen, "Just A Slice" would do, but feel free to indulge in multiple spins.

repressed !

Hand-Stamped - Vinyl Only

BPlan & Fab_o present the first release of their own Label:
Caffe Corretto Edits. Four tracks of pure funk from the 80’s
boosted with a touch of booze. Grab your cup, i mean
copy, while it’s still hot!

WAREHOUSE FIND

Nick The Record & Dan Tyler return with the fifth mission...

Hardly surprising these celebrated EPs are consistent best-sellers and enduring staples in any expertly packed crate.
Always built for the floor, and assembled from the finest secret ingredients, not to mention thoroughly road-tested - Record Mission drops another essential EP !

Sprung Disco bass work, dubbed out arrangements, tough rhythm sections and more funk than George Clinton's sparkly tour socks.

Enjoy! .

This record is inspired by one of the most representative clubs of the Italian Cosmic movement of the '80s.

Rimini, 1981. Melody Mecca opens its doors and DJ Pery is the first resident, he spontaneously makes the club unique, through his personal choice of music, mostly relying on Afro and World sounds, rather than the disco funk groove, filling Italian dancefloors in the early '80s.

DJ Meo, author of the outstanding Fine Corsa reissued in 2018, joins the booth in 1983 and the two create a magic flow, that resonate into the Cosmic scene. On the floor peace reigns and there is no need of security.

Aficionados coming from every part of Italy are like pilgrims gathering to the long stairway and yellow roof tarps of 'La Mecca'.

The venue is huge, every night the musical path provides an educating experience bringing down the boundaries of mixing, dancers go crazy for mixtapes, hundreds are recorded after the parties and played on car systems, to the extent that who’s bounced is having a party in the parking of the club.

Stump Valley roots lie in the collection of records inherited from DJ Peppe, who inspired our Magica Movida. This is the second chapter of our tribute to that era, even if it won't be possible to recreate the same atmosphere of those magical nights today, till we will have stories like to one of Meo, the legacy of Melodj Mecca will still alive.

The fourth instalment in the Dancing People series offers two huge re-works of West African gems, jacked to the max with extra horns, driving percussion, crisp production and huge bass.

Given the first 3 releases have sold out immediately, receiving worldwide plays on dancefloors and airwaves alike, this is not one to be missed.

As ever, strictly limited edition, vinyl only release. Mastered to perfection and cut loud in glorious stereo.

Reissue number three for Heels & Souls Recordings combines the Balearic bliss of Paprika Soul’s, ‘Come With Me’, with Soft Sugar’s dream house gem ‘Métro’ and an unreleased version of the tripped-out groover ‘Swampin'. A cherry picking of the best of three rare and sought after ‘90s EPs from the minds of High Wycombe’s Alan Barnes, Andrew Spiller and Andrew Hughes.

As anthemic as they get, Paprika Soul's 'Come With Me (Sea Breeze)' is an otherworldly electronic interpretation of Tania Maria’s beloved Brazilian jazz funk classic from '83. Vocalist Sarah Newell's unique delivery combines with a euphoric blend of Barnes’ and Spiller’s crisp drum machine programming and cosmic synthwork. Complete with crashing waves and Balearic birds, it’s a timeless, endorphin-tingling track that feels even more relevant than ever. The A-side also features the brilliant street soul flavoured ‘The Chill’ mix and the ‘Bossa Mix’, the most true in form to the original.

On the flip you’ll find Soft Sugar’s dream house flavoured ‘Métro (Funk Mix)’, Barnes and Andrew Hughes’ homage to time spent cruising the Parisian train system. Barnes’ favourite of their joint-productions, it blends that riviera feel of classic M1 stabs and sweeping pads with a dreamy bassline and stuttering breaks. Flying under the radar at the time, it’s since become hot property for the eagle-eyed digger out there.

Closing out the B, an unreleased, alternate version of Soft Sugar’s slung-back ‘Swampin’ from their Basement Records House Department EP. Mesmerizingly smooth, the 110bpm house-groover busts the brain with wigged out chants and intoxicating arpeggiations.

Fully licensed from Alan Barnes and remastered by Cicely Balston, 20% of profits from Heels & Souls Recordings and Prime Direct Distribution will be donated to Zaatari Radio – a humanitarian collective working with war-affected communities around the world.

DJ Support:

Moxie, Charlie Bones, Jamie Tiller, Millos Kaiser, Mr Mendel, Paula Tape, Raphael Top Secret, Ari Goldman, Joe Delon, Zakia, Invisible City Editions, John Gomez, Lorem Ipsum, Marco Weibel, Mike Who, Xica Soul, Max Essa, Aradea Barandana, Gee Dee, Toshiki Ohta, Moving Still

The walls where of bare red brick and hung with pop art paintings, the button-back banquettes in olive green velour.
It's like sitting on a sofa in a front room circa 1983.

The ceiling has gnarled, thin wooden beams. It's a wealthy person's version of a humble farmhouse and it's magnificent...

"Emotional Rescue returns for a third series of Konduko lost classics. After shining a light via the King Sporty and Noel Williams reissues, now looking at artists who released with the label, working closely with Williams to bring his unique sound to their performance. First is Phillip James and Lloyd Campbell, a.k.a. The Blues Busters. One of the most successful vocal duos to come out of 1960's Jamaica. Progressing from cabaret shows to touring with Sam Cooke in the space of a year, they went on to record singles with the likes of Bluebeat, Treasure Isle and Trojan.

Moving onto New York, their Cooke inspired soul harmonies proved popular on albums for Dynamic Sounds and Scepter, before making the flight to Miami and letting the funk-machine that was Noel Williams loose. The resultant album, You've Got To Keep On Moving, offers the two highly prized songs Do What You Want To Do To It and Keep On Moving.

These driving disco funk bombs, backed by the in-house Deep Root Rockers band and Betty James on vocals, appear for the first time on 12 inch. If not enough, as always, the B-side is given to a favoured producer - the welcomed back Dan Tyler (Idjut Boys / Noid) and his NAD moniker. He turns Keep On Moving in to an unrelenting long-form disco-dub that could just be an anthem for a new summer of love.

Detroit/Chicago and odd techno/house sounds influenced French producers Marius Cyrilou and Popodi Venturi to come back with a new banging crossover project called MOTORBREMSEN. Marius and Popodi already had many digital and vinyl releases on various labels like People Potential Unlimited records, Omega Supreme Records, Outrun records and on their own labels, La Maison Venturi, Bazaar Records under the names of Spaced Out Krew, The Ceeofunk Band or
Westbrook (and many others more).
This 5 tracks EP gathers many influences such as Theo Parrish, Moodymann ("So Confused") or Drexciya-n sounds ("Sanctuary"). Some deep and dark bassy house mood concludes this ep ("Human Freaks" , "Riding Over The Darkness"). Besides this, the marvellous voice of Mae Rojas (The Ceeofunk Band) comes with a sensual touch on the track "Tiger Prey (Radio Edit)". This EP gives an instant deep feeling of a happy-to-sad mood, with mysterious and sexy moments.
On A1 "So Confused", Don’t be confused, this is music to drive by in the hood with your low-rider. Gangsta boogie house at his climax for fans of Moodymann, Theo Parrish and all the raw house music mood.
On A2 "Tiger Prey (Radio Edit)", with the help of Mae Rojas (Cee-O-Funk Band) on the mic, Motorbremsen keep pushing their unique vision of house music : soulful but raw, relaxed but not so slow, catchy but weird at the same time.
On A3 "Sanctuary", let’s get on an electro-funk territory here. The guys explore a sound that can be rooted in seminal Arthur Baker’s productions and Drexciya’s mood but this a strong psychedelic feeling that is truly unique. All this comes with the special Motorbremsen’s touch of course. One for the B-Boys on acid...
On B1 "Riding Over The Darkness", get in the D’s train for a cruise. Laidback house with a monstrous bass and this almost G-Funk feeling. Hmmmm… delicious ! One for the lovers.
On B2 "Humanfreaks", let's get a bit darker. What begins like a bumpy beat get you little by little in real moody trip in a hot warehouse. Detroit techno muscular funk-infused inna 2021 style (by two guys who never listen to a Transmat record of their lives).

Blue Vinyl

We are so happy to bring you another (the 2nd) Double 7 Inch with 4 smooth, funky Brasilian Edits by our long time TSTD family member Vibes4YourSoul!
Too Slow To Disco regulars will remember his name from several relases so far: his standout remix for L'impératrice on the "TSTD - En France" compilation, his remix for Poolside from "The Sunset Manifesto", his edits on all 5 Yacht Disco Edit compialtions, and the quickly sold out double 7 inch with Edits we released in 2020.
He is one of the crème of new reworkers and edit-producers, that have specialized in those soulful, smooth slow jams and midtempo tracks, that Djs all love for their warm up sets.
Vibes4YourSoul (aka V4YS) is a Parisian DJ and producer whose musical universe blends together elements of disco, rare groove, afro-latin and soulful indie, with the deeper edge of contemporary house and nudisco sounds. The four reworks on this Double 7 Inch take you on a colorful trip to Brasil, held together by Vibes4YourSoul's lush, mellow and funky production:

Fruit of a long and passionate digging experience, his DJ sets are eclectic journeys through times and styles, with groove as a common thread.
A member of Yuksek's Partyfine label crew, he's regularly revisiting old or contemporary tracks through edits and remixes, widely shared and played by numerous DJs.

Recent official releases include an original track for Cookie Records second compilation, an exclusive edit Partyfine's compilation "re-cover", an official remix for French pop band L'Impératrice on Berlin label HDYA?City Slang, and several funky edits for NYC nudisco weblabel Noc Boots.

HUGE 45!! after last months Memphis 7" (the same band) we have here 2 unreleased Homegrown Syndrome trakcs rescued from an acetate in Jerry Jones attic . Double sided Disco funk burners all the way.

Home Grown Funk was also known as "Homegrown Syndrome," a controversial name bestowed to them. Before heading to LA they gigged all over Memphis. Some of the members were from an earlier 70s group called "Brothers Unlimited" and had earlier ties during the 60s with the "Memphis Invaders" (a peaceful civil rights activist group).

With aspirations of pushing Homegrown further, a few members including Jerry Jones made the move out west. It was LA 1977 when they were introduced to Ike Tuner through a mutual friend "Ricky G". It was a casual meetup. Then one night Ike had his son Ike Jr. go check them out while performing at the Soul Train hangout spot "Maverick Flats". Ike Jr. praised their performance to Ike and he had them come out to his Inglewood studio. The group walked into the studio with a funky track already playing and that's when Jerry Jones improvised this opportunity and started singing. Ike then turned and said… "Who is that singing?" Jerry said, "Thats me." Then Ike replied " YOU BIG MUTHAF***A! You could be my new Tina." From that point the group cut bunch of tracks with Ike over the years up until they're feature on his 1980 album "The Edge."

In 1981 Perry Kibble (Keyboardist for Taste Of Honey) was at "Concerts In The Park" and heard Home Grown Funk performing. He linked up with the group and got them a deal with Arista. During this time they recorded their hit track " Confrontation." Perry suggested that the group change their name because he didn't want another group with the work "Funk" in it and hence "Homegrown Syndrome." They also use the Arista studio to cut an unreleased acetate with tracks "Got the love" and "Party Vibes" which we have here

Words by: Robert Garcia

For the second chapter of his odyssey, we find again Le Commandant Couche Tôt in the middle of the Amazon River, escaping from drones and wildfires in a hovercraft.
Une Histoire d’Amour Brésilienne (A brazilian love story) shares a dystopian vision widely inspired by the environmental issues of 2020 and 2021, which illustrates a form of anxiety toward the future.
Its soundtrack however is purposely the antithesis of the story: a very optimistic tribute to space-disco and brazilian funk. A “good vibe” pill to give hope for a new beginning.

Following the first 12" of mother imprint Dusky Adriatic,
Dancing Tramonto is ready to release its 12" chunk of
summer. This time all 5 tracks by Italian producers only:
A1 "Wind Live Jam" is a funky disco house ride with DJ
Rou, D'Arabia & Jimbo all together behind the wheel and
on the mic, the trio keeps the Bolognese sound on a high
level with this super catchy track with a vocal hook that
will rock the dancefloor. A2 "So Hot For Your Love" is a
powerful disco house tool by Brine, the London based &
Bologna raised producer comes to Dancin' Tramonto with
this track adorned with a super vocal by himself echoing
certain Talking Heads sound and house edits. B Side starts
with a chicagoish house gem made by S-DM under one of
his various alias, you'll love its powerful bouncing bass,
will lose yourself in its tom & conga groove and its soft
pad. B2 is a lost gem coming from HIll studio straight by
the sea of our riviera, tropical 626 drum lines, a fresh
classic sounding lead melody and juno bass delivered by
the seaside for the seaside.
Last but not least we have "Unity House" by Manuold, a
deeper but still fizzy house track with mellow pads and a
gentle acid line.
This comes from the sea, the sun & the sand, from every
riviera of the world, from all those common yet special
moments lost in the sunset. Music for a never ending
summer

Another entry into Unidisc's mammoth 40th anniversary celebrations is this sublime prime piece of 1983 boogie pressure from Ingram, boasting a refix from the mighty Mark Knight & Michael Gray.

James Ingram's evergreen jam was an anthem at 80's soul weekenders in the UK, as well as being a crossover record that found favour with B-boys and ravers alike with it's easy electro funk groove. A true classic in every sense of the world, 'DJ's Delight' is one of those tracks that just doesn't stop - watch that bassline! In the spirit of celebration, Unidisc has invited remix heavyweights Knight & Gray to bring their vision of the track into the year 2021 with their modern peaktime version appearing here in both extended and single versions alongside the OG mix. Absolutely essential repress, beautifully presented by your friends over at Unidisc.

Don't be fooled by Spellacey's lower profle: amongst those who know, the Melbourne-based New Zealander is widely regarded as a seriously dusty fngered digger, capable of unearthing and championing ridiculously good records from all four corners of the globe. He sells some of these exceptional fnds through his Crown Ruler online store, though there are many more that he keeps hidden from the public.From synth-laden Zambian reggae and sumptuous orchestral Afro-soul, to humid Trinidadian boogie and horizontal Italian jazz-funk, Spellacey offers a whirlwind trip through the most kaleidoscopic and exotic parts of his epic collection.As you'd expect from a man who has traveled the world hunting down records, the majority of the 15 tracks will be unknown to all but a handful of similarly minded crate diggers. In fact, some are so obscure that you'll struggle to fnd any mention of them at all online. This could be your only chance to own the boogie-era reggae-disco brilliance of Le Banda De Martin's Mi Dueno' and the tear-jerking Afro-soul shuffe of Kosmik 3's I'm Gonna Pack' (here featured in exclusive Jeremy Spellacey re-edit form). Spacetalk Records' frst compilation, Beauty, offered listeners the chance to take a trip through the record collection of noted Parisian crate-digger and DJ Jeremy Underground. It was a runaway success, so the label has decided to repeat the
exercise. This time, though, they've turned to a lesser-known hunter of rare and obscure records, namely Crown Ruler Records co-founder Jeremy Spellacey. Spellacey has previously shied away from sharing the secrets of his extensive record collection. Crown Ruler Sound, then, is a rare treat: a gloriously colourful, sun-baked compilation of tropical treats from Africa, the Caribbean and beyond, hand-picked by the man who helped license this year's most essential reissue, the South African boogie brilliance that is Focus's Zulu.Highlights come thick and fast, from the frst note to the last. Check, for example, the wild P-funk of Acayouman's Funk Around', the dancing marimbas and undulating grooves of Feladey's Forest Music' and the impeccable South African jazz-funk of Stimela's sought-after 1983 debut single, I Love You'.Other notable highlights include Ezy & Isaac's spellbinding 1977 cut Let Your Body Move (Oba Balu Balu)', seemingly the missing link between Rotary Connection, Fela Kuta and soundscape disco, Devon Russell's inspired reggae-soul cover of Curtis Mayfeld's Move on Up', and Mike Fabulous' Wang East', a sublime chunk of summery lectro-reggae from Spellacey's native New Zealand. We could go on, but we don't want to spoil all the surprises. Suffce to say, Crown Ruler Sound will surprise and entertain you in equal measure.

Lee Gomez aka Wipe The Needle has made music in many complimentary styles.
His debut on Local Talk featured Alex Littmore's soulful vocals and took us on journey that goes beyond the house genre.

This time his bruk roots are heavily featured, sprinkled with a touch of soul, jazz and boogie to create an impressive collection of songs.
Fans of Bugz In The Attic and bustling West London broken beat mixed with grit, this one's is for you...

"Finally, Zach Witness' sought after rework of The Purple One's '17 Days' is available physically and on hand-stamped purple vinyl no less !"