House News

Cécille has a long-standing history with Leon dating back to 2009 when he released his second career track. His mesmerizing production 'Rain in Rio' claimed the Nr.1 spot on Beatport in 2009 and earned esteemed recognition from Mixmag as one of the best tracks of the season.

Since then Leon has held prestigious residencies at iconic venues like Marco Carola's Music On Ibiza a residency he has maintained since its inception in 2012. Additionally he has captivated audiences at Cocoricò renowned as the most awarded club in Italy. Leon's talent and presence have left an enduring impact on the global music
scene.
Now, he returns to Cécille with some fabolus new club-cuts, accompanied by a remix from the highly acclaimed Manchester trio, Mason Collective. Known for their deep connection to the city's club culture, Mason Collective has been touring the globe with tremendous success, solidifying their position as one of the most dynamic acts
to emerge from Manchester in recent years turn in their interpretation of ‘Sissy’s Track’, extracting the core groove and soul of the original while stamping their own mark on things via intricately intertwined synth work, a murky bass groove and an overall bumpy house feel.

Loz Goddard steps into new sonic territory on his Physical Education debut—delivering four machine-driven cuts rooted in analog hardware sounds, with high-energy rhythms and dancefloor intent. Leaving behind the sample-heavy textures and live instrumentation of previous releases, this EP leans more into synthesizers and drum machines, channelling the pulse of classic club gear with plenty of added bounce. Subtle nods to the sounds and moods of 90s and early 2000s video games add a nostalgic digital sheen—balancing playfulness, drive and warmth in equal measure.

Four forward-thinking jams from a seasoned producer.

Limited vinyl pressing coming soon on Baldo’s Physical Education label.

It's rare to hear a debut 12' single that really blows you away. That's hardly a controversial statement; in truth, most producers take time to find their feet, developing a distinct style over a period of years, rather than months.
Magnesii, then, is something special. Currently based in Amsterdam. The previously unheard of producer has delivered a stunning debut 12' for Tom Trago's Voyage
Direct label. R Raw, fuzzy and in turns melancholic, spellbinding and intense, its' three tracks bubble and hiss to the distinct sound of vintage analogue hardware.

You see, the young Dutch producer tends to avoid modern computers. 'I often feel like those screens suck my soul away,' he says. Instead, he jams out tunes on a tasteful selection of analogue gear, sequencing with either the Alesis MMT-8 or the Akai MPC2000 - a favourite toy of many of the Netherlands' best electronic producers - and adding basslines, beats, acid lines and melodies on obscure synths and drumcomputers'. His creations are then bounced down straight to 1/4" tape or cassette.

Some of these resultant jams, as showcased on this impressive debut, are nothing less than inspired. Acid lines rise and fall, machine drums rattle, and distinctive synth
lines weave in and out of the mix. These are raw tracks for the dancefloor blessed with all the colour and warmth associated with vintage hardware.

'RZTB Tantra' sets the tone, layering bubbling acid lines and dreamy chords over a relentlessly nagging bassline and punchy, scattergun drum machine percussion. 'Lava Jam' is decidedly deeper, with woozy, emotive melodies and alien electronics tumbling over a dusty rhythm pattern and tactile acid bass.

Magnesii completes a sterling debut with 'Van Dyke Island Jam', whose squidgy bassline and long, drawn-out M1 chords work in complete harmony with the crispy rhythm track and densely building percussion hits. Like its' predecessor, it too seems to be tinged with sadness, as if Magnesii's machines are shedding a tear for glories past.

Clearly, Magnesii is a name to look out for in future. For the time being, we'll have to make do with one of the most impressive debut 12' singles of 2014 to date.

This spring, PILLZ continues its ascent by welcoming another fast-rising talent to its roster: Barcelona’s Natural Goofy. Quickly earning a reputation for his sharp interpretations of the genre’s darker edges, the Spanish producer weaves together twisted electro, hypnotic minimalism, and acid-infused rave power. His Misty Secrets EP is a perfect reflection of this vision—a refreshing yet nostalgic exploration of his sonic world. Sitting seamlessly within the esteemed PILLZ catalogue, the release further strengthens the label’s position as a go-to source for forward-thinking, peak-time weaponry and the alluring sounds of the night. Four cuts of hypnotic mischief from Natural Goofy.

Madrid-based label proper balance launches first EP under Valencian producer Pepe.

4-tracker focused on the dancefloor with a wide range of sounds. A1 - Fen´d out is a track in the house techno spectrum, A2 - Count is a heater bass-heavy track, B1 - Meow meow focuses on a more percussive approach of bassy sounds and, lastly, B2 - Nag wraps up the EP with a heavy downtempo. All this together to showcase Pépe versatility as a producer and artist.

The labels catalogue is welcoming a third full feature album by no other than the young and promising producer from the UK – Phase ‘O Matic. This body of work marks the second LP by the artist in five years therefore to say the excitement levels can be measured by the excitement meter and these levels would be scientifically speaking - through the roof. From the opening track “Welcome to the Night” to the closing “The Weapon” which is named after the title of the album, the artist has demonstrated his impeccable production skills and knowledge of the 90’s sound with the modern twist applied. Over the years of hard work, he has developed his own sound and from what can be heard here safely could be said that this release is most definitely the weapon of mass destruction which has been added to the artist’s collection of releases. Straight from the mind onto this 12” canvas for you to enjoy.

Following the success of last year’s Dance State EP, Berlin-based artist Revivis returns to his Santo Tomas label with Energy Ghosts—a tightly focused four-tracker built for peak-time dancefloors.

Leaning into stripped-back, percussive grooves, the EP takes cues from early 2000s and 2010s tech house, filtered through Revivis’s crisp, contemporary production style.

The release features three original tracks alongside a remix from in-demand Berlin- based DJ and producer Running Hot.

Sleeve photography by Stephanie Elizabeth Third.

TAU welcomes an enigmatic, esoteric entity to the fold with this stunning release from the one and only Rico Puestel. Rico’s artisan musings and wild outlook on life has resulted in the production of a stunning back catalogue, full of unique, emotionally-charged electronica. His music has found favour with industry heavyweight Sven Väth and his Cocoon imprint, so it’s a pleasure to have three new classy cuts from this in-demand producer.

The Chicanery EP begins with ‘Plentone’, a chugging atmospheric cut with a deep pulsating low end. Bright angelic twinkles impose a contrasting layer of emotion against the dour bassline. The mood is solemn, yet optimistic, punctuated by a scintillating breakdown. After the drop, ‘Plentone’ keeps pumping along as the expertly-crafted elements combine to create a mesmerising composition.

Next up is the title track, ‘Chicanery’. This one is a little more upbeat and strident, emitting a contagious charge of energy. A symphony of sparkling melodies dance above a groovy bassline. Rico demonstrates his virtuosity with this wonderfully whimsical cut. His playful use of layered melody gives the track depth, utilising his skills to really tantalise the listener.

Track three is ‘Whether’, a bluesy, eyes-down cut with a brooding exterior. A range of organic sounding instrumentation gives this track a very natural tone and appeal. Rico carefully increases the tension, teasing the energy levels up and up and up like a form of audio foreplay, leading us into an orgasmic breakdown. After that track continues its sultry jaunt, hypnotising you with its sensual allure.
Lastly, Theus Mago delivers a simmering remix of ‘Whether’. The Mexican maestro creates a whole new piece of music, with a driving rhythm, an urgent riff and a constant flow of new sounds. Theus’s reinterpretation is dramatic, compelling and deadly. Watch the dance floors explode to this one.

Romain has been a key innovator in the Hong Kong & Asian music scene for the past 18 years in various different facets, building bridges between cultures and erasing borders through music. He has since taken a step into the world of production and his music has been played by some of the biggest acts in the game such as DJ Harvey, The Black Madonna, Gerd Janson, Horse Meat Disco, Skatebärd, Lauer, Tornado Wallace, Lipelis, Orpheu The Wizard, Kamma & Masalo and many more. Here his musical production story continues with his latest collection of works coming via the esteemed Tokyo imprint, Sound Of Vast.

Leading the release is title-cut ‘Musique De Maison’, a five-minute excursion through organic percussion grooves, snaking elongated bass tones, intricately intertwined vintage-leaning synth melodies and an overall cosmic disco aesthetic that reflects Romain’s borderless, cross-cultural sound. ‘Tonal Spices’ follows and ups the energy levels with a sturdy rhythm section, squelchy acid licks, murky bass stabs, Indian vocals and cinematic strings ebbing and flowing throughout.

Monkey Timers take on ‘Musique De Maison’ next with their interpretation extracting the core essence of the original and reshaping it into a dynamically unfurling rework, fusing fragments of the original with expansive delays, heavy reverberations and modulating synth work. The ‘Psych-O-Delic (Live Mix)’ then concludes the release with off-kilter drums running in combination with, as the name would suggest, tripped-out melodies, processed spoken word and warbling synth licks — a nod to Romain’s playful, surrealist edge.

JP
東京とアムステルダムを股にかけながら、The People In FogやRed Pig Flower、GǼG (Monkey Timers & Keita Sano) 等のリリースを手掛け、オルタナティヴなディスコ/ハウス・レーベルとして存在感を放つSound Of Vast。その最新作は、Romain FXの12インチ！

フランスで生まれ香港/台湾/アメリカで育ったRomain FXはプロデューサーとしてのデビュー以降、自身が主宰するFauve Recordsや禁 JIN、Black Jukebox等で、イタロ・ディスコやプロト・ハウス、アジア産音源等を現代的に昇華したサウンドを展開。特に2024年にSound Metaphors Recordsの傘下から発表したイタロ・ディスコ金字塔"Spacer Woman"のカヴァーは、DJ HarveyやOrpheu the Wizardらのアーリープレイによってディガーたちに衝撃をもたらすと同時に、Romain FXの評価を確固たるものとした。

本作には、溌剌としたシンセの掛け合いにラテン・パーカッションが並走しドリーミーなクライマックスに向かうプロト・ハウス"Musique De Maison"、アフロ/コズミック影響下の初期プログレッシヴ・ハウスが現代のピークタイムとシンクロした"Tonal Spices"、バイレファンキやエレクトロ・ファンクの化合物がバッドトリップ直前まで交錯する"Psych-O-Delic (Live Mix)"といった3つのオリジナル曲を収録。更に今回は、ユニットGǼGとしての怪作を経てPanorama BarをはじめとしたEUツアーを敢行した日本人デュオ、Monkey Timersによる"Musique De Maison"のリミックスも搭載。Droid作品を彷彿とさせるFX処理やグルーヴ脱構築の技法により、本EPにダークな一面を持たせた。

本作に収録されたいずれの楽曲も、Romain FXが辿ってきた陽性のエネルギー溢れる遍歴と練磨されたスタジオ・スキル、現代のダンスフロアのムードが交差しオリジナリティの獲得を目指す、インパクト溢れる仕上がりとなった。近頃はライヴアクトとしても成長を遂げるRomain FXが如何にクラウドを熱狂に陥れているか、想像に難くないであろう。

It was December 2015 when Simon Weiss delivered his first EP for Voyage Direct, an impressively intergalactic affair full of supersonic synthesizer arpeggio lines, Motor City influences and robotic drum machine hits. Two years on, the experienced Dutch producer returns to action for the first time since, in the process delivering another quartet of starry-eyed productions.
.
Through releases on Deepermotions, Rush Hour and Hometaping is Killing Music, Weiss has established a reputation for combining a deep understanding of dancefloor dynamics with a sci-fi inspired futurist aesthetic. Both of these complimentary traits are much in evidence on his second outing for Voyage Direct.

Weiss blasts off via Brain Fever', where raw, mind-altering arpeggio bass, fuzzy drum machine hits, spacey chords and alien electronics thrust our hero skywards. Think of it as techno for funk-fuelled, Italo-disco loving astronauts whose journey to the end of the universe is only just underway. This intergalactic funk blueprint is explored further on the deeper and more melodious You Want A Cigarette', where Weiss's vocoder vocals wrap themselves around mutant TB-303 lines, rush-inducing chords and clattering machine percussion.

On Space Ghetto (Booty)', our hero celebrates the discovery of previously unknown worlds in the only way he knows how. With kaleidoscopic, full-throttle electronic motifs and funk-fuelled synth-bass to the fore, Weiss offers his own unique take on electrofunk. Pleasingly fuzzy and tightly wrapped in the syncopated drum machine handclaps of ghetto-house, it's a typically far-sighted and attractive proposition.

With just two minutes to go until his spacecraft touches down on alien territory, Weiss rounds things off via the melancholic chord progressions and heartfelt vocoder vocals of Intro', a beat-free excursion just tailor made for dramatic set openings and spine-tingling mix endings. He may be stepping into unknown territory, but it won't be the last you'll hear from Simon Weiss.

Like a phoenix from the ashes, the mighty Cécille Records is back, and return with their 2008 club smash, ‘Nesrib’ which launched the career of label mainstay SIS, and here is catapulted into the present day with a remix from Fuse hero Archie Hamilton.

Established in 2007 by Nick Curly and Marc Scholl, Cécille quickly became a trustworthy and steadfast purveyor of deep tech-influenced music. With its reputation for quality unsurpassed, Cécille attracted a
wealth of talent, none so much as SIS. German-born Burak Sur’s origin story is evergreen. Caught up in the rhythms of DJ Karotte at U60 club in Frankfurt one night, he decided that dance music was his life’s mission and began to plot his future. Already a proficient rock drummer, he learned to DJ and produce at the age of 21, releasing his first tracks in 2006.

‘Nesrib’ catapulted SIS on a furious 4-year musical journey which saw him win multiple awards for ‘Track of the Year’, ‘Producer of the Year’ and ‘Breakthrough Artist of the Year’ across the music press. Still
performing at clubs and festivals today, SIS has perfected his live/DJ hybrid show which continues to take him around the world.

For his remix, Archie Hamilton has dug deep into his roots to transform SIS’s original bumpy minimal techno vibe into a fully formed rolling tech monster. Aquatic FX and sparse percussion open the track before that huge growling bass shifts things into high gear. Carefully holding back on the vocal chops, Hamilton carves out a muscular groove before unleashing Williams’ diva lyrics.

PLAYED BY Marco Carola, Martinez Brothers, Luciano, Reboot, Nick Curly, Archie Hamilton

Hailing from Oxford in the United Kingdom, Timmy P has become a staple in the house scene across the past decade, racking up releases on the likes of Local Talk, Strictly Rhythm, What NxT, Nervous and of course Cécille where he returns here following 2022’s ‘Words Fail, Music Speak’ EP.

Title-cut ‘Mylo’s Groove’ leads and sees Timmy P employing a classic filter house feel via an amalgamation of choppy vocal chants ebbing and flowing amongst one another while a sturdy drum groove, gritty stab sequences and pulsating bass keep things swinging throughout.
On the flip-side is ‘Vintage B’, as the name would suggest the composition harkens back to the golden era of US, layering jazzy keys, acid squelches, brass licks and hypnotic voices atop a robust 909 drum workout.

SpaceWax is back with a full blast!
After a year in the making, the highly anticipated second release is finally here, and it’s well worth the wait.

Lithuanian DJ and producer Tourman is on board for this mission, delivering a four track EP that covers a wide spectrum of hypnotic and dancefloor ready sounds.

The A-side kicks off with 'Colourless Tasteless', a stellar bomb, an absolute floor destroyer packed with energy and mind bending soundscapes, followed by 'Yucatán', an acid infused roller designed for trippy dancefloor moments.

On the B-side, 'La Wamba' shifts the mood into a mix of hypnotic tech house, rolling synths and summer infused vibes, offering a versatile selection perfect for any set.
'Clear Sign' closes the EP with a blend of warm summer vibes and infectious rhythms.

With limited vinyl only availability, Yucatán EP is a must have for selectors looking to bring the Spacey vibes to the dancefloor.

Leeds based IMAGINARIUM announce their record label delivering a four track EP featuring music from residents Pete Melba (Planet Orange), Phil Warner (Plant & Deck / Pic N’ Mix), and Roya Brehl (Creatures of the night / Last days of Rome). Joining the crew is rising star and one half of duo Le Frequency, James Geeson.

Pete Melba kicks things off in his signature style of groovy tech house with skipping percussion, twinkling melodies and a touch of darkness. Phil Warner takes the A2 into techno leaning tech house territory sporting spacey pads, acid licks and spooky vocal snippets. On the B1, Roya Brehl moves into darker realms utilising cascading synths, eerie vocals and jangling percussion. Closing out the EP James Geeson continues the dark theme of the B-side warping the classic moonraker vocal into a deep dance floor chugger.

A well-rounded EP for cultured diggers bound to scintillate dance floors and after parties across the globe.

This is the second volume of the double compila"on Shock Room. This collec"on features iconic
and sought-a(er "techno, trance & progressive" sounds that got en"re genera"ons dancing and
are s"ll being played and sought a(er by DJs and fans of this musical genre. The compila"on
takes its name from the "main room" inside the Ul"mo Impero nightclub in Turin, a historical
temple of '90s techno trance music in Italy

Vincenzo returns to Dessous Recordings with something a little special. 'Merry Go Round' features the stunning vocal talents of Language aka Kaori Kaneko, a haunting, drifting and highly affecting piece of music that sounds like nothing else. Kaori already released two albums on Japanese Crue-L Records as Kaori and three albums with her band Language on Madoromi / Atari Productions and was also featured on the Chi Chi Squads classic 'Treat Me Right'. Built on dreamlike, evolving pads and textures, the vocals are reminiscent of the best work of Tracey Thorn, rising and falling over the 7-minute duration of the original mix. After some minutes a crisp, chugging, mid-tempo beat develops and lifts the track yet further, a moment perhaps best enjoyed at sunrise. The Reprise Mix is a totally beatless mix, emphasising the pads, guitar and piano work. The third track sees Axel Boman on remix duties, who primes it for the dance-floor with a loopy, hypnotic rework that retains the original character but adds a visceral, gritty quality for the dancers.

2025 Repress! Very Limited!!

Chances are, you've heard this new offering by &ME before. He installed it within his last touring months as one of his most sought after and unsuccessfully shazamed set-highlights. And then again, you know the source material, he is taking on, Westbam's 2013 classic "You Need The Drugs" featuring Psychedelic Fur's own Richard Butler.
While the original is the utmost hymnal embodiment of that desolate, yet somewhat glorious afterhour exhaustion, many of us know all too well, &ME's take comes off as a preservation of that intense emotive sentiment of the tune in conjunction with an amplified floor-suited effectiveness. It shows in the beat, flexing a bit more muscle, in that simplified and more present bassline and in the overall dynamic arrangement. &ME takes the tune out of the car stereo of a 7 am cab-ride back into the club, right on a sweat-drenched and jam packed dancefloor, so to say.

In response to the demand of the label’s community, four tracks from Dan Goul’s “Paraglider” debut album, released back in May 2024, will be pressed on our beloved vinyl format. The release includes the Melbourne based artist’s most requested track to date, “Paraglider” – LIMITED COPIES !

Born-and-raised Detroit staple DJ Holographic unveils her album, House In The Dark LP via her newly launched label, Through The Veil.

The LP taps into the core of Afrofuturism that defined the foundation of Detroit techno but reimagines it in a femme, queer, and conscious way. The project draws from her deep-rooted relationship with astrology and shadow work—a therapeutic practice used to explore and heal repressed parts of the self. These transformative inner journeys serve as the creative bedrock for the album, which navigates themes of self-discovery, healing, and empowerment.

“Through healing practices like shadow work, astrology, and more, I’ve found a profound sense of arrival while writing House In The Dark. I’ve stepped into who I’ve always wanted to be as a creative and so much more. ‘Pisces’ is a journey through the depths of illusion, where the home becomes both a sanctuary and a mirror for our inner world, revealing what’s real and what we choose to believe.” — DJ Holographic

A celebrated DJ whose talents have taken her to Berlin’s Panorama Bar to Pitchfork Music Festival in Mexico City, Holographic has upcoming stops at London’s fabric, New York’s Public Records, Circoloco’s opening Ibiza party, and more. Her work has been covered by PBS, CRACK Magazine, Ransom Note, Billboard, DJ Mag, Resident Advisor, and more.

The next instalment in the classic DJ-Kicks series is a selection of rapturous house, blissed-out breaks, and transcendent rave from the high priestess of the motherbeat herself, Chicago"s Eris Drew. DJ, producer, musician, long-time resident at Chicago"s Smartbar, and co-creator of the T4T LUV NRG party and label, Eris Drew has been DJing since the early 90s, and has since taken her ecstatic house and high-energy, uncompromising mixing style to clubs, raves, and festivals worldwide. Eris" DJ-Kicks mix is 79 minutes of, as she puts it "the funky, emotional, ecstatic house-and-breaks backbone that defines my sound", and includes tracks, remixes, and exclusives by Moby, Calisto, DJ Garth, Onionz, DJ Who, Kair, Hoof, and Toka Project, as well as from Eris herself and partner Octo Octa. The result of countless hours of digging, her selection delves into the rattling breaks, rave stabs, and haunting strings of classic and lost "90s hybrid house-and-breaks jams, and matches them with more recent digs, the mix moving back and forth between emotive, bittersweet, and evocative, to raw, tough, and twisted with consummate ease.

The tracks on this record were originally produced in 1993 and 1994 by Julius Weiland. Before becoming a visual artist he released house and ambient tracks under the name „Julius“ and other aliases. Deeply influenced by early Chicago House and Detroit Techno he developed his own style and sound. This is his second release on No Acting Vibes and it‘s bringing back some of his sought after tracks on vinyl again.

(All tracks produced by Julius Weiland, Basic Paradise“ coproduced by Tom Gawlik“.)

2024 repress

Leon Vynehall's beautiful ambient, cinematic race car track now reconstructed for the dancefloor...

Comes with an unreleased beat version on the A-side and the original version taken from Gerd Janson's "Music For Autobahns 2" on the flip.

There are many things we do not understand here, maybe in time we will.

2025 Repress

Burnski's Constant Black label puts out constantly good sounds for all those of a minimal and tech house persuasion. This 33rd such outing comes from Per Hammer who offers a trio of irresistible grooves. 'Everybody_hz' kicks off with rubbery drums and bass intertwining with each other while wonky synths up top add some tripped-out feels. A Varhat adds a little extra bounce and urgency to this silky late-night hypnotiser and then it's back to Hammer for 'The Danish URL'. It's a hooky groove with warped pads rippling up top while closer 'Arkivo' is a more textural and abstract affair with a nice dubby undercurrent.

Cymatics Records makes his debut on wax and brings a Various Artists for it’s first release, putting together some of the renowned names on the scene nowadays to bring you some quality music

.

On the A1 is Cosenza, Argentinian guy with releases on some huge labels like Locus, Key Records, Hoarder, Talman Records and many more. Presenting ‘Obsession’ he brings a very groovy sound, with a fat and wide bass joined with nice drums.

For the A2 the guest is Mateo Dufour, also Argentinian, a name that is getting more popularity in Europe and rest of the world. With productions in labels such as No Art, Djebali, Politics of Dancing, etc, Mateo knows how to turn the dancefloor on fire! Enjoy Grey Swamp a very housey beats with some beautiful keys, as Mateo is a master on that assign.

On the other side for the B1 is O’Gio, Uruguayan guy, head of this project, his name started hitting the scene lately with productions for Limousine Dream (Nug-Net), Binary Sound and Howl Records. Gio’s productions always try to bring fresh sounds, with nice hooks, thick basses and fine drums.

Last but not Least for B2 we have Cessy, Australian himself, owner of a unique sound which that has led to European Tastemakers getting him to release on such labels as No art and Archie’s Hamilton own label too, becoming one usual name on European nightclubs.

PRECS003, a collection of house infused, club ready slow burners from Inner West.

As the label strides into 2023 it was time to unleash another vinyl only release to follow on from the first successful release from Tommy Vicari Jnr.

This 2nd instalment comes courtesy of NYC’s Adam Collins which is accompanied by a wicked remix from non-other than Grant Dell. Adam’s first outing on the label was in 2013 and then in 2016 with fellow New Yorker Andrew Hobold (RIP) so it was time we had him back on the label again.

Both Adam and Grant have notched up a pretty impressive release list over the years so it’s great to have them on board both together for this superb EP.

Over the years Adam has released music on labels such as Kommuna Tapes, Nervous Records, Real Deal Records, Small Hours, Sur, Unsilenced Music as well as his legendary Euphoria Records under his Omni A.M. Guise with Marky Star.

Thank you again for the continued support, enjoy the music.

MSR x

Roger Gerressen's latest release on Muted Noise, titled "The Come Down," is a captivating four-track EP that delves deep into the world of hypnotic underground rhythms. Born in Arnhem, the Netherlands, and nurtured on early 90s hip-hop in Nijmegen, Roger's musical journey is a testament to his passion and innate talent.

"The Come Down" EP is an entrancing sonic voyage that lures listeners into a maze of intricate beats and immersive soundscapes. Notably, the release includes remarkable vocal work by Joiah, adding a distinct and emotive layer to the tracks.

Moreover, the EP features remixes by renowned artists Ion Ludwig and Halo Varga, elevating the project to even greater heights.

This release is a testament to Roger Gerressen's evolution as an artist, reflecting his lifelong love for music and his capacity to craft a distinctive and mesmerizing sound within the realm of underground electronic music. "The Come Down" EP promises an immersive experience for those who appreciate of proper underground rhythms.

High Voltage Music returns for 2025 with two more electrifying cuts, ready made essentials for your record bags this summer

We’re excited to unveil our first vinyl-only release, featuring four dance-floor-focused tracks from Kyiv’s Kiddmisha, alongside Tbilisi-based artists Reshio and Yamoc.

Each track offers a dynamic mix of electronic beats and rhythms, showcasing the energy and creativity of these rising talents in dance music.