House News

contains a remix by pawas !!!!

The battle against the plague has raged hard for over a year. Around the globe, dancefloors are empty, layers of dust and broken bottles strewn across them…the glowsticks have long faded to black. But the Cologne mothership KOMPAKT has managed to prevail, bringing inspiration and hope through the message of music to a decaying humanity.

The Reawakening is finally in sight. It is only fitting that New York’s Steve Moore (of Zombi, Gianni Rossi and Lovelock fame) makes his return to KOMPAKT now with this foursome. Especially as his last release for us, “Frame Digging” (KOM 415) directly preceded the start of the pandemic.

AUTO SEQUENCE START – the time arrived for us to press the reset button. The cycle has completed.

Der Kampf gegen die Seuche tobt nun bereits seit über einem Jahr. Rund um den Globus sind die Tanzflächen leer, Schichten von Staub haben sich darüber gelegt, zerbrochenen Flaschen liegen herum ... auch die Leuchtstäbe sind längst erloschen. Doch das Kölner Mutterschiff KOMPAKT hört nicht auf, der darbenden Menschheit Inspiration und Hoffnung durch die Botschaft der Musik zu bringen.

Das Wiedererwachen ist in Sichtweite. Umso passender, dass der New Yorker Steve Moore (bekannt durch Zombi, Gianni Rossi und Lovelock) nun mit dieser 4 Track Maxi sein KOMPAKT-Comeback feiert. Denn seine letzte Veröffentlichung für uns, "Frame Digging" (KOM 415), war direkt vor Beginn der Pandemie erschienen.

AUTO SEQUENCE START - die Zeit ist gekommen, den Reset-Knopf zu drücken. Der Kreis schließt sich.

The French crew La Boomerie is back with its second EP produced by Sunaas. Deep dive into its musical Spectrum, produced with Birkenstock on feet and cat on knees for dancefloor and sofa purposes.

Mutuo means feeling the same emotion, or doing the same between two or more people reciprocally. This is what inspires us to combine the wisdom of experienced artists with fresh energies from emerging ones, representing the Latin-American underground sound.

On our first release we featured young talent Lautaro Scavuzzo with Conexión EP.

Side A features "Conexión" and "Reset", 2 tracks with minimalist overtones that cut through deep, random and jazzy environments.

On the B side, an exquisite delivery by master Alan Castro. In "Conexión remix" he demonstrates his sophisticated style full of complex textures and creative compositions.

repressed !

Second vinyl by our Bulgarian and Italian friends, Shosho, Peppou, Dimitri Monev, Factuaw and Fibonacci (Mr. Deka).

Vinyl Only - Limited

Ivano Tetelepta's Siena invites a close group of homies from the Dorcas imprint, all hailing from Arnhem, The Netherlands. Having collaborated before with a few known (and unknown) appearances from Ivano on the Dorcas label now it's time to give this crew a warm welcome to Siena. Since Siena is a family affair from the beginning its purpose always has been to spread and push beats from befriended and likeminded pals around Ivano himself. After many delays and a busy release schedule its finally time to shine a light on Julien Fuentes' Dorcas crew. Presenting a full pack with a wide range of styles, label owner Julien Fuentes kicks off with the bouncy two-stepper 'Classic Style'. John Mood quickly joins with a summer anthem pur sang, take the 'Blue Pill' and dive into a tranc-y world full of smiles and joy. The biggest contribution comes from Sennin, with four tracks he presents his take on gritty grooving tech-house. His dubs are floating around in the Arnhem/Nijmegen underground for a while, finally they see the light of the day on this excellent pack of Dorcas dancefloor jams.

Twenty’s plenty (apparently), it’s also the number we use to welcome our first artist from the US of A into the fold, Detroit USA to be exact. Francois Dillinger has been doing his thing on labels This Ain’t Bristol, Natural Sciences and Anabatic Records plus others, fusing deep melodic Techno with 909 laden broken beat Electro.
With this his inaugural release for us, he brings a fusion of these trademark sounds as the lead track Infinite eases you in with sparse punchy drums and brooding bass line before spooky Arabic style horns beckon us in further. It’s a hybrid between Electro and Techno with a drop ominous enough to make even Freddie Krugger think twice about staying in the club! It’s a track that’ll be heard on the floors of Berlin, Ibiza or even a few Miami Booty Bass pool parties (see enclosed DJ Feedbacks)!
Up next is man of the moment Dragosh (Desolat / Moonharbour / Modvlar Label Boss) who keeps the original vibe while flipping the core elements into a glitchy House groove, adding some funked up Hammond chords to really stamp his style onto the remix.
Third to the plate is Rejekt favourite Marc Ashken (Safari Electronique / Lazerslut) with a hypnotic synth groove, with offbeat whistles and sirens floating over a stick heavy drum groove to create something slightly special (well we think so)!
And finally! Another instant Ibiza classic as Francois again fuses his Electro bass and synth laden sound this time into more of a Melodic Techno vibe, this is Shameless and once again according to the DJ Feedbacks, this will be keeping people locked to the floor at clubs like DC10, The Berghain, Fabric et al..

With "red" from krüger + meyer released on "35 Grad records" the first disc out of a rainbow comes up. This arc will be gradually completed from now on and, with its different colors, always includes different musical facets.

The current "red" edition includes the remixers "Beatamines", "Dompe" and "Rachel Raw" in collaboration with "Boho". The original and the work of the remixers deliver fine techno for the floor and next to it.

2019 was a year full of celebrations for Nicolas Duvoisin. Not only did his label Fantastic Friends turn 10, he also celebrated his 20 years of career as a DJ/Producer and, last but not least, he experienced the joys of becoming a father for the first time. It was clearly this powerful emotional context that pushed Nicolas Duvoisin to work on a more substantial project, exploring wider horizons and stepping out of his comfort zone.

“Mon Premier” is definitely a testament to the artist’s maturity and courage, displaying more sensitivity and intimacy than what the usual club night behind the decks generally allows. Nicolas took the freedom to let his inspiration bring him into unknown territories, working without a particular framework, style or label in mind and starting from scratch for each track of the album. The challenge was also to experiment with new writing approaches and techniques, in order to lose some of the methods and habits many artists get trapped into at certain points in their careers.

The result is an eclectic collection of sounds, moving through dub, ambient, minimal and house, patiently put together in Nicolas’ studio near Lausanne, away from the frenzy of the dancefloor. Dive into Nicolas Duvoisin’s ever-expanding universe and enjoy the ride.

Feedback:
Ame : thanks will play it

Damian Lazarus : Dub One for me

Luciano : quality job

Stacey Pullen : SOLID TRACKS, THANKS!

Timo Maas : Beautiful Rmx by Luciano

Carl Craig : Check Point

Danny Tenaglia : thanks

Robert Owens : Cool tracks

Fish Go Deep : Good deep sound going on throughout the album.

Jorge Savoretti : some nice material in here, liking funk the ride

Archie Hamilton : Nice! Thanks

Nic Fanciulli : Great

Fabe : nice sounding album

Guy Gerber: nice album

Guillaume & the Coutu Dumonts : i like the track with the voice called nipia

Dandy Jack : ride the funk for me

Claude Von Stroke : Stomp my favorite

DJ T : thank you for the music!

Cesar Merveille : Great work

Chris Fortier : Great music

Riva Starr : Thanks for the music

Gene Farris : thanks for the music

Nicolas Masseyeff : Excellent release ! Full Support !

Mirko Loko : love this album

Julian Perez : really nice vibe in this album !

Quenum : beautifuls tracks and great album

Johnny D : i like funk the ride

Sascha Dive : super nice album

Dario D'attis : amazing orignals and remixes

Loquace : i love all tracks nice job !

Terrence Terry : super nice album, good minimal tracks

Julien Chaptal : quality work here

Tripmastaz : like this album a lot

Lauhaus : Good Job, i like stomp

Dachshund : very nice album

Mousa (scs) : great job all productions are nice

Aminata (modernity event) : all tracks are excellents

RISING STAR PACH gets his first release on Darius Syrossian’s Moxy Muzik label. The 12 inch vinyl also has a tasty remix by the king of the original minimal sound, American born & Berlin based Jay Haze, who takes things as stripped back and raw as they come.

Syrossian completes the package taking things on a more deep chunky vibe tinged with garage influences.

Subb-an continues to adapt and develop his One Records label with another EP from long-time collaborators Yamen & EDA.

As per usual - the duo's productions rounds up One Records signature sound perfectly: neatly reduced, modern minimal that doesn't shout too loudly for attention but is highly effective on the dance floor.

The 'Joe Kerr' EP is brimming with active, bouncing bass lines, darting stabs and pacy drums. Also included is a remix from the label head himself who sticks a new engine in 'Infinite Diversity' giving it a more potent, gritty drive. Man on fire Youandewan also weighs in with his take on Joe Kerr which interweaves tight stabs and drums with effortless flair - a sound that he's become renowned for and one that does the job on the floor without fail.

Repressed !

It's widely know that Gorge loves to work with different partners in his studio. Since his countless collaborations with Markus Homm and Nick Curly it was now the first time he sat down together with Marc Lenz for these 3 tracks.

Starting this year strong with our second release!

On the menu, 4 amazing producers and 4 solid tracks.

All reunited within the same universe, this compilation is filled with house, tech-house, and UKG sounds.

A1 is brought by Oward. The French producer delivers a track full of grooves, breaks, and cheeky vocals.

A2 is by the man himself Admo. This one is a groovy tech-house cut. A lot of drums and a sick bassline.

B1 is from the man who needs no introduction, Adam Collins. Raw tech-house sound delivered on a silver platter.

B2 closing up this VA is Borren. The Dutch producer has many talents and he proves it with this UKG/Speed garage cut."

The specially designed game and accompanying music video pertains to the overall theme of the EP, which shows an absurd society obsessed with social media descending into a dystopian world. It is a paranoid graphic vision, set in Brussels, Strapontin’s hometown, that puts you in control of a role playing game as you march round the city collecting social points with scant regard for others.

Besides being a dancer, performer and on-and-off “Madame pipi”, French-born, Brussels-based Strapontin is also a DJ and producer who mixes up slow and rough techno with thrilling soundtracks and groove driven disco. He has released on Nein and I’m Single amongst others and marks this 10th Hard Fist release in fine style.

Opening up the EP is ‘Nervous Days’, a gallivanting techno-disco groove with rugged loops and jumbled percussion that sounds like a rampage through a cityscape, as per the video. Then comes ‘But The Nice One!’, a stomping and rough and ready ride on lumpy drums and bass that is dark but playful. The quality continues on ‘Miss Mickey the Dumbs’, with some brilliantly heavy and reverberating drums making you jerk your body while sci-fi effects float and drift about up top.

Blindetonation label regular and esteemed modern disco man Thomass Jackson remixes ‘But The Nice One!’ In his capable hands it becomes a melon twisting workout with spangled synth lines, psyched-out synths and percolating drums that are finished with a vulnerable and eerie vocal. Last of all is a Damon Jee remix of ‘Miss Mickey the Dumbs’, His music can be heard on the underground’s most sought-after labels including Roam, Hafendisko, Suara and Sincopat to name just a few. His version is a more direct affair, with searching laser synths and a hypnotic space-techno vibe that carries you off to the stars at increasingly high speeds.

This is a fittingly brilliant EP from the vital Strapontin on ever-excellent Hard Fist.

blue vinyl

Subjoi has a long history with Shall Not Fade, an early addition to the Lost Palms series which now hits its 48th release. The Adelaide-based producer had two stunning EPs on the label in 2020, displaying his signature blends of eclectic dance music styles.

Compared to last year's Bias, Steadfast EP is a more understated affair, leaving space for Subjoi's production skill to shine. The title track pairs piano melodies and subtle breakbeat for an emotive sound easing into "Count It Off", where slow pads give way to a beat that takes influence from UK garage and jungle. By coupling this high-energy style with sombre chords, Subjoi makes a uniquely melancholy club track.

Yearning vocals and synth stabs build complexity in "Rapids", a forward late night number. The closing track keeps the
haunting atmosphere of the rest of the records, fading out as subtly as it began with an organic sound palette contrasting the stuttering 2-step beat.

Welcome to Anthony Naples first outing for Running Back. Swerve sees the New York resident putting his dancing shoes back on and taking a pause from his admittedly brilliant other side. A development that last year’s Club Pez on ANS already foreshadowed. While his music is at times ethereal and cerebral, but also engaging and compelling, Naples manages to fill the gap between finesse and function with idiosyncratic abilities.
Starting with the title track that builds a bridge between a beehive and Joey Beltram’s hoover sound, it’s clear that Naples has something unique in case of temperature and tempo. Swerve flows around an addictive bass line, adds a splash of piano and manages to feel big without the usual cheap tricks. Played by Four Tet and Pete Tong. If bangers-not-bangers would be a genre, Naples would have created one of its prime examples.
The rest follows lead: Here With You uses skippy beats underneath a TB-303, Right As The Sun Goes extracts elements of its two predecessors, but mirrors them with delightful mellowness and finally, Be To feels like the continuation of the sprawling hypnotism of the mid-nineties.
One EP to get your swerve on. High quality artwork by Gasius.

Repress

It´s all about fusion. good fusion, you know! can you hear the bandsmen marching to the dancelfoor~ they´re coming !! limited 1-sided pressing in white vinyl !! this is a old sven väth track, remixed by matthias kaden!!!

Titonton Duvante's long and more than essential Residual Recordings clocks up a fantastic 25th release in the form of a fifth volume of the famous Refraction series. This one draws on another masterful mix of names including Nachtbraker, Christopher Rau, Titonton himself as well as a rare killer outing from veteran S-Max. Reaching a milestone in style...

Nachtbraker opens the EP with a swirling house cut that is riddled with FM bass, twinkling keys and balmy pads that reach for the heavens. Christopher Rau goes for a more raved up house cut with feel good energy chords but a nice deep bassline and pensive synths on his Give It. Titonton does as he does best - keeps it deep, loopy yet driven, with a slick tech cut that is dubbed out and perfectly atmospheric as well as being hugely infectious. Last of all, S-Max comes correct with the slick boom bap of his stripped back house roller Lil' Lightyear Wants to Ride, with its dreamy pads and sci-fi feels.

Residual is by now, and for many years been a key label for lovers of tasteful house, as this latest collection proves they are showing no signs of slowing down.

New Members bringing the straight up heat to Dreamers. Rollers for fun !

Independent label MASK returns with another untitled release featuring six innovative interpretations.
Blossoming Berlin-based imprint MASK continues to invite anonymous artists to the label, delivering quality cuts produced using analogue gear across the imprint’s trademark style of raw house, techno and ambient territories. With support from the likes of ItaloJohnson, Truncate, DJ Bone and Ryan Elliott, DATE welcomes
the arrival of six fresh, immersive cuts as they enlist yet another unknown artist to join the series.
The widely appealing package opens via the filtered loops, layered sonics and low humming frequencies of ‘A1’, whilst ‘A2’ reveals a deeper, darker cut with sharp boom bap drums, distorted tones and warped effects.
Next, ‘A3’ has an ethereal edge and explores a plethora of robust sounds, dubby chords and heady, pulsating rhythms.
On the flip, the richly euphoric ‘B1’ leads with seductive drum programming, chopped-up vocal snippets and scintillating keys that take listeners to another level. Penultimate offering ‘B2’ reveals a driving, feel-good affair before rounding out proceedings with the off-kilter, jazz-leaning and undoubtedly enrapturing soundscapes of the low-slung ‘B3’.

Following the completely sold out 'Imagine - A - Nation' and 'Le Fusion' reissues, Anotherday brings you a very special release from the vault of the enigma that is Spencer Kincy, AKA Gemini - we are very proud, and extremely excited to present Gemini's first 4 releases, lovingly re-mastered!

* Originally released on Relief Records; the Chicago techno label headed up by Cajmere, these releases were Gemini's introduction into the worlds of house and techno, and contain some of his most vital works.

* As one of Chicago's most mysterious and revered characters, the story of Gemini, aka Spencer Kincy has become something of a myth in recent years - blazing a trail throughout the 90's, prolifically releasing over 200 tracks from 1994 to 1999, Spencer's music had shades innovation and soul few of his peers could match. Then, suddenly, at the peak of his career, he disappeared.

* As before, this album has been licensed directly from the man himself, and the money made from its exploitation will go directly to him.

It’s time for a new Reinhard Voigt EP on Kompakt? It doesn’t feel like it was that long ago since we last heard from him but then again, time is running! His latest release on Kompakt "Was wir spüren" (KOM 402) was released in May 2019. From there we encountered Reinhard's musical work mainly in the form of various digital reissues or in union with his brother Wolfgang together as Voigt & Voigt. Then in August of 2021, a glimmer of musical life from Reinhard reached his loyal fans in the form of a continuation of his RV ultra-minimalist concept series as "RV 05 / RV 06" via our KX imprint.

So that brings us to the present. Two new tracks that preach and spin on the classic Reinhard Voigt sound. Tracks that are as relentless as they are consistent to his signature stoic, radical, minimal techno. "Cha Cha Club" creaks and stomps along so mercilessly that they leave us impatient for the reopening of a dark, foggy club room and to have the bitter taste of gin and chemicals on our palates. Bass drum in, bass drum out - sometimes that's all it takes to be happy.

With "Die Frau, die nach Deutz ging" Reinhard discloses a small tale in the title...that this is the continuation of "Der Mann, der nie nach Deutz kam", a track from “Was wir spüren”. Elements recall Reinhard Voigt's SPEICHER tracks; sovereign, modern techno, monotonous in principle, but here and there interrupted and structured by unexpected signals and sounds in such a way that the track will also work on larger dance floors.

Eine reguläre, brandneue Reinhard Voigt 12inch? Das ist nicht nur gefühlt schon eine ganze Weile her. Time ist ja bekanntlich running. Seit “Was wir spüren” (KOM 402), erschienen im Mai 2019, begegnete uns Reinhards musikalisches Schaffen vor allem in Form diverser digitaler Wiederveröffentlichungen oder im Duett mit seinem Bruder Wolfgang als Voigt & Voigt. Im August letzten Jahres erreichte die treue Fangemeinde dann wenigstens ein kleines Lebenszeichen in Form der “RV 05 / RV 06”, der Fortsetzung seiner ultra-minimalistischen Konzeptreihe auf KX.

Nun also zwei neue Tracks, die so unerbittlich wie konsequent den klassischen Reinhard Voigt-Sound predigen und weiterspinnen – stoisch, radikal, minimal. “Cha Cha Club” knarzt und stampft dabei so gnadenlos voran, dass wir die Wiedereröffnung von geschlossenen Räumen voller Nebel und Dunkelheit und mit dem bitteren Geschmack von Gin und Chemikalien an unseren Gaumen kaum erwarten können. Bassdrum rein, Bassdrum raus, mehr braucht es manchmal nicht zum glücklich sein.

Mit “Die Frau, die nach Deutz ging” erzählt uns Reinhard zumindest im Titel die Fortsetzung von “Der Mann, der nie nach Deutz kam”, einem Track von “Was wir spüren”. Hier erinnert manches an Voigts SPEICHER-Tracks, souveräner, moderner Techno, vom Grundsatz her monoton, aber hier und da von unerwarteten Signalen und Tönen so unterbrochen und strukturiert, dass er auch auf größeren Tanzflächen funktioniert.

Influential house and techno titan wAFF is branching out with his own new label, Nature. As well as donating a portion of profits to animal charities, the label will become a platform for music that in some ways heals us, just like nature itself. The innovative DJ and producer kicks it off with his own new three tracker, Colours.

You name it, wAFF has done it. The UK artist has headlined every major club and festival in the world, has released for labels like Cocoon, Hot Creations, Desolat and Moon Harbour Recordings and always brings his own flavours every time he steps out. It is now almost a decade since he broke through, so is the perfect time to start his own imprint.

Says wAFF, "There’s so much that’s happened over the past two years that I really wanted to create a platform of expression and creativity that would be meaningful not just for me but for everyone. I hope the label will be something that brings us back down to earth, to ground us. Nature is so important to me so I wanted something that felt like an extension of myself and what I care about so much. Nature, provides all life with what we need, nature heals us and that’s something I like to think of with this label. By providing the best quality of music for everyone, it can help with healing."

The stylish Colours is a taught, driving house track with slinky hi hats and rubbery drums. The monstrous bassline bobbles away down low and is sure to lock in any crowd. Django is another inventive groove, with lush claps and a knotted bassline that drives the track along beneath infectious percussion and silky smooth synths. Switchin is the most raw of the lot with its busy leads, razor sharp tech house drums and glitchy effects. Add in some turbocharged chords and you have a sleazy and standout banger.

These are three vital tunes that start off this label in fantastic fashion.

repress!

Robert Hood finally restarting his disco influenced pseudonym, Floorplan. "Living It Up" loops a disco sound while evolving with pads and synth stabs, while "Wall To Wall" takes things deeper, exploding with claps driving things in a way only the Hood can do !!!

Berlin talent Joplyn is next up on Crosstown Rebels making her debut release on the label titled We Will Forgive Ourselves featuring remixes from prolific producer MK and label-head Damian Lazarus. Serving up two remixes in the form of MK’s Dub and Damian Lazarus’ Re-Shape, it acts as another milestone release for the near twenty-year-old imprint.

We Forgive Ourselves is the perfect musical metaphor for Joplyn’s inspiration. The track opens proceedings with elegant drum pads which are paired beautifully with quaint hi-hats. A gentle, healing vocal, followed by a deep heavy bassline creates a profound juxtaposition. Galactic-like sounds fizz in and out, fusing everything together to create a real sense of utopia that truly embodies Joplyn’s vision.

Brimming with a signature MK sound right from the offset, we’re treated to six-and-a-half minutes of perfectly executed contemporary deep house. Warming, subtle and inherently groove-led, soft kicks open into Joplyn’s haunting vocal offerings before rhythmic hats coalesce alongside, forming a modern dance anthem that is sure to light up many a club setting this summer.

Damian Lazarus’ Re-Shape comes next. Shimmering with an ethereal quality, the nine-minute piece undulates between moments of spiritual bliss to pummelling, acid-laden danceability. Whirring synths help create a galactic quality, as we travel between feelings of introspection, euphoria and everything in between.

Back on the Riotvan with the third installment already, it is the ever on point Llewellyn, still being the more extroverted Synth/Wave/NeoDisco-alter ego of Lake People - that just as a minor gloss for those who've been living under a rock over the last years. On "These Days" we see him further elaborate his distinctive signature sound, more than ever brimming with confidence and splendour.

Logic1000 is Sydney-born producer and DJ Samantha Poulter. After the release of her eponymous debut EP on Melbourne’s Sumac label, her music has made it into the sets of Four Tet, Caribou, Ben UFO, Floating Points, DJ Python and Anthony Naples amongst many others. Now based in London, Logic1000 has already performed in some of UK's best clubs including Printworks (w/ Carl Craig, Larry Heard, Moodyman), Phonox (w/ Mount Kimbie), Bristol’s Motion (w/ Four Tet) and Corsica Studios (w/ DJ Python).
Following the (proper) release of her eponymous EP on vinyle earlier this year, Logic1000 comes back with 2 brand new tracks available only as a very limited white label vinyl edition.

repress !

Groundbreaking collaboration between iconic underground label MoBlack Records and Oneteaspoon fashion brand. This release is part of the dreamworld bliss collection - An assemblage forged in the dark days of lockdown with a dream of better days ahead.

There is this phenomenon that I call the „Keope moment“. I saw it again at this year's Sacred Ground Festival. Two guys start playing music on a guitar and a table full of unknown objects. Nobody knows them and nobody knows what to expect. 20 minutes later everybody’s dancing because some strings just pulled you close to them and made you dance. I sincerely hope that when you listen to their second LP - which I’m very proud to be able to present you - you can’t help yourself but dance! Frank Wiedemann

Just 100 copies pressed – make sure to book your place for this unforgettable journey.

Celebrating our tenth release, First Cut delivers the label’s first split release. Like the arbitrary scheduling of our hometown Dublin’s bus system, it took a while for these tracks to appear – and then they all came at once!

Tr One drops ‘Fold’, a rousing house track, led by insistent piano keys and tough drums, while on ‘Crash2’, Lerosa delivers a wonderfully sub-aquatic electro-techno jam. Bringing the listener back to earth with a driving bass and powerful rhythm is Giles Armstrong’s ‘Deep is For Dopes!’

His interest in techno/house electronic music begins 1993. Rich clubbing experience gave him a chance to start his own production. Main source of quality electronic music were clubs and guest Djs mostly here in Zagreb. After gathering all styles together DAV came up with sound that is based on tech-house & deep-tech style influence. Background of 80's electronic music is also present in his work. As a dj he played in many Croatian & Slovenian clubs with his basic tech-house style, playing only his production . Finally in 2001 he signs for his first release in London and many of them followed. He is also a member of «Stereo Studio» crew here in Zagreb, which is the strongest promoting organisation here in Croatia. Many strong djs were included in those big «Stereo Studio» parties that he played with , like : Terry Francis, Asad Rizvi, Grant Dell, Eddie Richards, Gideon Jackson, Richard Grey, Get Fucked, Pure Science, Ian Pooley, Felver, Omar...

It was 2016 when we last saw the Venezuelan duo, better known as Fur Coat, drop their debut 'Interstellar' EP on

Watergate Records and now they finally return with their follow up, the 'Immersion' EP.

'Immersion' kicks off with an agile kick drum setting the stage for rapid fire percussion and an overwhelmingly satisfying ascending organ line that could be the trademark of any sci-fi film score. Add a few shudders of glimmering atmospherics and it's a trek into the cosmic realm of Techno where space and time cease to exist.

Flipping sides the duo dive deeper into the infinite expanse with 'Inner Circle' where lush textures canvas a mesmerizing groove and hypnotic spirals of gratifying repetitive sonics resulting in a fiercely energetic yet undeniably euphoric expedition under the club lights. Embracing the tools and mechanics that have made their sound unique and successful for so long,

Fur Coat seems to have delivered their most mature and polished EP to date with their 'Immersion' EP where stunning spacial details and a precise attention to detail have embodied the age old saying, 'less is more'. Fur Coat is back. Immerse yourself.

Rising star Innellea demonstrates his prowess with four diverse, powerful cuts. In a short time Innellea has made a significant impact.

His production is inventive and progressive, gracing dance floors with emotional depth, considered arrangement and pumping rhythms. His debut EP opens with ‘Confronted Reality’, which is driven by an
oscillating low end, complemented by an emotive melody and a huge riff - tinged with drama throughout.

Next up it’s the title track, a morose cut that utilises breakbeat-esque
rhythms, piano keys and warped vocals. On the flip The Loss Of Hope’ features beautifully composed, trance-esque layers drift over a driving rhythm - lifting spirits and invoking the Heaven within. Finally, ‘Irreversible’ takes us into the darkness, with spinetingling melodies and hard-hitting drums ...

No introduction needed, KiNK gets the remix treatment from Matthew Herbert, Josh Wink, Dusky & Radio Slave... Two volumes cut for maximum impact.

Spaced Repetitions is the brand-new label by veteran producer Manuel Tur. Following his most recent releases on Running Back and Lossless, the German digs deeper on the “Alphalpha EP”, fusing hints of sampled house grooves and bleepy techno synth work. With the lead track reminiscent of classic Parisian dark chemistry à la Motorbass, things get more driving on the B-side: the percussive “La Terre” leads us to the magnetic acid groove of “Immune Response”, rounding off this hypnotic three-track EP.

Fluid sounds, warm musical waves.
Acid ghosts leaving their graves.
The smell of life as it comes back.
Sensations high & low what do you expect.
The return of the underground, what’s that sound?
Aroma Pitch Club takeover, madness bound!
August 2021, Berlin Neukölln, This is just the beginning. Album drops this Fall. Peace.

O.D.D., Modini and Casio Royale team up to wreck clubs across the galaxy! I glanced at the wrinkles on my hands as they worked the controls on landing pod. I'd aged considerably since we left Earth to track the alien. Taking an extremely dangerous short cut via the rim of a black hole allowed me to get to the outer regions of the universe before I turned geriatric and was too decrepit to navigate the ship. Now, as we approached Planet Simila, excitement burned within me. It wasn't just about meeting an extra-terrestrial, I was lonely. It had been many years since I'd spoken to anyone other than the ship's computer and here I was about to meet the first known life form outside our planet. I bumped the pod down on the terra firma as gracefully as I could. Intel confirmed Simila had an almost identical atmosphere to earth and that I'd be able to breathe on it unaided. However, precautious as always, I put the large dome shaped breathing apparatus over my head and pulled on the silver safety suit. I took my first step out of a spaceship in 14 years and there it was only yards away from me; a small green creature with large white goggle eyes on the end of two spindly antennas. If you'd asked a 5-year-old earthling to draw a spaceman it would have looked exactly like the thing stood before me. I had no idea whether it could comprehend English or not but nerves made me blurt out: 'Greetings from Planet Earth, I have travelled many light years to meet you, I...
'Here, never mind that pish, ya space helmet, you got the new DABJ Allstars Vol 3 on ya, it's got new stoaters fae O.D.D, Modini and Casio Royale. I've heard it's oot o' this world.'