Anthea invites the up and coming Argentinian producer C.ru.z whos live jam arrangements and direct rave energy being felt from begining to end with the “Secuencias Del Tiempo Perdido” EP being constructed upon twisted beeps and bleeps, and distinct energetic atmosphere's for the peak hours of the night.
For our 24th release C.ru.z has delievered four huge robunctious and original after party anthems, bringing some new flava for your ears and your mind.
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This time around we have Swedish producer and dj Cirkel Square.
"These tracks were written during a period of time when I was defining my new sound.
They are experiences in soundscapes, solid bass lines, with a subtle 80's inspired texture" - Cirkel Square.
On Remix duties we have:
A2 Len Lewis - delivering his trademark S!TH sound, dark soothing tones and driving groves.
B2 Magnus Asberg - spacey , minimal house music guaranteed to take you to the outer limits and beyond.
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“Embark on a transcendent journey through time as Sex Tapes From Mars proudly resurrects a beloved classic: “Deeper Cut - Feel It”.
This release, features bewitching remixes from Velvet Velour and Baldo, and pays homage to the illustrious era's sultry groove while injecting an invigorating vitality into the chemistry.
Inspired by the fervent underground movements of the ‘90s, Deeper Cut "Feel It" encapsulates the essence of an epoch gone by, transporting listeners to a realm where unadulterated emotion and infectious rhythms reign supreme.
The A1, a meticulously crafted beam of puncturing class, sheds the antiquated vocal elements, presenting a polished rendition that resonates deeply with contemporary sensibilities. This transformative, evocative rework of the acclaimed version fervently championed by FDG, has ignited a digital wildfire, enrapturing audiences and rekindling an impassioned devotion for the track's timeless allure.
Serving as celestial companions on this nostalgic odyssey are the luminary remixes from Velvet Velour and Baldo. Velvet Velour infuses their unmistakable flair, imbuing the track with pulsating vitality and entrancing rhythms that elevate the dancefloor experience to sublime heights. Meanwhile, Baldo bestows his idiosyncratic perspective, guiding listeners through an exhilarating sonic expedition adorned with eclectic nuances and an irresistible groove.
As Sex Tapes From Mars, and the mysterious label head himself Elon Dust, continue to transcend boundaries and exalt the rich tapestry of electronic music, their latest cut stands as a testament to the label's unwavering commitment to cultural heritage, done properly.
For devotees of electronic music and seekers of auditory transcendence, this release is an indispensable addition to your collection.”
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If you decide to look up the strict definition of outsider in any dictionary, you'll find that the term is understood as "a person who is not involved with a particular group of people or organization or who does not live in a particular place".
Perhaps this is the most accurate description of Santiago Merino. For a long decade and from his native Medellín, this DJ and producer has always tried to keep his sonic spectrum open. An interdisciplinary artist capable of freely navigating through a myriad of genres is rarely encountered, and that may be the reason why Santiago enjoys a non-negotiable respect in the different scenes that make up the music circuit of his city. On this occasion, Back Door Records is pleased to serve as host to receive one of the most anticipated facets within the range of music produced by this Colombian artist.
The Outsider marks the debut of a new project signed by Merino, a new hunch in which house takes the helm of an EP entitled 4 Club Use. Composed of five tracks, 4 Club Use seems to show us the true essence behind a genre that has almost been trivialized over the years. In this case, El Outsider decided to take the basic ingredients of tech house to produce a recipe much richer in flavors, textures and melodies. "Fire People", for example, leaves the window open for the airs of Detroit techno to come in and cool off any sunny afternoon. "Outsider" and "The Heat", on the other hand, are seasoned by the purest amen breaks, as if it were a blessing intended solely for the dance floor.
But the real deal across 4 Club Use is definitely El Outsider's own edit of Merino's track "Those Days". Raw and forceful kicks, meticulously sampled vocals and pads that seem to wrap them magically, make this bomb one of the candidate tracks to take the absolute podium of 2023.
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Back on the Riotvan with the third installment already, it is the ever on point Llewellyn, still being the more extroverted Synth/Wave/NeoDisco-alter ego of Lake People - that just as a minor gloss for those who've been living under a rock over the last years. On "These Days" we see him further elaborate his distinctive signature sound, more than ever brimming with confidence and splendour.
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Mattias El Mansouri's second outing on Aniara further expands his undulating minimalism after last year's Tja, Hej, Salam. Sonic waves ripple throughout the atmospheric groover Time Dilation In Ultraviolet on the A-side, while on the flip side a 13 minute trip awaits; a deep, introspective dive into the self and out of the body.
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“In search of an afterparty” the name of this split EP we are witnessing coming straight from a miraculous country called Uruguay.
The story of a teacher and a student, the tale of different senses and perspectives, the dance of elusive, fictional Jair himself and the spies of the afterparty which can be on either way of self-data collection or when levels of paranoia have come to a boiling point and sense that the eyes are watching doesn’t go away that easily.
The A side is taken by Muten, an artist who has already made a lot of noise not just in his native country but all over the world too whether it’s with an outstanding liveset, flawless dj set or a timeless record that he has crafted. The B side is a story of a rising and promising producer Flhez, and his quest of frequency manipulation + sound perfection. True honor to have these Uruguayan performers to join Exarde and deliver this outstanding body of work for it.
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Launching in early 2023, Santo Tomas is the first label from Berlin-based artist Revivis. The English producer kicks off his new imprint with an innovative four tracker - “Trip To Luzon.” Showcasing a deep yet progressive sound and shift in direction musically, tying together the artist’s wide influences and showcasing them in his club room dynamic sound. Revivis chose the Santo Tomas name as an homage to his Filipino roots, acknowledging his history and bringing it into his most personal project yet. The artist’s trademark energy can be found in the tracks, but he explores new territory in terms of mood and the atmospheres he presents within the release. Sleeve photography by Stephanie Elizabeth Third.
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Stefan Ringer serves up his finest ATL house bounce on this stellar link up with Jazz musician and fellow ATLien Marquinn Mason, pushing their sound into new unchartered territories. Journeying through House, Broken Beat and even a lil' Latin Jazz, the two talents compliment each others styles beautifully. The EP joyfully creates a new dynamic, without skipping a groove or missing a beat. Impossible to ignore on Stefan’s step by step instructional call to the dance floor on title track ‘Bounce Lesson’, a definite delight for the dancers. That bounce then rattles through the EP’s other two tracks ‘alltogethernow’ and ‘Lead Walk', where the grooves get even looser, deeper and more bugged out.
For those unfamiliar, Stefan Ringer is a pillar of Atlanta's electronic music scene and is a long time collaborator with house music OG and NDATL label boss Kai Alcé as well as with Ash Lauryn and Ben Hixon. Under his previous Rekchampa moniker he has released a number of classic EP’s through the infamous Peoples Potential Unlimited label.
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Breathe in, Breathe out.
We travelled along the curvature of the earth and bent our minds asunder to get to where we are now. The passing of time has only made the lore more precious. With the gifts we have been provided, the story can finally begin.
A man with drum machines, keyboards and a penchant for rawness enters. With rough takes and a distaste for convention, he emanates the sonicisms of TriForm. The forces of Earth are captivating but sometimes they conspire against you, and sometimes you lose revered recordings for abnormal reasons. From these once thought irretrievable tapes, he manifested the Refound EP.
An ode to the EP’s arduous production, ‘Lost and Found’ revels in classic 90s house euphoria. Iconic bass stabs elevate and punctuate the succinctly aligned keys, causing big smiles and dancing miles. ‘909 Anodyne’ waxes and wanes, the vocoder-like synths repeating and reinventing over the mellifluous chords and the time-honoured drum machines' canonical reverberations.
Flip the wax for ‘Attrakted’, a crunchy concoction with big-room tendencies. The bells are alive, and they’ve given you a thumping DJ tool that just won’t quit. Rounding things off is the aptly named ‘Younight’, lock in and get blindsided by the subtle acid, choral keys and saccharine beat. It’s emotion ‘til the very end.
This is house music for every moment, made with machines and love. No AI, guy.
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Darius Syrossian’s Moxy Muzik Editions is fast becoming a firm favourite for all manner of reasons, from the consistently top-level tracks from some of the scene’s best producers, to the bespoke hand-drawn artwork from artist Charlotte Archer that decorates each new volume's sleeve. A must have series for any vinyl head out there and volume four is no different. From Glasgow via Leeds through to Southampton, Syrossian shines a light on some of the UK’s rising stars in the world of house music.
Up first Glasgow’s Tiptoes who provides one of Darius’ tracks of the summer, ‘Cuss Tomato’. Driving, soulful and skippy with nods to Grant Nelson and king Kerri that has been doing damage everywhere it’s been played.
Next, Syrossian remixes fellow Leeds producer Tomrob with his track ‘Professor Shellington’, taking the original’s minimal grooves, upping the tempo, filling the breaks with hands in the air pianos and injecting another dose of bounce into the beats.
The flipside has not one, but two tracks from Southampton’s Ronnie Spiteri, a double header of peak time bombs, one of which entitled ‘Scorpion’ had its first play at Creamfields by Alan Fitzpatrick and Darius in Manchester, leading to a flurry of track ID requests and Darius' TikTok post of the track going viral. A monster of a cut with an Enzo Siragusa style bass, a heavy thundering kick and a solid groove.
Four absolute winners once again from Moxy Muzik.
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Enter rebellious sonic wonders. Natural Goofy's Planka Records label is finally here.
Funderground – where fun meets the underground through a symphony of beats, melodies, and unbridled energy.
The debut album showcases four diverse talents, each bringing their unique flavor to the dancefloor.
A1. Moray - Lujuria Universal:
A track that embodies the essence of the universe's seductive allure. Its thumping beats and ethereal synths will transport you to a dimension where pleasure has no boundaries.
A2. Natural Goofy - You Are Alone:
Enter the depths of the night through a dark and thick symphony, echoing through your very core. Sweaty pulses and haunting melodies intertwine, casting an irresistible, enigmatic spell.
B1. Len Lewis - The Emperor Strikes Back:
Produced in 1999, this track exudes the aroma of old school tech house. It's not just a song - it's a time capsule, inviting you to dance to the rhythm of history.
B2. Will Vickers - Arf Tone:
Leaning into the sublimely strange things that happen in the early hours. A house influenced track that will leave you with more questions than answers.
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ZUKU's debut release showcases a curated selection of emerging talent hailing from the North of England. This EP features a tight-knit collective of friends, all making waves in the current music scene. From York to Wigan and back to Liverpool, the Northern influence permeates every track with its distinctive flavour. Effortlessly evolving from an event to establishing a record label, ZUKU flawlessly presents an authentic representation of their distinctive sound.
Leading the E.P. is Brent, a Scouse maestro who serves as both a big brother figure and a source of inspiration for the label. The track oozes with energy, capable of setting dancefloors ablaze.
York's finest export: Nathan Pinder takes charge of the A2 on this record. With this hypnotising club track, characterized by Nathan's distinct sound that has already captured dancefloors, with artists such as Sibil embracing its infectious energy.
Embarking on a journey down the M62 to Wigan, we encounter the next addition to our record: Rick Slick. His contribution introduces a fusion of electro tech house sounds, drawing inspiration from the pioneers of the early 2000s.
Closing out the E.P. with his signature funky flair is our dear friend & resident Aerofunk. While still showcasing his electro influences, he adopts a more laid-back approach. Splashes of disco elements round off the record with finesse and flair.
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One of the biggest, breakbeat channelling stompers out there, courtesy of the in-demand duo Borai and Denham Audio, finally gets an official release with three fiery remixes via Room Two Recordings. A track that’s ripped through airwaves and club dancefloors alike, ‘Make Me’ has all the hallmarks of a future classic. Doused in Amen breaks, rattling subs, rave stabs and an instantly recognizable mid ‘80s Donna Allen sample. Together the track feels like a long forgotten rave anthem from the ‘90s with its mix of high intensity breaks and soulful vocals.
With the original sample cleared, three producers step up to remix this undeniable anthem. First Sheffield’s Big Ang with her Rave To The Grave remix, playing homage to her hometown with a bassline and bleep flavoured rework. Mani Festo then hits hyperspace with his glitched out, jungle warper, before Paul Sirrell closes out proceedings serving up a huge slice of piano house heat.
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This EP kicks off a run of four releases from different artists to mark the 200th outing of Will Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass-driven post-dubstep fusions.
Opener 'Tropics' is a fully live disco workout created by some of New York's best session musicians. The perfect celebratory single kicks off the 200 series with irresistible bounce and funky basslines. Dancing keys overflow with feel-good vibes while the chords have subtle hints of a Marshall Jefferson classic. The stirring 'Born Again' is a lush and sweeping groove packed with exuberant live musicianship, distant cosmic arps and splashing cymbals. Soaring up top are the beautifully pained and emotive vocals of Laura Roy, a Grammy-nominated talent who blends 70's folk and 90's r&b into her own style. After the instrumental version comes closer 'Japanese Knives' with its paddy kick drums and organic hits, tumbling fills and heart-warming chord work. It's a classy house vibe for cosy and loved-up 'floors.
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Raum...musik's 117th release welcomes Rob Amboule for his debut on the imprint. Cross-sectioning and gently blending the worlds of Minimal, Techno, and Progressive Trance, the three club-ready tracks of "Digerital EP" showcase a fresh side of a producer brimming with mature musical ideas and finely tuned production skills.
The first and longest track of the EP sets the tone for a world of mutation—after its hypnotical and elusively minimal intro, 'Chairfix' (A1) slowly transforms and readjusts into rather stompy, pulsating techno grounds, with its synth work sustaining a state of rave euphoria. B-side's 'Digerital' (B1) pushes the momentum further with its banging four-to-the-four techno, copious amounts of atmosphere, sonic hints of acid, and subtle nods to progressive trance. 'Klenkl' (B2) follows the same principles explored before, putting rolling grooves and hypnotic arrangements at the centre of the stage. In an ode to the 90's golden age of ravey Techno and Trance, Rob reinterprets and reimagines these genres in a modern light for the new generations.
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Toronto-based Hypnotic Mindscapes deliver 4 analog grooves for their eponymous vinyl debut. Founded by Cosmic JD and managed by a tight-knit group of artists, Vol. 1 explores the liminal spaces where electro paranoia meets 90s techno euphoria. Berlin-based Canadian Tro kicks-off the EP with a melancholic trip into a future where machine bleeps duet with FM chord melodies. A2 sees established Ecuadorian producer Nicola Cruz’ Fauna Extinta alias present an energetic modular outing that still maintains his dramatic flare and lightness of touch. On the flip, Berlin-based Ecuadorian Chicaiza delivers a skittering electro bomb with hints of vintage trance. Elusive Toronto live-act Payphone round-off the EP with a deep and cinematic tour of the cosmos.
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Toronto-based Hypnotic Mindscapes deliver 4 analog grooves for their eponymous vinyl debut. Founded by Cosmic JD and managed by a tight-knit group of artists, Vol. 1 explores the liminal spaces where electro paranoia meets 90s techno euphoria. Berlin-based Canadian Tro kicks-off the EP with a melancholic trip into a future where machine bleeps duet with FM chord melodies. A2 sees established Ecuadorian producer Nicola Cruz’ Fauna Extinta alias present an energetic modular outing that still maintains his dramatic flare and lightness of touch. On the flip, Berlin-based Ecuadorian Chicaiza delivers a skittering electro bomb with hints of vintage trance. Elusive Toronto live-act Payphone round-off the EP with a deep and cinematic tour of the cosmos.
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Time for another chapter in the ever expanding Yellow Jackets series from Mother Tongue!
On the A side we have a real definition of a Banger….Marcellus Pittman’s rework of the Belgian 1983 cult track ‘Death Disco’ by Arbeid Adelt! Not much to say about this one, it's simply a nasty piece of industrial acid disco!
On the flipside Chicago’s modern answer to Sun RA , Jamal Moss, brings the listener to an astral ceremony with ‘An Astronomical Object’. Another crucial moment in Hieroglyphic Being’s breathtaking discography.
Yellow Jackets..Loud & Proud!
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Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July, comprised of four originals.
For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond. Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy drums.
Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by shuffled drums and waves of sporadic oscillating synth.
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End of February will see Luciano continue his newly launched Basaec imprint with 'Saved & Slaved', a two-track release featuring collaboration with Argenis Brito. Swiss-Chilean producer and DJ Luciano has been at the forefront of underground electronic music for quite some time now, heading up the infamous Cadenza imprint and releasing material for some of the industry's leading labels such as Perlon, Desolat, Cocoon and Poker Flat amongst many others. Here we see Luciano back on his recently launched Basaec label, delivering some of his signature stripped-back, dynamic and emotive material 'Lost In Lymbo' takes the lead and sees Luciano offer up a typically intricate twelve-minute excursion with subtly modulating and evolving percussion, spiralling synth swells, sporadic vocal chants and a smoothly unfolding aesthetic resulting in an archetypal and intriguing production from this forever forward-thinking artist. The latter half sees Luciano paired with fellow Cadenza artist Argenis for 'Pato's Track', stripping back the vibe to a raw cowbell and rim shot percussive-led state whilst lumpy subs, vocal murmurs and subtly unfolding flute like melodies ebb and flow throughout the composition.
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Mexican supergroup Secret Echoes releases debut single ‘Bring My Beat Back’ on Crosstown Rebels. The project combining a trio of revered talents from the Mexican electronic landscape sees Estefani Brolo, Diego Cevallos, and Marco Anaya unite to reveal a first glimpse into their forthcoming debut album, with the single remixed by Zombies In Miami focus on the song's hypnotic vocals and raw emotive energy.
Secret Echoes is a dynamic collaboration of three acclaimed artists from Mexico’s electronic music scene: Estefani Brolo (of BROLORZIO & I.M YONI), Diego Cevallos (AKA Métrika), and Marco Balcazar (AKA Balcazar of Balcazar & Sordo). With each member bringing a distinct musical background to the group, creating a unique fusion of sound set to resonate with electronic music enthusiasts worldwide, Secret Echoes creates music that blends house foundations with melodic innovation.
The origins of the project trace back to the height of the pandemic, when Cevallos and Balcazar began collaborating on an album they had always envisioned. Renting a unique studio in Jiutepec, Mexico, equipped with analogue tape machines and high-end studio gear, and inviting their talented friends to contribute, Brolo soon joined the project - adding her melodic and lyrical expertise. The result was the recording of 11 tracks that were put on hold until the time was right. After revisiting the tracks and performing them live, ‘Bring My Beat Back’ caught the attention of Crosstown Rebels founder Damian Lazarus during 2024’s Day Zero performance. Inspired by its energy and potential, Lazarus signed the entire album, and this first single provides a first glimpse of what is to come from the enigmatic trio on an imprint known for continually pushing boundaries within house music.
‘Bring My Beat Back’ showcases the group’s distinctive blend of house music foundations, guided by Brolo’s captivating vocals above shimmering synths and refined percussion grooves to deliver a silky-smooth production balancing classic nuances with contemporary touches for the dance floor. Creatures Of The Night founders and Permanent Vacation regulars Zombies In Miami provide an extra layer to the package, with the renowned duo’s remix drawing for neon-lit synths and hazy tones for a deep dive into the late-night hours.
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Limited Edition! The "LaBush - Temple of House" Volume 2 Vinyl Box Set for the 30th Anniversary of the Legendary Club!
Barely six months after the phenomenal success of the first box set, La Bush - Temple of House makes history once again, celebrating its 30th anniversary with the release of Volume 2 in a limited edition 10x12" vinyl box set. A true must-have for collectors and electronic music enthusiasts!
This exclusive box set features no less than 35 tracks, an incredible number for a vinyl collection, offering unparalleled pressing quality that guarantees an exceptional listening experience, perfectly suited for any turntable. Each track has been meticulously remastered, preserving the essence of the original versions while enhancing every sonic detail.
The deluxe packaging of this box set is a work of art in itself, designed to captivate the most discerning vinyl lovers. Moreover, with tracksfrom legendary artists like Paul Kalkbrenner, Paul van Dyk, David Guetta, Tomcraft, Oliver Lieb, Matthew Herbert, and La Bush resident Mr. Sam, this box set is an essential treasure.
For those who already own the first box set, this new volume is the perfect opportunity to complete your collection in the best possible way, adding a new centerpiece to your La Bush ensemble.
Don't miss this unique opportunity to add a masterpiece to your vinyl collection. Order now before it's too late!
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Spray retires the eponymously, to instead seek Punctuality; a new label for ‘dastard club elegies in the dark’ hosted by the maestro himself. Blu:sh clocks in to provide the imprint’s inaugural extended player with U is for U and me, a pentagonal suite of nocturnal seductions for ‘U’, our dear listener, from ‘he’, its rosy-cheeked conductor.
B is for Blu:sh (sometimes Benoit B and Terra Utopia), a froward node in the artist’s trilateral soul whose previous charm offensives for Roza Terenzi’s Step Ball Chain and Rey Colino’s Kalahari Oyster Cult under the alias signalled the arrival of a new challenger to the ‘hits parade’. U is for U and me provides distinct variations on the theme of ‘club allure’, five tracks of sparkling body music that captivate in its relentless drive for kinetic salvation.
“A quick glance at the watch, and they’re off!”
AM PM strikes first more night than day, its throbbing bass line locks shoulders with precision rhythms within its psychedelic landscape. Whirlwind Mindsets is sassier, opting for more bump while the track’s aural mesh is grazed by sharp textures of live wires and melodious bleeps.
“... and they get back under way!”
Magnetized Your Soul soundtracks the self-actualisation of sonic sophistication, applying the rave pressure with a current of discordant pads and haunted vocals bound by twisted attraction. Pixelated Pleasure Dome is pure sleaze, a wiggle-fested romp of leering subs and thunderous groove of pure self indulgence. High In Cloud City offers the finale of heads-down speedy exuberance with faint breaks and non-stomp pump right up until curtain call.
Written & Produced By Blu:sh
Mastering & Cut: Marco Pellegrino
Distributor: One Eye Witness
Artwork: Lucia Dominguez
Release Text: Nevan Jio
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Italian producer Gemil returns with Planet X on Deep Down Space Records, marking the label's second release. 'Dance Phobia' immediately grabs your attention with its serious bass groove while the energy builds. A mid-tempo minimalistic house track enriched with vocal samples that add a house appeal, while the track’s tension mounts through the break before cruising smoothly to its end. "Reaction" dives even deeper, presenting a creative, addictive rhythm track with a tech appeal. Swirling chords and airy, euphoric elements blend seamlessly over a classy 90s house feel, leading into a moody alien melody in the second half—perfect for late-night dancefloors and growing more impressive with every listen.
On Side-2, the title track 'Planet X' is an exciting and creative blend of sounds, even earning an approval nod from HAL 9000 in the mix. Italy is known for their wonderful history of ambient house. This piece has that legendary sound and appeal to be a classic while providing many smiles on the dancefloor. Lastly, 'Soul Killers' delivers an addictive house mantra that everyone can get behind. It's perhaps the most underrated track on the EP but is sure to find its way into the sets of classy house music DJs. Don't be a Soul Killer!
Planet X by Gemil is a splendid EP, capturing the essence of house music with a touch of techno sophistication, ideal for both connoisseurs and late-night revelers alike. Welcome to Planet X!
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Lonewolf returns with the debut vinyl release by Kraut. Stripped-back and direct-to-dancefloor tracks with delicate and progressive atmospheres.
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Ring Ring Ring! The dawn of a fresh day brings a new release near. Squid Recordings inks its way into existence with a heavy foot on rave Americana.
With releases on Rush Hour, Velocity and his own Nylon Recordings, James ‘Nylon’ Thomas sees his Nylosphere project reborn, remastered and retouched (over two decades later) for the modern world.
The two widely varying title tracks, backed with equally contrasting mixes, are a microcosm of what late 90s, American-made dance music embodied. That is, a web of genre hopping maximalism, analog driven punchiness and a beautiful uncertainty to a post millennia world.
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UFO Space presents “Clod Soul,” an EP masterfully blending House, Techno, and Break Beats.
This record is a pure injection of energy. Each track envelops you with powerful rhythms, dynamic textures, and hypnotic vocals, showcasing the artist’s true identity: versatility. “Clod Soul” offers a variety of soundscapes in different styles, but always with the same focus: rock the dance floor. A must-have for any DJ looking to make their mark.
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