House News

"What $ Love" is one of Romanthony's rarest songs. These original house mixes are one of his most sought after pieces of vinyl with pristine copies selling for upwards of £100.

Roman did make an R&B version on his Glasgow Underground album but the house mixes with their low-slung dubby organ & bass grooves are the real dj deal with the 'Westside Highway Mix' still in many A-list house djs bags.

Taking it's name from the address of Ron Hardy's seminal Muzic Box club (326 N.Michigan Ave, Chicago) 3.2.6. was a short lived project from one Dion Williams, ably assisted by the legendary Armando Gallop and Mike Dunn who lend their mixing skills and individual styles across the breadth of the entire record.

"Falling" came out in 1989 on Steve Poindexter's cult Musique imprint and ticks all the boxes as far as cult Chicago House records go. All 5 tracks ooze classic lo-fi House grooves, the driving analog drum machines, repetitive, trance like pads, disjointed voices and those seedy late night vibes that we have all come to know and love are all present. A true underground record.

Another long lost slab of Chicago goodness, brought back to life, re-mastered, re-issued and re-pressed in conjunction with Steve Poindexter / Muzique Records, Chicago USA.

collecting orders for a repress! be fast to secure your copy!
Label quote: ''This is not a label. It's an era.''

Fresh deephouse three-tracker from Arnaldo on Aim.

Next up on Creme Organization is someone who has been winning lots of fans with his tough, masculine house music in the last couple of years. Releasing on labels like Unknown to the Unknown and his own Hot Haus Recs, DJ Haus's sound is one that aims squarely at the dance floor. Up first here is 'Wurk it Girl', a slamming track with old school bass, sharp percussion and none stabs that are impossible not to move to. Various passion fuelled vocal cries also add to the sweaty atmosphere where next cut 'Little Pieces' gets a bit weird: chopped and cut up vocals form patchwork patterns above bursts of siren, bright synths and icy hi hats. Urgent and heavy, driven by tough kicks and with a freewheeling sense of fun, it's a veritable house bomb. Title track 'Peekaboo' is slower and more purposeful, with more weird vocals heavily treated and darting about above steel sounding stabs, glassy pads and smoother synths. The gritty, swinging 'Feel The Powder' is a coked up house jam with lots of sleaze, manic indecipherable vocals and fat, squelchy bass. Weird but never too weird, this is nerve jangling, sweat inducing and high impact house of the highest order.

DeepArtSounds 5th release 'La ciudad interior EP' was produced by 'deep Explorer' artist Dubbyman !
He's mixing electronic music with jazzy chords and some space spherical grooves, giving us a brilliant mixture of different styles and vocals. It took almost one year to complete this three track EP. Dubbyman has also been drawing a lot on musician friends for adding a human touch. He has been blessed with amazing vocals by Bjak, Jenifa Mayanja, Gianluca TheHuge, Sinovuyo Tshomela and Debra Jones-Davis. All tracks are splendid and essential, making this a must for any Dubbyman follower.

Between the two of them, Jenifa Mayanja and Lola (aka Dakini9) have over 20 years experience in NYC's electronic music community as producers/djs and label owners. They return with their newly launched joint label and music collective Sound Warrior with their second release riding high on the buzz created by their first outing which was well charted and reviewed.

This second EP from the label features multi-instrumentalist, beat-maker, producer Pursuit Grooves, other wise known as Vanese Smith. Pursuit Grooves has released on Tectonic, Rush Hour, and Deepblak, amongst others. Here she turns in an eclectic atmospheric cut that moves through various beat patterns, going deeper with every bar. On the flipside, Jenifa Mayanja's 'My Reasoning' features her voice sampled and chopped, beautiful synth work, and organic percussion. Dakini9 closes the project with 'Trail Markers,' a winding synth exploration with more of that Sound Warrior ritualistic percussion.

Sound Warrior is an engine fueled by a desire to bring much needed exposure to women who are under-rated, as well introducing up and coming producers while also showcasing already established artists/producers. In an industry where women have few mentors, the Sound Warrior umbrella can be a source of inspiration and support for women artists by creating opportunities, working together, and building community.
A side plays at 45 rpm

Woah! The lost Rockin' House finally gets released officially. 4 proper acid tracks from the period when house music was still house music! Previously only a handful of whitelabels have been floating around. It rarely turned up for sale and when it did it went for over 100$ on ebay...Now available for a normal price and properly remastered aswell......
check out Rodney's studio back in the day....! Photo courtesy of MR Bakerr....

Detroit's heat-seekers pack in another look at what's up. Marshall Applewhite, The Friend, & Secrets

New Kid Sublime house fire... a quick 300... TIP!
Kid Sublime's 'Back in the Ballroom' series, a homage to the first clubs appearing and dance music like Disco, R&B and House was played. A tribute to 'The Warehouse' from Chicago on 'The Westloop' (hence 'The Loop' -side B), where Frankie Knuckles (R.I.P.) used to DJ as a resident. Beside the term 'house' derived from that particular era, the first Volume of the 'Back In The Ballroom' series is a record where Kid Sublime takes you back
to the dance-floor. 'For the fans of that timeless sound by pioneers
like Steve "Silk" Hurley, Frankie Knuckels or a nowadays Kenny Dixon jr..ready for another Kid Sublime classic B-boy House with that Amsterdam twist!!'

After the success of their first release Charmin are back with another high quality wax.
This offering showcases the talents of Florist and close friend of the imprint Tilman, all pressed up on heavyweight vinyl with a lovingly designed cover.The EP kicks off with Proof Nothing' which is a statement of intent. Deep, churning piano chords overlaid with delayed vocal samples all underpinned with a solid beat and deep bass. Next up Raw' does exactly what it says on the tin. This is a stripped down thumper with crunchy claps and an infectious groove. Once Again' has a looser, more percussive feel to it with machine gun snares rattling off overt the top of a killer chord line. Bringing things to a close is Mood Swings' which builds brooding atmospheres and eerie vocal snippets. All in all this EP carries on the good work of this exciting new label. Charmin continues its journey to bring you uncompromising, underground house music of the highest order.

Huxley & Shenoda are two of the most in-demand producers on the underground house scene and the 'Chatsworth Sound EP' is the pair's full collaborative debut. Long time friends and label mates on Hypercolour and Huxley's Saints & Sonnets, the duo have undeniable studio chemistry and 'Chatsworth Sound' debuts it beautifully.

Opening with warped, sweeping synths and a crisp hi-hat shuffle, 'I Don't Know' is the perfect marriage of garage shuffle and four-to-the-floor house thump, the spoken word vocal adding a classic Chicago vibe before heavy, metallic bass throbs take control of proceedings. Treading the fine line between heady atmospherics and straight up dancefloor appeal with aplomb, the female vocal cuts through the mix late on and adds a whole new level to what will surely become one of this year's house anthems.

The appeals of 'Premier' are perhaps a touch subtler but no less effective, as a Reece-inspired bassline gives way to beautifully fragile swatches of glimmering synths, before returning alongside a huge kick to lass waste to all who stand before it. This time the vocal takes centre stage with one of the most yearningly hypnotic refrains of recent memory.

Huxley has previously delivered releases for an enviable roster of labels (Tsuba, Morris Audio, Fear of Flying, Hypercolour and 20:20 Vision for starters) and has stayed true to his robust, bass-led strain of house music that reflects his formative interests in UK and US Garage. Whether veering towards deeper vibes alongside Ethyl on his own Saints & Sonnets imprint, turning in cast iron grooves for Tsuba or full vocal barnstormers like his lauded 'Let It Go' single for Hypercolour early 2012, there's a clearly defined but pliable and versatile sound to Huxley productions that marks him out as a truly talented producer.

Laurie Shenoda's rise through the ranks has been slow but steady. Like Huxley he has also produced for the acclaimed Hypercolour imprint, remixing an early release before going on to then unleash his 'Shots' and 'On & On' EPs in 2011 and 2012 respectively, the latter of which was cherry-picked for Mattias Tanzmann's 'Fabric' mix. This was quickly followed by 'A Homage' EP on Hypercolour off-shoot Losing Suki, described as "a new breed classic" by Matthew Dear, it received Radio 1 play from Skream and Benga as well as props from the man's usual peers including Jimmy Edgar and Axel Bowman. In addition to this collaboration with Huxley on Defected Records, Shenoda also has upcoming EPs for Hypercolour and George Fitzgerald's ManMakeMusic.

The 'Chatsworth Sound EP' marks Huxley & Shenoda's collaborative debut on Defected Records, and looks set to propel both producers to underground superstardom.

Warehouse Find! Test Pressing

Time to welcome back a man like Recloose for his follow up to last years DOG debut Don't Get Me Wrong which got the likes of Mano Le Tough, KiNK, Tim Sweeney and Roman Fluegel all very hot under the collar. Matt Chicoine needs little by way of introduction having been releasing amazing music for two decades on esteemed labels such as Rush Hour, Peacefrog, Planet E and Sonar Kollektiv. Recloose continues to stay on top of his game, ensuring he stays in demand whether it be as a DJ, live as Recloose or as part of Carl Craig's Innerzone Orchestra. On top of all this the Detroit native but adopted Kiwi still manages to find time to provide the revered weekly radio show Hit It And Quit It on his home town of Auckland's George FM.

Title track It's Too Late picks up where Don't Get Me Wrong left off, melding a electronic freestyle jam which hints at a jazzed up version of UK bass with bouncing 808 kicks pinning down the bottom end and his Detroit influences squeezing their way into the fusion too.

You Just Love You heavies up the vibe with a stomping slice of expertly crafted filter disco. A tried and tested formula of course, but in the hands of a master like Recloose, the result is a fresh, floor-filling anthem chock full of peaktime energy.

Flipping over Matt treats us to some vintage Recloose-style business in the form of Backtrack. Bouncing beats, deep chords and vocal hits reminds us of the unique and brilliant music from his classic LP Cardiology.

Rosco Sledge is the alter ego of a rather well known Brazilian producer. Sometimes it works well for both a producer and label to create fresh directions with new projects. A place where the artist can explore different ideas and sounds. Rosco is well known as a techno producer working with Christian Smith and Laurent Garnier, but like all the best he also wants to make other forms of music. When he approached us with these three tracks we quickly grabbed them. They were then busted out for the first time at Burning Man by Ralph Lawson. The set was recorded and they created an instant buzz on Soundcloud. Lawson followed up the pressure with their inclusion on his Robot Heart Halloween mix, where they again sparked loads of interest.
The title track 'Frisson' reminds us of the tribal days of Tenaglia with rumbling bottom end and rolling drums, insistent vocals tell us 'It's Time to Get Down' and for sure it gets the floor deep down. 'Mise En Place' is a more upbeat affair with tight synth sequences, reminiscent of work by Aril Brikha, layered string arrangements and wispy vocals. A dub is included in the package for DJ use only as an exclusive digital download. Finally you have the 10 minute epic, 'Campari Shake' which returns to a heavier theme with growling bass lines and a vocal hook saying, "I can make you mine - make you shiver up inside" wrapped up in musical blanket of sweet rhodes chords. By the end of the session Rosco has proved his points - You will get down and he will make you make you shiver up inside.

Visionquest's Ryan Crosson, mighty duo Tale Of Us and the unique Aquarius Heaven all unite for the 'Into Later Habits EP' - the next release on the Visionquest imprint. A-side 'Angel' is a collaboration between Crosson and Tale Of Us, a multi-layered head trip with a moody intro of broken beats that builds with intricate textures until a rolling groove drives the track into another dimension. B-side 'Head Under Water' is structured around the penetrating and distinctive voice of Aquarius Heaven as he weaves a story of the importance of family and love. Beginning on a sparse, ambient tip with electronic bleeps and fx, the track develops with a hypnotic percussive groove that vibrates beneath the powerful narration.

One fourth of Visionquest Ryan Crosson had a creative purple patch as a solo artist in 2012 releasing the impressive, esoteric album 'DRM' and preceding EPs co-produced with Cesar Merveille. This year Crosson is on tour as V i s i o n q u e s t T h i r t e e n with showcases on the worlds most spectacular stages, including Timewarp, Glastonbury and Burning Man.

The Italian/American and now Berlin dwelling Tale Of Us exploded onto the scene in 2011 with their debut 'Dark Song EP' for Visionquest and have since become one of the most in-demand live/DJ acts in the business. Always bringing raw, deep, and emotive strains to their music, the duo has also released on other maverick labels m_nus and Life and Death.

Aquarius Heaven is an ex-Reggae and Dancehall singer who got involved in electronic music when he met insane trio dOP in Paris, 2005. Breakthrough track 'Universe' came on Circus Company in 2010 and led to a release on Wolf + Lamb, 'Can't Buy Love'. Recently Aquarius collaborated with Miss Kittin on latest EP 'Parallella Mundi' for Circus Company.

A third compilation of some of Larry Levan's finest work, all on one CD, with nice Keith Haring artwork sleeve. If you're not reaching a finger for the basket button / your wallet after one glance at the tracklisting then either you have all the tracks already, or you are some kind of weirdo. Paradise Garage DJ Larry Levan liked to tweak the tracks he played, creating his own tempo and atmosphere, a sound that extended intros, teased-out breakdowns and put the vocals front and centre. Includes classics by Peech Boys, Ednah Holt, Taana Gardner, Carl Bean and more.

Debut release from Berlin producer Tristen on his own label Aim. Long awaited and finally here. Nice, deep and warm grooves for your own listening pleasure.

Well Cut Records is the new label project from Danny Ward, known mainly for his releases and productions as Moodymanc, Dubble D and as part of 2020soundsystem. The label aims to be a showcase for various production projects and collaborations from Danny and to live up to its monniker by releasing records that will appeal to the more discerning record buyer and DJ by staying true to the roots and aesthetics of House music whilst exploring its many shades and colours!

Russ Gabriel's Soul on Wax Communications is back after 11 years with a brand new EP from London's Dokta Venom. Three soulful, jazz-fueled cuts on 180g vinyl.

Joint release on two fine labels! Two aces from 2 AM/FM aka JTC & D'Marc Cantu who have previously hooked up on Spectral Sound, Nation, Crème Organization and MOS Deep.
Interesting collaborative release between MOS Deep and Crème Organization, an idea born on a roadtrip to Paris taken by Aroy Dee & TLR...

'Starfist Lazerbeam' is the first cut and is a slow, purposeful house track run through with a slithering, laser like synth that constantly changes shape. Muffled, filtered vocals are hidden behind and the arpeggiated line eventually lets up and gets a little funky as the icy percussion ticks on. It's a real pressure-building track with curveball melodies that are as beautiful as they are weird. On the flip, 'Passion' has raw analogue drums, ticking his and trippy melodies all dancing round each other in old school Chicago fashion. A nimble bassline also dances around the mix, bring with it lots of energy, stylish funk and a real sense of playfulness. As always from these great producers, this is a fascinating release.

Collaboration between Deep88 and the one and only Robert Owens.Classic early house on side A and 909ish floorfiller on side B with the remix by Dadame aka Dario Damerini (Monkey Bar) already on 12records.

New York, early 90's, the haydays of the New York and Jersey clubhouse! With labels such as NuGroove, Nervous, Freeze, Strictly Rhythm, Henry Street Music taking all the spot light, there is Jovonn working on a small but sensational catalogue of music that somehow gets overshadowed by the popular releases on the mentioned labels. The honest productions, jazzy melodies and playful vocals (rooted in gospel) were taking things into a more musical, more spiritual way, lacking gimmicks or dispensable samples. For the real diggers, the true lovers of House music Jovonn always was a name to watch, a producer of some of their favorite NY house tracks, tracks that have a raw edge combined with a sincere human touch and pure underground house vibes. People such as Rex resident Dj Deep was a huge fan, and also collaborated on couple later productions with Jovonn. Slowly he started getting recognition from europe which resulted in a handfull of records on European labels such as Distance, Coco Soul and Estereo. Now after almost 25 years since his first release the man's small discography on his own Goldtone label and Emotive records stand out with his unique musical personality. More then 20 years after their original release dates these tunes are still very relevant and stand for many things we love about house music! We are happy to offer this selection of his hard to find early works remastered by Alden Tyrell.

For this second edition of the Vinyl Only imprint, one of the label owners S.M.A.L.L (half of the deep house duo Politics of Dancing)

take matters in his own hands and strike with 3 deep house tracks strictly for the dancefloor. Including a remix from the French
underground legend Chris Carrier!
Be fast to get your hand on this one! limited copies, 300 vinyls only...
deep house, detroit house, chicago house

Anything Eddie Ruscha touches is generally worth checking, and this latest outing for Lectric Sands offshoot It's A Lectric World is no exception. Ruscha kicks things off with the Electric Dub, an untypically funky fusion of his usual vivid psychedelics, exotic vocal samples, crunchy guitars and an undulating disco-rock groove. The Original Rub - all bubbling electronics, muted guitar licks and deep house warmth - adds a little Balearic disco flavour, before Ruscha returns to more familiar territory with the delay-laden and pleasingly out-there Lectric Dub. Finally, he reaches for the marimbas on the Pleasing dub, an afro-influenced blast of wide-eyed Balearic sunshine complete with lilting pedal steel.

LIMITED EDITION TO 150, HAND-NUMBERED, PRINTED ON TRANSLUCENT PAPER WITH DAYGLO PINK PRINT. CD INCLUDES A LINK TO A DOWNLOAD OF THE ITUNES VERSION COMPLETE WITH BOTH MIXES, THESE AND 8 MORE FULL LENGTH TRACKS.
2014 has been another impressive year for Kevin McKay's Glasgow Underground imprint; the label has seen countless chart successes from an impressive line-up of established artists, numerous radio plays on Radio 1 and releases have gained hype and support from accredited DJs in the scene.

'Glasgow Underground 2014' brings you the ultimate round-up of the best releases from the year, featuring 32 full length tracks from Romanthony, Claptone, Grum, Illyus & Barrientos, Gerd, Dixon, Brett Gould, Kevin McKay, Metodi Hristov, Andre Crom, Motor City Drum Ensemble, Daniel Trim, Christian Nielsen, Sei A, PBR Streetgang & many more, plus 2 DJ mixes from label boss Kevin McKay which take you on a journey through the best in underground House. 'Glasgow Underground 2014' features an array of unique sounds from GU favourites and newcomers alike, with a soundtrack covering everything from Tech House, House, Deep House, Indie Dance & Nu Disco. Make sure you don't miss out and grab this ultimate collection of what are undoubtedly the best Glasgow Underground tracks of 2014.
Tracklisting - CD1 - Before Midnight (continuous mix by Kevin McKay)

With prudent timing comes yet another artful release from Greece's Nous contingent, this time courtesy of Manchester's Moodcut who muses succinctly on the invisible overlap of Chicago and Detroit's aural heritages.
The Tame Cats EP delves deep into the industrial overtures of each with the melancholy sparseness of sound that characterizes the brutally beautiful aspects of man-machine-music.

The newly crowned number one DJ in the world lets loose his second longplayer
on the number one label in the world (Resident Advisor 2011). Prepare to delve
deep as Jamie Jones brings us 'Tracks From The Crypt' on Crosstown Rebels.

Listen to Mari 2d Underground here:
http://soundcloud.com/jamie-jones/mari-2d-underground-clip

Jamie Jones to announce exciting news about his plans for this summer's Ibiza
season very shortly...

Jamie Jones rise to the top has been a steady climb. The young Welshman was
always respected from fellow peers and artists through early releases on Freak
n'Chic, Cocoon, Get Physical and a debut artist album on Crosstown Rebels,
but now is deeply admired as the best in the game.

In 'Tracks From The Crypt' Jamie finally sets some of the best-loved dancefloor
bombs of the past five years loose from the vaults of his infamous studio. Tracks
such as the bouncing infectious grooves of 'Somewhere', 'Paradise' and
'Frequencies' are infamous from Jamie's live recordings, and others such as the
electro-clash influenced 'City At Night', 'Mari 2d Underground' a future
dancefloor anthem and 'Tonight In Tokyo' featuring Luca C are as yet unheard
and offer a glimpse of the future. Closing with the leisurely pace of 'The Lows',
Jamie shows he can stretch the capabilities of house music and has formulated
his own new breed.

Jamie explains: "This is a collection of my favourite unreleased secret weapons
from the last 5 years plus some brand new tunes that I'm hammering on the
dancefloor right now. Looking back in the vaults, I found some killers that people
have been trying to get their hands on for ages and decided to make my
second album a combination of these."

The past few years have seen Jamie launch his own pioneering label and
brand, Hot Creations and production outfit Hot Natured, forging his own path
with a highly original sound as both a solo artist, and with various collaborations.
His remixes of Azari III and Green Velvet were among the biggest tracks of 2011
and he has the rare ability to appeal to many diverse styles of electronic music,
championed by Pete Tong, Annie Mac as well as Gilles Peterson.

Named Best Deep House DJ and remix of 2011 in DJ Awards Ibiza, Best DJ and
remix by DJ Mag UK and Best DJ from Mixmag UK as well as Resident Advisor No
1 DJ of the year, Jamie Jones and his label Hot Creations are amongst the
biggest names in dance music right now. Imitated the world over they got there
by infusing a new originality into a tiring style of dance music - injecting energy
through basslines and spirit through vocals and samples.

Celebrating the 10th release of the Parisian imprint: LHR; the two young producers Lazare Hoche & Malin Genie teams up again for some new actions "Formes EP". Two cuts from the vaults, Formes & Work That Booty.

Courtesy of Balance presents to you NWS, the new project from Copenhagen-based wonder kid and priest DJ Samuel Andre Madsen. Straight up underground deep house, no frills and ready to move dancefloors of all kinds. "Next To Real" is a little bumpin banger, the more club oriented one, the safe shot in other words... pressed on 45 rpm to give so your message is heard loud and clear! The B-side shines as well with two deeper cuts that should easily stand out in the sea of averageness, at least we believe so. Drop the needle and make you own decision about it.

We've been a fan of Motor City Drum Ensemble since the brooding and eerie "Escape To Nowhere" in 2007 - a track that sounded like someone had listened to "French Kiss" on acid and then tried to recreate what they heard. So when we started re-issuing Romanthony's classics with fresh remixes, MCDE's Danilo Plessow was always someone we wanted to on the project. It has taken 2 years to organise this mix and now it is finally here it doesn't disappoint. Taking on "Trust", most people would head straight for the vocal but Plessow instead eschews that idea for a warm, low slung dub mix reminiscent of Muzique Tropique and early Glasgow Underground releases by Studio Blue. As a more dj-friendly alternative he also delivered a completely instrumental dub mix.

The Los Angeles based Steve Huerta popped up on the Sccucci Manucci radar via his releases on the formidable Amadeus Records and Dirt Crew Recordings, we tracked his progress and liked what we heard. A couple of months back we handed over the keys to Mr. Manucci's penthouse apartment and SL 230 Pagoda to the young Angeleno, and in-between being fitted for smoking jackets and hand made brogues he managed to get some productions complete with the results pressed up for the fifth release on Manucci's Mistress. Kicking off the EP is the title track 'Smoky', a real late night house jam with sombre piano chords that weave their way round the track like hazy smoke in dimly lit room. Melancholic vocal snippets add a hefty slab of soul to the production. On the flip side is 'Adrift', deep pads are the order of the day here. Stretching across the track like a warm blanket, only briefly changing to climb up the scale. The bass line is a masterpiece in simplicity, 3 deep chugs of the sub are juxtaposed by a brief arpeggiated refrain."

Tom Flynn makes his debut appearance on the ever-impressive Hot Creations imprint with his sensational 'Hoochie EP', a three track hitter destined to cause complete destruction on dancefloors worldwide. Title track 'Hoochie' is a straight up bonafide bomb guaranteed to go off at peak time with is gritty bassline, vocal stabs, epic build up and ghetto booty style vocal adding that perfect standout element. Over on the B side 'The Glove' hits with a sharp kick and infectious groove with rolling and building percussions that drop back into the flow. Last up 'Mistress Chantelle' gets straight to the point with electronic stabs soon followed by intricate and on point drum patterns that come to life with sultry and captivating vocals and a whomping distorted b-line.

Since 2010 he has released on highly regarded labels such as Dirtybird, 8bit, Hypercolour, Circus Recordings and Mobilee. 2013 has seen regular support for Tom from the likes of Guy Gerber, Jamie Jones, Cassy, Richie Hawtin & Loco Dice to name a few. Hoochie has been turning head since last autumn. Championed by Jamie, Lee, Russ and Richy this EP has been causing all sort of dance-floor pandemonium.

The first release of Nabuco Records introduces the work of Noha and Unison, both running the label and also producing togheter as Hagel.This ep presents their unconventional, deep and eclectic approach to house and techno.

Next up on Hypercolour's tidy vinyl off shoot is Berlin based but Chicago and Detroit indebted producer Murphy Jax. Through releases on Clone Jack For Daze and Tiga's Turbo, Jax has laid out his classically minded house vision in style - something he does again with two originals and two remixes on this Hype debut.

A1 'Acid Rapper' is exactly that - a man raps in the style of old school heroes Jungle Wonz whilst an acid line blips away beneath, scurry in and out of splintered and woody beats and pinging perc. Soft pads emanate from its core throughout to nicely offset the rawness of the claps and the whole thing will have you dancing like it's 1989.

'The Acid Housekeeper' is not so in your face at first, and instead a simple bassline is the main feature of a track on which Jax raps with a retro tinge once again. The 303 lines come in phases rather than continually on this one, with some big claps and smooth hi-hats all seeping in, gradually upping the anti until you're in the midst of another busy dancefloor workout straight from a warehouse party in Illinois you never even went to.

Jax provides us with his own remix, and an edit from Dsb accompanies 'The Acid Housekeeper' to complete the package: first, the deep Detroit mix sounds like its being recorded at the other side of the room instead of loud in the mix. The vocal here is more menacing, and the acid line, too, is more intense, where the Dsb mix very much fits in with the current slo-mo, murky deep house aesthetic. It's littered with weird sounds, snatched vocal yelps and is a delightfully muddled, unordered affair.

Vocals in dance music are notoriously hard, but Jax makes them work and then some...

We always dreamt about releasing this EP in our label. Since we discover it, it has been heavy played in each Slow Town party. QX1 is in the town with an outstanding EP from 1992. One QX1 track with 3 different Mike Dunn edits. Just rad. Say You Love Me has been carefully remastered to reach the sound it deserve. Enjoy the ride and Say You Love Me!