House News

The first Keep It Zen release of 2014 is a big one: Future major player and Romanian House Gangster Paco Wegmann returns to us with a full four track EP titled 'Pimpin'.

No bullshit, just real house music! The EP, already been spun by the likes of DJ Sneak, is loaded with raw underground grooves, jacking as hell Chicago beats and killer bass line workouts that will feature heavily in other A-list sets this New Year.

'Pimpin' kicks off the A-side of the wax with its addictive dark, eerie bass line and up beat groove showing Paco Wegmann's true identity.
Parisian underground don and Adult Only head honcho Chris Carrier takes us on quite a rolling trip with his remix for 'Pimpin', giving it some well deserved love by interpreting it with real raw and gritty minimal house elements.

Flip over to the B-side and you see that Paco is a true house head delivering yet another driving club bomb 'Hustler. 909 drums keep the track bouncing alongside the hooky bass line that shape's the track into a prime time energetic club cut.

The weird and wonderful 'Jam-O-Matic' is sure to move some feet with the weight of the kick being hit at 132BPM!
A real peak time drum driven workout complemented by a grooving bassline, captivating vocal stabs and huge one shots to keep you moving.
'Life's a bitch, be a Pimp..."

Sonic grit for the dancefloor.

Edmonton now Vancouver-based producer Khotin keeps his head in similar clouds as those on 2014's 'Hello World' cassette with a four track 12' of deep, reflective 707 house.

'Baikal Acid' gets introspective on both sides—Side A features both a beat-focused and ambient rework of wintery, transitional zoner 'Recycle', and melodies are pushed similarly to the foreground on the B side where the EP's title track and 'Human Voice' further the dance-friendly lonerisms and sequenced realness of these late night hybrid moods.

180 gr vinyl - vinyl only release

Apes Go Bananas is the new imprint from Steve Bug and Clé, and also the moniker for his new project with long time friend and collaborator Clé. The vinyl only debut release sets out the stall in fine style - this is straight up dance floor rocking house music with a sense of fun and plenty of influence from the golden age of the art form. First up, Kerri On pays homage to one of the greatest, with Mr Chandler's signature crisp drums and deep, jazzy chords present throughout. Bug and Clé relive some classic New York deep house vibes yet retain a strongly contemporary take. Bananas is more late night in approach - the driving 909 and dirty descending synth line evokes a sweaty warehouse, complete with smoke machine and lazers. Yeah You Know fits perfectly into this three track EP - a tightly programmed rhythm track replete with a shuffling breakbeat is the foundation for a simple yet highly effective synth line and a classic cut-up house vocal. Yeah, Apes Go Bananas know house.

Hand Stamped, 180g Vinyl, Limited to 300 units

With the Manuel Tur LP Es Cub just about to drop we present you DJ's and vinyl aficionados with the first of two separate 12's
highlighting Manuel's brilliant third album.
In 2012 Manuel spent a year living in Ibiza, the birthplace of his
father and somewhere he has always felt a strong connection with despite never having lived there. This period became something of a sabbatical, a year of orientation both privately and musically and despite managing to visit not one single club in his entire time there the esoteric and cabalistic nature of the island clearly became a big influence.
Ara Anam sets the tone with it's warm, minimal approach, a sure-
fire dancefloor pleaser highlighting Manuel's production skills and
giving a glimpse of the new direction Manuel has taken with this
LP. Next up we have title track Es Cub (taken from his pet-name for his impromptu studio set up in a box room in his Ibiza home) which continues with the deep, techno influenced sounds. Hints of clipped minimalism combine with the driving, analogue synth sounds of say Baikal or Ame´.
Flipping over we're treated to About To Fall and Werk containing
both depth and a certain majestic beauty gained from the simple,
stripped back rolling beats and flowing pads.
Expect to be hearing much more from Manuel in the coming months.He has become in demand for his mixing skills, working regularly with Andre Hommen for Objektivity, Shit Robot for DFA and Marcus Worgull for Innervisions.

Foot & Mouth drops a rib-rattling earth-shaker of an EP by the salubrious Montel. After recent releases on Let's Play House, Seven and Wax Classics, Montel now delivers 'Third Dimension' a blistering four tracker on Foot & Mouth of infectious break-beat garage with a knowing nod to those days of glory!

The A Side features two versions of 'Garage Stories', 'Vibe 1' is a raw breakin' homage to the Paradise Garage, whilst 'Vibe 2' is a more female vocal led take, equally as monstrous.

On the flip and Montel turns on those old school flavours with a show-pony champion of a tune, 'I Can't Wait' kicks like a mule! Last up is 'NASA', a darker tougher affair for the tech-heads.. heads down for a full house. The EP is been championed by Huxley, Skream, Bicep & Matt Tolfrey.

Push back the settee.. and watch ya bassbins!

Straight out of Sheffield! Classic bring you one from the new school....Scott MonKz.

Currently bubbling around with a fantastic vinyl following Scott is set for higher ground.A master of the swingy beat and blaxploitation sample - Thatmanmonkz takes a little Detroit, a little Chicago and a whole lot of Sheffield to add his spin on an old school sound. Drafting in the vocal talents of Pete Simpson, this EP moves things around wonderfully.
Luke Solomon has supported Monkz heavily on his Business as Usual radio show over the last 2 years....and now it's time to welcome him officially into the Classic family.

We've been sitting on this one for a while. COEO first came to our
attention over a year ago, and while we scooped up the tracks included on their LPH debut, Sunkist, right then and there, due to scheduling snafus and a bursting-at-the-seams calendar, we weren't able to place the EP for months and months. That said, considering the sheer euphoria and brightness of the record, it seemed only right to unleash it into the world in August, when the days are longest, the BBQs most frequent, and you can't walk a block without passing a rooftop party or backyard blowout.
COEO, which is comprised of Florian Vietz and Andreas Höpfl, two Mu¨nchners, already have a couple releases to their names—an EP for Dabit, an appearance on a Sccucci Manucci comp—but we humbly consider this to be their first proper solo EP; it includes four originals and a remix. With 'Sunkist,' it's immediately clear that these kids are fans and followers of garage. The track is built around a bouncy bass riff that lingers and weaves like smoke from a cigarette. Atop that is laid chopped-up vocals, buttery smooth keys, and a touch of simulated vinylcrackle for good measure, all staples of tunes that worm their way into your ear and stay there for good.
The A-side is filled out with a remix from Graeme 'the Revenge' Clark, a longtime friend as well as frequent LPH party guest. Clark consolidates the bits and pieces of the original into something squarer and more to the point—but no less summery or peppy—while adding his own flare (some polyrhythmic drums, extra chords, new vocals, bleeps and bloops). From there, we gently ease into the B1, 'Be,' a cut built in a similar way to the A1, but with a bit more in-your-face punch and a pressing air. The record is concluded with 'Thinkin' 'Bout You,' a swinging, sax-laden tune that flutters around the upper registers more so than the others.
The fellas presented us with such a wealth of awesomeness that we figured we'd tack a bonus song onto the package, something we've not done in a couple years. 'Good Love' acts as a sort of summary of the tracks that preceded it: it's fidgety and twitchy—but not in an overwhelming way—and, simultaneously, easy on the ears, a glossy, sugary confection you'll find yourself returning to time and time again.

Filsonik, one of New York's finest old school underground DJ/producers is down to make his debut on the illustrious Hot Creations imprint after his regular appearances at Circo Loco DC10 and close relationship with the Martinez Brothers brought him into orbit with Jamie Jones et al. A staple in Jamie's sets at the moment and always creating a major impact on the dance floor, 'Dogfish' is testament to Filsonik's nuanced production skills and flair for a killer groove and a ridiculously infectious swagger. Ever in demand, master remixer Jamie draws upon his classic persuasion for free styling wonkiness and rowdy basslines on the B side. Warping the origibal into darker territory and bleeping the beats into submission. Expect to hear bother version everywhere this summer.

Filsonik career as a producer started in 2006 under the wing of New York's veteran house DJ Timmy Regisford of Club Shelter, a legendary weekly house night that ran for fifteen years. Co-productions with Regisford on Shelter's label Unrestricted Tracks and Restricted Tracks showcased Filsonik's sound. Fast forward to 2014 and Filsonik is still a close collaborator with fellow NYC Puerto Rican artists, uniting with The Martinez Brothers and Point G for the massive 'What's The Point' on Ever Lasting LOVE.

Jamie Jones, label head of the pioneering Hot Creations imprint, mastermind behind the decks and one fourth of the Hot Natured is still on top of his game and one of the best loved DJs on the circuit. After being voted as number one DJ in the world in 2012 by Resident Advisor, running the extremely popular Paradise events, now in their third season at DC10 Ibiza and tirelessly touring the globe, Jamie Jones is still the boss and will soon be seeing in the 50th release with something special. Watch this space.

Kick starting 2014 Ellum Audio get set to unleash the epic three tracker 'Ys' from Gardens of God, the new project from Lithuanian producer Mindaugas Lapinskis. Prepare to be carried on a journey through the dark and mysterious. Championed by Maceo Plex himself and already gaining huge reactions, each track builds a tapestry of electronic synths and emotive melodies above deep, dark pads and powerful percussions.

Title track 'Ys' is an dramatic builder pulsating with a strong beat as the eerie yet warm rounded chords subtly rise unveiling a moving and powerful electronic composition, richly exploring the depths and atmospherics created in the track.

Next up 'Are We feat. Egle Sirvydyte' hits with pacey percussion followed swiftly with an infectious bassline on a more uplifting tip. The beautifully smooth voice of Egle Sirvydyte floats effortlessly through the many layers adding that perfect standout element.

Following in clear line with the style of the EP 'Apnea' rounds off the package perfectly. A clear master when it comes to intricate production, deep chords intertwine and progress into a higher pitched refrain, all creating a real sense of melancholy and drama.

The Best Omar S, newest album simply reflects the singer, songwriter/producer's brilliant career-always vogue, forever moving forward, yet transcending trend to find its place among the classics. The 11 selections gracing album, produced by Omar S is just what you never expect from a modern entertainment LEGEND!!!! (The Best) strides into action with "Time MO 1"(Mix by Norm Talley) before moving into the romantic "Ah'Revolution", a sultry ballad that sounds as if it was written especially for Amp Fidler's caressing lead vocal. Even so Omar S contributes five songs of instrumentals the snappy upbeat "Chama Piru's", "Bugging Out", "Bitch,,,,,I'll Buy Another one", "You Silk Suit Wearing MuLaFuuk'ka". If you are into melodic keys "Smash" features the classic solos from O B Ignitt and Kyle Hall. 'Take Ya Pik Nik' is an easy listening track. The "Seen Was Set" and its funky up rhythm sample mixed by Norm Talley and legendary Big Strick on shout outs. The Best has time and time again shown his versatility with collaborations from across the pond 'Bugging Out' with Tom Buggs. If you are looking to be inspired, "On Your Way" featuring Divinity on lead vocals, the lyrics serve as a reminder for fellow artists to keep in mind their responsibility in leading the world's youth. The international hit "Heard Chew Single" with John FM on lead vocals will take this album to the #1 spot for Resident Advisors Album of the year.

LIMITED TO 300. HAND NUMBERED & HAND SPRAYED GLOSS BLACK & WHITE SLEEVES. SPRAYPAINTED CENTRES. HEAVYWEIGHT VINYL
If "The Wanderer" was the record that brought Romanthony's obscure Blackmale label to a wider DJ audience, "Testify" was the release that cemented its reputation as one of the labels to check for in the US import section. And given Romanthony's admirably non-capitalistic view on pressings (he took great pleasure in not repressing records that failed to get big initial orders yet became popular later saying that it made the records all the more special for those that has believed in him and made those initial purchases) you had to be sure to keep your ear to the ground if you wanted to pick up every release.

With 8 mixes sprawled over 2 x 12" and with none of the mixes titled on the first twelve, "Testify" is a true example of Romanthony's enigmatic genius. Sounds ranged from the rock-tinged, live-drum fuelled "Testify #1 (A1 mix)", through (many DJs favourites) the organ/bass heavy "Testify #1 (B1 mix)" to the minimal "Creator's Remix" which, with its bass-loop, tough 909 beat and scattered samples was in stark contrast to the turbo-charged tools for entertaining E-monsters that filled the DJ Magazine Hype Chart at the time.

"Testify" was also the first record in which Romanthony introduced his new compression trick. He loved the breakdowns in tracks and wanted them to be as loud as possible but finding a home mastering device that could do the same job as a dj lifting the volume on the track during the breakdown and then dropping when the kick landed it precisely to the level it was before the breakdown was almost impossible. Until he discovered the neat AVLS switch on the Sony DATman. When this button was turned on, the DATman recorded everything at one constant volume. Exactly what Roman was after. DJs loved the feature and it became one of the key signatures of his tracks throughout the 90s.

But enough Nerdy music production chat, on to the remixes.

Jimmy Edgar, in true Blackmale style, takes Roman's original chops it in his sampler and lays the results over a thundering distortion tinged beat. It is proper raw jacking business, perfect for small dark rooms with a few hundred sweaty bodies. Waifs & Strays deliver a brilliant modern update complete with an air-punching sax solo (something that was definitely one of the nails in the deep house coffin the first time round and the kind of thing that could get you shot if you used in the 00s). Illyus & Barrientos deliver what is arguably their strongest remix to date dropping snips of the original over a quite brilliant bassline groove. Ed One & Boddenalso opt for some bassline action but add in classic organ stabs and Todd Edwards style vocal chops to their big-ass bass wobbler. Lastly, we have the previously unreleased CD#9 Vocal Version which as usual, features one of Roman's deeper, more organic mixes.

Ellum drop another killer release with a WhoMadeWho remix EP of 'Heads Above' and 'Hiding In Darkness', both tracks feature on WhoMadeWho's latest album 'Dreams'. Maceo Plex works his magic on 'Head's Above', whilst Mario Basanov (Ten Walls) and Kyson remix 'Hiding in Darkness'

'Dreams' is WhoMadeWho's fifth studio album and features the two original versions of these tracks. Maceo Plex has always been a fan of the Danish 3 piece founded in 2003, and jumped at the chance to remix 'Heads Above' and release it on Ellum. Along with Maceo Plex's monumental, barnstorming remix and dirt dub, are featured Mario Basanov, of Ten Walls fame, hypnotically infectious remix and Kyson, atmospherically charged remake of 'Hiding In Darkness'.

Four amazing remixes of two amazing original tracks... what more could you ask for

* Batu returns to Livity Sound's reverse label for its first release of 2016.

* Fresh from recent releases on Hotline, Mistry and his own Timedance label, this new 12" is an emphatic statement of dance floor intent cementing Batu's status as one of the UK's most exciting new producers.

Following on from his Make It Hot six-tracker, Rinse are pleased to announce the release of Burnin' Up, the debut full-length album by DJ Haus. One of the UK's most exciting DJs and boss of acclaimed labels Unknown To The Unknown and Hot Haus.

Over the last few years Haus has honed his own unique, anarchic strain of bass-heavy house music, both solo and in duos Trumpet & Badman (with DJ Q) and Hot City. The result has been a salvo of raucous, dancefloor-focused records joining the dots between classic Chicago acid and ghetto house, hints of UK garage's compulsive bump 'n' swing, old-skool hardcore and the brusque splatter of the Bunker Records sound — a vivid hybrid sound that channels sheer energy in the club.Burnin' Up picks up and expands on that track record to date. Gathering twelve brand new club tracks, including collaborations with Innershades and Chambray, it showcases Haus as a dancefloor alchemist par excellence. Refracting the rawest styles of house-rooted music from the last two decades through the gleefully recombinant, mutagenic tendencies of UK dance music, its tracks are all united by Haus' characteristic diamond-hard percussion and distinctively deft ear for a vocal sample flip.Indeed, there's barely space for breath as the album burns through bleep 'n' bass opener 'Won't Let U Get Away', 'Houz Muzik'  featuring Chambray, firey 303 lines 'Acid Stringz', saucer-eyed rave 'EEE Werkin and the dizzying percolations of ghetto house (the title track, 'Make Me Feel') Innershades collaboration 'Track 10' evolves from a stripped-back, staccato drum machine workout into a hypnotic Motor City groove, while album centrepiece 'No More Loving', whose disorienting whirl of 8-bit bleeps tears upwards through a brusquely funky bassline. Burnin' Up is a sweat-soaked end to end, body-jacking debut album.

Eyetone present their most ambitious release to date with the introduction of Pink Murder; a synth-pop trio band hailing from Brooklyn/NYC consisting of Michael Panico of Stargazy, Gregory Henits of Folding Legs and Vita and The Woolf's Jennifer Pague.ALike its name, it feels fresh and wonderfully mystique; a gorgeous waft of warmth and well-being; a fantastic remix package by Mark E, Inkswel and Wood Drift that is enriching, soothing and ready for the dance floor. Along with a reconstructed edit of the original mix by label founder DEMI.

After a busy year that saw releases on Funkineven's Apron and Classic, Seven Davis Jr returns to London's Ninja Tune with a new LP, his second to date and a follow-up to this year's Wild Hearts EP for the same label. Universes is a stunning body of music comprised of fifteen tracks, all of which showcase Seven's many different styles and abilities behind the mixing desk...after all, it is called Universes! Our favourite moments have to be "Everybody Too Cool" because it reminds us of Outkast at their most daring, the off-kilter beats of "Karma", "Options" and its pseudo techno stance, and the abstract soul wails of "Fighters". Check it, there's plenty of goodness inside.

Hello together, we are Jürgen Graf and Christian Nainggolan. Together we are YOKTO. Both of us have a long standing interest in electronic music in general and electronic dance music in particular. The studio of YOKTO is sited in my home in the countryside close to the french border in Saarland (Germany). We meet up regularly on Fridays in order to get our tracks done and having a good time. The geographic location of the studio has advantages for us. On the one hand, we can fully concentrate on our work and are not distracted. On the other hand, we enjoy the culinarily delicacies from our french neighbors, like wine, oil, cheese and baguette, before leaving the kitchen and going to the studio, beginning with our recording sessions. Having a good mood in the studio is something really essential for us. The reason for this is due to the fact, that we create music using our brains, our souls and our backsides. And these organs are exactly what we want to put in resonance with our audience. Sometimes we play music in small- and mid-sized clubs. The grass roots of our work is House Music and all its manifold derivatives. This is fundamental for our work in the studio and also for our appearence in the club. If we have the chance to present our musical vision the whole night, we are pleased to begin the night playing experimental music or ambient and then draw an arc which incorporates the various styles of House. Of course, we always have an eye on the crowd on the dancefloor in order to maximize the fun for both. It is very important for us, being state-o-the-art when it comes to our track selection, despite playing seminal tracks from the past. By the way, Christian and I met a little earlier. This was in the year 2000 at the Plattentasche in Karlsruhe, a record store that sold vinyls. A lovely store where local DJs hang up, sharing the latest news and having one or two cups of coffee. At that time, Christian was one of the owners and throughout his work in the vinyl store and as a DJ in the clubs, he had a vast influence on the local House scene and the musical socialization for many DJs in that region. I for myself was heavily involved in my subjects at university at that time and thus spinned more or less regularly the records at self-organized parties or clubs in town. Additionally, Christian had a job as a freelancer for the ZKM. For reasons of this, we have started our musical career so late. Nowadays, we are grateful for every moment that we can spend in the studio or the club.

What can you expect from a YOKTO track: "modern house with vintage attitude!

Italian producer and classic Chicago house student Simoncino has long been an analogue master thanks to his EPs and LPs on labels like Mathematics, L.I.E.S. and Echovolt and now returns once more to Creme Organization for four tracks made using a wealth of Roland machines. Opener 'Meggaton' is a sombre, downbeat house affair with a doom laden one note bass sound that reverbs forever. The title track - surely named in homage to legendary New York City producer Bobby Konders - is a snaking, spiritual deep house jam shrouded in mystery and fuzzy textures that puts most 'deep' house to shame. On the flip, 'Pyramids' is a stuttering, staggering percussive house jam that builds pressure before relieving it with some seriously emotional synths, then 'Space Is The Place' wallows down low in a thick baseline, is paired with crisp and icy hi hats and exposes some nicely starry night skies up top. Mesmeric Saganistic subspace house anthems for the jisMfranchised generation.

Video channel Tape Archive brings tracks on wax for the first time with a three tracker from unknown producer F.T.F. Filling the gap from youtube to vinyl with stomping basses, heavy hihats and power melodies, the EP provide weapons for the dance floor with unique aesthetic. Beware of the ninja waiting for you in the dark.

Local Talk release number 66 moves in deeper territories with a duo that needs no further introduction, Greg Dowling, Shane Johnson aka Fish Go Deep.These two fine gents have been releasing music for more than two decades. Both Greg & Shane played an integral part in the emergence of House music in Cork City between the years of 1988 and 2001 as their well renowned 'Sweat' night at Sir Henrys helped to attract a host of talent, such as Kerri Chandler, Laurent Garnier, DJ Deep, Glenn Underground, Derrick May just to name a few.
It's a big, big honour to have them on aboard for this debut on Local Talk. First track, Off Script, takes us straight back to the days of Prescription. The driving kick and bassline, warm pads and a hypnotic melody line that crescendos throughout the track keeping you hooked from start to finish.
On the flip, Northern Reach, follows on the same theme. It hits deep, the strings adds that extra bit of drama and again showing the duo's skill in creating perfect atmospheric and timeless deep house. You wouldn't be surprised to hear Dixon drop this in a DJ set.

rimming records is a new underground label. vinyl only and no repress, catch your copy now.

the label stands for quality house music, with quality artists.
but there's no need to announce them, quality music always finds the way into the right hands.

Following last years Extended Versions 3, Barcelonian underground BLD hits us with a new EP straight to the Club. Two versions of the monstrously acid and beautiful dub building track Crawling on the A side and the epic break beat Twisted on the flip side. Limited copies.

Bushwick 90210, the second 12" release from William Roy's 99¢ Dreams imprint, is an homage to the revered New York graffiti artists of Bushwick's bygone era, and a love letter to the insular and dysfunctional contemporary Myrtle Avenue music scene.

repressed !

Dan Beaumont makes his debut on NFS with a solid double helping of deliciously deep beats, 'Bath House' already making a splash as it prime position on Matt Tolfrey's newly released 'Fabric 81' mix CD. Hot Swedish duo Mr Tophat and Art Alfie' also provide a remix in their inimitable style.

More remixes from Rick WIlhite's Vibes compilation on Rush Hour...This time by Andres & Ricardo Miranda! Killer stuff...

Timothy J. Fairplay's label Centurians Of Rome is back with its first vinyl release, after Timothy's 2013/14's cassette only mini albums 'Good For Driving In The Night' & 'The Promise Of Midi'. COR003 signals the return of the mysterious & enigmatic Antoine Rouge. After the release of the 'Spook Juke' EP on Timothy J. Fairplay & Scott Frasers Crimes Of The Future label Antoine disappeared, reports of his death in the French media last year remained unconfirmed and then in February this year he walked into Timothy's studio saying he'd spent the last year focusing on playing 'Hero Quest'. 'Eye of The Star Warrior' follows on stylistically from his debut EP. Produced entirely on junkshop preset keyboards, as after what happened before these are the only synths Timothy will let Antoine borrow. Four Trax of transcendental phase distortion Wavehouse from the self proclaimed Star Warrior.

Dept. is a Helsinki based, newly found record label and music collective. Their VA1 contains originals by Dept. regulars, Denzel and Bravik supported with remixes from Satoi and the legendary electronic music pioneer, Fred P.
Denzel's "About Greatness" exhibits classic house vibes infused with a modern approach utilising a rich palette of rhythms, pads and a monologue which guides the listener through the track. Satoi's remix pushes the original towards a technoish form with a more straightforward and darker yet melodic take.
In contrast Bravik's track "130314" is a summerish and monotonic, uptempo stomper which contains a finely refined contrast between the distorted rhythms, sub bass and synth stabs. In the reshape Fred P has traditionally taken the track to a completely new path by tweaking the original elements to an unrecognisable state, creating an atmospheric and funk-esque house track.
Dept. VA1 is an intriguing combination in the best possible way.

VERY limited advance white label 12" singles on colored vinyl. GLENN's upcoming single on STRICTLY JAZ UNIT MUZIC is a full range of sonic color and emotion. Remastered and sonically superior for 2016. 3 tracks with a smooth blend of disco and emotional jazz. Hand stickered.

With this 3rd releease Elephant Moon intruduces us the very promising young Lopaski who delievers three dancefloor killers , backed up by the mighty Malin Genie , already supported by Apollonia , Raresh , Djebali , Julian Perez , Javier Carballo.

The man that represents the deeper side of Amsterdam house is back on Dirt Crew. His last outing on Detroit Swindle's Heist Recordings', the Le Troubadour EP' was another fine example of that laid back funky deep house only Nachtbraker can squeeze out. Settling into the groove immediately is 'Hump', bouncing chords and a warbling Rhodes lead into an irresistible bass line. The title track, 'Backstabber' hits right in the hips, a chugging feel good work out for the dance floor. The flip remains true to the flavor of this whole EP, offering up a massive speaker rattling bottom end and funk flavored keys on Time Is Of The Essence', while 'Monday Mourning' steps up with expertly cut disco samples, an effervescent excursion with a jazzy lead and a touch of vocoder for good measure. The release is rounded out with digi only offering 'Yaaa', a sub driven deep house work out, boasting swelling loops and hypnotic percussion. Nachtbraker's sharp sense of harmony and knack for vibe is ever present throughout this whole release, he has truly fine tuned his sound to a perfect balance of unbounded energy and stylish musicianship. We are happy to welcome him back on Dirt Crew with this classy release.

Lessons From A Spiritual Dimension.

The illustrious duo Doms & Deykers debuts on 3024 with this three song "Fonts for the People" EP!

limited edition 3x12 LP, hand-printed silkscreen cover
Stereociti aka Ken Sumitani presents his second album Lost Land for Mojuba and like its predecessor Kawasaki his new oeuvre is some of the finest Japanese deepcore you will come across these days! This long player is taking us on a journey into an adventure to Stereociti's ever-changing vast sound landscapes, narrating the story of a lost land. Each of the ten songs is contributing to paint you a in-depth picture of a forgotten city which vanished from this earth long time ago, exploring even the tiniest details through a remarkable sound design. A album that will find a place at home, in the club and you heart! Available as limited edition 3x12 LP in a hand-printed silkscreen cover. Vital Sales Points: - high quality music - limited edition Vinyl in hand-printed silkscreen cover

First volume of the Uncharted Territories series on the Triphouse imprint with four deep and dope cuts!