House Novedades

Here is the new Chateau Flight track,called Kounka. AfroTechnoJungle House A trippy journey thru sound fx, sub bass,and dirty snares. Already supported by Dixon,Trevor Jackson,Ame among others... For the remix job we asked Steve Moore (half of Zombi and several 12" on Kompakt, Permanent Vacation and the super cool label from NY L.I.E.S.).

DJ Dex aka Nomadico (UR) comes home to Los Angeles and drops a 4 track EP for Ican Productions. Each of these tracks mixes latin funk with house and techno magic for guaranteed results on any dancefloor.

SHEWORKS003 comes to you as a collaborative 12" from Midland & Pariah. Two tracks mastered by Matt Colton @ Air Studios, pressed up on heavyweight 180g vinyl and distributed by Rubadub. As with all releases on Works the Long Nights this will be vinyl only.

Early feedback and support from Reboot, Steve Bug, Jimpster, Raresh, Deetron, Soul Clap, Subb-An, Huxley, Damian Lazarus, Tania Vulcano, Ryan Crosson, Ellen Allien, Dj Deep, Dyed Soundorom, Matthew Styles, Kate Simko, D'julz, Trus'me...
While feeling very honored and excited to have three extremely talented artists feature on his new Real Tone Records release, Shonky the French Berlin-based producer who is also a part of Apollonia, has asked Larry Heard, Delano Smith and The Martinez Brothers a couple of different questions each to give us more of an insight to them and their artistry.
RESERVE YOUR COPIES NOW !!!

CD ONE















CD TWO












CD Three

Most people chance upon the world of 4/4 music in their teenage years, however a young Jordan Peak was exposed much sooner. Born just a year before the second summer of love, the youngster was raised amidst stacks of 12' vinyl and surrounded by house music from his earliest days. This extremely promising newcomer to the dance music scene was well schooled in the art of groove long before he started making music himself.

A sly pair of cheeky bangers slope their way out on very limited edition white label vinyl.

With rattling percussion and heavy bass to the fore 'Faith' drops a little bump and grind, and 'Father Father' turns one of the deep house swoon tunes of the year into an ass wiggling jack off. Who are B+S What is Boogie Futuro Work it out

Limited edition of 399 hand-stamped and numbered copies on white vinyl.

Artful Division is a new imprint from the UK's Midlands and it's debut release see's the legendary Rick Wade drop some heavyweight deep vibes in the form of Cooler Heads'. Jon Brooks (Jon Samwell & Will Brooks) and Cecil (Tom Fallon) are the DJs/Producers behind Artful Division and have been running parties of the same name in Leicester for just over a year, plying quality deep house in a city that surprisingly (to some) has more than a solid rep for it.

It seems these days you'll find Anthea (UK born and raised) more at home in the electronic capital Berlin. Once the girl to buy your records from at Phonica Records in London, now you'll find her doing A&R for the Berlin based label Brouqade and releasing on labels currently such as; Desolat, All Inn, One Records , Air London, and her now home label; Brouqade.

With some great releases under her belt on; Freak n Chic, Tuning Spork, Cecille Numbers, Phonica and Mojuba Records, you know that Anthea is a woman that knows her craft - with an emphasis on creating, not imitating. Those who have seen her at Fabric, Panorama, Ghoa Beach, Watergate, Harry Klein, Circoloco UK, Space Ibiza, and Underground Ibiza to name a few, know that she demonstrates sophistication and powerful energy behind the decks.

Inspired by artists such as Mr G, Baby Ford, Ricardo Villalobos, Derrick Carter & Rhythm & Sound she has created a sound somewhere lodged between house and techno; that is deep, warm and bassline fueled. And if the original was note dope enough this package comes complete with two heavy weight remixes from two in demand high flyers: Dan Ghenacia & Subb-an.

Batti Batti presents its first vinyl release, bringing together 4 artists to produce this wonderful Ep of atmospheric tracks on a deep house & techno tip. Owen Jay & Melchior Sultana (Underground Quality/ Rawax), Niño (Laid), 1Dan (Miles Atmospheric) & Benedikt Frey (Ethereal Sounds / Mule Electronics). Limited copies!

Trevino is the alter-ego of Marcus Intalex. The Discovery brings a variety of styles to this one EP and paves the way for a return of Soulr's sister label 'Revove:r'. Plays from Scuba, Loefah, Martyn, 2562, Appleblim, Paul Woolford, DJ Pete, etc.

Blah Blah Blah are having a bit of a break through year with sets at Glade & EXIT Festival confirmed, and their labels most recent release from Blacksmif gathering support from a number of respected sources, among which Disclosure, South London Ordnance, BrEaCh, Mary Anne Hobbs, Laurent Garnier, Audiojack, XLR8R, and Beatportal can now be considered keen listeners. Their 5th release looks set to further establish the labels growing reputation with 2 tracks of deep techno inspired house from 17 yr old music enthusiast Alfie. Born in the village of Oxted, home to a number of electronic dignitaries, Alfie has been raised on a balanced diet of Garage, Dubstep, Jungle, DNB, and Hip Hop which he has further infused with his personal love for old school Ska and Jazz. Taking key elements from each of these styles Alfies music is deftly relevant in your ear and on the floor. Lead track Uncomfortably Numb is a high energy throbbing slice of techno laced deep house, with a reverberating bassline driving an almost industrial main hook, whilst layers of clinical percussion and pads snap and swirl throughout the mix. About Midday punches through the enveloping gloom with an inescapable rave inspired main hook which intensifies the tracks pulsating wall of manufactured sounds. Having already played at Fabric aged 16 and with a number of shows pencilled for 2012, including his Glade debut and Eastern Electrics festival, this double a-side is set to eclipse the work of a number of his more senior peers.
Selected Feedback:
Claude VonStroke - yeah man im really into the one called 'About Midday' killer!!!!
Four Tet - This is wicked... will be playing 'Uncomfortably Numb' out for sure.
Justin Martin - wicked! fantastic stuff... will be playing both of these:) 5/5
Addison Groove- It went on a mix i did thats going out this week.
Midland - Yeah really good this is, big room fodder!!
MA1 - I played it on rinse, saturday just gone. Big ep.
Little White Earbuds - Two hot, peak-time tracks from Alfie. Will be playing these
Roska powpowpow
Skream - BIG UP! ALFIE! Really feeling About Midday.
Oneman - wicked track !

2 more sweaty productions from the island dwelling Pig.. building up momentum, and now finally ready to drop! Reese'ns to be cheerful Pt.1.. The tried and tested Nubian is absolute MURDER on a system - beware. Pig Todd U So harks to the vark's love of the 88 vibe..running a filth drumtrack under some lesser know FRESHness. TIP!

Felizol comes with his 3rd e.p for Ntrop recordings.
'Our Team Never Won' of 3 tracks, attempts to bridge experimental hardware music with programmed club-oriented grooves.
Randomness and roughness straggle with elegance and balance. 'Our Team Never Won' is a deep techno song with foggy vocals, aggressive kicks, distorted bass and side-chained melodies.
'11 Years' minimize latin harmonies and guitar timbres while the dry house beat and the warm poly-analogs follow the repetitious vocals.The Promise is an experimental dub with jazz fragments and minor piano chords constructed around the field recording of a Finish lunatic old man talking to himself.

DiKSO Start 2012 with a stunning remix 12 !

Welcome to Dikso's unbelievable before-and-after-show. Four contestants and four remix teams, four original stories
that had to be continued and four results that had to be pressed on vinyl.

A1 / Autodeep & Romorri - Make You Mine (KRL Remix)
I'm gonna make you mine, I'm gonna make you mine... That's what Romorri said on Super Sound Single #4. And KRL,
well known from the almighty Wolf Music Recordings label, beams him in a situation that made all dreams come true.
The courtship has succeeded and Romorri, Autodeep & KRL are going mad on it. Definitely the most crazy piece of
house music Dikso has ever released!

A2 / Larse - So Much Fun (Roberto Rodriguez Remix)
With 'So Long' Larse is in everybody's record case, Traktor playlist or download queue at the moment. On Dikso's fifth
Super Sound Single he delivered with 'So Much Fun' his probably most disco- and funk-influenced track for years.
Roberto Rodriguez from Finland added some straightness and a cool nordic attitude. So much rolling...


B1 / Duff Disco - I Won't Forget (Homework Perspective)

Also more straightness for Duff Disco. Homework from Amsterdam touched his original in a very respectful way and
present their deep and dope dancefloor perspective on Duff Disco's original.

B2 / soho808 - Turning Slow feat. Lydia Caesar (Daniel Solar & Andi de Luxe Remix)
The hosts of Dikso take the back seat called B2. They sent Lydia and the boys from soho808 to the classic NY house
scene before KBE Giuliani cleaned the city...

schöne minimale groovige housetracks

Home to a selection of the globes most cutting edge talent, the Rekids imprint is proud to present the debut full EP from one of the scene heroes in Toronto, Nathan Barato. Backed by remixes from Oliver $ and masked talent 808 Fake, 'Back Up Queen' is set to burn through dancefloors with its pumping old school drive and rough edged soul. Featuring a sample from a late 70s classic and some 'Jack Pot' reverb, chopped and scattered over a rumbling acidic bassline, the original 'Back Up Queen' is a proper workout for the floor with warehouse vibes all over and thick, heavy drums immersed in analogue warmth. Delivering some seriously chunky percussion in his remix, Berlin born and raised Oliver $ puts all emphasis on the rhythmic groove, forgoing some of the sampling and merging tribal drums with the spoken words and deep stabs. Oliver was one of the biggest selling artists of 2011 with various Beatport number ones and smashing it on the end of year charts. Third up on remix duty, a new and unidentified Rekids artist, 808 Fake, strips 'Back Up Queen' to a naked snare allowing the rest to blend in a backdrop of analogue fuzz underneath the understated pulse of the bassline.

Tune alert! KNR004 features the new project STNH. A kickin' three tracker by Dirk Leyers (Closer Musik) and Markus Wegner (Netto Houz). Analog asylum in a digital world. Check, check!

incl Tevo Howard Remix !!

2012 sees Detroit label, KMS Records, celebrating it's 25th Anniversary.

Founded in 1987, by Kevin Maurice Saunderson, his first release was 'Triangle Of Love' produced by, 'Kreem', (just one of his many guises), little did Saunderson know, at that time, that two and a half decades later, he would still be releasing music on his KMS label.

Let's go back to the beginning... Born in Brooklyn in 1964, Saunderson moved to the picturesque Detroit suburb of Belleville, when he was nine, a different world to the urban decay of the city itself.

Saunderson has an enviable dual reputation. To the dance cognoscenti he's one of the 'Belleville Three,' (with Saunderson being the 'Elevator', Juan Aktkins being the 'Originator' and Derrick May being the 'Innovator'), the trio of friends invented Detroit Techno.

The trio met at Belleville High School where, Saunderson befriended Juan Atkins and Derrick May, who introduced him to the eclectic post-disco playlists of Detroit radio DJ Charles 'The Electrifying Mojo' Johnson. ' Johnson played disco, funk, Prince, Parliament/Funkadelic, Kraftwerk, the B52's and Tangerine Dream, to name just a few. Saunderson already had a serious love for music, but he didn't realise he was going to produce music, until then.

In his first year at East Michigan University, where he studied telecommunications, he gave up football to become a DJ himself. He took inspiration from visits to Larry Levan's Paradise Garage in New York and Frankie Knuckles' Warehouse and Music Box in Chicago. Saunderson, Atkins and May, played at campus parties, until setting up their own club in Detroit, the fabled Music Institute.

Of the 'Belleville Three' Atkins was the first to make a record, with electro group Cybotron's 'Alleys of Your Mind' in 1981, then May, with Rhythim is Rhythim's 'Nude Photo' in 1987. Inspired by his friends, Saunderson bought some basic equipment and made his own debut in 1987 with 'Triangle Of Love'. 'I just had a good ear and a good heart for music,' he says. 'Juan Atkins led me into DJing which led me into making extra beats to play in my set. Then I started learning how to play basslines, putting a lot of work in, just elevating it from there'

Undeniably, Saunderson is a gifted producer (going under guises such as Reese, E-Dancer, Tronikhouse and Reese Project), remixer and a tireless international DJ. To lovers of great pop music he's also one third of Inner City, who made regular visits to the Top 20 in the late 80s with jubilant hits like 'Big Fun' and 'Good Life', paving the way for hundreds of underground-to-chart crossover records to come.

On a visit to England in 1988 Saunderson realised that a mythology had built up around the 'Belleville Three'. To his even greater surprise, 'Big Fun' became not just a massive club record but a pop hit. He also helped to revolutionise remixing when he worked on 'We Know It' by Wee Papa Girl Rappers. Over the following decade Saunderson would continue to produce imaginative remixes for the likes of New Order, Pet Shop Boys, The Shamen, Paula Abdul and the Lighthouse Family.

Even whilst travelling the globe, djing or touring with Inner City, Saunderson continued to produce and release not only his own tracks on his KMS label (with tracks such as 'The Sound' by Reese, 'Rock To The Beat' by Reese, 'Truth Of Self Evident' by Reese & Santonio, 'Let's, Let's, Let's, Let's Dance' by Keynotes and 'Colour Of Love' by The Reese Project), but he also released tracks by other up and coming artists, releasing classic underground gems, such as 'Flash' by Fix, 'Can You Feel It' by Chez Damier, 'Soundscape' by Kosmic Messenger, 'Definition Of Love' by Kaos and 'Use Me' by R-Tyme. The list is endless.

Fast forward to 2012 and it's hard to believe that KMS is still releasing records. With such a long history, what better way to celebrate than to release a special CD Boxset. The 'KMS 25th Anniversary Classics' will be released on CD, Digital (and for those vinyl collectors, there will be 6 x 12' Samplers). Each format includes a plethora of gems which have been released on KMS over the last 25 years.

KMS may be celebrating it's 25th Anniversary, but there's no slowing down for Kevin Saunderson. He's still producing, remixing and djing (all over the world). Here's to the next 25 years....

Homework from Amsterdam are back on Exploited. The guys have been busy with touring and remixing the likes of Duffdisco (Dsiko), David Keno (Noir Music), Andre Crom (Off) or S.K.A.M. (Gruuv). With another EP lined up on 2020 Vision, this one is their follow-up EP on Exploited entitled: 'Conversation Piece'. Since their 'Hudson Square' and 'Black Jukebox' Release (which have both become collector items with prices going up to 99€ on Discogs) the 2 dutch men have collected many new fans and followers and it's pretty save to say that Homework will release their first artist album on Exploited in 2013. Early support by a variety of DJs: From HUXLEY (2020 VISION), to ROUND TABLE KNIGHTS (MADE TO PLAY), ADRIATIQUE (DIYNAMIC), RAMPA (KEINEMUSIK), ALEX BARCK (JAZZANOVA), DYED SOUNDOROM (CROSSTOWN REBELS), ANDRE CROM (OFF), ADANA TWINS (EXPLOITED), FLASHMOB (GET PHYSICAL), DAVID KENO (KENO RECORDS), KASPER BJOERKE (HFN), TILL VON SEIN (SUOL), FRIENDLY FIRES (XL), MOSCA (HYPERCOLOUR) and more.

No Use is the first collaboration between long time friends and house music veterans Steve Conry and Iain MacPherson.
And their fine debut 'No Use' is the first release on what promises to be a quality outlet 'MAGIC FEET'

Iain is perhaps known best as Funky Transport and has released records on labels such as 20/20 Vision, Playhouse, Classic, Chez and Brique Rouge.
Steve previously ran The Ten Lovers Music label , has released records as Community Housin' and was also resident at Manchester Deep House night 'Hot Water Music'.

The original mix is a warm, mid-tempo, acid laced House throbber, perfect for those early hours sessions.
Taking care of the remixes are Craig Bratley (Instruments Of Rapture, Foto Recordings) who amps up the atmospherics, makes the whole thing a little chunkier while adding some space to the whole affair.
Finally OOFT! step up with a rolling and mesmerizing electronic House workout

High quality and a stunning debut

Early feedback and support from Ian Pooley, Robert Dietz, Steve Lawler, MANIK, Okain, Âme, Ritchie Hawtin, Dj Harvey, Laura Jones, Dj T., Efdemin, Kate Simko, Alex From Tokyo, Sebo K, Agoria, Quentin Harris, Josh Wink, Dj Deep, The Martinez Brothers, Boris Werner, Luciano, Clive Henry, Dubfire, Martinez, Sascha, Reboot, System Of Survival, Dj Three, Tiefschwarz, Dan Ghenacia, Shonky, Monika Kruse, Willie Graff...
"After All", the successful song produced by Franck Roger and Mandel Turner originally released in October 2011, is back this year with a number of remixes. Flying the French flag are remixes from D'Julz and Seuil. Joining the French team is Burnski, the young English Berlin-based DJ/Producer who recently rocked Real Tone Records with his latest collaboration with MANIK "You Know What It's Like". Each coming with their own flavour, D'Julz, Seuil and Burnski all add their individual style to "After All".

2012 sees Detroit label, KMS Records, celebrating it's 25th Anniversary.

Founded in 1987, by Kevin Maurice Saunderson, his first release was 'Triangle Of Love' produced by, 'Kreem', (just one of his many guises), little did Saunderson know, at that time, that two and a half decades later, he would still be releasing music on his KMS label.

Let's go back to the beginning... Born in Brooklyn in 1964, Saunderson moved to the picturesque Detroit suburb of Belleville, when he was nine, a different world to the urban decay of the city itself.

Saunderson has an enviable dual reputation. To the dance cognoscenti he's one of the 'Belleville Three,' (with Saunderson being the 'Elevator', Juan Aktkins being the 'Originator' and Derrick May being the 'Innovator'), the trio of friends invented Detroit Techno.

The trio met at Belleville High School where, Saunderson befriended Juan Atkins and Derrick May, who introduced him to the eclectic post-disco playlists of Detroit radio DJ Charles 'The Electrifying Mojo' Johnson. ' Johnson played disco, funk, Prince, Parliament/Funkadelic, Kraftwerk, the B52's and Tangerine Dream, to name just a few. Saunderson already had a serious love for music, but he didn't realise he was going to produce music, until then.

In his first year at East Michigan University, where he studied telecommunications, he gave up football to become a DJ himself. He took inspiration from visits to Larry Levan's Paradise Garage in New York and Frankie Knuckles' Warehouse and Music Box in Chicago. Saunderson, Atkins and May, played at campus parties, until setting up their own club in Detroit, the fabled Music Institute.

Of the 'Belleville Three' Atkins was the first to make a record, with electro group Cybotron's 'Alleys of Your Mind' in 1981, then May, with Rhythim is Rhythim's 'Nude Photo' in 1987. Inspired by his friends, Saunderson bought some basic equipment and made his own debut in 1987 with 'Triangle Of Love'. 'I just had a good ear and a good heart for music,' he says. 'Juan Atkins led me into DJing which led me into making extra beats to play in my set. Then I started learning how to play basslines, putting a lot of work in, just elevating it from there'

Undeniably, Saunderson is a gifted producer (going under guises such as Reese, E-Dancer, Tronikhouse and Reese Project), remixer and a tireless international DJ. To lovers of great pop music he's also one third of Inner City, who made regular visits to the Top 20 in the late 80s with jubilant hits like 'Big Fun' and 'Good Life', paving the way for hundreds of underground-to-chart crossover records to come.

On a visit to England in 1988 Saunderson realised that a mythology had built up around the 'Belleville Three'. To his even greater surprise, 'Big Fun' became not just a massive club record but a pop hit. He also helped to revolutionise remixing when he worked on 'We Know It' by Wee Papa Girl Rappers. Over the following decade Saunderson would continue to produce imaginative remixes for the likes of New Order, Pet Shop Boys, The Shamen, Paula Abdul and the Lighthouse Family.

Even whilst travelling the globe, djing or touring with Inner City, Saunderson continued to produce and release not only his own tracks on his KMS label (with tracks such as 'The Sound' by Reese, 'Rock To The Beat' by Reese, 'Truth Of Self Evident' by Reese & Santonio, 'Let's, Let's, Let's, Let's Dance' by Keynotes and 'Colour Of Love' by The Reese Project), but he also released tracks by other up and coming artists, releasing classic underground gems, such as 'Flash' by Fix, 'Can You Feel It' by Chez Damier, 'Soundscape' by Kosmic Messenger, 'Definition Of Love' by Kaos and 'Use Me' by R-Tyme. The list is endless.

Fast forward to 2012 and it's hard to believe that KMS is still releasing records. With such a long history, what better way to celebrate than to release a special CD Boxset. The 'KMS 25th Anniversary Classics' will be released on CD, Digital (and for those vinyl collectors, there will be 6 x 12' Samplers). Each format includes a plethora of gems which have been released on KMS over the last 25 years.

KMS may be celebrating it's 25th Anniversary, but there's no slowing down for Kevin Saunderson. He's still producing, remixing and djing (all over the world). Here's to the next 25 years....

Retrofit is proud to announce the appearance of two of our favourite artists making their Retrofit debuts and stepping up to remix two classics from our back catalogue.
First up we have Polish duo and Retrofit buddies Catz N Dogz taking on one of the best known of our tracks 'Add Arp' from the Retrofit # 1 EP first released back in 2010. Weaving their trademark sound over the distinctive original bass line and adding a killer trumpet driven breakdown the mix is deep while retaining an underlying punch in the clubs, a perfect end of the night track for us!
On the B side Berlin based Iron Curtis, best known for his work with the superb Retreat label, gives his interpretation of String Theory from Retrofit # 4. Subtle hints of the original strings and a reworking of the bass come together with his raw deep house production to great effect.

There's no need to do a big introduction of Deep Space Orchestra. Si Murray and Chris Barker have releases on a number of heavyweight labels (e.g. Delusions of Grandeur or Use of Weapons) and regular guest appearances at club nights and radio shows throughout the UK and rest of the world. Their second EP for Quintessentials is some raw and analogue business topped with the DSO funk! Wolf Music hot shot KRL adds some piano and old school power on his remix and we must admit we're delighted!

Dennis Ferrers Objektivity imprint return with their first release of the summer and a debut single from hot new talent, Adam Berecki. The 22 year old from Dortmund is set to make a huge impact in 2012 with his Westpark Trax EP. A double-header that sees him channel the spirit of early NYC and Chicago house.

Thanks for purchasing a real copy!
DE:BUG: 'Jackmate - Oval [Phil E/2011 - WAS] Eigentlich gibt es kaum ein anderes Label auf der Welt, das so beständig und mit einer solchen Lässigkeit diese ungewöhnlichen und überdreht massiven Kicks raushaut wie Phil E und Philpot. Und das über Jahre. Jedes einzelne Release ein Meisterwerk und die neue Jackmate (deren Tracks ich nicht schreiben kann, weil mir die eher elektronischen Anfangsbuchstaben auf der Tastatur fehlen) ist voller unerwarteter Wendungen. - OvaI' (mit Ohmzeichen) rockt mit einem massiven Jazzswing langsam in einen treibend plinkernden Killertrack, der selbst Carl Craig zu seinen besten Zeiten hätte erblassen lassen, und die unglaubliche Duborgie auf der Rückseite zeigt einem mal wieder, wieviel an Zersplitterung dieser Sound eigentlich vertragen könnte, ohne seine summend breite Killerästhetik verlassen zu müssen. Zwei grandiose Tracks, und den letzten wünsche ich mir als Startschuss in das nächste Jahr.

With PRIVATE GOLD's newest offering the inimitable Cologne producer MARTIN BEUME has really taken a huge and achingly beautiful step in his songwriting and production.

This is the 5th release in the now popular vinyl series personally compiled by Detroit producer & DJ Terrence Parker. This project features two very talented women from different parts of the world who have the love for soul music in common. The 'A' side features the song 'Finally' with lyrics written, vocals arranged and performed by Reno Ka. Reno Ka is a soul singer originally from Vienna/Austria but now living in Hamburg/Germany. The 'B' side features the song 'Where Do You Want Me' with lyrics written, vocals arranged and performed by Kelly Gunn. Kelly is a soul singer from Detroit who currently tours as a background singer for the R&B artist Kem. Both tracks were produced & mixed by Terrence Parker to make another funky soulful classic TP release!

BRAND NEW SISTER LABEL FROM SAVED RECORDS * 12" GREY VINYL *

Deleted Records returns to the market with a complete makeover and a new eclectic sound. Featuring a range of beats both broken and 4/4, Deleted will be covering electronic output across the entire spectrum. With Deleted 01, the label presents the debut release from the extremely talented DifferentME.

'Back To Tomorrow' ticks all the right boxes. Featuring solid drums and pulsating basslines, the lead chords and vocals work together perfectly to create total dancefloor damage. Over on the B side, Catz n Dogz work their magic on the track with a creative and intelligent remix that explicitly shows the reason they are one of the most in demand production duos around today.

limited edition pressing of 300 -get it while its hot
Promotional Item pressed in limited quantities specially for the Detroit Electronic Music Festival (DEMF). Only available from the DEMF over the festivals duration.
This is a one sided White Label pressing on the A-Side 'MUSTANG 1' this track is a Disco Edit, 'Mustang 1' being a re-edit of Nightlife Unlimited's "Peaches & Prunes,"
very rare was only limited to 200 vinyl at the time and is selling for huge money at the moment

Blah Blah Blah turn 5 years old this May and as part of their celebrations they have saved
perhaps their most exciting signing yet for a Ltd WeAre5 Vinyl' release, the prolic genre
juggling Blacksmif.
Blacksmif irts on the edge of reason, taking amboyant percussive and melodic risks within
a bass driven jazz tinged environment, such is the adventurousness of his music that he
has already gathered himself quite a fan club, among which he can count Mixmag, Gilles
Peterson, and Mary Anne Hobbs as leading members.
Opening track Hoop Dreams gently patters into life as a comforting wall of sound builds
beneath crisp percussion and a skittish bassline, its simplicity seductively luring you into its
clutches before it totally immerses you in a unfolding mix of shifting melodies, competing
vocal snippets and percussion that comes at you from every angle. Microweight follows a
similarly weaving journey of evolution as layers ebb and ow between triumph and
thoughtful contemplation.
With his rst single Mandy' coming 5th in Mixmags Big Tunes in April and with shows lined
up at Glade, Dimensions and a supporting slot with Julio Bashmore, Blacksmif is set for an
enthralling 2012.

The collective keeps it rolling with a new release featuring Chicago and New York artist as a united front to destroy dance-floors through house and techno tunes. Advancing through the ranks of the underground with 4 unique tunes that are quite deep and worth a check: featuring... G. Marcell, Dakini9, Kuru aka DJ Spider, and Hakim Murphy.

G Vinyl puts out its debut release by its operator Steve Albert (Gyle). Hailing from G Block in the "Hardware City," this hot slab of wax is a melting plate of deep sub rubs and inviting percussion sequences. The "Additional Dialogue EP" serves up 4 thick tracks of chunky tech-house grooves for listeners, dancers, and disk jockey sluts. Fat Chicago inspired jack house.

Being the hopeless romantics we are here at Circus Company, when we fall for an artist we tend to do it head over heels. You may have witnessed this in the past with some of our dearest protégés, from Dave Aju to Nicolas Jaar. Now we are embarking on the same kind of whirlwind affair with Franck Roger, the glow only just retreating from our cheeks after he won our hearts with the 'I Take You Up' EP.

Like a well-seasoned casanova, Franck has found the perfect way to follow up that first date with an even deeper reflection of himself as an artist, leaving us flustered and quite simply stunned by his charm. Now we wait with anticipation as he whispers in our ears about a forthcoming album for Circus Company, all the while ensuring we stay hooked with this nugget of promise for what the future may hold.

As ever with Franck, house music purity lies at the heart of his creation, and the two tracks on this new EP are a continuation of that theme, but it never ceases to amaze how one man can conjure up so much passion and intrigue with such a simple, unfussy approach to production.

From the seductive tendrils of the bass line in 'Spread Love' to the impossibly alluring DX7 organ stabs on 'Black Kiss', the lack of pretention in the music will hold your brain and feet captive until you're as smitten as we are. With roses in hand and a wicked glint in his eye, the modern house romancer is here to pick you up for the night. Tell your parents, 'don't wait up'...

Genuine warehouse find - check the dusty coloured shrink wrapping for proof!* Released way back in 1989 on the tiny Real House Records imprint, Reggie R's Out Of Control EP is a bomb filled example of the sound of the late 80s American underground, tapping through nascent elements of Chicago House and Detroit techno as well as a dash of hip house! Check both the Bizzy B and Reggie R mixes of the Was Not Was sampling "Out Of Control" for mind warping acid tunes built on the Juno 106, while tracks like "Reggie R" evoke the spirit of Motor City Soul with aplomb. "Tonight's The Night" deftly samples Laid Back, while the rest of this EP shows a carefree approach sorely absent from so much po faced contemporary music.

After a string of successful collaborations and remixes - including an ace one one of ours, Nicolas Jaar's 'Space Is Only Noise', we are delighted to present Dave Aju's sophomore album, Heirlooms.
It's always exciting to hear new music from Mr. Aju, as he consistently offers a fresh approach to the usual dance music formulas with an undeniable sense of soul and singular artistry. This is especially true on his new album, where Aju has really outdone himself with his most diverse, expressive, and personal work to date. Crafted with vintage recordings and instruments inherited from his late father, Aju taps into his roots and musical background more than ever on Heirlooms, taking us on a ten-song journey through past and present influences and a variety of moods, from proper heartfelt tributes to spaced-out bliss and straight-up funk.