House News

Celebrating 30th anniversary of La Bush with this 10 x 12" Vinyl Box Set.

Including tracks from Sasha, Danny Tenaglia, Laurent Garnier, Luke Slater, Yello, Nalin & Kane, Solarstone, BT, Oliver Lieb, WestBam, Jens Lissat, and compiler Mr Sam.



La Bush (Temple of House), the Mother of all Clubs, is celebrating its 30th anniversary (1994 - 2024). We are delighted and honored to announce the simultaneous release of a stunning 10 x 12" Vinyl Box Set (34 tracks) - a groundbreaking first for a Belgian club - compiled by Mr Sam.

All tracks on the album feature their original full-length versions, exclusively remastered for this release. This unique compilation is not only a selection of the best tracks that defined La Bush as a legendary club with a distinctive sound but also serves as an ode and tribute to the golden era of Trance and progressive music in the late '90s and early 2000s - the renowned Golden Age!

On this album, you'll find contributions from iconic artists who left an indelible mark on history, including Sasha, Danny Tenaglia, Laurent Garnier, Luke Slater, Yello, Nalin & Kane, Solarstone, BT, Oliver Lieb, WestBam, Jens Lissat, and Mr Sam, among others. Additionally, there are many "hard to find records" that will delight vinyl collectors. A pure DJ tradition and culture make a grand return with the inclusion of "acapella". Two of the best-known acapellas are exclusively featured on the vinyl box. The acapella of all acapellas, Danny Tenaglia's 'Elements' (The Voice), is re-released on vinyl for the first time since 1997! The second, no less famous, comes from Johnny Vicious feat. Lula - 'Ecstasy', a true must for connoisseurs! In essence, this is an unmissable opportunity to hold in your hands a vital part of the history of Belgian clubbing and the electronic music scene in the late '90s and early 2000s.

In the rich legacy of '90s Italian clubs there's a region and, especially, a place that had its own set of rules. Club Imperiale was located in Tirrenia, on the coast of Tuscany. Its legendary parties, called "Mezzanotte Mezzogiorno” (Midnight Midday), were huge dj marathons that included the cream of local selectors such as Francesco Farfa, Robi J, Miky the Dolphin, Rick 8, and more. In 1993, what became one of the club’s anthems was produced: “Sweet Revenge” was composed by the Falsini brothers and by one of the resident djs, Andrea Giuditta. The EP was released on Interactive Test and its peculiarity was the participation of Club Imperiale’s vocalist Franchino on one track. Thirty years later, Evasione Digitale brings back four tracks of pure Tuscan Progressive bliss! The reissue includes the three tracks from the original EP and another version of “Escandalo Total,” previously only available on a limited promo release from Interactive Test.

Repress.

Satelliet Studio Recordings is a Berlin based label born first as a multidisciplinary brand related to the early underground music scenes. Since years Satelliet built up a community through creating and sharing material connected to it.

This release, named “The Light In The Darkness Saga Vol1”, is the first of a trilogy that will be mainly curated by the italian producer Otis and Satelliet’s co-owner and creative director Intheismah.
The record is the result of a long journey embracing different styles such as Dark Electro House and Synth Techno, creating a perfect blend of dancefloor filler and after
hours tracks. A proper mix of light and darkness.

All tracks are written and produced by Otis & Intheismah, except A1 and B1 composed by Otis. Mastered at MaSpaventi Studio. Art by Chiara Pignoloni.

Repress.

Ildec's Time To Panic launches his Voidfall VA series with by Samuel Jabba (From The Void Above) , Javier Carballo (Terms), Omar Akhrif (Timeless) and Aniano.

Celebrating their 10th release, Tresydos presents a two-part special edition featuring artists that are already part of the family along with some new faces.

For this second part, B.Love debuts on the label with Video Soul, starting the EP with a funky tone, followed by tresydos family member Arnic with the dreamy and bouncy “I’m Into You”. On the B side, Neik is finally back with a timeless track that shows a different side of the Argentinian producer’s usual style. Atree closes the EP with his characteristic punchy basslines to give the perfect ending to this special edition of tresydos.

Repress!

Seasoned style master general, Argy joins Afterlife with this two-track expedition.

Argy’s credentials demonstrate his diversity and innate talent, which is evident here on the Tataki EP. The title track opens the release, Argy demonstrating his dexterity with a mesmerising looped vocal clip and mystical atmospherics. On the flip it’s ‘Magic Order’, a driving cut with beautifully haunting choir-esque vocals played backwards, emitting a spinetingling aura of sound.

Argy returns to Afterlife, linking up with Omnya to bring forth this captivating release.

Together, they’ve crafted ‘Aria’, a mesmerising cut with an undulating low end and hypnotic vocal refrains. The choir-esque sample is skillfully segmented and reiterated, forging an electrifying atmosphere and triggering a heady juxtaposition of euphoria and ominous tones. In combination with the pulsating bassline and uplifting melodies, it’s a sonic portal to a realm beyond the ether.

On the flip Argy and two-man outfit Goom Gum team up. The trio get together for the first time on this cut, pouring their respective energies into a powerful composition. ‘Pantheon’ utilises a rousing vocal symphony, with a rolling bassline, an urgent melody and a goosebump-inducing breakdown to devastating effect.

Repressed & Recut

The title track "Ghost In The Shell" has a light and a dark side that fight with each other somewhere in 2077, and it's up to you to decide which one wins. “Ramayana” is an interpretation of the ancient Indian epic in the form of a meditative dub-techno-trance. "Wow!" dedication that occurred on August 15, 1977. A strong narrowband radio signal was detected by Dr. Jerry Eiman while working on the Big Ear radio telescope at Ohio State University. "Wow!" was the only signal in the history of mankind intercepted from the depths of space, which could not be deciphered, but the musicians tried. The EP closes with a slow track with an unearthly atmosphere, shimmering with contrasting electronic sound. "After Glow" - a neutrino of a thermonuclear sun, making its way through thunderclouds and bringing hope to the bright future of the present time. So Komponente & Kurilo made mystical EP with an unpredictable plot, which is a symbiosis of dub-techno and trance melodies.

The dynamic duo of Komponente & Kurilo from the Ukrainian label Trance Pandemic are preparing for their next sold-out record. This “Defenders” EP is made from tracks, that were made before the full-scale Russian invasion in Ukraine and also it is the continuation of “For A Brave” EP.

The main track of the release, also called “Defenders” is a signature piece for their duo. Moderately slow and calm, that evolves into something bigger around the third minute. The mayhem of sounds with that hell’s bells also. And there’s a little Easter egg at 1:29. If you know the sample – you’ll smile for a bit.

The record starts with “Victory”. Bold, a bit broken at the beginning piece, that is also evolving. This time we’re talking about the structure. The straight one comes after that broken start. “Kharkiv Mnemonic” also has some bells inside, paired with a nice, bubbling acid and a heavenly melody a bit closer to the end. The calmest track on the release.

Last, but definitely not least (the choice for the pick was between these two from the B-side) is “Broken Dreams”. Still can’t get enough of that break that we know lately from Alec Falconer’s release on Art Of Dark (not that lately, to be honest) and a dozen of other tracks. Here it’s hidden a bit in the back, so we can hear another kinda trancey and melancholic melody in full.

Parallelle join forces with Nicolas Masseyeff once again for ‘Renegade’ on Crosstown Rebels, featuring a remix from Adam Ten & Mita Gami. Collaborating previously on DGTL, having known each other for years, Dutch brother duo Parallelle and France’s Nicolas Masseyeff have created a partnership within the studio that clicks. Parallelle are multi-instrumentalists, composers, producers, and Klassified Records owners with a hybrid sound that mixes up electronica, electro-jazz and underground house, while Masseyeff is equally accomplished and draws on minimalism, jazz, new wave, Detroit and Chicago when crafting his signature sound on the likes of Systematic Recordings and Diversions Music. Linking up again, the three talents combine for a first outing on Crosstown Rebels with ‘Renegade’.

Up first is title track ‘Renegade’, a deep mid-tempo house shuffler. The drums are elegant and airy, with bright chords and a rasping baseline. It’s a real mood builder with dramatic synth sweeps that brings a sense of class to the dance floor. Israeli artists Adam Ten & Mita Gami have been a creative force for the last couple of years, and their ‘High On’ EP on Crosstown Rebels last year gained huge success, defining a new movement of psychedelic house sounds. Their remix of ‘Renegade’ offers a slowly unfolding masterclass with moving melodies and modulated synths casting a captivating spell. Last of all is ‘Bandidos’, another deep and subtle track infused with rich synth work. The bright lines and deft pads are lithe and loose over the underlapping drums, encouraging you to gaze in awe as you get lost in the mellifluous groove.

repressed !

Whence comes such light of the mind?

Welcome to Jamming Is Life, a new label embodying the spirit of improvisation, spontaneity, and emotional expression through sound.

For the first release I’ve selected four of my tracks to set the mood for what I have in mind for this imprint:
Chasing the mystery in music, the unexplainable, while keeping it fresh and clubby. I’m not big on promo texts, but truly hope this music will find a way to speak to you.

Holly Lester’s Duality Trax imprint has quickly established itself as one of most exciting emerging labels from within the modern electronic circuit. Undoubtedly inspired by the golden era of house, techno, bleep and club, the label also has its crosshairs fixated firmly on the future and has become a one-stop-shop for the very best in early-hours euphoria and contemporary heads-down sonics.

Despite its young age the label already boasts a stellar back catalogue, releasing tracks and records from Fio Fa, Violet, Cromie, rRoxymore, Roza Terenzi and more – and the fourth in the series comes from Steffan Todorović and Joonas Aro under their Abdul Raeva alias.

Holly is no stranger to either artist, having set up the Terrazzo label with Gestalt Records and Coymix head Steffan. It’s a sonic match-made-in-heaven, with both contributing artists and label head sharing an admiration for bouncy, fun and deep club music that dangles its legs on the border of emotionality without taking itself too seriously.

The label head was first drawn to the lead track ‘Atlas Corporation’ with it’s soaring resonant lead reminiscent of the classic ‘Rez’ by Underworld. Ear-wriggling acid lines and psychedelic atmospherics balance a gritty and driving drum rhythm across a kaleidoscopic six minutes, before ‘Death Race’
blends techy dub with Abdul Raeva’s signature proggy sauce, best played as the sun begins to rise again.

Staying true to the concepts of gender and sonic duality, the remix comes from Australian DJ and Pure Space-founder Andy Garvey who turns in a breakbeat-laden, broken acid-techno rendition of the A2, before we come to a meditative close with the tropical, downtempo sounds of ‘Guardian of the Vault’.

repressed !

Superluminal cult continues beyond time, this very last catalog ends the Re-Discovery series as a perfect trilogy established by deejay and producer Matthias. These four pieces were composed in the same period where the 961 Studer mixing console was added to the artist studio, summoning their low-ending drum patterns blended into epic polyphonic strings and pads.

The artist gives a wide open glimpse of more dancefloor-oriented materials, the complex and alternate disco-funk synth orientation is well orchestrated without indulgence and most certainly gives birth to four songs of extreme versatility and DJ functionality. Once more the use of the vocoder is largely influential over the arrangements, adding romantic stratified atmospheres of riverbed nostalgia. A retro & modern territories alignment was the catalyst element of the artist's musical style orientation, outletting its sound into a unique musical genre.

The Naarm chapter of the Oyster Cult has been coming through with in a big way lately, and this one is no exception. Introducing Reflex Blue, the latest Antipodean export to put his stamp on a lysergic dancefloor sound indebted to the early ‘90s.

If Australia’s South East has proven itself a fertile breeding ground for tripped-out dance music, Reflex Blue is a case in point. Rather than sliding into pastiche, tracks like ‘Outdoor Dance’ and ‘Tension Rise’ offer forward-facing slants on trance-inducing prog house styles. They plumb the depths of nostalgia, all in the pursuit of dancefloor unity and fractal elation.

The flip-side comes bearing nocturnal house incursions. But where ‘Creepin' Around The Bend’ opts for rude, jacking propulsion, low-slung number ‘Low End Freqz (Dial Up Mix)’ dials up the seductive appeal while sticking to the same sonic palette. Seriously
indulgent gear primed for the witching hour.

Pino R. brings back his Dancefloor killer!

Repressed in limited quantity!

Don't sleep on this!

Damian Lazarus presents the sixth volume of his Crosstown Rebels SPIRITS compilation series, boasting an impressive lineup of Lauren Lane, Cristina Lazic, AJ Christou, TMPLE and more.

Since its debut in 2017, Damian Lazarus’ annual ‘SPIRITS’ series on Crosstown Rebels has been a beacon for breakthrough artists, setting the label’s agenda for the year ahead. The sixth instalment in February is another meticulously curated lineup with ‘SPIRITS VI’ featuring a blend of new and recognisable talents, including Lauren Lane, Cristina Lazic, Iñigo Vontier, AJ Christou and many more.

London-based talent Cameron Jack kicks off what looks set to be a breakout year with ‘The Vision’, a bubbly and tropical cut with cosmic synths and loose, jumbled rhythms. Chris Bowl then brings his emotional style to the deep, rolling beats and fresh melodies of ‘Silent Plain’, while NY-born, LA-based house tastemaker Lauren Lane layers in smoky pads and tender whispers to her sublime deep house cut, ‘Fair Game.’ Next, German talent and Degree Records head Marc Lenz brings darker vibes to his track ‘People Are People’, while Rebellion artist Cristina Lazic and previous Lazarus collaborator Leia Contois combine for the alluring vocal soul and gritty minimal drums of ‘So Deep’.

Mexican Iñigo Vontier is a pioneer in his homeland after crafting a global reputation, and his twisted synths, shiny
textures and steely drums on ‘That Trippy Sound’ prove why as they work you into a trance. Next is influential Manchester-based DJ/producer AJ Christou, who has released on the likes of Hot Creations and Cuttin’ Headz. His track ‘Back & Forth’ brings an infectious groove with plenty of flair and catchy drum funk, before TMPLE shuts things down with the deft, airy grooves and floating bass of ‘The Girl In The Room’, complete with its tender male vocals.

At the forefront of electronic innovation, Crosstown Rebels stands as a pivotal platform and record label, reflecting the genre’s diversity and housing an impressive roster that includes renowned artists and household names like Art Department, Maceo Plex, and Jamie Jones. With sub-labels Rebellion and Secret Teachings in tow, the imprint consistently and continuously expands its musical canvas, creating an immersive landscape for leading and emerging talents to thrive.

The elegant ‘Mundo’ channels the machine soul of early Detroit techno, before ‘Mangabeira Manifesto’ featuring Dudu Bongo layers up wonky drums and bass with curling, soft acid sounds and a playful vocal line. ‘Triple Frontier’ picks up the pace and heads out on a high-speed cosmic house journey, all before ‘Overture’, another far-sighted astral trip with starry melodies and rich, rubbery bass, closes the package in fine style.

An expressive and adventurous yet coherent long player with a range of moods, feelings and grooves taking you to all corners of the house world, ‘Vista’ showcases Dabo’s most in-depth project to date and an album which provides the perfect platform for him to display his rich sonic universe.

Salty winds whip the surface of the shallow reef and carry voices on the breeze that whisper of DJ Life’s return to Craigie Knowes. Southern Seas is a deep dive of everything that makes DJ Life’s music special - advanced production techniques for all those that want to dip the dancefloor under turbulent waves. Music for the clubs, music for your mind.

Glen S debuts on Craigie Knowes with the Elation Station LP. 7 club-handy tracks shaped to elate minds and elevate dancefloors. A reflective trip glimmering with positivity and illumination.


b B1 Yeah 16x

Entrepôt Records is thrilled to welcome back the label boss UC Beatz this time alongside “the eternal raw freak” Wldbtch for a joint EP. The idea to make a record together came 10 years ago but they eventually found the time to lock themselves up together in a studio during 2020 lockdown. After a couple of months of hard work they come with an atypical collection of 4 tracks using a range of influences and material including french spoken words, turkish vocals, dark acid berghain-ish basses, country guitars, South American flutes, trippy chords and more kinda rarities that you woudn't necessarily expect on a house record. We are super happy to release this collaboration effort today as we think that the result is mind blowing! Not only is this record a beautiful journey by its colours and sounds but every track that appears on the record is also a dance floor weapon! It is House Music for grown people. A lovely piece of wax to add to your collection. 250x copies pressed. Don’t miss it!

the EP FACE I is an evolution from the previously released album JAHRE. it fits into the narrative of urban life and our own personal development. both chronology and emotions are explored here and adapted with lyricism and atmospheric digital and analog sound.

it starts with 1984, beginning of our emotional journey and also literary (GEORGE ORWELL) fixpoint of the electronic adaptation. we feel a kind of lightness in our society, upswing and freedom determine everyday life for a large part of germany. we are free, everything seems possible! almost we move through an utopia. new prosperity and contentment let us blossom, no digital friends and in-between worlds alienate our seemingly naive and peaceful being.

in TMV a first individual emotional world comes to the fore, the mood is mixed and seems fragile. euphoria and melancholy mix to an undefined state of emotional and musical confusion. LYRIK gets a first big space here and carries from the part of confusion into a part of detachment. despite the ambivalence of the first moment, the scene ends in a transcendental, positively driving state of letting go and rest ...

the next part takes us away from the familiar and seemingly peaceful MOMENTS. we jump into the year 2184! 200 years later we are sitting here now, society has turned into an emotional desert like in ORWELLS fiction. a lonely CYBORG sits in the ruins of our once joyful cathedrals and sings about his tearing apart. he can't be without, but also can't be with his own anymore. like a cursed of two worlds he sits stranded in space and time.

the conclusion is made by TMVA, here we get into a very intimate emotional farewell to a lost and unfulfilled love. the calm tempo lets everything flow out that has confused and driven us for years. who or what do we want to become emotionally? are we even capable of letting ourselves fall after decades of searching and disruption? are we already dying? in the end only art and the love of it remains to save us.

ALL LOVE
AMAS_DHE / AMAS_PHI

Day by day is back with a massive four tracker from South Korean producer & DJ, Six Dreams!

These tracks blend trance, techno and progressive beats that will blow the roof off your dance floors! Strap yourselves in for this extra bumpaty bumpin’ ride!

We hope you enjoy these as much as we do!

Available via vinyl & digitally via the Wex Bandcamp.

Release Date: December 15th 2023

Going forward in exquisite style, Marina releases her second outing on her own Sweet State imprint, matching three deftly produced originals with three remixes from Gerd Janson, Earl Jeffers and Tatyana Jane. Launching in 2021 with her ‘Free Mind EP’ complete with remixes from Cinthie and Anna Wall, ‘Imperméable en été’ now follows up - sure to further cement her position as an artist in the ascendancy.

On this long-awaited release, Marina Trench delivers three originals cuts, that range from the colourful opener and nu disco lovely ‘Ose’, co-composed and performed with fellow Parisian producer Hugo LX, to the classic house vibrations of the club oriented ‘L’Orage’, via some pop infused downtempo vibes from the heartfelt ballad ‘Hirondelle’. With these three new compositions, Marina shows her shimmering musical versatility and aims to blow some fresh air into her own sonic galaxy.

The B side houses a series of impressive remixes, kicking off with one of the most legendary artists of this time, Gerd Janson, and his instantly recognizable touch. Gerd delivers an ever so classy version of ‘Ose’ feat Hugo Lx that keeps the sultry sample of Marina’s vox present, while he composes a whole new bassline that leads the groove.

Next comes a remix of ‘L’Orage’ by the very talented Earl Jeffers. His deep-down groove lead style sits at the crossroads of afro and UK house. Adding new pads, synthwork, and solid bass, Earl perfectly reworks the track for the club and introspective moments alike, by submerging the listener into his colourful and vibrant shade of house.

Tatyana Jane's brilliant effort rounds off the EP. An emerging talent from France who makes a mark with her production skill once again through her rerub of ‘Hirondelle’. Bringing a whole new vibe that blends influences of breakbeat to techno to afro-futurism. Marina's vocal is on repeat throughout, bolstered by building drums that carries the dancer away in a sonic whirl.

DJ Support:

DANNY KRIVIT/ BODY & SOUL: Really like this.

CRAZY P / DANIELE MOORE: Hirondelle is exceptional!

EDDIE RAMICH/ SONAR KOLLEKTIV: Very cool ... the one with Hugo and the third track.

MANNIX KLING/ WORLD DMC MAGAZINE: Second track is amazing.

NICKY V/ LA MONA: This is ace loving the first two cuts ... great write up as usual, really enhances the feeling to listen to the music.

MASSIMILIANO PAGLIARI/ BLACK SPUNA: Very hot tunes.

LOUIS CHEN /NTS: Love Marina!

ROCKSTEADY DISCO/ PETER CROCE: Very cool release, I especially dig the Earl Jeffers and Tatyana Jane remix.

2024 Repress!

The seventh release on SPAZIOTEMPO, the 4/4 side of Where We Met, marks Rambal Cochet’s full gas debut on the label.

The title track Ambientica is a proggy weapon the brings acid vibes and techy rhythms on a perfect balance. East Block, the other track on the A side, explores dreamier melodies with a punchy structure.

The B1, Tidal Types, is a techy prog weapon with ethnic samples and clear 90ies reminders and Underwater Armour, the closing track, seals it up with more truancy evolution and yeah, we can’t get enough of em!

The Malta-based label Lost & Found has just added a new edition to the catalog! It's one of those releases the music lovers don't expect but adore. It would never be possible to imagine Khen's take on Story Of Tokay by Budakid and Jamie Stevens or Jonas Saalbach's vision of Catfish by Guy J.However, the music speaks for itself throughout almost fifteen minutes of pure brilliance! Both tracks have a visionary sound that transcends the barriers of the genre and can satisfy the hunger for emotionally overwhelming production around the globe. It's difficult not to expect impressive releases from Guy J's record label, but the 79th edition once again proves the fame of Lost & Found doesn't rely on just the hype. It's all about character, quality, and refined production ideas.

The new EP on It’s a Pleasure imprint is conceived as a kaleidoscope of Jaisiel’s previous releases where pop and house converge in a seamless embrace.

A side is all about the infectious radio hit “Nada Que Ver” and its mesmerizing Remix by Lipelis who made its magic to turn the original track into a super fun and dynamic certified dance floor journey, where thick bass frequencies and classic M1 organ bass sounds will take you on a trip alongside Jaisiel’s hypnotic voice.

In the B side we entry into the dreamy realms of a UK rave in the 90’s with the pulsating energy of “El Amanecer” (Tenerife ’89 Mix), a synesthesia feeling where you can almost see the sun rising in your imagination while listening to it.

Following and closing the EP, an intimate and groovy acid tune “Sobre Cien” that invites you to chill and re-connect with your inner nostalgia, lyrics are about a big theme nowadays after Covid times, which is escape the noise of big cities and remember the value of your hometown, family and all time friends.

After having explored our native Switzerland in search of nuggets, we extended our research and came across a goldmine in the south of France. For our 4th release we welcome Soyouz and Groenogen on the imprint for a masterful split EP. On side A Soyouz brings to the table two progressive yet powerful cuts, heavily inspired by 90’s sounds balanced with delicately designed synth lines packed with slick drums as well as robotic voices that make his signature sound. On the B side Groenogen delivers two very powerful tracks. He gives us heavy hitting, driving basslines and extremely smart and sharp synth leads and show us a glimpse of a moody and acid side of his persona. Both tracks showcase his mastery of technical and energetic arrangement. The two French boys deliver a dancefloor wrecking record straight from Toulouse, not to be missed I tell you!

N-gel is back on Memento with his brand new 4-track “Wild” vinyl, plus an exclusive extra track for the digital release. Following up to his 2020 EP “No matter who I’m” that saw him debuting to much acclaim on Idriss D’s label, the talented producer returns to what he does best. “Control” is an energetic, stripped down groovy Chicago House-inspired number, with an infectious bassline and robotic vocal samples. “Dance” opens with a steady beat and flows with a crescendo of synth arpeggios that create a hypnotic mood. “Dreaming” speeds up the tempo with plenty of jacking snares and sounds from outer space. Title track “Wild” is upbeat and pumping, its swinging melody a catchy ear candy for the most discerning dance floor connoisseurs. “The night is my house” closes off the release as the digital bonus: loopy vocal snippets and an old school big room melody take it up a notch, ending the EP on a high note

Cementing themselves at the forefront of the action amongst Oslo nightlife Det Gode Selskab look to celebrate their decade long existence with a series of releases from an array of label affiliates. The first part of the 10 years release lands late November, and consists of refined curations featuring A:G, Alex Jangle & MatzaM, Felipe Valenzuela & Argenis Brito under their FAER guise, and another killer combo in the form of Deadbeat & The Mole.

Firing things up is Norwegian producer, A:G, his acid tinged electro energy making a bold statement for the 10 years series, crisp drum arrangements conversing with the elastic bass groove in “Can’t Cure Curiosity”. Label regulars Alex Jangle & MatzaM enter the dance with their “Glowbones” track, driven house music at its finest, containing the signature shimmering synths and pads the pair can be recognised by.

The flipside enters more stripped back territory, leaning towards minimal territory. FAER constructs an almost eight minute trip “Serious Repetitions”, distinct atmospheres simmer throughout, hypnotising as each motion melts into the next. The last of Part 1 sees Deadbeat & The Mole join forces, tribal like percussions lead you towards a mysterious path, and before you know it the warm bass is walking you down that same passage. Trippy elements circulate the body of the track which aptly rounds off this record, leaving a flavour for all the tastemakers amongst us.

The Det Gode Selskab journey has been a colourful one thus far, and will undoubtedly continue to be as the key driving force behind the brand continues to evolve and develop, with a never ending yearn to create outside of the box, whether that be events, music and art. Here’s to 10 more.

Thump! Check your periphery, because a heretofore entity has arrived on this earthly plane. Asphalt DJ has added another notch to the Haŵs bedpost, with the actualisation of his ‘Eternal Flower’ EP. The prolific DJ has really turned his attention to production of late, churning out a slew of sumptuous releases and features, neatly coalescing with his excellent mixes and underlining his clear-cut talent. His wizardry and acute ear for high-octane beats knows limitless bounds, and the majesty of ‘Eternal Flower’ continues his cartographic foray into pumping prog.

4 bugged-out and massive club jams by Jamie Leather and Christopher Ledger for their Craigie Knowes debut. A serious mix of house, breaks and electronics that tie back to the golden age of dance music while rocketing towards a pure and technologic future. The A-side coming courtesy of their joint CLJL moniker while the B-side is produced solo by Jamie Leather. If you’ve been at a festival in the summer of 2023 it’s almost guaranteed you’ve heard this one blowing the roof off a tent laden with party-goers or sending the soundsystem into meltdown at your favourite outdoor arena.

Love Above Records is proud to present its latest offering with this brand new EP - Silent Tonality by legendary Detroit DJ and producer, Alton Miller.

The project started from a friendship forged between the speakers of 24 Moons, where Alton played at one of our Wildlife x Love Above parties in 2022. Special shout out to our friend DJ Jnett for connecting us all together.

The Detroit Music Institute founder has graced us with a 5-track EP of sophisticated house music that boasts a myriad of modern house sounds. Deep rhythmic passages, soulful vocals and organic textures all in Alton’s usual signature style.


Alton Miller, is a true luminary in the world of electronic music. With a career spanning several decades, Alton Miller has earned a reputation as a pioneer and innovator in the Detroit house music scene. His unique blend of soulful, deep, and melodic house beats has been a driving force in shaping the sound of the Motor City's electronic music culture. Miller's contributions to the global electronic music community have made him a revered figure, and his timeless productions continue to captivate audiences, solidifying his status as a legendary figure in the world of house music.

Alton’s early roots in soul & funk music led to an affinity for clubbing and house music. Born in Chicago but raised in Detroit, Alton grew up with the sounds of Stevie Wonder, Santana, Parliament Funkadelic and the Philly Sound, always playing in the background. Miller began developing his deejaying skills under the electrifying energy of house music founding fathers like Larry Levan and Timmy Regisford, where he regularly attended infamous parties such as Ron Hardy’s Music Box and Frankie Knuckles’s private loft party in Chicago.

A few years later, Alton along with his like-minded friends, Chez Damier and George Baker, founded the legendary dance club 'The Music Institute' in Detroit in 1988. Since then, Alton has cemented himself in underground house music with numerous releases on some of the most notable independent labels in the industry, including Defected, Planet E, King Street, Nitegrooves, Guidance Recordings, Trackmode Records, Seasons and Octave Lab.

For REZ22twentytwo we turn to Christian Linder and his breakout EP from Bionic Beat Recordings back in 1994. Featuring 3 tracks of top shelf of progressive, trance and prime tech house it's a forgotten gem of a record.

Another Gem by Francesco, this time embellished by the remixes of a very fresh Alex Neri and completed by a Miki full of pathos!!

LTD repress !