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House Vinyl New Releases - News
Demon Records Singles Club present a Phats & Small – Feel Good / Tonite. Two tracks cherry-picked from the 1998 debut album “Phats What I Small Music”.
• Both tracks are built from killer samples with “Feel Good” utilising the B.T. Express classic “Does It Feel Good For You” with “Tonite” taking elements from Delegation’s “Heartache No.9”. Both presented here for the first time on one disc.
• Remastered by Phil Kinrade and presented in a 12” discobag sleeve.
• Part of the Demon Records Singles Club
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Demon Records Single Club are delighted to present a reissue of
Shaun Escoffery’s club anthem Days Like This.
Originally released in 2002, Days Like This is a classic by the very
definition of the word. Days Like This was Shaun’s second single and itwent on to cement his place as one of the most exciting British artists to emerge in Soulful House.
Remastered by Phil Kinrade at Alchemy Mastering and now featuring
mixes from K-Klass and Spen & Karizma and, for the very first time,
we’re releasing MJ Cole’s majestic mix of Shaun’s debut single Space
Rider. Appearing on vinyl for the first time!
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AKA AKA teamed up with Artenvielfalt for a fresh and exciting cover version of the iconic rave classic "Camisra - Let Me Show You". This legendary house music track has been given a contemporary update with a sophisticated and smooth beat, bringing new life to the beloved masterpiece.
The track preserves the main elements that made the original such a hit while infusing it with a modern edge that is sure to get people on their feet and dancing. The energy and vibe of "Let Me Show You" have been reimagined for a new generation of music lovers, making it a must-listen for anyone who loves electronic dance music. Don't miss out on this incredible new release – listen now and let it show you what it can do!
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Repress!
Radio Slave drops ‘Strobe Queen’ this June, complete with Eric Kupper and Kirk Degiorgio Remixes
Following a string of massive singles over the course of 2022 and 2023, in tandem with the continued success of his acclaimed Rekids and RSPX imprints, Radio Slave prepares his latest single ‘Strobe Queen’, a 12-minute, slow-burning house epic landing this March.
Eric Kupper and Kirk Degiorgio remix Radio Slave’s ‘Strobe Queen’ this June.
Heard in clubs courtesy of Honey Dijon, Laurent Garnier, and Sean Johnston, amongst others, and on the airwaves via the likes of BBC Radio 1, Radio Slave now recruits two legendary remixers for thw remixes of ‘Strobe Queen’. Requiring little introduction, Eric Kupper and Kirk Degiorgio both turn in
exceptional versions of the original, while Radio Slave contributes a stunning reprise of his own, continuing to explore his love of slower tempos and long arrangements of golden era NYC, as seen in subsequent singles ‘Wild Life’ and ‘Wake Up’.
Radio Slave aka Matt Edwards is one of dance music’s undisputed heavyweights. Having made his name as a DJ in the 90s, he went on to become the king of edits, twisting pop, R&B and indie cuts into essential versions that consistently set clubs alight. Since the mid-2000s, Edwards’ originals have helped define modern dance music, tackling techno, house, breakbeat, minimal and disco whilst exploring dub, balearic sounds and ambient across the myriad of other aliases and projects.
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- A1: Ouverture
- A2: Aerodynamic (DAFT PUNK REMIX)
- A3: Harder, Better, Stronger, Faster (NEPTUNES REMIX)
- B1: Face to face (COSMO VITELLI REMIX)
- B2: Phoenix (BASEMENT JAXX REMIX)
- B3: Digital love (BORIS DLUGOSH REMIX)
- C1: Harder, Better, Faster Stronger (JESS & CRABBE REMIX)
- C2: Face to face (DEMON REMIX)
- D1: Crescendolls (LAIDBACK LUKE REMIX)
- D2: Aerodynamic (SLUM VILLAGE REMIX)
- D3: Too Long (GONZALES VERSION)
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Toy Tonics comes with the first EP by Paul Older. Italian hero of vinyl diggers and maestro of rare edits. Paul is known for doing some of the sickest versions of rare jazz funk and Italian disco around. Played by every important DJ of the scene. Finally now he did his forst „legal“ record. 4 mad tracks based on recording of real musicians and bands from the Sonoton catalogue that he reworked legally and created smashing tracks for the dancefloors. This is amazing organic dance music. Live bass, drums, guitars and keyboards... played in a Afro-American vibe turned into modern house and indie dance that will put every dancefloor on fire.
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Collecting Orders For 2025 Repress
Nick Curly celebrates the 50th release on his imprint with label partner Marc Scholl. Together, they present Nick Curly’s Altrip EP, featuring a guest remix by Manda Moor.
The EP commences with the title track 'Altrip,' where robust sub-bass melds seamlessly with vigorous drum programming. Following suit, 'It's You And Me' maintains the same potent energy, featuring cascading note arpeggios and intricate percussive elements that traverse the mix. Manda Moor's 'Burning Remix' of 'Altrip' injects her high-octane sonic signature into the original, employing rave-inspired stabs, panning drums, and sliced vocal samples.
As the year '23 enters its final quarter, Cécille Records is set to reinvigorate its event series in collaboration with Peoples Agency. Two official dates stand as markers of this revival. Alongside Nick Curly, an array of artists including Sidney Charles, Manda Moor, Fabe, Leon, De La Swing, Dennis Quin, Timmy P, Reboot and more are poised to join the festivities. The launch will take place under Cécille tent owned by Groove Fest London, while another event is scheduled at ADE in partnership with promoter Hush, hosted at Amsterdam's Melkweg Club.
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We present you our second release, an ecletic 4 tracker with music by friends and music lovers Antonio, Luhk and Pir. Vinyl only. Limited edition. No repress.
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‘Queen of Clubs’ Dannii Minogue teams up with Sydney based DJ and producer, Autone, for their electrifying new track 'Thinking 'Bout Us,' a fusion of pop and electronic beats. With remixes to ignite dance floors and an exclusive acapella version, this vinyl is a true collectors item. Limited edition 300 units.
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Claremont 56 kick the year off in fne style with 'Mawson's walk',
a beautiful one-sider from Mudd & Pollard.
It begins with a cool lick of live bass and percussion over drums,
before the acoustic guitar kicks in. Rhodes piano builds into fute
and cello from Robin 'Faze Action' Lee. More guitar work and lush
strings lead us into a furry of horn stabs, piano and a trumpet solo
from Japanese artist Shiba. Dropping back briefy, before it builds
up to a fnal crescendo with fugel horns, piano and more strings.
Every musician and the kitchen sink were drafted into making
this tasty piece and it was certainly worth it. An exciting start to the
year from Mudd & Pollard and Claremont 56. Highly recommended!
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Tilman teaches us how to fly. His Atmospheric Mix of Marc Brauners „The Feeling“ is a 90s shaker and takes you straight to the stars - What a feeling, what a rocket!
The A-Side ends with a solid groover. Soela teams up with her partner in crime Module One. They deliver a classy interpretation of Max Taelers „Running“. You like it deep? - this one is for you!?
On the flip side waits for you Eddie C. He maximized the Funkyness of „Heads Up High“ without losing sight of its origins. King Eddie does royal things!
Last but not least Denyl Brooks interpretation of Shakas „Overminded“ is a peak time dance floor shaper. This belter goes in the ears, stays in the legs - for sure!
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- A1: New Hook - Lebenskonzept Perfektion
- A2: Innere Tueren & Map ache - XXII (The Goodbye)
- A3: Curses - In Disarray
- A4: Mano Le Tough - Keep Noddin’
- B1: Skelesys - Synesthetic Serenade
- B2: Rebolledo - Alright Pingüino Rodriguez
- B3: Moderna Y Theus Mago - Amor de Verano
- C1: Massimiliano Pagliara - Get Moving
- C2: Man Power - Unbekannt
- C3: DJ Oyster - House Of Bookla (Gerd Janson Remix)
- D1: Lydia Eisenblätter - It Doesn’t Stop
- D2: Alinka - Light Tunnel 8
- D3: DC Salas - A Journey
- E1: Llewellyn - High5, Twenty5
- E2: Benjamin Fröhlich - Perfectly (Version Pour Offenbach)
- E3: Peter Invasion & Gregor Habicht - Kasalina
- F1: Kalexis - Pulsar Radio Star
- F2: Adana Twins - Neue Realitä
- F3: Oskar Offermann - Live Forever
- G1: Robert Dietz - Deny The Flaw
- G2: Cromby - Lost Tool
- G3: Odopt - Gristlecut
- H1: Kadosh feat Tony Y Not & Common Occupation - Wake Up
- H2: Ali Schwarz - Tougana
- J1: Ludwig A F. - Sky
- J2: Shubostar - First Children
- J3: Jennifer Touch - Shiver (Robert Johnson)
- H3: Current Location - Terrace Dub Tool
- I1: HCL - RIV
- I2: Irakli - Infinite Errors
- I2: RKJVK - Memory Lane
In the heart of Offenbach, where the city's pulse synchronizes with the beat of the night, stands the illustrious Robert Johnson Club. For a quarter of a century, it has stood as a bastion of sonic exploration, a sanctuary for those who seek solace in the rhythm, and a beacon of inspiration for the global electronic music community. As it proudly raises its glass to toast 25 years of unrivaled musical excellence, the echoes of countless memories reverberate through its storied halls. To honor this landmark anniversary, „Live at Robert Johnson“ presents a kinda like masters blueprint of sound: "Tell Me Something Good - 25 Years of Famous When Dead!" This compilation, aptly named after the club's mantra, serves not only as a celebration of its rich history but also as a testament to the enduring legacy of the artists who have graced its stage. Crafted with meticulous attention to detail, each track on the compilation is a sonic journey unto itself—a symphony of beats and melodies that weave together to tell the story of Robert Johnson's evolution over the past quarter-century. From the pulsating rhythms of underground techno to the ethereal melodies of deep house, the compilation encapsulates the club's eclectic spirit and unwavering commitment to pushing the boundaries of electronic music. But beyond the music lies something deeper—an intangible energy that permeates every aspect of Robert Johnson's existence. It's the sense of camaraderie that binds together the club's patrons and artists alike, the shared experience of losing oneself in the music, and the profound sense of belonging that transcends language and culture. As the compilation reverberates through the speakers, it serves as a rallying cry—a call to arms for all who have ever felt the transformative power of music. It's a reminder that, even in the darkest of times, there is beauty to be found in the simple act of coming together and losing oneself in the rhythm of the night. So let us raise our voices in celebration of Robert Johnson Club and the indelible mark it has left on the world of electronic music. Here's to 25 years of passion, of creativity, and of "something good" that will echo through the ages for generations to come.
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2024 Purple Marbled Vinyl Repress
Needing no introduction, NYC-based Baltra rose with the lo-fi house scene and has become one of the most innovative producers to come out of it, constantly pushing for a fresh sound with use of organic vocals and cross-genre experimentation. Returning for a full record on Shall Not Fade for the first time since the hazy sounds of Rendezvous EP in 2019, Baltra's Dreaming Of A Disco EP focuses on impeccable instrumentals and infectious melodies.
The title track carries subtle manipulated vocalisations at the core of the melody which has a touch of romance and, later, just a hint of disco strings adding an 80s shimmer that explodes to the forefront in jangling guitar riffs. By the second number, "Imaginary Laughter", you know this record is party-ready - it is a slow build up of ecstasy, sugary sweet.
Languid keys create a woozy atmosphere in "Private Paradise", a track which is a glittering and understated anthem. EP closer "Sunset Jam" holds more disco influence, channeling Donna Summer into a modern style with tight vocal percussion and 303 stabs for a genre-melting climax.
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Smallville Record sub-label Fuck Reality returns in March 2024 with Fossar’s ‘Make Me Feel’ EP.
The Fuck Reality imprint founds it origins in 2015 as a sub label of the widely lauded Smallville label with a heavy focus on classic House music. The label kicked off with the reissue of Westbam and Nena’s iconic ‘Oldschool Baby’ with remixes from Smallpeople and Gerd Janson before going on to release music from Smallville staple Moomin, Frantzvaag – who also release the first album on the label last year - and more. Here the label welcomes Fossar, co-founder of the Feuilleton imprint, onto the imprint with his new EP.
‘Good 2 Me’ opens with airy chords, robust toms, flickers of resonant synth stabs and soulful vocals running atop snappy drums before ‘Free’ embraces a classic 90’s New York aesthetic with heavily swung percussion a jazzy bass groove, emotive piano lines and warm vocal chants.
The B-side is then kicked off with ‘Make Me Feel’, diving deep with shimmering, expansive leads, looped vocal, swirling string melodies and a classic bumpy bass and snare combination. The ‘Aeriel (Windy City Version)’ then rounds things out, as the name would suggest nodding to the Chicagoan roots of House and employing all the classic tropes from slick flutes, intertwined keys, glistening piano melodies and shuffled 909 drums.
All tracks written, produced and mixed by Pchris Gruber
Mastering by Lopazz / Mixmastering, vinyl Cut by Helmut Erler / Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound
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Buckle up for N°05 - a thrilling rollercoaster of groove that will keep you on your toes. With a catalog that reads like a love letter to the golden age of house, HDL N°05 is a homage to the beats that got us grooving. Hard Drive Library remains a pulsating force for those in pursuit of releases that are not only avant-garde but also set the dance floor ablaze.
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2023 Repress blue Vinyl
Back by high demand is Cologne's house connoisseur DJOKO with his third Shall Not Fade release - a feel-good 4-tracker which occupies the most uplifting intersection of piano house, cosmic disco and funk. Following the highly-acclaimed 2-step-infused Hooked EP and the deeper, more bass-driven Ventura EP which followed, DJOKO further flaunts his expansive versatility on his latest release.
Setting the tone is the title track's sunny pads which lead us to a long build up before an ecstatic climax - a true floor-filler. Next up "Take Me Back" is truly unique, with the dynamism of bongos and a hi-frequency melody that sounds as though it's come straight from Yellow Magic Orchestra's synths, constituting just one element of the track's luxurious and richly-layered cosmic soundscape.
"Odyssey" continues in the same extraterrestrial vein, this time adding euphoric piano chords and poppy vocals into the mix. Finally, "Lost in Time" eases the EP to a close as full-bodied pads are swapped out to make way for a funk-infused bassline and the teasing of vocals which whisper sutrily underneath classy piano tinkles.
Me & You EP drops April 15th via Shall Not Fade.
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2024 Repress
Hot on the heels of two EP releases on Bristol label Shall Not Fade, Felipe Gordon is preparing for the release of his debut album on the important UK imprint. With human contact at an absolute minimum, it's refreshing to hear an electronic music record that ventures away from the machine in favour of the organic. Gordon's ability to blend complex jazz instrumentation with acid-licked basslines, golden-age house aesthetics and the cultural sounds of South America is unrivalled; creating distinctive, beautiful and exciting house records from his home in the Colombian capital of Bogota.
"A Landscape Onomatopeya" was crafted through the concept of a painting; exploring shades, changes of tone, use of light. "I found myself making tons of music and wondering how to start an album process", he says, "something with more concept; a long journey between all the different musical influences in my head. I wanted to try to accomplish something with soul, deepness and an inherent melancholia to it. More organic, more human."
The record - which includes the Spanish word Onomatopeya as a Colombian statement and ode to the Latin American house scene - kicks off with the early evening funk of "How Do You Spell That", the distinct sugar cane sweetness of Guaro hanging in the late sunlight. "Wes" ventures into hip hop territory; dusty boom baps, 90's scratching and live guitar provoking a vibe that lies somewhere between Dilla and fellow Colombian AvenRec before the A-side reaches its climax with a cut of Gil Scott-Heron-esque funk on "She Will Come".
The B-side raises its curtain and with it comes two cuts of sublime house, each more colourful than the last. "The Colombian Excursions of House Music" does exactly what is says on the tin; fusing South American drum patterns with the creative innovation of live jazz to create a dimly lit, Latin American energy. "Momma, It's A Long Journey" maintains a more progressive vibe as it meanders through subtle acid stabs, radiant atmospherics and an oxymoronic blend of mournful, hopeful vocals.
Tape throbs and breakbeats make up the C-side as we delve deeper into Gordon's sound palette: think The Cyclist and Kaytranada, but with an Ibero-American vibe. "Howl" meanders slowly through the smoke-filled booths of a jazz cafe whilst the sounds of Detroit and Chicago shatter and break ("Away", "Das Nuyorican Vibes") over the crowd below on, before "Brazil" invites you outside for a post-dance cigarette with itsdowntempo boom-bap and mellow energy.
The record comes to its end with three D-side cuts that perfectly encapsulate its artistic vision. "Like the album itself, the artwork process was all about texture and analog treatment", he says. "We used old pentax cameras with black and white ilford rolls to achieve an intimate feeling. I found that my mind was drawn to a landscape with a house deep inside the Bogota mountains; where I hang all the time with my girlfriend and friends. It's a quiet, emotional place. Far from the city."
Wiggling basslines, vibrant shimmers and bold jazz instrumentals bring a fitting end to a truly beautiful record, and further cements Shall Not Fade's reputation as a label with its finger on the pulse of exciting dance music.
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Ray Mono started out as a resident in Leeds at the cult mono_cult party and has since gone on to emerge as a top talent in the studio. He has a fresh blend of minimal, house and tech that has taken him to labels like Moxy Music but now it is that OG home of mono_cult that welcomes him for a first release on the new label. True to form this is silky and irresistible tech with liquid grooves and smart samples, seductive synth lines and plenty of emotion as well as dancefloor clout. Mihai Pol and Sota remixes completely Ray's standout originals to make for a fine first outing from this label.
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- A1: Underworld - Born Slippy
- A2: Chase & Status feat. Delilah - Time
- B1: Eric Prydz - Call On Me (Eric Prydz vs Retarded Funk Mix)
- B2: DHS - The House Of God
- C1: Juliet - Avalon (Jacques Lu Cont Versus Remix)
- C2: Feist - My Moon My Man (Boys Noize Classic Mix)
- D1: Daan - Housewife
- D2: Faithless - Insomnia (Monster Mix)
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4 years into The Trip's music production journey, they release their fifth EP 'Uncovered' on their in-house label Tessellate. Taking inspiration from 90's and 00's house music, each track radiates nostalgia. 'Love Struck' offers the perfect mash up; an iconic hook, ravey vocals and the ultimate bouncy, house energy. 'I Need (Speed)', is the funky, speed garage tune reminiscent of your favourite summer festival classics. Side B brings you 'Trip Life Xtra', an instantly recognizable banger, followed by feel-good 'Foxy Dave'.
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London born, Berlin living Cody Currie comes with his first SOLO EP on Toy Tonics.
The first of a couple of EPs he will do on his musical journey with the German label crew. Cody is a special talent. People who follow the new UK Dance-Jazz scene know him already. He studied music in London, before jumping into releasing music on labels like Razor n Tape & Classic Music Company that made him instantly one of the key names to follow among the new generation of producers that connect Jazz, Soul with House, broken beats and futuristic elements.
Cody moved to Berlin 2 years ago and instantly connected with the young growing jazz oriented scene over there. He met US jazz pianist Joel Holmes. 4 times Grammy nominated former keyboarder of the legendary Roy Hargrove band and Carls Craigs synthesizer ensemble. Also living in Berlin now.
Together they released two EPs on Toy Tonics last year that created a certain buzz.
After that releases Toy Tonics and Cody decided to go on together. And so here you get MOVES.
Four moody broken beat tracks (+ a house version of Moves).
The lead song Moves features rinse fm radio host Eliza Rose on the mic. Other features are London born jazz talents Andreas Kon & Ally McMahon.
On this EP, Cody moves into an atmospheric garage-y broken beat territory as an ode to his London roots. Rich chords, catchy hooks and hard hitting rhythms.
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pale green vinyl, CD included + 4 Pages Poster Release: 19.01.2015 Features the CD.Original Lp artwork. Remastered from original tapes .Also includes a 4 pages 30 cm x30 cm poster-booklet with photos, biographic notes (in english) & reminder of all vinyl references available 'SUPERNATURE' (Cerrone III)
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The EP opens with CRYMEs original mix of HOLD ON, a track driven by a weighty low-end, saturated rhythms, and hypnotic vocals. Cinthie's remix brings her soulful house touch, layering choppy stabs, airy strings, and a bouncy bass hook. Obscure Shape then takes the track into techno territory with a robust drum workout and dubbed-out fragments of the original keys and vocals.
On the flip side, Lydia Eisenblatters remix highlights crisp breaks, gritty rave stabs, and pulsing subs. Volpe closes out the release with an ethereal dub techno rework, featuring spiralling echoes, a groovy bassline, and heavily shuffled percussion.
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With sunshine, blue skies and good times on the horizon, Toolroom is ready to usher in the summer in a huge way with the brand new summer hit from Siege – ‘Reach Out’. Making his return to the label, Siege is back with a record that promises to steal the spotlight and your all-time favourite tune. Big favourite of Carl Cox, Alan Fitzpatrick and Adam Beyer, Siege has firmly planted his foot in the scene having released a selection of quality records already this year like, ‘Give It Up’ with Mark Knight, a collab with Eli Brown and a killer remix of Green Velvet and Technasia’s hit ‘Suga’.
Flawlessly proving just why he is one of the most exciting artists and producers out there in Dance Music right now, Siege flexes his talents on ‘Reach Out’. One of his best releases yet, Siege has reworked classic George Duke’s classic 1983 hit ‘Reach Out’ into the feel-good dance track of the summer. The track itself is pure ecstasy, from the sublime vocals and chorus melodies to the solid instrumentation of the record itself. Siege manages to retain every single drop of the feel-good magic that resonated throughout the original, reinvigorating the sound for the clubs of 2021.
The single also features a killer remix from Michael Gray and Dr Packer who bring their signature style and sound to the record, emphasising the Disco elements to a whole new level and an exclusive VIP edit from Siege himself. This is a euphoria laced Disco House record through and through, ‘Reach Out’ is a sure fire summer hit, classic in the making who has brought the infectiously catchy classic record back to life in a completely fresh and new way.
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