House News

The super rarity disco funk Something Got A Hold On Me by Chuck Armstrong gets its first ever official reissue, as Emotional Rescue continues its series of looking at some of the artists working with King Sporty’s Konduko label.

A long time South Florida native, Armstrong released numerous gospel toned soul 7”s for labels across the US, starting in 1962 with Cleveland’s Gemini Records before going on to release with Detroit’s Black Rock and Nashville’s Sound Stage 7.

First working with Noel Williams on the 1973 single, Black Foxy Woman, before releasing his now sought-after album Shakin’ Up in 1976, he returned to Konduko 3 years later to explore the shift to disco and boogie with William’s masterly production.

Coming in at 10 minutes of deep, bottom rattling disco funk, William’s teamed Armstrong’s vocals of hypnotising love with his in-house Root Rockers band to devastating result.

Their unrelenting groove and horns, plus Betty Wright & co’s backing vocals counteracting with William’s studio skills, is further exemplified in a wonderful dub laden Discomix by Psychemagik.

Having released a sneaky edit a few years ago, it seemed fitting to bring the duo of beat diggers, tape manipulators and world travelling DJs, into the “official” fold by commissioning a new rework that extends, loops and arranges this classic around a nice heavy dose of dub effects for daze.

Third release for Hot Groovy Records, another excellent cut signed LTJ. Disco Funk world more is still that of a Funky bleeding sound. Cuts killer perfect for the dancefloors on fire LTJ's label Hot Groovy Edits. Strictly Edits for Dj, more Funky, better life.. Vinyl Only.

There are few people across the globe, who will have not been touched by the work of Frankie Knuckles. Forever regarded as ‘The Godfather of House’. A Grammy Award winner, Frankie had a street in Chicago named after him where the old Warehouse once stood to commemorate the first ever Frankie Knuckles Day on 25th August 2004. Five years ago, Frankie passed away in Chicago on 31st March 2014 leaving behind one of the greatest house music legacies spanning almost four decades.

Now he is commemorated once again by long time writing and production partner Eric Kupper who will release part II of the special commemorative album on vinyl around this date. Eric, himself a seasoned DJ producer and writer, working side by side with Frankie on many his seminal classics, as well as personally working on over 116 Billboard #1 Dance Records. Having both worked together for many years they established themselves at ‘Director’s Cut’ from 2011 and set about producing original releases and remixes based on the classic ‘Def Mix’ sound while sharing equal credits for their creations.

The album features some of Directors Cut’s best works with the Re-Directed version of the seminal classic ‘Baby Wants To Ride’ plus their re rubs of Inaya Day, Sybil, Hardsoul and Lou Rawls - You’ll Never Find Another Love Like Mine (Kenny Summit, Frankie Knuckles & Eric Kupper Unreleased Anthem).

This album is to be released in collaboration with The Frankie Knuckles Foundation who work to continue Frankie’s legacy whilst focusing on music in schools, LGBTQ youth homelessness, AIDS research / prevention & diabetes research / education.

Second running for the Johnick Collection series, on legendary Henry Street Music, with some classic house anthems ever from Johnny "D" De Mairo & Nicholas Palermo Jr.
Includes this time two edits from the always good italian Nico Lahs, which will create just the right mood on the dance-floor.

This series offers a best snapshot of the kinds of records that were being played at the early ’90, and will be playin forever...

repress

feat. Joe Killington & Duane Harden

Limited edition clear vinyl version of Purple Disco Machine’s anthem ‘Devil In Me’ featuring Joe Killington & Duane Harden, tight sun-kissed house groove, a familiar sounding funk-driven guitar sample and a catchy vocal co-written by Duane Harden (from Armand Van Helden’s 1999 club classic, ‘You Don’t Know Me’) and sung by Joe Killington.

'Devil In Me' boasts all the hallmarks of a future summer anthem, comprising of a; tight sun-kissed house groove, a familiar sounding funk-driven guitar sample and a catchy vocal co-written by Duane Harden (from Armand Van Helden's 1999 club classic, 'You Don't Know Me') and sung by Joe Killington.

The impressive new single 'Devil In Me' follows on from the recent success of Purple Disco Machine's 'Body Funk' released by the Club Sweat imprint, which hit the #1 spot on Beatport (Indie / Nu-Disco chart) and Traxsource (Nu-Disco chart), becoming the most played track on BBC Radio 1 throughout May, championed by Danny Howard & Pete Tong.

In addition to the single, the talented German is also celebrating his recent award nomination for 'Best House Act' by Ibiza's prestigious DJ Awards. Ranking as the #18 artist in Beatport's all-time Top 100 the accolades keep stacking up. With a colossal remix resume including; Gorillaz, Jamiroquai, Claptone, Faithless, New Order, Two Door Cinema Club, Shapeshifters and Sigma, it's time for Purple Disco Machine to take centre stage for a full length debut worth waiting for.

* 2022 Repress ** Profondo Nero compiled by Cinema Royale

Profondo Nero narrates a storyline that goes beyond the borders of Italy’s musical legacy. Cutting across the face of Italo disco’s leftfield musicians between the early and late ‘80s, Profondo Nero champions a multi-faceted sound that nods to the blueprint of Italo disco but tries to dig deeper. The music is unmistakably Italo disco but moves away from the familiar classic sound. Amsterdam based collector Cinema Royale stitches together eleven tracks from 1983 – 1989, celebrating a sound he fittingly describes as ‘leftfield Italo’.

The compilation connects the dots between soulful disco (Louise Freeman – Mirage), synth-pop (Mark – Dreamland), electro-rap (Loukas Thanos – Jazzburger), breaks (Santoro – Lover Message), 80s dub disco (Jet Set – Love Break), Balearic (Isamar & Compañia ‎- No Estas), boogie (Tom Hooker – Talk With Your Body) and proto-house (International Music System - An English ’93).

Profondo Nero’s title salutes the legendary oeuvre of Italian horror director Dario Argento. His Profondo Rosso (1975) is a classic example of exquisite cinematic storytelling, boasting courageous colors, expressionist camera angles and an unforgettable Goblin score forming the ingredients for an intriguing piece of art. Profondo Rosso’s music, created the spark for a new Dekmantel Records endeavor led by Amsterdam based experimental film score connoisseur, record collector and DJ Cinema Royale.

For those in the know of underground Amsterdam music culture, Arne Visser aka Cinema Royale is among the city’s longest standing record collectors. Born to an Italian mother and Dutch father, Arne was brought up on a diet of Italo disco in the 80s. Cinema Royale explains: ‘For Profondo Nero I took a plunge into the lesser known fringes of Italo disco. From there I tried to connect, among others, San Francisco boogie, Balearic, Japanese late era Italo-electro and synth-pop funk. I hope you can hear what I had in mind: an infectious showcase of my take on traditional Italo disco that will hopefully get a lot of listeners itching for a spin. It’s fair to say that lately this particular sound has seen a reappraisal and renewed interest.

As a party-starting collection for entry-level connoisseurs or suave but lazy types, I hope Profondo Nero can be an education. I’m not claiming I’m the first DJ or collector to do so, but I did try do present something special by digging deep.’ It wasn’t my goal to unearth the most obscure tracks, instead I wanted to compose a compilation that takes you on a journey.
‘In my opinion the best DJs create something extraordinary out of illogical selections by combining music against all odds and showing different kind of moods along the way. There’s a certain amount of arrogance involved: you take the music out of its original context. But by doing so in a very conscious way, you might be able to enhance the power of the individual records. Hopefully each song on Profondo Nero provides an intimate and memorable experience.’

The Mellophonia label offshoot Fusion Sequence won us over with its well-presented and great-sounding first EP, and now a quick follow-up does the same. This one is another various artists affair that starts with some nice futuristic robot disco from Vanity Project. There is more organic and lush Balearic from Bobby Bricks and Pacific Coliseum follows that spine-tingling Ibiza sunset vibe. On the flip side, there is everything from late-night electronic house to lazy disco via Sorcerer's blissed out 'Just For Love' which would entrance any dance floor. There's as much quality as there is variation on this one, which makes it a useful EP indeed.

After 35 years of radio silence, there is good news from space for all Italo and Spacedisco fans.

Android is back with a new adventure ..SpaceX.. the sequel to the 1986 classics Skydancer and Aliens. The catchy synthesizer loops, the tight fat beats and hypnotic sequencers take you back to the 80s… but are also definitely of this time.

SpaceX is produced and written by Marc Hartman. Incl Synthwave Remix by Nu Disco heroes Dave Leatherman and Bruce Nolan. SpaceX is taken from the forthcoming Android album Spaceman’s Return.

A Classic Pop or Dance track from the past in a new mix with the sound of today. For years Marc Hartman and Herbert Gruber (the personal manager of Supermax frontman Kurt Hauenstein) have been working on the perfect mix to release…. In 2021 they picked up the project and the finishing touch was the involvement of the German label Lemongrassmusic and a remix from Lemongrass is now included as well. Ready to meet that classic smash hit “Lovemachine” in 3 brand new remixes by Marc Hartman & Lemongrass.

Swedish producer HNNY (real name Johan Cederberg) releases his debut album 'Sunday' on Omena Records, a label set up by Tobias 'Tooli' Lidstrom.

The ten track debut album continues an ongoing partnership between HNNY and Omena Records that started in April 2014 when the 12" 'Always' was released which also marked the starting point of the label.

Sunday is released as a 180 g vinyl edition in gatefold sleeve.

MDFC aka Mobile Disco Funk Connection is a collaboration between Carl Cox and Eric Powell.

As young music lovers, it all began a long time ago with Carl and Eric in the UK playing bloc-party style pop-ups, digging into their parents' influences in music. With its roots in Funk, Soul, Hip Hop, Jazz, Disco and Reggae, Carl and Eric’s Mobile Disco showcases over 30 years of music with Carl and Eric digging to play some of the tracks that have influenced them over the years.

Fast forward 20 years and Carl and Eric have now taken their Mobile Disco concept to: Glastonbury, Brisbane, Sydney, Melbourne, Adelaide, Perth, Queenstown, New York and Bali.

While we couldn’t really travel (say no more) Carl and Eric decided to revisit some of their favourite jazz funk tracks, remix Funkadelic, GQ and Cooking on Three Burners, Buffalo Brothers and some new recordings, using either the original 24 track tape or having parts replayed. Carl and Eric have named this concept MDFC (Mobile Disco Funk Connection).

MDFC is only available as a triple vinyl album release.

Over 25 years of digging, and more than 2 years in curation. Nick V’s debut compilation pays homage to forgotten gems of the classic Italian House scene, circa 1991-1993.

In the early 1990s, Italy hosted one of the most flourishing scenes in the burgeoning world of House music. Whilst the majority of Europe was only just beginning to digest the arrival of this new musical
genre born in the US, Italian clubs, DJs and labels were hot on the heels of their counterparts in the already established scenes of New York and London. The clubs of the Adriatic coast – also known
as the Italian Riviera –were full every weekend. The soundtrack was provided by the major US and UK acts from the day but also local resident DJs that had been honing their trade since the early
80s. By the early 90s, Italian House music was regularly exported around the world with labels such as UMM, Zippy, D-Vision, MBG, Flying, Palmares, DFC and Irma releasing tracks inspired by the
original New York House and Garage sound, but with a very different, unique and emotional take.

Distinct from both Italo-Disco and Italo-House, this was the specific aesthetic that was to become the House sound of the Riviera, the soundtrack of the golden era of Italian House music.

Nick V’s compilation on Mona Musique brings together 8 iconic tracks from this specific period, covering the whole spectrum of the riviera sound. From the powerful vocal tracks by Korda and Be
Noir to the dubbier cuts by Syncopate and Underground Ghosts, without forgetting of course the characteristic Riviera deepness with tracks from Subway Ground Master, Centric House, Groove
Sense and Optik. Artists featured include legendary DJs and producers from the day Ricky Montanari, Alex Neri, Enrico Mantini, MBG and Ivan Iacobucci.

The compilation comes in a double gatefold sleeve with liner notes by Nick V illustrated by flyers and photos from the original Riviera days. This is a DJ friendly 45 RPM vinyl only release, all tracks
have been remastered with the sound staying true to the dynamics of early 90s production.

German shining star of Nu Italo and Synthwave Mirko Hirsch is back with his brand new 12” ANGEIL IN WHITE. The original version is heavily inspired by Axel Breitung’s dance sound from the mid-1980s, and the remix by Ryan Benson is a nod to early Blue System recordings. Gianni Durante, in turn, guarantees a real high energy feast.

Originally released in 1983, "Take A Chance" is a classic Italo-Disco classic anthem, now officially reissued for the first time on 7" vinyl.

Andrzej Korzynski is, without a doubt, one of the most important, celebrated and influential Polish musicians of the XX century.
He wrote plenty of pop hits, created a very famous and extremely successful Franek Kimono project, collaborated with world renowned movie directors like Andrzej Wajda and Andrzej Zulawski, and played a key part in the legendary studio group Arp Life. Korzynski is also well known for his soundtrack for a cult classic for kids, "Mister Blot's Academy".

All in all, he's perceived as an extremely creative person, a real pioneer who helped introduce synthesizers to the world of domestic film and pop music. A true artist with many faces, a handful of projects, and a musician that cannot be pigeonholed. Without any doubt, he is really something.

So, with all that being said, no wonder that The Very Polish Cut-Outs' attention was drawn by the Master's work.

Without further ado, we have an honoor and pleasure to announce this release.
Four remixed tracks from the very rich artistic output of Andrzej Korzynski. All the tracks were carefully picked by the composer himself, out of a dozen proposals. It is worth adding that such a release was a personal dream of Zambon, the TVPCO's founder, especially given the fact that his very first edit was "Baby bump", a cut by the aforementioned Arp Life group.

"Niezle Numery" EP consists of four top notch edits and remixes brought to you by a well-known pack of producers closely related to the label with the famous rooster logo.
Holiday 80 guys take over the A side having expertly cut original material by Zenek Czubaty (the predecessor of the legendary Franek Kimono studio output), finishing off with two thumping peak-time heaters with infectious vocals.
On the flip you can find a more relaxed and reflexive take with a downtempo twist. Pejzaz adds his trademark sound to "Monika", a piece deeply immersed in slo-mo vibe, while Karol Aleksander's "Welwet" is a nu-disco tinged groover with a personal touch. This EP is strictly dedicated to the lovers of hidden dance floor gems and die-hard collectors of rare stuff.

The outstanding cover was designed by long-time collaborator, Bartosz Szymkiewicz.

Here comes Emotional Rescue and Konduko's last in their series of Noel Williams/King Sporty reissues, this time looking at later electro productions and the hip-hop/boogie influenced 'Sun Country'. Vocals and co-production come from Williams' long-time partner Betty Wright and as well as a vocal and instrumental mix there's a longform remix by Bay Area disco dub stalwarts, 40 Thieves.

By this point in his career, the godfather of Miami Bass had travelled a long way from his Jamaican roots in reggae and soul, paying homage to the warm climbs of the Sunshine State and laying down a much copied template using the TR-808 drum machine create the electronic emulations of the breakbeat, claps accenting the backbeat and trademark low frequencies shaking the floorboards. The instrumental stretches the arrangement, emphasising the interplay between electronics, bass, vocal samples, scratching and fx, the voice transformed into a percussive element in its own right. The flip sees 40 Thieves flexing their understated understanding of electro funk, making for a rounded, generation-jumping package.

Mit ihrem Berlin-Umzug Mitte der 1970er Jahre wollten David Bowie und Iggy Pop nicht nur für einige Jahre den Lebensmittelpunkt ins Zentrum Europas verlegen, sondern auch musikalisches Neuland erkunden. Auf ihren Trips nach Paris oder Warschau ließen sie sich von neuer, europäischer Musik inspirieren die so ganz konträr zu der grassierenden Disco-Welle in den USA war. 16 dieser Tracks sind nun von St. Etienne's Bob Stanley und Jason Wood (u.a. 'English Weather') zu einer Compilation zusammengestellt worden, die einen Einblick in die europäische Elektronik- und Krautrock-Szene gibt, von der sich vor allem Bowie inspirieren ließ. Passend benannt nach einem von Bowie's Liebelings-Bars in Berlin, kommt 'Cafe' Exil' mit Tracks von Amon Düül II, Faust, Michael Rother, Brian Eno, Soft Machine, Cluster oder auch der Jan Hammer Group! Die Doppel-Vinyl kommt mit dem Edgar Froese-Bonustrack 'Epsilon In Malaysian Pale'! Natürlich mit umfangreichen, sehr informativen Liner Notes zu allen Tracks!

MASTERED TO 11, CUT TO 10, PRESSED ON 12 !!.

SUPER limited hand-stamped vinyl...

Detroit’s Pontchartrain takes the Razor-N-Tape reigns for his debut on the label - an all-cylinders-firing jazz laden, deep house EP with an exquisite Demuja remix.

The A side kicks off with ‘The Friends & Lovers Dub’ version of the title track ‘Love Is Madness’, filled with deep pulsing pads, resonating dashes of sax, crisp percussion and a bumping bassline that provides the perfect backdrop to the echoing mantra of ‘Friends... Lovers’.

Next ‘I-80’ is a wonder of shimmering arps, brooding bass tones and reverberating trumpet touches. Perfect for the early hours, entrancing dancers as it washes over the airwaves.

On the flip, Austria’s golden boy Demuja hits hard with a Kerri Chandler channeling deep house remix of ‘Love Is Madness’, centred around a pumping bass synth, sustained organs and a classic marriage of horn stabs and emotive spoken word.

Closing the EP the original mix is a sun kissed, eyes closed gem that blends delicate bongos, rousing sax lines and the sweet vocals of Simon Black & Leafar. A must for any record collection out there, house head or not.

Hell Yeah welcomes the red hot pairing of Tuccillo and Willie Graff for a new four track EP that includes 'Gliding', as heard on the recent Buena Onda compilation. This is a serious serving for real DJs only.

Willie Graff & Tuccillo have been cooking up their delicious deep house dishes for more than a decade now on labels like Finale Sessions, Freerange and Circus Company. Tuccillo is also behind the Balearic Gabba classic 'Solo un Delay', and Graff - a born and bred White Isle native, who is also a long time cohort of Kenneth Bager`s Music For Dreams - is the youngest person to ever have a residency at the legendary Pacha nightclub. They have a rich sound palette that gets all horizontal and Mediterranean across these four fresh new tracks.

Day Side opener 'Crystal Ball' has a nimble bassline and bouncing kicks that get you on your toes while the lush synths do a playful dance up top. The excellent 'Gliding' track from the Buena Onda compilation is a super go slow anthem with scuffed up claps and lazy kicks that take you on a real trip far out to sea.

Flip on the Night Side and 'The Moment' picks up the pace, exploring late night deep house with a melodic air, distant whistles and subtle acid sounds that make for a tropical beach rave. Last of all, 'Tic Tac' is six minutes of dreamy rhythmic bliss, with delicate drums and new age ambiance washing over you like a cooling Azure breeze.

These are classy DJ weapons for those who know.

After a moment of silence Niels Docter is back with this love filled EP “A Lovers’ Paradise”. A place where anything is possible. Purple sunsets, pink oceans, many full colored moons and party into eternity. Call it paradise, call it the afterlife, but this is the place Niels, aka Doctr, went to to create his new 4 tracker. Each track is filled with feelings of nostalgia, euphoria and a hint of melancholy. Craving for a summer of love, getting back together for hugs, kisses and…dancing.

Based in Berlin, Matalo! comes with a spiced up debut EP on GAMM that is heavily influenced by Afro-Cuban rhythms, Latin-Funk and Rare Grooves.

All four tracks come with heavy percussion, big horns and a gritty Nu-Yorican feel.
Reminds slightly of those old school Latin jams Red Astaire used to put on on GAMM back in the day ;)

Prime Direct Distribution are proud to welcome Africa Seven’s mighty A7 Edits label to our exclusive roster. Their sought-after official edit series takes in three more obscure Afro-disco gems from Africa Seven’s extensive vaults, reworking them for the modern dance floor.

For their 5th release, Monologues Records and Sterns Edits head Ben Gomori kicks things off, working his magic on Oby Onyioha’s Nigerian disco boogie bomb ‘Enjoy Your Life’ giving it a heavyweight club makeover.

Next up, Isle of Jura bossman, Kevin Griffiths aka Jura Soundsystem gives the Togolese tastiness of Afia Mala - ‘Koma’ some Balearic dub loving.

Last stop on the journey, D Tourn, gives Eko’s Cameroon slice of sunshine, ‘Bowa Nga Ngebe’ from the 1979 Funky Disco Music album, a delectable dance floor edit.

As part of Ugly Music's 25th Anniversary Joe Clausell has remixed Underground Evolution's 'Soul Searcher'. The original was a two copy classic at the legendary Body and Soul on first release, so Joe was a natural fit to reimagine this classic house track. His new version while attaining the extra length previously reached by mixing the vocal and dubs, goes way beyond, with all the parts being re-played, live bass, and layers of new synths and keys culminating in the solo’s in the second half that lift this track to new heights.

The flip of this release contains 'Walk On Water' which was the A side of the original. This track sits somewhere between the sounds of Detroit and New York (a natural place for a track of Chicago origin). With a sound palette resembling something from Underground Resistance, 'Walk On Water' is a jazz journey equally at home in the dark clubs of New York or the beaches and boats of the sun drenched Adriatic or Balearics.

Buena Onda - Balearic Beats is a lovingly compiled collection of exciting music from the new Balearic generation that captures the essence and eclecticism of their Berlin party oasis, Buena Onda. It takes in 12 tracks of fast and slow, acid and downtempo, lush and dreamy sounds to transport you to a place of beauty, warmth and soul. It has been compiled by Hell Yeah label boss Marco with Buena Onda 's resident DJ and co-owner Gallo, and arrives later this summer as a 12" sampler, limited cassette, download, stream and original t-shirt. This first sampler features four tracks from it with artists Lucas Croon, Sergio Messina & The Four Twenties, Gallo, and Black Spuma all featuring.

First Up, Lucas Croon takes us on an epic 10 minute trip with his head-in-the-clouds sounds, long legged drums and summery pad work. Next, Sergio Messina & The Four Twenties mix vocodered vocals with lush acoustics on the dreamy 'Fly Away' while on the flip, Gallo's Tropical Hinterhof Remix of J-Walk layers up lush chords with new age hand drums and synth gorgeousness that is soothing and cleansing. Last of all, Phillip Lauer and Fabrizio Mammarella aka Black Spuma's mid tempo drums sink you into a groove that is embellished with heavenly chords and plenty of oceanic breezes all carrying you away. This is a fine taster of the full length compilation to come.

It's straight back to church for Rahaan's 2nd release on LDF! Combining forces once again with Angel-A on vocals, the bluesy guitar and organ marry perfectly to bring a laid-back gospel vibe straight from the heart. The swinging drums, rumbling bass and fervent backing vocals of the choir fill out the track; evoking images of finger snapping, swaying and hands up to the sky - praise the Lord!

Danielle Arielli is a young and promising producer based in Berlin, completely devoted to the DIY ethos. Her banging DJ sets are full of energy, mixing classic Chicago House with Detroit Techno, Ghetto House and all the black magic in between. After her first full length
EP on her own label TOOFLEZ MUZIK, her follow-up EP on "Smile for a while" sublabel "All That Jelly" is completely on the same level as her DJ sets - bang dat sh*t!

RNT pushes the boundaries of their ever-expanding Reserve imprint once again, bringing the tropical soul of Fatnotronic into the fold. A sprawling 12 Inch + bonus 7 Inch pack, ONDE ANDA spans a range of equatorial flavor, showing the Sao Paulista duo's knack for bringing just the right touch of today to classic and obscure Brasilian sounds of the past. And with beautifully illustrated packaging, this one's a treat for both the eyes and the ears!

Pressed on 12 Inch with a Bonus 7 inch both Heavyweight Vinyl both In a Full Picture Sleeve.

Slo -mo house at it's best deep shape, including the rare, sought after Maurice Fulton remix for Alice Smith 'Love Endeavour'. Compiled by Rainer Trüby.

We live in hectic, turbulent times. It seems season- and reasonable to slow things bit down. In fact: slow house down to what we calling now: SLOUSE. Implying down to earth club music, with a tapping foot under 116 beats per minute.
House music and its many sliding genres have ruled the clubs and charts, well, a special focus on the slo-mo house is well-deserved.
Rainer Trueby become a guarantee for vanguard soulful dance music and club tunes with such special vibe, which he had formidable approved not only as a DJ but also with sucessful compilations like - Glücklich', - Maiden Voyage' on Compost, DJ Kicks (K7) or compilations for Nuphonic, King Street, Talkin' Loud and other labels.
Rainer Trueby, an artist who spreads love like in the good old days, selected some of the best tunes on the planet, some rare, sought after like the rare Maurice Fulton Remix for Alison Smith - Love Endeavor', in demand tunes like S3A - Deep Mood Act2' or Ron Deacon's - Untitled', amazing discoveries like the Moonstarr tune, or a Laid Back remix, few underrated tracks, well all tracks are worth the grab and get played again & again. It's a full palette of slo-mo house flavors and moods as Rainer Trueby takes us on a magical trip into his imagination of Slouse.

The result is a future classic compilation with melodic and groovy masterpieces, made for your home-, garden-, car- , club listening pleasure. It works for the happy hour as well as the after hour.

Hope you love it as much as we do !

Limited edition of 300.

Brussels based master tastemaker & DJ (and producer), soFa deliver his first ever solo EP “All My Friends Are Witches”, tipping Planet Trip records into double digits.

Take a head first dive down the wormhole of soFa’s dubbed out triiips made even more special with incredible vocalist collaborations with Saeko Killy, Ank and Nyati Mayi, plus a mind bending remix from fellow PT extended family Mogwaa to close out the EP.

One to hold close.

Recorded by soFa & friends during the first covid lockdown at Rocket 23 Studios Molenbeek - Brussels
Written and produced by soFa
Mixed by Mick t-woc
Mastered by Nick Arks
Artwork By Johann Kauth

These Guys need no introduction, floorfillers like Keep On Dancing, Knock Me Out and Showtime. After almost 30 years they’re back, Make It Or Break It is the new single. Produced by Eric Matthew, Mixed by Marc Hartman. It makes you happy and makes you smile…. Up coming some hot Remixes of the old hits on Random Vinyl only.

MOPLEN REMIXES

Tom Moulton is a pseudonym for the best disco grooves. And his credit “A Tom Moulton Mix” appeared on tons of disco-classics in the 70’s and 80’s. His TJM pseudonym dropped ‘I Don’t Need No Music’ in the Summer of ’79…. Unlike the title we do need music to survive! And thank God for TJM!

Moplen has brought the track alive once again with a remix full of percussive groove and infectious hooks. The Da Bridge Dub is more of a stripped back rub. It goes deeper into disco full of looped guitars riffs, vocal hooks and uplifting strings. A real dancefloor delight! THE perfect end of night song.