House Новости

Classique Gino!

Mikal Asher hails from the legendary reggae group Morgan Heritage and he was behind plenty of top musical moments. His vocal work here comes on top of original off stems from disco don Gary Davis, but served up with all-new fire in the form of two mixes by DJ and producer Knoe1 and Warehouse Preservation Society. Knoe1 goes first and flips the OG into boogie-laced funky stepper with squelchy bass and lush melodies. Warehouse Preservation Society then go for a more heavy, percussive and dubbed-out house cut that has tropical sound effects and humid grooves to make you move. All this comes on a mega limited 7" that is sure to vanish in quick time.

Tooli makes his debut with three solid dancefloor burning reworks of prime cuts for Majestic Ritual.

He first turns his attention to Peace & Love, a jazz-funk bomb with keyboards swirls and beefed up basslines combined with new synth magic and a surprise ending!

On the flip we get off-the-hook dancefloor business right off the bat, The Fly is dancefloor dynamics turned up to 11 with a groove that just won't quit.
Last but not least we get Cyclops. An irresistibly good bass driven track, playful and thrusting.

Label Info - Alert! Alert!

Majestic Ritual is a delightful and impressively grandiose extension of the classic-not-classic tunes.
A melting pot of influences, high steppin' hip dressin' music. All conducted by Tooli and friends from far and wide.

These are limited edition, don't miss your chance to grab a copy while it lasts.

Diese Maxi-Single gibt es exklusiv in farbigem Vinyl und in einer streng limitierten Auflage

Tropical Disco are back with Volume 13, unveiling 4 innovative cuts of disco-house dancefloor shakers on an ever-burgeoning imprint.

Moodena introduces the record in raucous form with ‘Do What You Like’. It’s loose, full of sass, brass and low-slung swing. Staying true to Moodena’s style, it has an effortless aura to it, feeling like a jam while when listened to closely bustles with pinpoint accuracy and detail.

‘Kool Geeza’, Sartorial’s contribution borders breakbeat, commencing with a filtered, rolling drum rhythm before a tough kick inevitably steers the track to deliver its rightful housey doings. Iconic, detuned synths overlay western harmonics and a slick bass, evoking visions of gleaming 80s movie car chases.

Austrian artist Munky Fike has put out a string of successful releases on labels such as Snazzy Traxx and Pogo House Records, crafting functional, classy deep house cuts. On his second outing for Tropical Disco, ‘Funky Disco Queen’ is one of his most considered productions, with just 3 bass notes jousting a psychedelic plucking guitar an empathetic energy is built.

San Diego based production duo Castle Queenside return to the label to close off the EP in fine style. Working mellifluous vocal harmonies into lush, charming waves, while a profound beat surfs through, ‘You’ve Always Been’ is a blissful symphony to round off an accomplished record.

As a deep, party starting package for jazzed out, groove loving freaks, this one’s essential!

Rollover Milano is proud to present Anything Goes -Rollover Edit Service Vol.2. A-Side contains two twilight-Italo-Balearic edits from Rollover DJs.

As the Sun goes down, B-side becomes darker with two deep and groovy reworks from SHMLSS and ETNA.


DJ Supoort:

2ManyDjs - Eric Duncan - Bill Brewster - Tim Sweeney

All-time classic alert. Blissful, bumping, euphoric garage house in the form of ‘Do You Want Me Baby’ from the mind of Victor Simonelli as Cloud 9, celebrates its 30th year tingling spines with a fresh remastered reissue containing all four of the mixes from the ’92 original. A record that never ever fails to bring a reaction…many a memory has been made listening to these delectably deep grooves.

Cast your mind back to the parties in 90s Rimini, or the Tunnel Club or Magazzini Generali in Milan. Cruising in your tiny Fiat hire, drenched in that balmy Mediterranean vibe of a scene and the best- looking Italian house and funk party you’d ever experienced.

But Italy has had a long relationship with funk and soul well before the 90s, that stemmed from American R&B artists appealing to Italian audiences way back in the 60s. In 70s Italy the Umbria Jazz Festival opened, at the same time the soul-funk sound of Napoli Centrale was directly influenced by the nearby American bases. Italo Disco experienced global success, with Italy’s musical pioneers coming up with the hybrid of bass over melodies. The Italian Funk attitude was born.

Following the success of the first volume in 2019, Italo Funk curators, Eli Soul Clap and Lele Sacchi have since been hard at work compiling the much anticipated second volume dedicated to Italian cultural icon, Claudio Coccoluto who we sadly lost earlier this year.

The continuation of the Italo Funk Story takes us on yet another trip through Italy. From 'Venaria’, a little village just outside of Turin where Stump Valley offer a blissful taste of the regions deep house flavours. To Puglia, where Rollover DJs present 'Buonasera’, a slow building, bucolic jam. Rocco Universal’s 'Somewhere Else’ tips it’s hat to Detroit, but of course with a healthy touch of 80s Italo. DJ Rocca sweeps us away to Reggio Emilia and serenades us with his jazz flute on 'Don’t Be Worried’ only to join us again under his collaborative project with Capofortuna as Roccacapofortuna on the peak time bomb 'Potage’. Capofortuna; the duo of DJ Rame & Funk Rimini, delivers festival bound heat, while Funk Rimini takes us on a vivacious visit that balmy coast of the Adriatic Sea. Lele Sacchi & Brioski pick us up and drops us in Milano for a taste of both the old, and nu-school combined.

To Claudio’s legacy, and the great artists of Italy.

'Turning (Inside Out)' is the new 12" dance single from Arbutus Records, a collaboration between Canadian synthpop artist Moon King and Baltimore production team Visors, with added vocals from fellow Bmore rapper DDM and, in a surprising turn of events, saxophone from the Neptunes' Chad Hugo, under his St Charles alias.
The 'pandemic-era online collab' has given us some strange and unlikely gems, of which this record is certainly one - a mesmerizing
mid-tempo groove with Moon King and DDM's call and response vocals floating above, culminating in a catchy chorus: 'feels like turning inside out, when I need you there, you're not around'.

After an initial link up last summer, Altrimenti Records present four more remixes of cult Italian synth maestros Cabaret Du Ciel. Once again the focus is on experimentation, testing unusual crossovers between artists, eras and styles in pursuit of compelling new sounds.
The results across all four of these versions are distinct from each other, and distinct from wider trends in dance music.
First up, Benedek approaches 'Great Plains' as a low-tempo space-boogie excursion. Following in the wake of his releases on Leaving Records, L.I.E.S. and People's Potential Unlimited, the LA-based artist lays down thick slabs of Moog while retaining the ethereal swirl of the source material.
Rome's L.U.C.A. (aka Francesco De Bellis) has established his new wave-inspired sound on his own Edizioni Mondo label, not to mention working in other projects such as MAT101 and Jollymusic, and he brings a sprightly, motorik energy to 'Climatic Variation'.
Lorenzo Fortino's 'Suspacid Revisitation' version of 'Lakota' is aqueous and psychedelic, but remains elegant and understated in its execution. The emergent producer has already released on Wo-Land and most recently Miniera, and this remix ably embodies the entrancing qualities inherent in his sound.
The remix package concludes with a playful, leftfield electro diversion from elusive Montreal-based producers Sentena. Hailing from an emergent scene orbiting the Doo label and projects like SnP 500 and Fashion, their crooked take on machine music perfectly meets the adventurous aims of Altrimenti in testing out crossovers of styles and creative processes.

After the first two well-received outings of this series, Crazy P is back with another of their Curates offerings This is another limited edition selection with four cuts all carefully selected by the disco funksters and all served p with fresh art by the one and only Bristol artist Victoria Topping.

Hardway Bros kick off with some nice far-sighted deep disco, Das Komplex's is a more psyched-out offering then Lea Lisa brings a lush and symphonic sound and Red Rack'em offers late-night lover's grooves to make for a very tasteful and nicely diverse selection

This second collection of edits from Italy's matter-of-fact Edits Collection label offers another quarter of superbly feel-good disco sounds. 'Slow Luv' has lush strings and plenty of Philly vibes, while 'Stranger Beat' layers up the jumbled percussion, sliding hi-hats and funky bass. Flip it over for 'Xpress Yourself' which is sure to weave its way into your soul with its hip-shaking groove and more funky bass frets than you know what to do with. 'Xpress Yourbeats' is a more raw and drum focused sound for amping up those energy levels on the floor.

Danish synthpop/italo disco artist Lucca Leeloo has joined forces with Fred Ventura and Paolo Gozzetti from Italoconnection on his debut album “Beyond Infinity”. With focus on the good melody Lucca Leeloo is heavily inspired by the golden sound of the 80s – but with a modern twist. The lyrics are dreamy and thoughtful.

Cosmic Romance is the first LP from Los Angles producer MoodHay that beams down to planet Earth in a swirl of lush synthesisers, hypnotic melodies and warm grooves. It’s a journey of emotions, contemporary and classic all the same. The album orbits around earthly elements of R&B, funk and house, seamlessly blurring in a unique way that MoodHay pulls off with an endearing ease here in the early 21st century. It’s a sonically beautiful love note with a lot of attitude that pilots right to the center of your soul, while keeping your body rocking out real smooth.

MoodHay’s hilltop studio is like a hidden oasis out in the desert, mystical and soothing, where he brings gems (like the ones you’ll hear on this album) to life. He sings and plays all the instruments on this record (minus the hot sax on ‘Melodies’) and is truly blooming as a songwriter.
MoodHay has such a fresh energy around him that is certainly felt throughout Cosmic Romance and these songs were methodically crafted to maximise the vibe out on the dance floor on this planet and others out there.

This vinyl only label is already hot property and now its 17th release marks another one that is likely to fly off the shelves. Rhythm Plate is in the hot seat with this new EP 'Codependency' featuring remixes from YSE aka Saint Laur'Ant. It's 'Hold On' which is first up and brings lots of lavish disco energy with rich vocals that take you to somewhere like Paradise Garage. The first remix is laden with more effects and more sensuous chord work then 'Why Did You Leave' is a more tropical viber which gets remixed into a fine dub.

It's a sizzling seven up for Moiss Music here as they draw together four different artists to offer up one cut each for this new various artists collection.

Boogietraxx goes heavy on the filter vibes on 'S N T' which is French touch disco-house of the highest order. Kellit's 'Pryscoks Sockin Socks' is all about sultry sax lines and loose-limbed disco house beats while C Da Afro gets heads up with the streaming sunshine synths of 'Don't Be Quiet.' Groovemasta shut down with the funky Afro-disco stylings of 'Gonna Make U Rock.'

Real Feel Records looks to blend old and new in paying tribute to the roots of U.S. house music. Real Feel is the vehicle intended to bring it back to basics and create a platform to boost US-based artists in an inclusionary way. The label is run out of DC, pressed in the US, and will look to elevate Black, Latinx, AAPI, women and TLGBQ artists—new and OG—in the US. The intention is not to come in and Columbus anything--we all know vets in Detroit, Chicago etc have been self-releasing material for a long time; but rather give a channel for new artists while blending in established names.

For its first release, NY DJ, producer and multi-instrumentalist Toribio baptizes Real Feel Records with the Brown Cocoa Skin EP. The record is chock full of lush, swingy tracks built for the dancefloor. The legendary DJ Spinna contributes the finishing touches with a monster remix.

Yung Bae had already proven his capabilities over the past two years, but his album Ba3 really shows off his mastery in making Grade-A funk.

The intro “Back to the Classics” starts off with a vinyl crackle and a groove that acts as a warm-up to the rest of the album. We then get kick-started into the thick funk of “I Want Cha Back” with a burst of horns and bass that’s going to get any party up and dancing.

The undeniably groovy beats continue throughout the album, the only break coming in with the fittingly titled “Mellow (Interlude)” which gives some respite before kicking off into the album’s finale. The album’s closer “Pillow Talk” provides the perfect laid-back jam to serve as the comedown from the high the entire album provides.

This album is a must-listen for anyone who appreciates good funk!

G&D are back with vol 3 of their edit series... This is one essential 12" vinyl for any serious djs ad disco, Boogie and Cosmic lovers.
They have addicted us to a cultured sound while being fun. The versions always seriously edited by two Italian masters.
With this third release the obscure G&D duo have raised the level of quality. Absolutely essential tune.
The release contains all the seventies song as disco funk boogie and cosmic tune.

Supported by.... Sadar, Red Greg, Volcov, Grusane, Daniele Baldelli, Ge-ology, Hot Buttered soul, Twice.

Dear Reptilian Santa, we're sorry...

192 rec is taking the music industry by surprise with a 3rd EP right in time for end-of-year celebrations instead of a Best Of Christmas Songs. Kizoku is dropping with Waited Too long EP a pure nostalgic shot of raw tech-house straight out of the Stud, with naughty basslines, haunting melodies and funky rhythms. Already an after classics.

Izzy Wise makes a return to the Lips & Rhythm family with another sultry 7" EP expanding upon his love for so-called world music and expertise in heavy grooves. This EP arrives after his self-imposed isolation in the jungles of Nicaragua during 2020 and features two pure melodic jams we just had to share with you.

The title track 'Night Swim' has a long and enchanting flute lead that will take you upriver for a moonlight rendezvous. On the B-side longtime collaborator La Kata returns to lend her flowing Spanish vocals on the rhythmic number 'Semillita.' Izzy Wise once again transcends musical boundaries with this warm and stellar release.

The latest collaboration between Most Excellent Unlimited and veteran DJ and editor Danny Krivit takes the form of a 12-inch single celebrating the hardcore high-energy sound that often fueled nights at the Paradise Garage - uptempo and passionate.

Betty Wright was a queen of modern soul music whose career bridged multiple generations and musical styles. She made her professional debut at an impossibly precocious two years old with her siblings' gospel group and scored an international pop hit with "Clean Up Woman" when she was just 17! The single went gold in 1971, the same year Danny Krivit began professionally DJing and was the first among many records of Wright's that would become important in Krivit's sets. While he regularly featured the mid-tempo stepper "I Love The Way You Love" and the bright, funky "Where Is The Love," given our focus on high-energy Garage classics Mr. K's pick from Wright's oeuvre for this single was naturally "One Step Up, Two Steps Back." A 1984 release produced by Amir Bayyan, younger brother of Ronald "Kool" Bell of Kool & the Gang and a successful producer who was infusing the early '80s club scene with quality cuts like "Funn" by the Gunchback Boogie Band, "Give It To Me" by Conquest and two strong singles from Tomorrow's Edition. The sound of "One Step Up" is prototypical big drum mid-'80s, with the added touch of a Morales & Munzibai Mix on the 12-inch. "Not many other people knew how to play it the way Larry did," Krivit recalls, "It had a lasting affect on me, which inspired this edit". This version Focuses on the intensity & building of Larry Levan only using the key elements of the dub mix, and emphasizing the late-song emotional peak of Wright's vocals, giving it a much tougher edge.

Eddy Rosemond's recording career may have been but a brief flash compared to Betty Wright's, but his song "(Wake Up And Move) Funk It" punches well above its weight on the flip of this high-energy Garage excursion. Riding giddily over a peak time disco groove, the singer from Martinique's similarity to Sylvester is uncanny. For a Garage audience who adored Sylvester's signature sound but were left unmoved by a lot of his '80s releases, "Funk It" became a surrogate for the sound they'd come to love. Krivit's edit rightly features the much-sampled cosmic synth hook, still sounding futuristically funky as ever, and loses none of the frantic power of the original.

Another mysterious release with 4 tracks of afro sleaze low slung chugging prog love.

We think grabbing 2 copies of this if you can would be in everyone’s best interest.

Pressed for maximum loudness, no repress & coming to a Juicy Street near you!

Warehouse find !

Following the release of 'All My Dreams / Innocence' last month, today Róisín Murphy unveils the second pair of tracks in her series of four scintillating 12'singles produced by Maurice Fulton and shared across consecutive months this summer through The Vinyl Factory. Having taken control of all aspects of her work in recent years, Murphy delivers yet another amazing vision with a series of films to go along side her new music. Filmed over a two day residency in London's The Store X, the 'Plaything' video follows 'All My Dreams' From Moloko onwards, Murphy has always gravitated towards a deep groove. But here, with Baltimore maverick musician/producer/DJ Maurice Fulton, she's gone and made some of the most hip-twitching, pleasure-centre-stimulating music of her life. And it's being released in the only correct way for sounds so intimately connected to the dancefloor: on a series of 12' singles, with stunning graphics from Portuguese New Yorker Bráulio Amado.

'Ultimately its about dancing,' says Murphy. 'My kind of dancing: all low and funky, allowing itself to be a little out of control. It's all very simple in a way but Maurice has spent a lifetime immersed in music for dancing. His experience and depth of knowledge is undeniable. I did as I was told!'

Across all eight original songs, her lyrics are intense, exploratory, probing into dark parts of her own and the listener's psyche - all the while working on the immediate, endorphin-stimulating dancefloor level too - and her voice is finer, richer, more expressive than ever. The tracks are full of the unadulterated, but deeply warped funk which Maurice has honed over his decades of dancefloor experience. This is as vivid and urgent as Murphy has ever sounded, and it bodes more than well for whatever comes next in her absurdly exciting on going voyage of discovery. 'I've got more projects on the go,' she says; 'I've got some new and exciting collaborators on board and I'm hoping an interesting patchwork of ideas and formats will emerge in due time. But for now I'm just gonna dance it out!!!'

Precious gems mined from a wall of vinyl. Cut, polished and mounted for maximum love.

2021 looms, the world stands on the brink.

A Pandemic rages, economies crumble, leaders sacrifice individuals on the altar of the media.

Adelphi Music Factory resurface with a siren call of hope.

My People: an ode to humanity in the grip of crisis, a joyous tribute to enduring love for empty dance floors across the world.

Sisterhood, brotherhood, freedom, peace

4 x R1 Hottest Records

Daniele Baldelli presents the first official double vinyl on COSMIC, the historical italian club.

One of the 80's most advanced discotheques in the world that, thanks to the intuition of Baldelli, its main dj, became a palce that, even today, is a source for nspiration for new artist dj and producers

Funkadelic have created an enduring legacy, and the power of their impact is visceral in Detroit. Their records not only played with genre, but possessed a diabolical sense of humour that led to music domination by the late 70s with Parliament, Funkadelic, Parlet, Bootsy's Rubber Band and the Brides Of Funkenstein all releasing albums the same year for two years in a row.

The music itself is beyond stereotype, but equally huge is that they were a black band not allowing themselves to be limited by anyone else's notions of who they could be, having a massive impact on the next generation of Detroit music, Detroit Techno.

But more than just Techno, it is a freedom of thinking that extends beyond boxes, so we included all sorts of today's generation of Detroit musicians and producers to show the wide range of music that was Funkadelic and how these ideas are still contemporary, they endure and inspire.

Nuovo singolo per Luca Trevisi con il suo alias LTJ Xperience.
In questo nuovo EP sono stati raccolti quattro dei più riusciti remix prodotti da LTJ dal catalogo IRMA negli ultimi anni.

I brani non sono mai usciti su vinile prima di questa pubblicazione.
Gli artisti remixati sono: Papik & Sarah Jane Morris, The Soultrend Orchestra, Black MIghty Wax e Vasquez. Luca LTJ Trevisi (LTJ Xperience) began his dj/producer career in the 80s. As resident dj in two of the most famous Italian clubs of the time, Kinky in Bologna and Cap Creus in Imola, he was one of the first Italian jocks to spin House and to re-propose those black music, jazz and latin-bossa classics from the 70s that at the end of the same decade would have given birth to the Acid Jazz and Rare Groove movements. His first single
release in 1988, titled First Job, together with Kekkotronics, was also the first release ever on Bologna based Irma Records. It was featured in a lot of compilations of the time and entered several playlists, rapidly reaching cult status for many UK and US djs. During the early 90s LTJ delivered a couple of singles in a kind of pre-breakbeat style: Dont Stop The Sax, released all over Europe, and Funky Superfly. He also produced US singer Tameka Starrs single Going In Circles, always for Irma Records, still a classic in the downtempo/r&b field. In the second half of the nineties Luca began to produce acid jazz bands like Bossa Nostra, still today one of Irma Records main acts. Their first album had Vicky Anderson as special guest and today is still considered one of the most important European acid jazz albums. In the following years he concentrated on developing his activity as collector and rare vinyl merchant, which gave him the chance to get in touch with djs from all over the World and to discover many forgotten gems from the past years. Thanks to this experience he was able to create two extremely successful rarities series on Irma Records:

Groovy and Suono Libero. In the meanwhile LTJ started to dj outside Italy too, performing in important venues like the Blue Note and Jazz Café in London, Giant Step in New York and Montreux Jazz Festival in Switzerland. In 1999 saw the release of his first solo album under the LTJ Xperience moniker. The album was produced with the collaboration of fellow Irma artist and producer Ohm Guru and had Taka Boom and Jackson Sloan among the guests. Two of the main tracks on the album are brazil house classic Sombre Guitar and title track Moon Beat, which became a true hit of the Chill Out genre, featured in dozens of important compilations.

After making countless productions for Irma Records, including their second album When The Rain Begins To Fall (with the participation of the historic Spanish-American singer Joe Bataan), and the recents singles as ORGAN MIND / I LOVE YOU (favorite track by Larry Heard ) & ON THE FLOOR / SOUND MACHINE, LTJ is devoted almost exclusively to re-edit and reconstruct tracks from the past with the addition of sounds and rhythms in post production for labels like SUPER VALUE, SMALL WORLD DISCO, HOT GROOVY RECORDS, OH CRISTO! increasing the production of this new musical genre that is currently defined as beatdown/slo-mo, working with international labels such as Far Out Recordings, Sleazy Beats, Future Classics, E.A.R. Music For Dreams, Apersonal Music, Roam Recordings, !K7.

Robin Lee makes his most organic disco sounds as Andromeda Orchestra and Faze Action Records have tapped him up for more sonic treasure here. His signature sound is apparent from the off with the dancefloor dub vibes of EP opener 'Bad Girl.' It's bold bass, string stabs and robust pianos are all run through with a fine Moog solo. There is then plenty of cello and vocal delight to 'Twilight Lady' and a fiery dance floor cut 'Mozambique' as well as a full vocal mix of 'Bad Girll' to close out the EP.

2022 Repress

Ozer - a one hit disco wonder boy drops one of the best turkish disco edits as my bro cu-cu calls it in alacati turkey. epic. get your skates on.
FOC Edits - no stranger to turkish disco fusion via electronics 'k double a an' drops two deep saykodelic disco thrillers to play with ur mind. what who said that!

House of Disco's vinyl only edits imprint HODSTASH is back with four cuts for the floor with tracks from label regulars Fouk, Snack & Harry Wolfman and a track from someone totally new SDWTRX.

"Diamonds In the Night" is back with its second volume featuring Lerosa from Ireland, Vyvyan from the UK, Eliott Litrowski from Denmark/France and Iamnotarobot from Spain… Let’s Daance!

repress !

Vinyl Only

BPlan & Fab_o return on their own Label with a new record: Caffe Corretto Edits 04.
The new chapter is a blend of the best coffee Beans selection you can get. Two Dancefloor bangers on the A side, groovy and passionate on the B side: The perfect pick for every situation!
Grab your cup of coffee, i mean copy, while it’s still hot!