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House Novedades
NYC Disco legend Danny Krivit returns to the editing block on behalf of seminal Miami Disco powerhouse TK Disco. With 45 years in the DJ game under his belt and having played endless gigs all over the world during that time it's safe to say Mr.K knows exactly what he's doing when it comes to the re-edit thing! With unprecedented access to TK's vaults Danny has been turning in some stellar reworkings as of late and the cuts included on this latest instalment keep the quality sky high!
On the A-side Mr.K kicks off with a heavyweight edit of a stone cold b-boy / club classic! The legendary, late Ralph McDonald's (RIP) 'Jam on the groove' has long been a staple source of nourishment for hungry samplers and it's stripped back, calypso influenced percussion breakdowns have found themselves being cut up by numerous DJ's at clubs and block parties since it's original release in 1976. Here, Mr.K brings that killer breakdown right up front, rearranging the track in a way that gives us all the meat! This is a truly pared back edit, those with keen ears will recognise a wealth of samples that have been jacked from mr McDonald's drum-kit. This is one cut you can either hustle to or head-spin to! Hot, hot, hot....
The B-side see's Miami's FOXY and their 'Get off your aaah & dance' get the Mr.K editing block treatment. Kicking off with some tight drums with a heavy Latin influence this cut rolls along so smooth, giving way to a super funky pairing of guitars and flutes. FOXY are another group whose catalogue has been plundered by sample savvy producers over the years. This particular track is Disco heaven, beautifully produced and arranged, it flows along and will certainly cause some dance-floor tremors! A track for dancers, 100%, gracefully tweaked by Mr.K in just the right way! Essential business! File under - *Grown-up Disco
Of course, Danny Krivit's edits are always done in the proper manner, from the point of view of someone who has lived, breathed and played this music for the best part of 50 years. 100% legit re-edits, from Danny's personal collection, remastered and released in conjunction with Henry Stone Music / TK Disco - Miami FL.
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Written and produced by Richard Misseijer and Jos Soethout (RIP) the two original songs were performed by the Dutch disco trio Sweetness. Released in 1982 is the perfect embodiment of timeless soul-boogie, quickly becoming essential for Radio and the finest DJs and later one of the genre's rarest records. The producing duo was prominently featured on the cult imprint Rams Horn, set up as a fellow US importer of outputs such as Brunswick and Prelude. The official reissue remastered from the original source comes courtesy of Richard Misseijer himself on the baby bird Emilian-Neapolitan label Baba Records.
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AXNER's latest single 'Shout From The Rooftop' is as glossy and golden as disco gets with two members of Nile Rodgers' Chic in the form of drummer Ralph Rolle and vocalist Audrey Martells both helping to make it so.
It's got a soaring vocal and funky basslines and gets some high-grade remix treatment here. French artist and Folamour collaborator Kousto goes for a sunny house remix with the original's riffs left in place. The legendary John Morales offers a timeless M + M main mix that brims with glorious instrumentation and nonstop grooves and the one and only Al Kent brings his magic touch to a perfect Balearic sound with some superb Rhodes solos.
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This is mother, father, sister & brother combined with the soulful queen of all time - respect & love go together hand in hand & this track exemplifies precisely what love and respect truly are!
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- A1: Billy Boomer - I Like What She’s Doing
- A2: P.j. City - Straight Forward (Non-Stop)
- A3: Maxwell - Realize
- A4: Cecil Lyde - I’ll Make It On My Own
- B1: Mixed Generation Enterprize - Take To The Sky
- B2: Mark Meadows - You And Me
- B3: Alice Cohen & Fun City - Save The Best ‘Til Last
- C1: Banda 22 - A Luz Que Brilha Meu Viver
- C2: Zé Da Lata - Mistério Brilhante
- C3: Rogers Mitchell - Dame Solamente Amor
- C4: The Eleventh Commandment - Then I Reach Satisfaction (Vinyl Only)
- D1: Billy Boomer - You Can’t Hide
- D2: Freedom - High On You
- D3: The Lost Family - Blow My Mind
- D4: The Family Tree – As
Compiling the follow-up to a very successful first album is always a tricky task, but just 12 months since the release of volume one in the 'With Love' series, miche has excelled himself once again with another glorious, deep dive into the world of rare soul. 15 tracks of independently released music, created by magnificent artists with stories to tell and primed for rediscovery.
The ambition to celebrate under-the-radar artists has remained, but instead of a facsimile of volume one, what we have here is a selection shaped by life changes. Volume two is for the dancers; still soulful, still ultra-rare and slept-on records from the USA, Chile, Brazil and beyond, but the dynamics of the collection have shifted slightly. It represents a move from being immersed in a week in week out environment of beautiful, soulful music in a cosy, dimly lit hi-fi bar to playing livelier, more energetic, dancefloor-focused music in nightclubs. This volume will get you on your feet, make you move and unleash whatever it is that makes you get down.
One of the jewels in the crown of this compilation is a joyous, anthemic gospel version of Stevie Wonder's 'As' by The Family Tree (a project produced by the fantastic Julius Brockington). We are also treated to a rare and sought-after Pennsylvanian funk / AOR bomb by Maxwell, a stunning modern soul tune 'High On You' by Freedom, and self-released Brazilian 45s by Banda 22 and Zé Da Lata. P.J. City's 'Straight Forward (Non-Stop)' is gospel-disco perfection, and we also have 'Dame Solamente Amor’, a sublime, soul beauty from Chile by Rogers Mitchell. Many of these artists featured in this compilation aren't household names, but they deserve their moment to shine, to be heard, loved and appreciated for their artistry.
As Miche says it, “I hope this compilation helps in some way to keep this glorious music alive and play a part in connecting generations of music lovers from the worldwide soul family. As always, it has been made ‘With Love’.”
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Ültimo hace: 2 Años
After his successful debut album SUPER VATO (CÓMEME CD LP 01) from two thousand eleven, his highly praised mix CD MOMENTO DRIVE (KOMPAKT CD 117) from two thousand fourteen, and all-around mayhem during his adventures as one half of the Pachanga Boys, Xalapa's finest REBOLLEDO returns with his second solo album MONDO ALTERADO: a recollection of moments and experiences from recent years, colorful mnemonics encompassing the brightest and the darkest. The result is a kind of soundtrack for a movie that doesn't exist, a sonic journey designed like a mixtape that faithfully reflects Rebolledo's background as DJ and producer. Nine tracks connect for one overarching narrative, sharing elements, motives, details as they blend together. The artist's signature can be found all over the place, roaming between straight, rock-drenched drumming, sinister atmospheres, raw synth textures, exciting peaks and foggy bottoms - but always following this kinetic flow and drive which is such a big part of Rebolledo's compelling charme.
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Ültimo hace: 16 Meses
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Visions EP , an ode to the heroes, creating that certain Joie de Vivre in the new world order. Visions serve like a bouquet of treats firing on all cylinders.
Cabaret Deluxe kicks off with an uplifting celebration of hooks, horns , bells and efx. Delicately placed over a revving arpeggiated disco bass line. Star Gazer reminds us of those long cherished summer days. Those stand out numbers sounding extra lush in the sunshine.
Night Tribe takes the intensity up yet again with a Moroder type Caribbean workout. Organs and Horns heavenly intertwined.
Disco Nomad is as playful as it is sparse. Smoothly crafted vox cuts glide over a seductive bassline with drum hits sprinkled throughout.
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Ültimo hace: 2 Años
Yse Saint Laur'ant makes wonky, left-of-centre sounds for proper underground parties. He's done so for years, and now returns with more of his raw and inventive disco on the sought-after Vinyl Only label. Opener 'Bad Company' pairs visceral arps with glossy pads and soulful vocal, which is stripped away from the 'Better Company' version.
On the flipside, 'Don't Look Back' is a more freewheeling and funky feel, with silky basslines and hip swing claps under buttery vocals. Last of all is a classic chug-disco gem. 'Foreign Love' goes slow, with crashing hits and languid bass all topped off by a yearning female vocal that slowly but surely rises into euphoria.
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Ültimo hace: 12 Meses
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- A1: The Fatback Band - (Are You Ready) Do The Bus Stop (Joey Negro London Bus Stop Mix)
- A2: Patti Labelle - It's Alright With Me (Joey Negro Extended Disco Mix)
- B1: Evelyn 'Champagne' King - I'm In Love (Joey Negro Tribute To Kashif Mix)
- B2: Slave - Party Lites (Joey Negro Boogiefied Mix)
- C1: Gladys Knight & The Pips - Bourgie', Bourgie' (Joey Negro Super Bourgeoisie Remix)
- C2: Sister Sledge - You Fooled Around (Joey Negro Fooled Around With Mix)
- D1: Odyssey - Going Back To My Roots (Joey Negro Disco Re-Blend)
- D2: Ashford & Simpson - Found A Cure (Joey Negro Found A Dub Mix)
Remixed With Love Volume 3 is the latest edition of what has become the industry-leading disco remix series. No one knows this era of music better than Dave Lee, who under his Joey Negro alias once again turns his impeccable hand to some of the best-loved records ever committed to wax.
“I can clearly remember in the 80s having fantasies about being a remixer and dreaming of tweaking my favourite songs and re-releasing them. I really never thought it would happen. The days when I receive the parts for some of these classic recordings are literally a dream come true.” – Dave Lee
Remixed With Love Volume 3 has been a real labour of love, and a release several years in the making. With original parts for some of these classics hard to find, and with major labels rightly protective of songs created by legendary artists, it is a testament to both the perseverance of Lee and the esteem in which he is held as a remixer that the project was ever completed. Luckily for us though, here we are: Remixed With Love Volume 3 is done, dusted and ready to deliver a healthy dose of joy to us all.
As with previous volumes, Lee has put his own inimitable spin on more than a dozen seminal records, with The Fatback Band, Patti LaBelle, Evelyn “Champagne” King, Odyssey and many more vying for attention across a stunning three part gatefold double vinyl, double CD and digital release.
As you’d expect from an artist of Lee’s calibre, he’s taken the task extremely seriously. “Some songs I’ve wanted to get access to the multi for ages turn out to be far less straight forward than I imagined. You know it’s a great track, but unlocking the key to doing a
worthwhile new version doesn’t always come easy. To make more of a feature of one element sometimes means there has to be less of something else. There are many decisions to be made, lived with, revised, maybe reversed until finally your gut tells you it’s about right.”
There are very few producers with either the confident or ability to take on records of this heritage, but Dave Lee has once again proved that when it comes to sensitive re-workings of disco staples, he’s in a league of his own.
Released back in 2016, Remixed With Love Volume 2 included exclusive reworks of classic soul and disco records all from the original master tapes, with the collection going on to be Traxsource’s best-selling of 2016, reaching top 30 on iTunes album chart, and also being named DJ Mag’s compilation of the year.
All the remixes here are 100% new and exclusive to the compilation, making Remixed With Love Volume 3 an essential purchase for any serious disco devotee.
“Judging from comments and suggestions I get from people online thankfully there is still a large appetite for re-workings of 70/80s material, something you can’t bank on when you embark on the project. I hope you enjoy the music.
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Ültimo hace: 2 Años
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Casino Times debut on Stamp Records with four carefully diced grooves.
With acid-tinged disco and house-infused jazz on the A side, and not one but two tributes to Austropop on the B, the duo show-off both their eclectic tastes and loose approach to crafting an edit.
Much like the style established by the Casino Edits series,'Enough Acid' is a disco excursion that rolls with lively organic percussion, funked up guitar, singing strings and a meaty analogue acid bass line.
Perfectly timed piano breaks pays homage to the monstrous source material, creating an abundance of dancefloor drama...
'The Glow (Estate)' achieves the seemingly unfeasible; an enchanting jazz sample is seamlessly arranged across a tight drum groove creating rich, soulful rhythms. At points the track seems to take flight to create space for a tender vocal hook, fascinating for both diggers and dancers alike.
Flipping to the other side, Casino Times go all in with a tribute to Austropop, with two stripped back new wave and punk inspired cuts. 'Gaze Into The Future' shakes bodies and pushes the bass bins to the limit, with the sound of a siren letting us know it's time to report to the dancefloor.
Its counterpart 'Overly Dramatic' lives up to its name - a jaunty slap bass groove bounces away underneath roaring synthetic atmospheres, sporadically launching into bellowing choral hits that'll make your head spin.
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As the name suggests, Sai Galaxy represents a star-studded
cluster of artists from around the world – their varied styles
colliding to form a refreshing fusion of classic Afrobeat, disco
and West African funk.
Drawing from the influence of 70s and 80s Nigerian artists
such as Nkono Teles, Jake Sollo and Mike Umoh, the Sai
Galaxy collective is on a mission to reproduce the analogue
warmth and groove from those decades. Consequently, they
lean heavily on 70s production techniques - free from the
predictable rigidity of digital sequencing.
Spearheaded by Australian multi-instrumentalist Simon
Durrington (from Digital Afrika), the members include
Olugbade Okunade - former trumpet player from Seun Kuti’s
Egypt 80 - as well as guests Gabriel Otu, Ray Lédon and
Vanessa Baker.
While the EP seeks to reflect 70s production, glimpses of
contemporary elements can be found in the arrangements
and harmonies, at times reminiscent of modern artists such as
Lord Echo, Bosq and Voilaaa.
As Durrington believes: “dance is vital to health and
community”. And with an EP that urges you to dance from
start to finish, consider Sai Galaxy a cosmic tonic for the
modern lifestyle.
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Outside a cold wind whistles through the leafless trees.
Inside, in the Bordello, we maintain the summer heat with the inviting warmth of a new signing: Longhair. Incandescent notes, a powerful kick drum and thick bass introduce the pair of Swift and Homeboy with their track 'Squirt.' Claps coalesce with radiant chords as the Wilde Renate residents beam happiness from speakers. 'Bunny' follows.
True to it's name, the second piece is an alluring work of soft pads, gentle percussion and playful melodies. Hopping between styles, 'Bunny' shines with a glistening Miami chic and glows with a house brightness. The chesty thump of drums is met by toms and a funk-filled synthline for the journey that is 'As We Travel.'
Clear seas and sun-kissed beaches are conjured as Longhair whisk you away on a final voyage of pure musical pleasure.
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Rocksteady Disco returns with a package of officially licensed remixes of Brasilian master percussionist Dudu Tucci. As you’ve come to expect from the Rocksteady Disco family the release is a diverse one, starting with the peak hour acid vibes of “Luana (Pontchartrain Tuluminati Dub)”. Rounding out the A-side is the pensive and moody driving afro house of “Pai Benedeto (Kiko Navarro Remix feat. Carlos Mena)”, complete with a monologue reminding us why we get together in front of soundsystems and dance. On the B-side Blair French puts his foot in “Luana” only the way he can, with tons of drums and a dread bassline for the after hour freaks. Peter Croce closes out the release with his sensual Balearic-meets-Donald-Fagen remix of “Shakehands” featuring a stellar synth solo from Topher Horn. Cut loud to high quality wax, don’t sleep.
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Ültimo hace: 2 Años
Bottin brings us this juicy Artifact 4-tracker in super-limited-quantities. Dulce De Luna is an acid disco weapon with some sabor latino. Volver Al Campo is a psychedelic cosmic ritual chant (sounds like Adriano Celentano maxi-dosing mushrooms in the Italian countryside). El Caballero Oscuro serves as the main theme from John Carpenter's space-horror flick shot in the extraterrestrial jungle (only he didn't make that movie, yet) - Finally, we get a slab of low-hip high-energy madness for hardcore Italo heads (those who want the hypnotic synth machinery, not the demented vocals) - Get this quick before the usual discogs price bump - GREY WAX!
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Ültimo hace: 3 Años
En el almacen y preparando para el envío
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"You’re So Fine" is a new collaboration between the production team of Synergic Silence (José Ramón Gil, Fernando Lagreca, Sergi Elias) and Italoconnection (Paolo Gozzetti and Fred Ventura). Always with a catchy melody and lead, A side includes the original version plus a classical Italoconnection Remix. On B-side, two new talented producers from Spain, Futuro and Adrian Marth give a second
chance with a different approach to the track.
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Any time the discerning ear of Danny Krivit turns to upper echelon artists like the two featured on this latest 12-inch single, you know you’re in for a special treat, and that’s exactly what we have here. First up is Stevie Wonder’s timeless “If You Really Love Me,” a song written in 1970 by newlyweds Stevie and Syreeta Wright and simply glowing with the warmth and soulfulness that surrounds the happiest of unions. Krivit in conjunction with Kei and Nagi of Dazzle Drums, & Me & the Gang, utilizes the entire original song structure, in the process lifting Syreeta’s soaring backup vocals to the collaborative level they deserve, while underlaying the entire affair with Dazzle Drums’ trademark percussion-heavy, four on the floor thump. The result is certainly one of the finest, most respectful efforts in a field of Stevie house remixes that has seen far too many limp entries over the years.
Filling the flip side is Mr. K’s much-loved take on Chaka Khan’s “I Know You, I Live You.” Appearing in a rather murkily EQ-ed form in the early 2000's, this new issue wipes away the sonic sludge with a sparkling mastering job that reveals the full range of Mr. K’s epic edit. With pieces seamlessly stitched together from the original song, the album-only reprise, and Tony Humphries’ remix from the 1989 Life Is A Dance Chaka remix project, this rightfully celebrated mix can lay claim to being the definitive release of this undisputed classic. There are hardly better calls to the dancefloor than this, as partygoers at countless jams can attest. Most Excellent Unlimited and Mr. K are pleased to offer DJs and listeners the opportunity to send that call out themselves with this new release, exclusively for Record Store Day 2022.
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Chicago's Ten City have long been one of the most respected and successful vocal house groups to emanate from the city since the late 80s. The groups original and unique style fused elements of gospel and soul with acoustic, orchestral arrangements, underpinned by the throb of Chicago's house sound. Featuring the powerhouse production and vocal stylings of Marshall Jefferson with Byron Stingily, 'Be free’ is the first new release from the group since 1994. ‘Be Free’ - originally released in 2021 - was the sonic natural continuity of cult releases and worldwide club hits such as ‘That’s the way love is’ and ‘Devotion’ that have never left dance-floors, discerning DJs and dancers' hearts and memories since.
Dimitri From Paris has naturally been a fan of Ten City from the very beginning. Upon hearing 'Be Free' he reached out to producer Marshall Jefferson to ask him to remix his new song ‘Music Saved My Life’, and after a quick chat Marshall asked if Dimitri could remix ‘Be Free’ in return and a deal was struck. As with most of his work, Dimitri used all of the original production, respectively and intuitively adding a few extra touches for maximum dance-floor potential. It is no surprise then that this long awaited vinyl release of 'Be Free' comes with Marshall Jefferson and Byron Stingily's full approval, with Byron even being quoted as saying that Dimitri's new version is ‘one of my favourite mixes of one of my songs ever!’
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Re-issue on blue vinyl of this Sabadell Sound anthem released originally in 1987 by Blanco y Negro Music.‘Crazy’ wss the follow-up of ‘In The Night’ (re-issues on picture disc) and keeps the mood of that italo inspired movement created in Spain know as Sabadell Sound. Uptempo and happy track very italoish. Limited edition!
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Ültimo hace: 3 Años
REISSUE
Released originally in 1986 by the small label Industry it had a short distribution and only a few labels released all over Europe (only south of Europe). Mid tempo track to fit any italo disco mood.
Not brassy melodies but super melodic leads combined with the perfect male voice. If you are an italo disco follower and you have had this record back in the 80s, it will be probably among your favs. This one not to miss.
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The Ringmaster is the first studio album by Dutch DJ Bakermat. The Ringmaster also includes the singles “Partystarter", ”Trouble”, “Learn To Lose”, “Baianá”, and “Under The Sun (ft. Kidda)”. The full album features collabs with Alex Clare, Gossip Girl's Emily Lind, BRÅVES, and 7Chariot amongst others.
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