House News

All you need is Lava. Lava is all you need…

Disco’s most erotic walking, talking light show Sexy Lazer makes his debut on Riotvan with three delightfully cosmic oddities and odysseys. At points sleazy, at other points sparkling, forever loaded and coded with space, each of the three originals promises full immersion and escapism.
Zone out to the woodwind wonderment of ‘Fluting In Space’, freak out to the synth-powered bliss of ‘Future’ and totally trip out to the much darker and pensive Black Strobe-like ‘Jing Jang’. Meanwhile on the remix front label co-boss Panthera Krause gets his prowl on with the swampy, sweaty tropical twist on ‘Future’ while Axel Boman gets his dub on with his take on ‘Fluting In Space’.

Three stellar originals, two star-gazing versions, one beautiful trip into the deep unknown. Show some lava!

The Disco Made Me Do It train steams on into town once again with the 7th volume of their all singing, all dancing, all disco VA sensation. Step aboard and strap in for four dazzling disco infernos from a whole host of the scene’s finest names including Opolopo, Yam Who?, Jaegerossa, Secret Soul and Danny Kane.

2024 repress

Here four classic studio experimentations conceived by Harry Thumann former owner and main engineer of Country Lane Studios based in Munich, Germany: the home of the glorious munich-sound during the disco era. Many strong songs where produced here, so this EP represents the evolution in sound during that era mid-seventies early eighties.

Repress.

Label Release Text:

ATTENTION! Jimmy Patrick Longfort's hit arising from Düsseldorfs cult hang-out Ratinger Hof in 1987 is now officially reissued for the whole universe. All three original tracks got remastered plus TAFS – the Netherlands best kept secret and part of the group Voertuig – produced a pushing, extra groovy instrumental rework of the title track. The 12" is housed in a full cover artwork based on the original with extensive liner notes by Rudi Esch (Electri_city, Die Krupps) on an extra insert.

The title track ATTENTION! is about a young man, waiting in vain for his love's return but instead of a reunion the distance even grows and she leaves him with destination America. For sure this causes a serious and hard to bear heartbreak. Scream it out loud on the dancefloor and dance the pain away!

On rework duty we got Offer Van Kesteren under his Tapedeck Adventures From Space moniker. Slick funk grooves and super galaxy sounds that will heat you up. Burning hot.

Side B starts off with Ma'mbaillé, French lyrics, funky keys and steel drums – a true feelgood song that will make you dance wherever you are. This one is followed by Do You Really Love Me a highlife love song that closes this record properly. Play it again.

Nathan Micay is pleased to present the fifth re-issue on Eternal Schvitz: Love Boat People - 3 Some. Originally released in 1998 during the infamous Gulliani NYC nightlife crackdowns, this is the first record ever made by Bryan Keller of duo Automagic. A unique and timeless record that was Bryan's battle cry to what was happening at the time. A-sides '3Some' and 'To the Other Woorld' are as psychedelic and groovy as they come, making great use of a 70's era Crumar Spirit Synth and some truly wild vocals. B-sides "Dontcha Know? (Sunday Morning Mix/Sunday Night Mix) are equally banging with 'The Sunday Night Mix' conceived for Emjay's Sunday Night Very Gay Who's-Who Roundup Party at Crowbar, while the 'Saturday Night Mix' was made for Big Room, where it could be heard regularly in the sets of Danny Tenaglia, Junior and other DJ's around the city.

Fasten your seatbelt and enjoy the ride with this release from Legofunk. As an engine the rhythmic grow up slowly, at the end a surrounded by timeless evolving sounds.

Iconic 80/90s budget Italian cars, that gave you memory and feeling at this very moment in time and space, the driving bassline drive thought a beautiful highway…

Disco Bits are back with 2 slices of high class edits/mash ups !!

SIDE X
KLA vs TSI - MAKE ME BELIEVE IN FREE
The Patti Jo classic is reworked for the dance floor. Brand new vocals cut together with a steppin' Nu-disco beat and soulful strings. We believe in free!

SIDE Y
THE CHOPPER - PEOPLE ON HOLD
Lisa, our best friend from the 80's is dressed up in nu disco clothes by The Chopper. An uptempo chugger that will work in nightclubs and weddings alike!

Insanely catchy 1980's Disco jam from Young & Company on Brunswick. 40 years down the line it sounds as good as it did on day dot. Killer funk guitars, sensuous vocals and luscious harmonies complete with that classic Brunswick touch. Original reissue as in original Brunswick sleeves as if roller-discos never left us.

In a time where dancing has a kind of nostalgic feeling attached to it, Glossy Mistakes kicks off its brand new series of dancefloor-oriented EPs, Glossyfloor. The starting point of this adventure from the Madrid based label comes with the reissue of the highly demanded Cover Boys’ banger ‘Reality’, an absolute ode to one of human beings most basic instincts.

Canadian producer Charles Biddle Jr. is the man behind the Cover Boys project, who arranged, wrote and sang ‘Reality’. Originally released in 1984, this anthem seamlessly captures the 80s essence with an addictive bassline and a pop-infused chorus recalling a summery euphoric atmosphere. One of those tracks that sticks to your mind while having a strong power to move your body.

A2, the reggae version of the ‘Reality,’ is a refreshing cover with fantastic arrangements that flips the mood but holds the essence. The B-side contains a remix from one of Australia’s finest producers, Hysteric, that provides brings his magical touch focusing his efforts in turning the original version even more dancefloor friendly, making it a perfect tool for DJs.

The frontcover artwork, Fluo Flowers, comes from Barcelona based painter, Jordi Aguilar, capturing with his painting the colorful soul of the whole release. Limited edition, 500 copies, remastered in Amsterdam by Wouter Brandenburg.

Re-issue of this amazing italo banger, originally released in 1984 on Merak Music Italy.

‘I’m burning, I don’t know what to do. My love is like a furnace I know you feel it too. On fire, my heart’s in ecstasy I know we’ll stay together, the flames in you and me. I’m on fire, with desire for you. Can’t you feel it too. I’m on fire, want to be with you. Know you want me too. Being with you is uplifting me. Higher and higher so lovingly. Being with you is uptaking me. Farther and farther so dreamily. I’m on fire, I want you. Now I know you want me too. I’m on fire, I want you. Now I know you want me too.’

If there is one musician out there that has inspired Opolopo more than anyone else it's Herbie Hancock, so we of course had to make an EP solely dedicated to Herbie.

The two classic Hancock jams 'Butterfly' and 'Hang Up Your Hang Ups' have been remade with the Opolopo formula.
With the added production behind these two epic grooves Opolopo has upgraded Herbie into version 2.0, it's a near perfect musical match.

After a vigorous start from the freshly formed Alzaya label, next up is the Chilean rising talent Paula Tape who has teamed up with Volantis for the new brand release ‘Octava Dimension’, including the remixes curated by the prince of Netherlands, Elias Mazian and the Australian icon Tornado Wallace, masters like few others.

Paula Tape has developed a signature style in front of listeners eyes and ears with her drum patterns and her voice samples. After ‘Agua Congas EP’ on SOBO was welcomed warmly around the world and opened the door for club-oriented releases on Rhythm Section and Permanent Vacation. The original track channels electro and dreamy vibes carefully crafted by Volantis with Paula Tape’s hypnotic voice, all blending together for a single summer heater.

Remix by Elias Mazian, that recently pleased us with a sophisticated electronic pop release, kicks things off with a beautiful, melodic, overwhelming tune.

Tornado Wallace revisited the original version with his spacious sense of deep house groove and an unique, relentless drum programming.

From Vampires to Fire and Aliens to Yeti, the sound of Radiorama is synonymous with the history of Italo Disco. Nearly 40 years after their first release of 'Chance to Desire', Radiorama are back and this time with a BANG and the original voice of the legendary Mauro Farina!
A Farina/Crivellente/Fadinger hit, 'Bomber' delivers the distinct powerful Radiorama sound with a sprinkle of Eddy Mi Ami magic to make this

The space grapes strike back with a sizzling hot 7" from Jambonne

Ok here we go again boogie nuts!
The fourth volume of Full Beam's infamous "For Gees Only" series is finally upon us...

Another 8 nuggets from the depths of Pharaoh Brunson's pyramid suite presented in a super fresh screen printed gatefold sleeve...

You know the drill by now. One press - Vinyl Only - No digital - No tracklist - No sound clips - No problemo !

Strictly for radio and DJ use only.

Red Laser Corp.

The original single from Escape From New York finally gets an official reissue. Originally released in 1983 ‘Save Our Love’ was released a year before ‘Fire in My Heart’ and sets out their highly effective fusion of New Wave, Disco, Italo and Post Punk. Featuring Jaki Graham and D.C Lee on backing vocals, the 12” also includes an instrumental mix and cult classic ‘Slow Beat’ (Dance Mix).

Escape From New York were short lived and disbanded in 1984 following the release of ‘Fire in My Heart’, ultimately buckling under the pressure of commercial expectations for their innovative brand of pop music. Fast forward to 2023 and history has been kind and these singles are now regarded as being pioneering classics.

Erleben Sie die düstere und mysteriöse Seite des Italo Disco Sounds mit „The Dark Side Of Italo Disco Vol. 3“. Diese Vinyl-Schallplatte präsentiert sorgfältig ausgewählte Titel aus dem Italo Disco-Genre, die sich in Richtung New Wave bewegen und sich von den typischen, fröhlichen Italo-Songs abheben.

Die Tracks auf dieser Platte sind geprägt von einer intensiven Atmosphäre und einer einzigartigen Kombination aus elektronischen Klängen und dunklen Melodien.

Repress!

Described as an 'iconoclastic entertainer', Montreal born Parisian resident Bernardino Femminielli delivers Before I Die's third release.

Ladies & gentleman, 'O Signe Des Temps' is Bernardino's heartfelt paean to one of the most cherished records in Prince's oeuvre, delivered with style and panache in his native French. Complimenting the extraordinary original are two alternative versions from TALKING DRUMS and Antinote founder IUEKE.
A modern masterpiece !

Repress!

Dan Kye is the mysteriously evoked moniker from multi-instrumentalist, producer, and vocal sensation Jordan Rakei. The New Zealand-born artist - who now resides in London - presents his first long-player from Dan Kye, ‘Small Moments’, on Bradley Zero’s Rhythm Section INTL. An ode to the dancefloor, the musical project was born out of Jordan’s lockdown experience, created from the comfort of his own home. Recorded with just a laptop, extra live instruments and guest musicians, ‘Small Moments’ seamlessly transcends across electronica, jazz and funk, with each genre being effortlessly fused with Jordan’s melancholy vocals. Allowing himself to push the boundaries, Jordan’s Dan Kye moniker draws on the energetic and uplifting elements of house and techno and perfectly mixes it with the sultry vocals and emotion that come with the live elements we know and love from Jordan Rakei. The record offers listeners a journey through more floor-heavy tracks such as ‘Mogeri’ and ‘Raro’ to more groove infused offerings such as ‘Rainbow Road’ (which is named after one of the maps in Mario Kart and inspired by the energy of Prince’s iconic live concert at The Aladdin in Las Vegas), whilst tracks, like ‘Sober’, take on a more lyrical and anthemic feel.

Jordan Rakei: “Rhythm Section INTL was my entry point into dancefloor orientated music, and it was Bradley who asked me whether I could head in that direction so he could play my music out in the clubs. Dan Kye has still got melodies, but the main focus is to keep it high energy.”

After meeting Bradley Zero online whilst living in Australia, Jordan eventually moved to London in 2014. The same day he landed, he went straight to a Rhythm Section party to meet Bradley, and it was here that he first got a taste for house music. He enjoyed Rhythm Section INTL’s ability to draw on both live and electronic talent; and thus, after Bradley asked him for some productions for the parties, the idea for Dan Kye was born. ‘Small Moments’ is a musical masterpiece that can be enjoyed as much on the dancefloor as it can in the comfort of your own home and is a perfect step into Jordan’s landscape and idealism of dance orientated music.

Bradley Zero - “In around 2014 the proprietor of the famous Northside Records in Melbourne handed me a self released 12” from a new, unknown artist based in Brisbane. It was Jordan Rakei - Franklin’s Room. I’d been home almost a year before I actually got round to listening to it and I remember that moment like it was yesterday. I lay down on the sofa, put the record on and was transported! The Dan Kye project is a testament to the experimental and independent ethos Jordan lives by and is a product of an artist reaching full stride but not afraid to still try something new. This ‘Small Moments’ LP was conceived in a record store, born in a club on Rye Lane and is now flying the nest, throwing caution to the wind and making a bold statement.”

From the deep south in Louisiana comes a new debut on GAMM from producer Koichi Toyama.

Over this four-track EP Koichi has selected some of his favourite Japanese Jazz-funk and Jazz-fusion tracks from the 70's and 80s'.
With tasteful editing skills, the tracks are re-arranged and sometimes remixed into heavy Jazz club jams.
No pump, just thump of course!

First move of the collaboration between Dj Fede and Robert Owens.
Pure gold vibes, digging deep, with a warm house vibe and hard hitting beats.

A 4 tracks Ep with different moods, that includes remixes from Don Carlos and LTJ Xperience.

Hammer returns to his nascent Italo Hiits label for the second release of Hi-NRG grooves made in an Italo-inspired period of furiously productive creativity. Road tested on Hammer's global livestream at London’s Saatchi Gallery and his supporting set for Bicep at their recent sold out Brixton Academy date, this latest pair of effervescent disco cuts are fully designed for dancing, and a taste of many more to come from both Hammer and Italo Hiits.

An Italo disco rarity from 1983, originally released on the legendary Memory Records. Comes with Flemming Dalum en Victor Ark remixes.

Luuk van Dijk has unveiled his hotly-anticipated debut album First Contact, out 11th November on his own Dark Side Of The Sun label. The Dutch DJ and producer’s maiden LP is the end result of a long and intense voyage of discovery.

Years in the making, it’s a project that Luuk can fully stand behind and be proud of. Next to a search for his own identity and his own place in music, it has also become a passage
through time.

By far his largest body of work to date, the 13-track release kicks off with the suitably-titled ‘Cosmiq’, a deep, grooving sonic exploration that immediately sets the tone. “Because of this
track I wanted to make an album to showcase my other kind of music that people won’t maybe expect of me,” Luuk explains.

Next up is the shimmering, ethereal sounds of ‘Love You’, a track that features the irresistible vocals of US singer-songwriter Dawn Richard and will be released as a single in October. “She really brought this track to a whole new level,” says Luuk. “I couldn’t be more happy with the result.”

Further collaborations come in the form of ‘Wolf’, a majestic, strings-led house cut featuring Steve Burton of oneofmanysteves; ‘Master Plug’, a deep, jackin’ number with Chicago artist
Kid Enigma; and the Detroit-indebted ‘Together We Rise’, punctuated by the spiritual vocals of MC Roga. “I tried making a track the way they used to make music,” Luuk says of the latter.

“With as few machines as possible, just a mixer, sampler and some synths.” Additional highlights include the enchanting ‘Let The Bass Kick’, orchestral ‘Lightning
Striking’ and hypnotic ‘Hot Stuff’, before ‘Knowing How To Love’ closes things out on a peculiarly wistful note. “The last track of the album, also a track that started as an interlude and
ended up being a full song,” says Luuk.

“This song basically sums up how I’ve been feeling the years 2020 and 2021, very emotional, sad, but also hopeful. Everything will be alright.”

One of the hottest new names coming out of Amsterdam’s bustling club scene, Luuk van Dijk is currently making waves in international waters with his infectious take on spirited house
music.

He has already released on labels like Hot Creations, Cuttin’ Headz, Solid Grooves Records and Eastenderz have established his name as a house music prodigy.

He launched Dark Side Of The Sun in 2020 with the aim of exploring a broader approach to his signature style.

First Contact represents a vivid sonic snapshot of one of electronic music’s brightest young talents.

Early DJ Support :

Jamie Jones
Marco Faraone
Carl Craig
Yuksek
Sasch BBC
CamelPhat
Paco Osuna
Stacey Pullen
Tocadisco

After a bit of down-time, Spacetalk Records returns with something special: a stunning compilation of obscurities, rare cuts and secret weapons compiled by label co-founder Danny McLewin under his Skyrager alias.

Although most widely known as one half of Psychemagik, McLewin has long been regarded as one of the UK’s most decorated crate-diggers – a DJ and record dealer recognised for his ability to unearth slept-on gems, private press obscurities and campfire-friendly curios. He’s already showcased his curatorial skills on a string of acclaimed and now sought-after comps – see Psychemagik’s Magik Cyrkles, Magik Sunrise and Magik Sunset Pt 1 & 2 – but Traces of Illusion marks the first time McLewin has put together a collection as Skyrager.

There’s no grand concept behind Traces of Illusion, though McLewin’s selections are universally tactile, sun-baked and effortlessly summery, evoking images of nights spent camped out in the Californian desert or beneath the vibrant canopy of an English forest at dusk. As you’d expect, there are no well-known anthems or ‘big tunes’ here, just an inspired selection of largely unknown musical nuggets oozing in quality.

For now, the track list is under wraps but you can be sure there are plenty of highlights to savour amongst the 15 tracks which all add up to an eye-opening, head-soothing journey through the dustiest corners of McLewin’s record collection.

TEMU comes correct on this 3rd release on TUGBOAT EDITIONS. Two ultra funky bass heavy boogie cover versions including his killer take on the Paradise Garage classic from LOOSE JOINTS on the A-side. B/w a modern refresh of an Italo classic. Limited pressing of 500 so don't sleep. Big hole 45.

Introducing Jaisiel; The Canary Islands’ answer to Bacalao. After years modestly honing his craft in Madrid and Tenerife and re-appropriating forgotten dollar bin gems for his label Ears On Earth, Jaisiel has found a home on Antinote with his shimmering ‘On the Universe’ EP. Tinged with a late 80s sound are 3 tracks of convertible top down, shirts unbuttoned, neon glow dance music.

Opening the Maxi 12” is the ecstatic ‘Talk To Nature’ replete with chirps, coos and woofs. Its catchy melody a subtle nod to ATB’s seminal anthem 9PM (Till I Come) which was once quoted as sublimating sexuality with its “purring titillation”. There is an equally evocative fluidity to ‘Talk To Nature’ found in Jaisiel’s use of pitch bent guitar, climaxing snare rolls and pounding kick drum. However it’s all very lighthearted when compared to ‘Embrace The Unknown’ a driving and mystical track filled with vocoder commands, tinny drones and synth stabs whose accompanying pointed bass line makes this the perfect song for peak time transitions. Raving into the sunrise on the Carretera El Saler is ‘On The Universe’ a contemplative and melancholic closer. Still vibrating with residual dance NRG, the central vocoder breakdown beckons you to reach for trance, to consider The Universe, as it were.

What ties together this On The Universe EP is Jaisiel’s penchant to upcycle 80s and 90s trance dance sounds in a clear and fresh flavour, distinctly Spanish, while simultaneously using just-enough-cheese catch phrases without being too cliché or pastiche. Talk To Nature, Embrace The Unknown, On The Universe…

Music with a Message! Gut ein Jahr nach Veröffentlichung ihres brillianten Debütalbums THE MEETING LEGACY kehrt Emilie Nana mit einer atemberaubenden neuen EP auf Compost Records zurück. - I RISE ist eine Empowerment-Hymne im besten Sinne - uplifting, überwältigend und über einem hypnotisch deepen Groove schwebend zieht uns Emilie Nana mit ihren Vocals in den Bann. Diesem Bann konnte auch New Yorks legendäres Nightlife Mastermind Danny Krivit nicht wiederstehen und steuert für die Platte zwei Edits bei, die seine unverwechselbare Handsschrift tragen.

Ein Jahr nach dem brillianten Debütalbum THE MEETING LEGACY kehrt Emilie Nana mit einer atemberaubenden, neuen Single zurück. Auf ganz eigene Weise trägt sie das Gedicht "Still I Rise" von der amerikanischen Dichterin, Autorin und Bürgerrechtlerin Maya Angelou vor.

Emilie Nana zieht einen in den Bann. Ihre schwebende Stimme, beinahe geflüstert, ist überwältigend. Wie eine hohe Priesterin verzaubert sie, während die Musik im Hintergrund deep und hypnotisch bleibt. "I Rise ist eine Denunzierung", behauptet sie selbst. Es geht nicht nur um Meditation, sondern
auch Deklamation. Klar und deutlich adressiert sie den Unterdrücker, spricht mit großer Gewissheit und antwortet auf Jahrzehnte der Misshandlung. Sie ist eine schwarze Frau, die sich stolz ausdrückt und damit sehr persönliche Musik schafft.

Ein Gefühl, das auch vom wegweisenden New Yorker DJ und Produzenten Danny Krivit geteilt wird: "Emilie Nana hat viel zu sagen mit ihrer Musik, und ihren Texten. Ihre neueste Single, "I Rise" ist ein perfektes Beispiel dafür." Die Möglichkeit, mit einer Persönlichkeit zusammenzuarbeiten, die Zeit ihres Lebens alle ethnischen Ursprünge vereint hat, einer echten Legende, deren Edits Klassiker sind, dessen Rolle als Mastermind im New Yorker Nightlife unantastbar ist und der seit mehr als 45 Jahren an der Spitze der internationalen Tanzmusikszene steht, ist wie ein Geschenk für Emilie Nana. Krivits magic touch ist auf "Danny Krivit Vocal Dub Edit" und "Beatapella" zu hören.

Early Support and Quotes on I Rise':

Laurent Garnier:
EXCELLENT - this is a pure beauty....Loooove it'

Ron Trent:
Good to hear from you. Nice release...
Please send this to me would love to rock it. Looking forward'

Kalabrese:
Beautiful. Like it. Very levitating and kicking.... will try the Danny Krivit Edit tonight'

King Britt:
Hell yes! Thank you. Give her my best'

Michel Cleis:
I love the song. Original is beautiful. Floatings / Ambiances are great and Emilie s voice is really nice. Danny's edits are great. Will play all this for sure. Thank you very much.

Quotes on The Meeting Legacy' - Album 2016:
Great new artists... today... eh... not so easy to come by... people who not only have great music, but also add something to it with their presence... people your actually driven to follow... because you know more great things are coming... Emilie Nana seems very passionate about her music & very much about what's right & wrong in the world... a face and a mind to the music... and a lot of heart too... someone I can't wait to hear what's next from... underground... poignant... cutting edge... I'm a follower :) Favorite track: Inward Path. DANNY KRIVIT (718 Sessions / Body & Soul NYC) via Bandcamp
An impressive, promising debut album.' GROOVE Mag
Fresh, blistely, very creative and extremely exciting' FAZE (longplayer of the month)
Smoothly sounding groover' INTRO
A brilliant collection of electronica music that isn't afraid to bend the genres... a new-guard of future music is here.' Renight
Quotes on The Meeting Legacy Remixes' - EP 2016
Bad ass!! A new classic..staple in my record bag! OSUNLADE (Yoruba) via Bandcamp
Nice package. Manoo Nanadub is the one for me I think. Mano Le Tough
Yes, great reworks by Manoo! Quarion
Love the Beanfield & Thomas Herb Mix and the Manoo Dub. Ewan Pearson
This is wonderful! Luke Solomon
Additional airplays and DJ support by: Louie Vega, Anané Vega, Mr. Raoul K., Luciano, Matthias Meyer, Mirco Loco, Bill Brewster, Charles Webster, Claudio Coccoluto, Ingo Sänger, The Drifter, Manuel Tur and many more...

Once again, Innocent Soul is back on his label Strictly Street Sound, but this time with the house music “teacher” Paul Johnson on the remix duties. Two banging original cuts plus a dancefloor dub version of the title track by PJ himself, for an effective 3-track EP.

Since 2014, Brighter Days has been a part of the rich tapestry of Amsterdam nightlife – a semi-regular party promoting positivity and inclusiveness run by resident DJs Kamma and Masalo. On the back of the platform provided by the party, the duo has notched up a string of memorable club and festival appearances, a regular Brighter Days show on Gilles Peterson’s Worldwide FM, and a memorable Boiler Room set streamed live from Dekmantel Festival.

Now Kamma and Masalo have taken the next step and curated a Brighter Days compilation for Rush Hour, a collection that does a terrific job in offering up slept-on and unreleased gems – including a clutch of their own tried-and-tested re-edits – while also accurately representing the sound, style and ethos of the event that inspired it.

Like Kamma and Masalo’s event, which invariably takes place in intimate dancing spaces in Amsterdam, the Brighter Days compilation offers up an open-minded, club-friendly soundtrack that joins the dots between crate-digging obscurities from the recent and distant past, fresh cuts, ‘secret weapons’ and previously unreleased music from young, local producers who have become regular faces on Brighter Days dancefloors.

Across nine tracks, Kamma and Masalo deliver an enticing blend of tactile and colourful house, disco, basement-ready throb-jobs, inspired dancefloor dubs and righteous boogie jams, some of which are appearing on vinyl for the very first time (see Haroumi Hosono and Yasuhiko’s ‘Turquois’, an exceedingly rare, CD-only chunk of deep, throbbing tribal house intoxication).

There are highlights everywhere you look, from the piano-house rush of the ‘Subterranean Mix Edit’ of S’Xpress’s overlooked 1990 single ‘Nothing To Lose’ and the South African Kwaito-boogie brilliance of Cisco The Champ’s ‘Move On’, to the Italo-disco excellence of Hugh Bullen’s ‘Alisand’, and Mr Fingers’ jacking 1988 remix of ‘We’re Gonna Work It Out’ by fellow Chicagoan house producers North/Clybourn.

Kamma and Masalo’s remixing and re-editing skills are put in the spotlight, too. There’s the edit of Discotheque’s 1982 Dutch-Belgian disco classic ‘For Your Love’ and a previously unreleased ‘dub’ edit of French-Cameroonian artist Anyzette’s 1984 gem ‘Baladoun’, a low-slung slice of drum machine-rich body music that blurs the boundaries between Italo-disco, Afro-boogie and proto-techno.

Completing the package are two cuts that demonstrate the duo’s love of showcasing tracks by young and little-known Dutch producers. Peffa’s ‘Routine’, an immersive and emotive treat that blends elements of deep house and Detroit techno, is just one of numerous unreleased tracks by the producer that Kamma and Masalo has been showcasing in their sets in recent years, while Desmon – whose ‘Submerge’ is a woozy, off-beat deep house treat – has been a regular on Brighter Days dancefloors since the start. It’s a fitting nod to what makes Brighter days special: a close-knit community of dancers and inspired, lesser-known music old and new.

Disco don, insatiable digger and edit wizard, the King of Nothing, AKA Kon, returns on a purple themed 7” with fellow Canadian edit aficionado Nick Bike.

Kon’s 45 pairs an A/B of classic disco and R&B that has already been proven effective on dance floors. Absolute essential for the party crate.

A pioneer in his field, Etienne de Crécy remains more than ever one of the pillars of house music made in France. In his three-decade career, the French producer has recorded some of the world's most important electronic music albums, including Tempovision, released in 2000, arguably his mostaccomplishedto date.

What is a Dirty Banana? It’s a tasty cocktail that blends ingredients like rum, Kahlúa and banana liqueur. But who the hell are the Dirty Bananas?

The name masks a Viennese duo consisting of DJ Cut Ex (Urbs & Cutex) and Addy-F (3MinutenEi). The two producers dug deep in the crates to create a delicious recipe, incorporating the finest Disco flavors from the 70s & 80s. In a lucky turn of events, six of their cuts made their way to Luv Shack Records a couple of months ago; thus, the Cocktails EP was born.

The EP opens with “No Lie”, a low slung, cheerful synth-funk jam that feels a bit like a lost B-Side from a certain furry Italian edit duo.

“Melody” takes notes from a beloved oddball jazz funk classic, while maintaining the boogie flavor with plenty of machine drums, synth bass and a perfectly quirky lead solo to boot.

On “Draft”, the Bananas ramp up the tempo to unleash a short but tasty disco stomper with extra crispy drums.

The laid back, percussion heavy disco chugger “Gentle Breeze” comes packed with an extra portion of familiar samples and chopped up drums, while “I’m U” takes a leftfield disco classic, and, in a no-nonsense approach, loops the hell out of it while blending it with a more moody sample.

Lastly, “Fairmax” circles around a jazzy organ melody on top of a super-dry, yet punchy drum-machine loop. What a shockingly delicious journey!

This is “Apulian Strings” by Innocent Soul, the third vinyl release from See-Saw, featuring four gorgeous sample-house themed tunes. In at the top spot is “Apulian Strings”, an uplifting disco infused track making ample use of a soaring, anthemic string sample alongside a stomping beat and heavy bassline. Up next at the A2 position is “Get Do It”, with a looped vocal sample and super catchy bassline that takes things in an altogether funkier direction. Kicking off the B side and keeping the funky vibe alive is “Don’t Be Shy”. A cool yet quirky track that cleverly utilises a nifty 2 beat sample, an unexpected yet pleasing vocal refrain and irresistible beat. Rounding things off is “My House Is Funky” which, as the name suggests, has a distinctly house fuelled flavour, featuring synths and samples in equal measure. The perfect end to this magnificent EP.

People often ask why we started Soul Clap Records and I usually answer: “because we were receiving tons of unique demos by creative artists that we had to start a label.” 11 years later and that flowing faucet of incoming music is still the driving force behind the label. Sure, there is the Funk, House, Disco, and multi-cultural influences in all of the music that we release, but it’s always the artists themselves who guide us.” – Eli Goldstein (Soul Clap)

Having nurtured a community, built many a life-long relationship and brought together an extensive musical family over the past 11 years, Soul Clap showcase these deep bonds with their 11th Anniversary Remix Compilation across two 12 inch records in a beautifully designed picture sleeve. A real smorgasbord of flavours and feelings, from beaming boogie and dizzying disco to blissful broken beat, house and downtempo nuggets coming courtesy of a plethora of the finest artists on the planet right now including the likes of Zopelar, XL Middleton, Colleen 'Cosmo' Murphy, FSQ and many more, alongside the mighty Soul Clap themselves. There’s no denying that this compilation is one with community at it’s core.

DJ Feedback:

OSUNLADE / YORUBA
Very funky.

PABLO VALENTINO/ MCDE FACES
Love this comp

CROSSTOWN REBELS/ PAOLO BARTHOLEMEW
Oh yes! Big fan!

FRANCK ROGER/ REAT TONE
Dope compilation.. still in love with life on planets guy :-)

MR V/ SOLE CHANNEL
Dope. Love it.

AROOP ROY
Diggin the remixes from Zeynep, Cosmodelica, Zopelar and Charlie.

PONTCHARTRAIN/ WHISKEY DISCO
OH my, that Afriqua remix is absolute fire! Whole album is hot.

DJ ROCCA
All the remixes are great. Big fan of SC records, of course ;-)

THE SILVER RIDER/ MUSIC IS 4 LOVERS
Holy crap that Zopelar remix is amazing!

DICKY TRISCO
Love the Underground System remix by Zeynep Erbay. Class! Feeling the Mickey Lion too. Lovely.

FISH GO DEEP/ SHANE JOHNSTON
Phenomenal line up here with a great range of music. Standouts for me on first listen are Life on Planets and John Camp ft. Greg but it’s all quality from start to finish.

MARK BROADBENT/ PIKE HOTEL
This s a killer comp. I’ll be playing this for sure.

DAZ-I-KUE/ BUGZ IN THE ATTIC
Love this comp so dope.

WILLI GRAFF/ THE STANDARD IBIZA
What a killer compilation of remixes. Especially feeling the Cosmodelica Mix and Michael The Lion's mix.

Official reissue of the Belgian synth-pop evergreen ‘Love In Motion’ (1984) by 1000 Ohm.

The band kicked-off in 1979 with their successful debut A.G.N.E.S. / Look Around and later on developed their style from New Wave to Italo-Disco influenced Synth-Pop (‘The Claim’) and a decade later even touches of New Beat (‘You’re The One’).

‘Love In Motion’ is a beautiful mixture of 1000 Ohm’s repertoire. The release comes with remastered versions of the original 12″ version, instrumental and on top a DJ friendly ‘Vanzetti & Sacco’ edit.

Eine Italo Disco Rarität aus dem Jahre 1985 jetzt wieder als
12“ Maxi Single erhältlich:
Dario Dell‘Aere - Eagles In The Night
Auf Seite A gibt es die raren Original-Version und als Highlight
auf Seite B zwei neue und exklusive Remixe von
Flemming Dalum und George Hysteric.