House Новости

Persnickety Sounds is here to funk-ti-fy your world!
In this era of Nü-Disco, Space Disco, Cosmic Disco, Disco House and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court.
Let the labels fall and just get it movin'.

After releasing 'Hooked On You' last year we're back with another HUGE dance floor work out from the ever-consistent re-edit king Kon.
The funk is thoroughly loud and proud this time and we're most certain this one has the potential to be equally big when Kon takes on one of our all time favourite jazz-funk tracks.
Just the breakdown alone will give you goosebumps!
If you're about to move any mountain, this joint is your tool.
Please note! Strictly limited 12', the first initial pressing will be printed on luvleeee RED VINYL.

limited 1sided vinyl !!!

Produced and composed by Mickey de Grand IV + EDG4R (Psychic Mirrors) as Dreamboat. Featuring two original songs and a remix by Tom Noble. 300 copies worldwide only!

Emotional Rescue is proud to reissue one of Germany's best - if most underrated - collectives Dunkelziffer. Formed of Dominik Von Senger, Reiner Linke and Helmut Zerlett, the floating line up also included contributions from Can's Damo Suzuki and Jaki Liebetzeit, as well as The Unknown Cases' Stefan Kratchen and Reebop Kwaku Baah. This true "supergroup", over a 6 year period, made 4 ground breaking albums that covered the classic Krautrock blend of heavy, repetitive drumming, intricate, overlapping melody and sonic intonation, but expanded it to include heavy dub, soul and jazz elements. This special Retrospection Obi Set is being issued as part of Record Store Day and features the three 12"s that will later be released individually.

To mark the 3 years that the King of Pop left us, we bring to you 10 of the catchiest hard to find remixes of MJ's to date on a special Limited Edition 2 X LP Marble Color Vinyl release, Limited to 750 Copies, on special hand-drawn artwork to remember him by. Still the King, R.I.P.
- LIMITED TO 750 COPIES
- MARBLE COLOR VINYL 2 XLP
- 10 TOP REMIXES
- FULL COLOR PICTURE SLEEVE + LABELS

The latest Emotional Response release provides something very special indeed, in the form of a new track from under the radar psychedelic rock musician Nick Nicely. Nicely has been making music from the 70s onwards, but his music has recently undergone something of a critical reappraisal, with the likes of Robert Wyatt and Robyn Hitchcock supposedly inspired by his work; "Wrottersley Road" provides the ideal entry into his music, a masterful piece of shoegaze pop filled with fuzzed out guitars and Eastern psychedelic tones. Remixes are provided by Invisible Hands, who provide a minimal 80's inspired electro-pop version, which comes saturated in radiophonic textures, and The Oscillation, who take the track into even more abstract ambient territory than the original, deep into a place where time seems to stand still entirely, drawing its rich textures out into infinity.

Two decades on from the birth of garage in the UK, its resurrection is afoot on the global electronic music horizon. TRAXX 'The House That Garage Built' captures the original sounds of New York and New Jersey house and maps their evolution through to the UK interpretations of today across this carefully crafted compilation.

CD1: Mixed



















CD2: Unmixed











12. George Fitzgearlad - Child (NY Stomp Remix)

Apartment starts off 2013 in party mode with our in-house disco mechanics Bande Apartment (Tr One & David Kitt) going to work on some super-rare and super-bad disco workouts, over extended and under cut for maximum dancefloor carnage.

James Holroyd's wonderful Begin returns with another vinyl only limited edition selection.
The Elate EP features a second chance to get hold of what has become a cult classic from EP 3
After regular spins from LCD Soundsystem's James Murphy, DJ Lexx & Todd Terje, eager fans had to pay the often ludicrous Discogs prices to track down this enduring and beautiful cut
As a result, James at the label decided to include the track on this new release
But, as always there's much more on offer too
La Conscience on the flip is a gently pulsing electronic, Balearic beauty, that's trademark Begin
While Rocette sounds exactly like Afrika Bambaataa's Soul Sonic Force decided to drop acid one sunny South Bronx afternoon and cooked up
an altogether more tripped out, blissed out and dialed down Planet Rock

The year is 2475 AD. As the galaxy is torn apart by incessant sonic warfare three veterans of the synth-zone prepare to drop down onto the surface of Nu-Earth for a final battle to reclaim the lost holy sound of Italo Disco and liberate the enslaved populations of the wastelands to reclaim their former musical glories from the tyrannical 'audioverlords', the oppressors of all sentient musical forms. Genetic Musicians carrying the personality matrices of their fallen comrades encoded into their synths, they know no fear or compassion, their instincts artificially modified for ultimate musical combat... code-named Kid Machine, Casionova and Flemming Dalum they operate without boundaries deep behind enemy lines. Watching, waiting, ready to strike at a moment's notice in any environment on or off-world... This is the first transmission decoded by our defence perimeter satellites into analogue format.
First of three volumes presented in a clear plastic sleeve, each one pressed on vinyl whose colour is taken from the Italian flag.

A self-confessed fascination with 80s Music and film scores from the same era..George Thompson has an ability to approach music with a strong visual aesthetic which is a common theme in his work, first apparent in his role as part of the duo 'Spectral Empire', alongside Kyle Martin. Spectral Empire caught our ear many years ago. with their sound that evoking a world of abandoned battleships, psychedelic fog and possession by dark forces through a maze of industrial beats, metallic drones and heavy baselines.
A trip to Dusseldorf in 2009 saw Thompson connect with the cities' currently vibrant electronic scene, with artists such as Kriedler, Der Rauber und der Prinz, Music Cargo and Toulouse Low Trax inspiring Thompson to continue his sonic explorations and push him forwards as a solo artist, under the 'Black Merlin' moniker. As 'Black Merlin', the brooding, dark, cinematic elements remain, juxtaposed by Thompson's obsession with late-80's FM Synthesis and expansive production of artist such as Trevor Horn and Blancmange. Black Merlin's first solo release was on Andrew Weatherall's vinyl-only label Bird Scarer in late 2012.

CD1:















CD2:

Italy's legendary Cosmic voyageur and disco innovator Daniele Baldelli makes his debut for Lets Get Lost! 8 incredible tracks... More bang for your buck!

Led by Andy Meecham, the brains behind The Emperor Machine, Bizarre Inc and
Chicken Lips amongst many others, and captures the excitement, diversity,
strangeness and harmony of the UK underground sound of the early 90s. We
are talking about the sparse dub mix on side 2 of the 12" single, machines
making mistakes and changing the course of history, the dark side of the
rave away from the neon and the white gloves, Future Four points the way to
the dimly lit corner of the dancefloor and makes you move.

After a recent discovery of boxes of old S950 and MPC60 floppy discs full of
sound sets dating back to the early 90s, all three tracks have been produced
solely on the MPC 3000 in Staffordshire, and in perfect unison of North and
South, mixed by Erol Alkan in London.

CD 1













CD2

Hot new Kojak Giant Sounds release! These never hang around long and there's no repress!

Ennio Morricone, (born November 10, 1928) is an Italian composer, orchestrator and conductor, who has written music for more than 500 motion pictures and television series, as well as contemporary and modern classical works. His scores have been included in over forty award-winning films .Here Ramsey Hercules (Stereopor Records) pays a tribute in the best way he can by bringing the Soundtrack to the dancefloor . The amazing Black Light Orchestra's "Morricone" is wisely extended to 10:30 min , and will take you on a magical Disco journey back in time!Boogie on Ramsey & Ennio..
As if that wasn't enough, flip for an epic edit of Candi Staton's version of the Bee Gees classic 'Nights on Broadway' a far more soulful version than the original and expertly reworked by main man Ramsay

Amazing chance to get your hands on a limited repress of one of the proper holy grails of the funk genre. Almost impossible to get hold hold of, this 1982 album on the tiny US Chocolate Cholly's label is rammed full of bad-ass boogie, funk and early rap gems and until now has been a fiercely-guarded secret weapon of choice for any DJ lucky enough to own a copy of the ultra-rare vinyl original. A true definition of the maxim 'All killer, no filler', every track on the LP is superb - jam-packed with storming percussion, grooving bass and lilting flute lines (the Pied Piper's pipes of choice) - but stand-outs include latin-tinged funk workout Clap Song, spacey disco-rap cut 'Blow Some Funk This Way', cool groover 'Today Is The Day', and the P-funk rap swagger of 'Drummer Boy'. Essential for all boogie/funk collectors - you must own this!

DJ Rahaan features twice on the sixth edition of the Grimy Edits series, supplying his own edit and a collaborative piece with Zernell. Rahaan's first edit, "Rebound", booms with beats, as hands to the ceiling vocals wail above a grooving bass and slicing hats. His second edit, "What!", this time with Zernell, falls somewhere between a disco-mashed version of Myles Davis, Shaft and something from a Guy Ritchie soundtrack. Tim McAllister drops the third and final edit in "I Need Help!" employing James Brown's funkadelics to a horn stabby and danceable jam.

40 Thieves are back with a brand new mid tempo instrumental mover for Leng Records. This single sided 10' picture disc is available as a limited edition release (300) for Record Store Day 2013
'In Your Space' is a cosmic jam that kicks over a funk filled bass line and heavy guitar licks brought together with some added cow bell and squelchy space efx.

The Second Rivulet Release comes from Stanley Schmidt. Incl Kim Brown (Just Another Beat), Rimini) Remix

Touch Sensitive's debut single 'Body Stop' was one of the first tracks released on Future Classic, all the way back in 2004. Cloaked in anonymity it's cosmic vibes and Italo authenticity made it a cult favourite among discerning DJ circles from East London to Brooklyn. Re-emerging in 2006 under the Arithmatixx! pseudonym to produce a remix of (at the time) fledgling disco producer Mario Basanov it was later revealed both aliases to be the solo project of Van She co-writer and co-founding member Michael Di Francesco. Fast forward to 2012 and his third track 'Real Talk', a collaboration with Anna Lunoce, saw Touch Sensitive spend five (5!) months at the top of the Beatport indie-dance charts with what was universally recognised as one of the underground hits of the year.
2013 see's the release of his debut EP 'Show Me The Pizza Guy', previewed by LA super-producers Classixx in their mix for
The Fader and Triple J they affectionally cite that "The Touch Sensitive tracks are masterfully produced and ultra-emotive.
'Pizza Guy' transports me to running the final stretch of my high school x country races in slow motion."

The clock struck 5 a.m. when last summer your puzzled author could experience a pretty strange dancefloor-jamais vu in the very sense of the word. The Cómeme cavalcade had just returned from the beautiful Uckermark landscape to debut-showcase their finest Sternhagen Gut-session bits'n' pieces with boldly improvised performances, most likely to be described as Cómemian character collage kind of thing-acts. One of them characters was a young angelic mystery girl from Rosario/Argentina who had spent her springtime in Santiago, enjoying life. Months before, out of the blue, she had released a completely outlandish EP on Cómeme (008), already predating her nonpareil House style the European dancers were now about to witness live. Call me romantic but this was the sound for daytime norms no longer to apply. The room was bathed in a peculiar glow. There was something in the music I thought I knew but I couldn´t quite tell, since every signifier of your typical dancefloor showdown was strangely banished for the sake of constant change and movement. Much like a brave trip, this seemed a departure from all established comfort zones of House, a pretty disturbing new scale of (yes indeed) dancefloor deepness. I beg your pardon, of course Ana Helder herself would skip the preamble to put it way more briefly: - Poqui: I wanted to do something synesthetically luminous'. Eat me: the "Techno" track. It is done under the concept of a parallel present with an existentialist question.' - Berberecho: Once at night I was tired and this melody came up, also with the trashy bass line and the elastic band time feeling of the synths. Months later at Sternhagen Gut, Matias Aguayo played with me and we added some hi-hats, sub bass and toms to make it more danceable.' Let´s leave "Beatin PC' speak for its beating self and let "Voy a ver' recall the deranged Disco gods of nightly urban boulevard confusion.

Another storming, ranging EP from the New Yorkers: heavy-duty machine funk for the dancefloor, charged and swinging with old-school Chicago vibes.
The A-side house bobs from tearaway to discofied to rawly jaunty; the techno on the flip from dug-in and twisted to a more wide-open excursiveness.
To start, the soulful rug-cutter Down runs a sublimated tribalism beneath lovely, dubwise kick drums and sultry female vocal;
Heavy Skies is lo-fi funk, a stand-out; the bass and brilliant percussion-work of the title track crosses US garage with new UK styles (a little Joy O to its bottom end).
Discreet Time meshes vintage Chicago drum programming with the filtered house of someone like I:Cube; and to close, Plateau, a widescreen, experimental bubblers, with reaching FX'd synths and shuffling snares and hi-hats... perhaps their best yet ....

[cD] CD 3-4 | BLACK MAGIC - Freedom Make It Funky Color 1 On & On Strong Vocal Mix

Maybe the most visceral beauty of John Camp's music is how easily he moves you into the heart of it. Take, for example, 'All You Gotta Do,' a track that opens, sparsely - promisingly - with vibes atop a beat. In perfect time, Camp sets up a funk-heavy bassline that effectively drops the song down a level, making it a more muscular and, suddenly, fully formed track. A minute in, handclaps, glinting key dust, more funk-infused keys and rich vocals from guest singer Mr. Reed bring the song effectively to life. It's the pitch perfect intro to a recording that blends funk, R&B and a relaxed warmth into smoothly rendered, body shifting music.

What Camp does on that intro track, he somehow manages throughout this remarkably consistent, cohesive and satisfying debut release. The follow up, 'Micrhodesia,' reveals his ability to lightly touch upon jazz and quiet storm in his own deft way, distilling hints of '80s Herbie Hancock and late night R&B radio into a lustrous funk. 'Credit Default Swap,' is the most energetic track here, a song that straddles old and new without ever losing its footing. Even when Camp nudges the track's exuberance, the music still feels like it maintains an effortless cool. The closer, 'Uh Huh,' is a more laid back take, with deep-down bass and singer Mr. Reed guiding the soulful flow.

Though this is Camp's debut solo release and first offering on HAKT Recordings, listeners have heard from him before. Last year, he was featured on No Regular Play's debut album, Endangered Species, out on Wolf + Lamb. He also appeared on the track 'No More Time,' along with collaborator Michael Christopher, from the Zurich-based Cityfox label. And in April 2012, he was featured on a track from Double Standard Records, the vinyl-only imprint from Wolf + Lamb's Gadi Mizrahi.

Ruben Alvarez is one of the most sought-after names on the international house scene. 2008 and 2009was a whirlwind of success for Ruben thanks to his productions and remixes for leading labels such as Milk & Sugar or Urbana Recordings, reaching the highest positions on Beatport or Traxsource download charts (his production The Rhythm of Life , a track Ruben put together with his studio partner Rober Gaez for Urbana Recordings, )
At the same time Ruben Was nominated to the Deejay Magazine prizes on 2009,as the best upcoming producer and best remix.

A complete Southern fried Atlanta concoction w/hip-hop soul flavor from DJ Applejuice and a rework of a classic deep disco tune inna slomo style by Osmose. Hand stamped gold jackets.

3 Very Fresh & Gleaming Edit/Not Edit/ LoopOut/Overdub/ Whoknowswhatsgoingonhere() Tracks From APC (AKA Aaron From Peaking Lights!).......TIP!
Art Work By Cosmo Knex
Mastering By Sonic Boom