House Новости

The long fabled 'Elisabetta' project, conceived by Giuseppe Alcheri, scored by Marco Segreti and eventually cancelled entirely by shady producers has long been lamented by fans of Italian Cinema and Disco aficionados alike. 'Elisabetta' was to be a return to Alcheri's erotic thriller roots after (what some may consider talent wasted in) the Euro-Crime genre of the late 70s. Though, despite the predictable trappings of previous efforts, Alcheri's flair for stylised dramatics and profound statements on the human condition bubbled under the surface, even in films such as Legge Rotto' and Sono Unica Difesa di Questa Città', but it was the melancholic power of early hits such as Angelo Della Pelle' or Pianto Vergine' that serious fans were crying out for. All of which was to be delivered with 'Elisabetta' which promised to be his most ambitious and emotional film in years. Concerning a writer driven to suicide by a lost love, told mostly through typewriter monologues, conversations with Little Grey', a pigeon and late night cruises through the discotheques of the mid 1980s, 'Elisabetta' was to be an epic poem on the nature of love and fidelity, sadly lost much like the lover in the film. Marco Segreti's credentials should need no introduction, originally the drummer and leader of Bruciando Roma' a group of anarcho-session musicians, playing on many 70s disco hits, the synthesizer revolution of the 1980s allowed him to break out into independence. Dripping with vintage reverbs and mourning melodies, the soundtrack, presented here for the first time ever is all that remains of this remarkable project. Restored from the original tapes by Ruud Lekx. This essential, obscure masterpiece is not to be missed.

Maintaining the focus firmly on the underground and keeping that no-frills party vibe running throughout their output, Music Is Love keep things flowing at a steady pace with their 12th release. Dedicated to continually curating original ideas, the premise behind MIL012 is all about the label paying homage to their most prominent musical influences. Leading the way behind the new concept entitled Tribute, head-honcho Oli Furness teams up with one of his favourite producers - Chicago house legend Paul Johnson - for a four track EP, with two tracks from either producer intended to highlight the impact of Johnson's impact and influence as an artist.
Paul Johnson has been a staple of house music over the past 20 years, and has long been a revered DJ and producer known for his distinctive rhythm and soulful sounds. Continuing with his penchant for up-front house music, Johnson kicks off the EP with Movin Baby. A stomping 4/4 beat marches over an intermittent vocal grab, while 90s afflicted key chords flourish steadily on top of trailing drum sequences to give a predatory rhythm with a solid dance-floor focus.
I'm A Freak follows up, infused with the sort of unreserved energy that has characterised Johnson's music over the years. A solid train-track house groove built from only the sparest of elements kicks things off, before a hypnotic vocal prevails over incessant percussive slices, a wubbing sub bass and thick melodic tones, racing alongside the flecked groove for five minutes of deliciously locked-in pleasure.
Irresistible, stripped-back grooves are clearly a preoccupation for Furness, who delivers more heavy-hitting house in the form of Gurl and Nightclub Romance. Gurl is characterised by crisp, clean percussion sequences, snapping snares and an entrancing male vocal that coheres rhythmically over the cowbell and marching drum combo.
Laying the focus on a classic house aesthetic with acid-fused textures, Nightclub Romance finishes off this well-crafted EP. Acidy stabs and shuffling drums coerce against a flurry of hi-hats and sporadic, dubbed vocal murmurs to give a stomping groove aimed squarely at the dance floor; its unadulterated, primitive authenticity make it the type of track that would have worked just as well in the 90s as it would have today, a testament to the thematic style of the whole EP.

Sean Sounds, born in the music trenches of Chicago, has been rockin' parties since the early 80's. Known on the Chicago scene as "Mr. Bringtheheat", Sean's music selections and playing style has filled dance floors for decades. This old school DJ loves his wax so you never know what to expect when he blesses the tables but he never disappoints. Sean Sounds has unlocked his music vault to begin releasing edits and remixes that has rocked the crowds for years in his "BRINGTHEHEAT SERIES" on the STREET EDITS label. This series is a must have for DJs who like to keep the dance floors packed.

This is a fresh new project based in Bologna, Italy. Red Rooster EP includes four different sounds with a logical framework. D' Arabia and DJ Rou (HOMEQUEST) are two emerging artists that in 2015 began to share their skills in the same recording studio; the result is a groovy sound with a great energy.

This is the first release for Red Rooster Records and the future plans are to give us a lot of new emotions from a lot of new talented artists.

After a successful first year, Untzz Twelve Inch start off 2014 with their first extended player, a collaborative offering between friends Freddie Norwood & Dass.

Freddie touched gold since his debut They Never Used To Stay Out All Night, winning the hearts of selectors and home listeners alike, and the tongue in cheek How Low Can U Go went on to become an anthem of both European and Australian summers.

All the while Dass has maintained a strong presence in the shadows, honing a dark and atmospheric sound that remains inviting for the creatures of the night.

Together, they've crafted an elegant and timeless record showcasing a further look into what's still to come from Untzz Twelve Inch.

Known for poppin grooves to b-boys and b-girls the world over, Freekwency is no stranger to a good groove. One of the founders of the Hot Shot imprint, finally makes his return for the special 10th release of the label! With the New York garage vibes of the slammin 'Your Touch ' featuring vocals by Ale Chambers. your touch gets touched again by first touch delivering a boogie refix that harks back to the true 80s spirit, similar to their recent outings on omega supreme and bts. The b side takes a different curve ball with the legendary magic touch and Pal Luvraw going in a Chicago house direction that screams jack! Their remix is also backed up by a special ambient mix for that peak 4am hand holding moment.

In almost ten years of existence, Throne of Blood has cultivated a diverse family of musical talent spread across the Americas and Europe, refusing to settle into any particular sound or scene. Foremost among this crew of almost-impossible-to-pigeonhole producers is Dissident veteran Hardway Bros aka Sean Johnston, known to many as Andrew Weatherall's partner in A Love From Outer Space.
His third EP for the label, 'Pleasure Cry,' is characteristic of Sean's style : a modern sound with sly winks to his rich history in electronic music.
The proceedings kick off with 'Pleasure Cry', an ode to submission featuring the exotic talents of vocalist Sarah Rebecca (formerly known as SR Krebs) anchored by a classic 'Reece' bassline. Possibly not suitable for work but we suggest you blast it at the office to see what happens. The tune gets the remix treatment by Gerd Janson and Philip Lauer aka Tuff City Kids, piling on the pianos and cutting up the vocals in a very Saundersonian fashion.
'Argonaut' was originally written for an ALFOS gig on the Adriatic sea, and pays homage to the sounds of early 90's Balearic house. It's perfect for sunsets AND sunrises, we'll let you pick which works best for you. The self explanatory titled 'My PNO' is Sean's take on piano house, steering clear of throwback clichés. Its hook, however, should have a similar arm raising effect on dancefloor revelers.

The return of Konigs Jonny 5 ! Vollkreis liebe. Deja-vu nein Beats in Balearic Space. Schlagen bass, guitar himmel. One more time !!! Sirup vocal, groove funk. Das ist Last Trrrrraaaaain. Late-night-romanzen Uh-O Uh-O Miami kilter schlagzeug. Eindringlichen refrain. BababaBASS !! Finale Grazie ist Slow Bodies. 100 bpm, Arp kopfes. Und weiter. Panzer Peoples Funk Esel !!!

Earlier this year, an email dropped into the Claremont 56 inbox. It was from a producer in the early stages of his musical career called Simon Peter, and contained a joyous slice of languid, organic Balearica entitled 'Arc of Lark'. Suitably impressed, Claremont 56 boss Paul Murphy had no hesitation in snapping up the track right away.It marks a new stage in Simon Peter's career. He made his debut in February 2014 with the Double Up EP on Silhouette Music, which contained the shimmering nu-Balearic disco of 'Espacio Temporal'. While that was laden with sun-kissed synthesizers, 'Arc of Lark' is a much more organic affair. Blissful electric piano keys, hazy guitars and fluttering flutes cascade over an undulating live bassline and shuffling, bongo-laden beats. Warm and humid, it's a slice of audible
sunshine to brighten up the grim winter months.Long-time friends of the family 40 Thieves handle remix duties, turning Simon Peter's picturesque original into an effects-laden chunk of slo-mo dub disco goodness. 40 Thieves member Layne Fox loved the track so much that he's also contributed an additional remix that focues the action around a loose, languid, dub reggae influenced groove, spiralling electronics and Peter's mesmerizing flute line. It's a fitting conclusion to a magical label debut.

Opilec Music is proud to bring you the first ever remix album of San Francisco's cult synthesizer-punk legends, The UNITS! One of America's first synthesizer bands and pioneers of a genre now known as synthpunk, The Units were notable for their use of synthesizers in place of guitars, and multimedia performances featuring multiple projections of satirical, instructional films critical of conformity and consumerism... predating MTV and 25 years before the birth of YouTube! This is a definitive collection of over 24 of the band's original songs written between 1977 and 1984 and remixed for the dance floor in 2010 by a renowned and international cast of over 40 DJs, producers and bands active in the contemporary club scene. This project celebrates the futuristic Units along with the innovative DJs that first played them. Like COSMIC DISCO pioneer Daniele Baldelli, who remixed early 7" Units records "live" on the dance floor as early as 1979, ELECTRO ITALO DISCO pioneers and contemporaries of The Units, like Klein & M.B.O., N.O.I.A. and Alexander Robotnick, along with Nu-Disco and contemporary club scene trend setters like Gianluca Pandullo of I-Robots and Nemesi ...All of whom did remixes for this project! Tracks include remixes/reworks of The Units most sought-after early singles and selections from their first LP, Digital Stimulation, along with remixes culled from The Units early demos, recordings made for art happenings, film, and more.
This remix album is a view into The Units' seminal years, as well as a tribute to the early DJs and Clubs that played their records in creative ways ... giving you a glimpse into how the innovative music that ended up on the dance floor was often an unintentional collaboration between DJs and bands, inspiring each other and cheering each other on. "CONNECTIONS" is a collaborative step from the past & present ... into the viral remix culture of the future of electronic music and videos ... and the fantastic clubs they are played in.Units songs that are remixed/reworked include High Pressure Days, Warm Moving Bodies, I-Night, Cannibals, The Right Man, Go, Zombo, I-5, East West, Run, Red, Bird River, Bug Boy, More Alike, That Funky Thang, We Need a Doctor's Son, Passion of Patterns, One Man, Life is Good Now, Moving Bodies, Contemporary Emotions, Tight Fit, Cowboy, Straight Lines and more...

TK Disco come up trumps yet again with 2 absolutely solid, killer pieces of Disco Funk for the heads!
The Miami label has long had a cult following & found fame with Disco aficionado's the world over & it's easy to see why. Their back catalog is peppered with rarities & classics including the 2 cuts featured here.

Taking up the A-side is the super rare "Moon Ride" from obscure group Universal Love, an epic, storming slice of get-down Disco Soul, a real burner of a track.. drenched in Jazzy vibes & deep harmonies laced in soaring synth swells & strings, underground Disco at it's best & a real tough to catch on original 12" with copies fetching collectors prices on-line!

Over on the B-side we have the Mad Dog Fire Department's appropriately named "Cosmic Funk", a track that has shown up in the playlists of everyone from David Mancuso to Daniele Baldelli & beyond! A stomping, grooving jam laced with the FUNK. Serious business indeed, & both tracks are now available on one 12"!

All tracks featured have been carefully selected from TK Disco's deep vaults, re-mastered, re-pressed & made available again for 2015 with the permission of TK Disco's very own Joe Stone, Miami FL, USA. %100 official!

Number 10 in the Ghost Town edits series.

First output from the Needlight Records imprint. This brand nu label has been settled up by Cisco and Miss Chrysalide, 2 well established artists out of the Parisian electronic scene.

Newborn Munich based label Slam City Jams comes around the corner with its first release from young gun Gonima straight outta Montreal, Canada. His Grids EP An exciting mixture of swinging distorted drums, catchy melodies and hazy atmospheres. You can definitely spot Gonima's passion for DX7 adventures, analog drums and tape hiss right here. Opener "Grids" starts off with lush synth blips, 707 drums and a bassline Bootsy Collins would give high-fives for. "Subdivided" is one of these tracks that shows you that it doesn't need more than a few elements to get you going: A rough kick drum, cowbells and a smooth pad that gets slapped by just one bass note. The last original on B2 is the ambient-like "Organ Tutorials", which shifts your mind directly to outer space. And as if all this wasn't enough, someone really special did a great remix job - Khotin from 1080p fame, who gave the A2 cut a treat with his unique trademark sound. Four house and ambient tracks both for the floor and the couch. Or as Gonima puts it: "An EP that has the sound of visiting home in the winter and rediscovering environments frequented in the past, birthing previously obscured memories. The sounds within are a ritual dance to stay warm through the procession of the seasons"

Joining the dots after last years reissue of Plus Instruments early 80s post-punk music on the Bodies EP on Emotional Rescue, Especial now looks at their return to recent music production, taking the song Love Is Enough from the recent Trancesonics album and giving it the all encompassing label remix treatment.

Returning to releasing music after over 30 years hiatus, the now solo, multi-instrumentalist and vocalist Truus de Groot, showed she had lost none of the unique off-kilter dance inflicted avant-pop observations.

With the release of Trancesonics things come full circle, bringing Truus' right back to her roots. On hearing Love Is Enough's thumping 4/4 kick, sliding hats, white noise and mind-worming vocals seemed in tune with what Especial is about - warped, tripped -out, dub inspired dance floor music that retains an ear for melody and at times, pop leaning, it was a calling not to be ignored.

Richard Sen then, leads the way with a trademark killer Chicago inspired bump'n'strings cut that takes Truus' vocals to the horror chamber. Next, Khidja show why they are names to watch with their retake, mixing double bass and vibes interplay, trippy fx and haunting refrain, all wrapped in a killer groove that signal a duo totally on their game.

On the flip, it was a perfect fit to get Luke Solomon in to do one of his special 'mad-hatter' skat style remixes. Jumpin' and bumpin' across the floor this is Music For Freaks. Finally, homeboy Jamie Paton does it again with twisted, bubbling dub, riding snares, arps on arps, a multi-layered, live on the mixing desk work-out for mind and feet. Is Love enough Maybe. Or it could be Dub is enough Time will tell. Dot to dot.

red coloured vinyl

Music For Swimming Pools proudly presents it's first release, and who better to get the ball rolling than Reverso 68. Pete Herbert and long time musical partner Phil Mison come together with three new tracks and a rework of their first ever release Piece Together. Originally released on Specialist Interest Recordings and then promptly picked up by Eskimo Recordings who gave the Part Two version exposure to a wider audience, we thought it was about time Part One was given a new mixdown and polish.. and the results were superb! .. a freshly served version of this seminal mid tempo afro/80's inspired classic. And onto the new productions, first up Red Day heads straight down italo alley with chunky slo mo drums and some infectious synth action. Buzara heads into typical Reverso territory, and a nod to Frontera Del Ensueno with grainy flamenco guitars, loose percussion and old school house synths for the dancefloor.. and finally Orange Sky rounds things off with a lush hypnotic afro percussive work out. . We recommend you test the water.

Let's dance! Tasty disco edits by De Los Miedos, the man behind Ostra Discos from Lisbon.

Aimed straight at the late-night dancefloors, Disco Bits continues its policy of tweaking dancefloor classics for maximum Disco Power! On the A-side:
A1 'Disco Power' - first up is a relatively unknown Afro Disco number by Bomp. Here it's beefed up and re-arranged with extra drums, extra breaks, proper bass and proper Disco Power!
A2 'I Wanna Thank You' - The Alicia Myers original has always needed a re-arrangement. The Disco Bits boys take a small scalpel and re-imagine this with a proper verse and chorus taking the classic break and turning this track from an uncut diamond into a finely cut gem On the flipside we have:
B1 'Let's Do It Again' - a classy edit of the Nightlife Unlimited favourite, which builds a deep groove from the bassline up, adding layers of keys and vocals and climaxing with the original's hooky chorus. B2 'Tighten It Up' - The BLT original gets a similarly bass-centric treatment, the evolving groove underpinning the refrain of 'drinkin' wine and wastin' time' as the track builds to reveal its familiar verse and chorus towards the end

Introducing Kon's forthcoming compilation album 'Kon & The Gang', we are delighted to present this 12" sampler featuring two incredible cuts taken from the LP, as well as an exclusive remix from Caserta. Opening track 'Timeless' could hardly be more aptly named. Sublime, smokey piano touches on the intro give way to an uplifting, languid disco track, jammed full of sunshine. Catchy vocal snippets, rock solid bass and guitar licks build up the groove beautifully alongside Kon's trademark staccato, squelchy synth chord stabs. On the flip-side Truccy (better known as Compost's Rainer Trüby and Corrado Bucci) present 'Closer', another sun-drenched groove with definite Balearic touches. Jazzy chords and touching vocals (performed by the duo themselves with assistance from Nicolas "Michael Ellis" Rogoll) lend the track a distinctly 'live' feel. Boston producer and mix engineer Caserta closes out proceedings with his remix of friend and musical collaborator Kon's 'Timeless'. Highlighting piano loops and synth stabs from the original version,
his rework moves the track seamlessly into Deep House territory, with smoothly rolling percussion and a hypnotic arrangement. A delicious taste of what's to come from 'Kon & Gang', this limited 12" is surely going to be essential listening this summer.

For fans of:
Opolopo, Joey Negro, Sadar Bahar, Dimitri from Paris, Rainer Trueby

Finally A Visitor From Another Meaning returns to earth, and vinyl. The Viewlexx veteran is back on our world with Lost Encounters I, four cuts from the vaults. Beamed in from a distant galaxy is the blazing brilliance of Dance of the Happy Shadows'. Past film score greats immediately come to mind. Vangelis. Carpenter. Moroder. I Rarely Talk to Strangers' pulses with crisp beats and rumbling arpeggios, cloudy skies ready to rain on a polluted L.A. in 2019. The blue dot is left behind for the elation of J is for Jupiter'. The stars are the place to be. J is for Jupiter II' drifts from cosmic currents before illuminating the heavens for the lead out into end credits

Over the course of just four releases, the Palms & Charms label has quickly established itself as a purveyor of fine original music, enjoying support around the globe.
Their fifth release sees Tokyo magician Max Essa drop one of his hottest EPs to date.Have you ever wondered what it would be like to be truly footloose and fancy free
Have you ever dreamed of another way of life - free from the constraints of your current existence
Well, here it is The Blame it on Rea EP will elevate you to a completely new way of understanding - not just of yourself, but the world!
Forget the trials and tribulations put upon you by 'the man' and enjoy the beauty and wonder proferred by 'The Man' â€' Max Essa.Available for a limited time only - seek and ye shall find!

Joey and Mauro Raffaele River, we can say for sure is that the odd couple of 'Italodisco of yesterday and today. Joey mauro spent the last 15 years as a writer , producer, singer and 1st actor of alomost 60 new generation Italodisco dance tracks published worldwide. Raffaele Fiume an old acquaintance of Italodisco who produced and sang over 40 disco mix from 1981 to 1989 and sold thousands of records around the world with various pseudonyms, the most famous are : Clock on 5, Mr Rocambole, Helicon and Raf Coney. They come together with a mini album born from their friendship that led to a collaboration destined to leave an indelible mark in the Italo disco new generation panorama .Their newest mini album rediscovers the QUADRANGOLO MIRABILE label in an all-Italian production that is bringing back to the great experiences of Label as Discotto and Disco Magic. Along with the great the Pin Up designs of the great artist Giovanna Casotto, the voice of Francesco Cataldo Verrina aka Bounty Miller and Karl Otto make this release a must to have for all Italo Disco fans ! Imperdibile !

This new 7" from TUGBOAT EDITIONS is a modern funk all star collaboration with the East Coast's SAUCY LADY on vox, Tokyo's YUKI MONOLOG KANESAKA on production, San Fran's K-MAXX on shredding guitar and vocals plus SoCal's THROWBACK ZACK on the talk box. This munster mega piece will keep you feeling like Saturday all week long... Until you get to the flip side... straight Sunday Morning Vibes, whether getting in OR out of the sheets! Comes with a pic sleeve.

VELVET SEASON & THE HEARTS OF GOLD return to Resista after last years best-selling 'Long Black / Love Generation' and they certainly don't disappoint.

For the past four decades, a growing cult of soul music collectors have sought two obscure LPs and a handful of extremely rare 45s released on the vanity record label LAD Productions, Inc. between the late seventies and the mid eighties by the mysterious South Side Chicago singer/song writer Larry Dixon.
Larry's raw songs capture the transition from R&B to boogie-down as disco was rapidly becoming extinct.
They also perfectly illustrate Larry's ability to overcome his environment and discrimination, transcended by his determination to write and produce music. With the support of his faithful musicians, Larry's success was only hindered by lack of airplay and promotion, but his talent shines through.
This is the story of Larry Dixon, his label LAD Productions, Inc., and his friends and family throughout four decades of music in Chicago's toughest neighborhoods.
Jerome Derradji is proud to reactivate Past Due Records - the boogie funk division of Still Music to release this fantastic archive - what many consider to be the Holy Grail - of Chicago Funk, Boogie and Soul.
'Star Time' will be released in a limited 500 copies 10 X 7" Box Set, a limited 500 copies 4 LP Box Set, DCD and Digitally - all faithfully reproducing the vision of LAD Productions, Inc.
It features each and every Larry Dixon's releases from 1971 to 1987, including the ultra rare 'I'am So In Love' LP recorded live at the Copherbox Club in 1980 and the ultra rare boogie funk 'Can't Price Love' LP, each carefully re-mastered from the original tapes and a lot more!
Many unreleased songs (some mixed by Jerome Derradji) are also featured. Each format includes a unique booklet with the story of Larry Dixon and his friends, written by Jacob Arnold, along with numerous pictures and documents previously never published. Artwork is by Al Kent from Million Dollar Disco.

For the past four decades, a growing cult of soul music collectors have sought two obscure LPs and a handful of extremely rare 45s released on the vanity record label LAD Productions, Inc. between the late seventies and the mid eighties by the mysterious South Side Chicago singer/song writer Larry Dixon. Larry's raw songs capture the transition from R&B to boogie-down as disco was rapidly becoming extinct. They also perfectly illustrate Larry's ability to overcome his environment and discrimination, transcended by his determination to write and produce music. With the support of his faithful musicians, Larry's success was only hindered by lack of airplay and promotion, but his talent shines through. This is the story of Larry Dixon, his label LAD Productions, Inc., and his friends and family throughout four decades of music in Chicago's toughest neighborhoods.
Jerome Derradji is proud to reactivate Past Due Records - the boogie funk division of Still Music to release this fantastic archive - what many consider to be the Holy Grail - of Chicago Funk, Boogie and Soul: 'Star Time' will be released in a limited 500 copies 10 X 7" Box Set, a limited 500 copies 4 LP Box Set, DCD and Digitally - all faithfully reproducing the vision of LAD Productions, Inc. It features each and every Larry Dixon's releases from 1971 to 1987, including the ultra rare 'I'am So In Love' LP recorded live at the Copherbox Club in 1980 and the ultra rare boogie funk 'Can't Price Love' LP, each carefully re-mastered from the original tapes and a lot more!
Many unreleased songs (some mixed by Jerome Derradji) are also featured. Each format includes a unique booklet with the story of Larry Dixon and his friends, written by Jacob Arnold, along with numerous pictures and documents previously never published. Artwork is by Al Kent from Million Dollar Disco.



















[] 3A4 - Star Time

State Of Art's Dreams Factory album with bonus CD.

No export to Japan.

This is the first release on his own label.
"Cruel.Vs-4" is a balearic tinged track with a boogie style, sample guitar phrase.
Thrushes' is a gorgeous ambient house track with a bouncy groove that resonates with comforting clarity, synth sounds and electronic melody.
Beautiful Japanese Song' has a deeper sound.

He has a delicate, melodic aesthetic sense, that seems so unique to Japanese artists.

Not much is known about this mysterious artist from Istanbul other than the music he produces draws heavily on the heritage of his home city and its melting pot of east meeting west. 'Luna' is a deep, multi layered late night dance floor instrumental with exotic eastern flavours while 'Araf' features haunting female vocals and guitar workout over a deep baseline and crunching beats with a clear electronica soundscape. Fantastic for the late night floor.

With summer just round the corner, Hell Yeah come up with some essential—and fully, officially licensed—new cuts from Balearic Gabba Sound System edit master Enzo Elia. He touches up some historic Italo house with his usual masterful touch and will have you yearning for boat party season before the tracks have even finished playing.If you loved the Italian's take on Soft House Company What You Need, you should go crazy for this new offering. Up first is italo-piano-house classic Morenas's Hazme Sonar, which is eight minutes of diva vocal athletics, big synths and pumping retro drums that will make you punch the air. Fun and fulsome, it is a sure fire classic house winner this summer.
Jazzy Doll's Ladybird is next and in Enzo's hands becomes a rubbery, ducking and diving house cut with big hand claps, bubbling bass and loose limbed percussion that is ripe for raves on the sea.