House Novedades

We are very happy to count with Synth Alien for the 7th reference of Clasicos del Ruido. 'Beyond the Alpha Cygni' its just one of those histories that someone could imagine while it's watching the sky. Four cuts of melodic electro, that draw broadly, the map of an intergalactic trip, whose development will be different in any of you.

Sex. Sorrow. Synthesizers. Digital Romance are a French duo cast in the mould of vintage electro pop. Their sound echoes those halcyon days but is firmly set with an eye on the future. Vocals, from Marie De Berlin, are deep, inviting and rich. Tracks tell of lost loves, forlorn figures hoping to find solace in the cold and calculated world we inhabit. Sparkling synthwork, care of Forgotten Illusions, perfectly matches those breathy lyrics, catchy hooks ensnaring hearts and minds as they spiral through the dancefloor of their lives.

E. LIVE finally gives in to the global pressure to get both of these tracks a proper release & who better to handle it than the crew at Star Creature HQ. E LIVE takes the vocal duties for the hot A Side reminiscent of his first single's A Side "EVERYBODY". The B Side is a smooth spacey instrumental jam. Debut release on E. LIVE's

EDIT & DUB keep pushing with Volume 2 in the TEE SCOTT UNRELEASED SERIES. Pay close attention and you'll notice these are private DJ versions that do not contain the main vocals of the original releases. These unreleased mixes focus on the hotness of the groove & never let it go! One-sided 12".

Funk dripping debauchery is Hard Ton's latest serving. 'Triple XL' takes its cue from the annals of italo, disco and electro pop, further fuelled by production from Dutch diamond in the rough Tom Holkenborg (better known as Junkie XL). A track beyond tongue-in-cheek, lyrics dance in a devil-may-care dervish. And it is those lyrics that remixer Domenico Torti holds on to for his jackin' house interpretation; a Chicago affair of carnal delights. DJ Overdose comes from a totally different angle. The electro fiend pours ice water on to the original for a frosted vocoder wonder. And to keep the roulette wheel spinning, Andreas Gehm closes. Hard as nails, acid drenched, diva voiced pound wraps up an EP an admirable assembly of tracks.

Machinegewehr tells a tale of interstellar love with his third EP for Bordello A Parigi, The Cordyceps. Four glimmering works make up this star crossed story of electro disco. The listener is wrapped in warmth from the outset with the sweetened vocals and clean synths of the title piece. 'Shivergold', with its lush pads and arpeggios, pulls you to the floor before the pulsating grooves of 'Knight 634' take hold. The final embrace comes with the soothing sounds of 'A Girl You Know". A lost romance from distant world, a kiss goodbye.

BLACK CATALOGUE in collaboration with LA's PLUG RESEARCH unearths this gem from MR. HAZELTINE aka JOHN TEJADA originally released in 1998. The A side features the original mix of "ON THE AVENUE" and "THE MECHANIC", followed by a MANNEQUIN LUNG remix of the title track on the flip. Grimy and dusty!

Here comes the first vinyl release by French collective Parisian Soul, released on Denote Records.

Denote Records is a label founded in 2001 by David Hachour and Florent Sabaton, following the success of their Disco/House band Oscar. From 1998 to 2005, their productions filled many
international dancefloors and David H travelled all over the world to play alongside famous DJs such as Rainer Truby, Paul Johnson, Little Louie Vega, Shazz, Eva Gardner, Dj Cam, Carl Craig, Arnaud Rebotini (Blackstrobe), or Grand Master Flash to name just a few...

Since 2005, David focused on his work as sound engineer and started working at the famous Topmaster' recording studio. And in 2008 he launched the ColorSOundStudio' with Florent. But
after a few years, the duo decided to reactivate the Denote imprint in 2012, with various projects including artists such as Villanova, Andre Salmon, Chez Carmen, or Sleaz.

In 2016, David formed Parisian Soul alongside Jérôme Lecailletel and Laurent Cohen, all connected by their love for Disco and Funk productions. Jerôme, who's also part of the Oscar adventure, is a multi-instrumentist and composer, who have a long career as a studio musicians for many majors' acts. As Laurent Cohen has been deejaying since 1985 for various radio and clubs, also working for famous Parisian records shop, Sound Records and Urban Music.

On this first vinyl only release, the trio also combined the curiosity of digging, with the organic groove of live music and the requirements of high level mastering. Finely produced at the
ColorSOund mastering studio, their 2 first reworks is a brilliant mix of their Funk, Disco and House influences, perfectly fit for killing the dancefloors.

Swat's third release & DETROIT is in the house !

There are times in which you can clearly mark a producer's evolution.
When they stop inching towards growth and make a bold statement of change in capability and vision.
Such is the case with this EP from Detroit-based disco guru, Pontchartrain.

After a few years of steadily pushing out some significant pieces of work that have increasingly straddled the line between originals and edits, and nearly a decade of studio experience, his long overdue official house music debutante has arrived.

Featuring Detroit local soul artist, Coko Buttafli laying down some blistering vocals with a clearly positive house music message, on top of live percussion and keys, and bold analog drum rhythms, pontch has created a solid diva-house gem.
The sneaky festival-ready banger, 'Loose', performed, mixed, and overdubbed live, provides some fantastic contrast and versatility to the release.

A Mr. G-esque remix by DJ phenom Just Alexander and the musical journey of Topher Horn's evolving and deep version on the flipside make this a well rounded record that will undoubtedly stay in your bag for a good long while, and will find its way back in for years to come.

Charging from the stables, Royal Athlete is back with another collection of atomic dancefloor weapons. Taking tracks from somewhere between Europe and as far as Japan, we present five brand new stormers to celebrate our 5th release. Berlin'sPrivate Agenda, bring us their Hi-Fi-NRG productions, dripping with melancholy and sweat, swiftly followed by the one man bassmachine Sven Atterton, who's slap n' Linndrum workout is serious funk for the heads. Heading up the B-side, Liquid Pegasus serves up a piano n bass led boogie banger for peak time wish fulfilment joined by the return of Rick Wreck, who's Heartache 2 Heartbreak brews a quiet storm for the lovers. Finishing up is Berlin's I Am The Other Guy, more piano, a solid bass groove and a certified disco winner. All tracks mastered by Tim Xavier at Man Made Mastering Berlin.

Two of House of Disco's most sought after tracks get a 45RPM repress. Roberto Rodriguez's 'Mustat Varjot' is a big DJ Harvey fave

This self titled creation from 'AVOP' sets us in a mystical island of utopia. These eternal paradise grooves sends our imagination to levels of sophistication and next world fantasy. Lucid drums, unknown atmospheric melody, jupiter dream pads, star light twinkles, exotic worldly strings, silky bass lines, vibratious reverb. The masterpiece we have all been waiting for.

10"

We're back on LTD 10's with Volume 5 by the man himself Dicky Trisco. If you know the name - you definitely know the game. Full on feel-good disco house beaters!

The label focus on a specific musical need and want to offer a contemporary garage house,
raw and essential interpretation of some rare groove hits and other disco classics.

Master at: Reel Mastering
Pressed by: MPO
Artwork by: Riccardo Banfi and Mirko Pisanelli

Killer edits for the Discotheque from Love Creation. Anyone who's heard DJ Harvey play this year will know 'Hypnodance'. 'Beached' provides you with the perfect intro track and B2 'I Wanted To Tell Her' brings the sleaze. BIG TIP!

ITALO-DISCO !!!VINYL 12"!!!REPRESS!!!

ITALO-DISCO !!!VINYL 12"!!!!REPRESS!!!

New year, new start and a long overdue introduction of some female sensibilities into the Slow Motion stable. System Olympia hails from Calabria and was formerly part of London based Royalty. You know the drill by now, tear jerking synths, chest crushing bass and that indefinable slow-motion disco swagger that we have made all our own. Dance floor, after party, headphones, locked groove tools - we got it covered.

Cultures of Soul is back! This time it's with a new set of 12"s - the Carib Boogie Synth series. Featuring the iciest synths, the slickest basslines, and other '80s-sounding vibes from the Caribbean islands, all of the tracks are fully licensed. First up in the series is the killer Junior Byron track "Trying To Hold On," written and produced by Wild Fire's Oliver Chapman and originally released on the Wild Fire label back in 1985. The A-side includes the original mix as well as the Version. On the B-side we've got the epic "Megamix." The track was reworked by Gerd Janson, who created the mix old-school style with two copies of the record, a mixer, and an EFX box. Adding the final touches to this track is mixing and mastering engineer LOPAZZ, who mastered many of the best techno tracks in the Get Physical catalog and released the seminal dance-classic "I Need Ya" on Output.

repress!

Part 2. Deep disco edits. One per customer. Limited.

Written by one of the seminal figures of the Philly Sound - Norman Harris, The Player is arguably one of the groups greatest records.
On the flip, NYC DJ & producer Mike Maurro respectfully remixes the original.

Previously unreleased and skillfully edited versions.

Hot Toddy makes his debut on House of Disco records with this 3 tracker of originals where love is the message.

Repress!

Original 2000 12"s !! Limited stock - act now!

4 Classic disco cuts hit the NYC Edit Block.

Previous lauded releases on Italians Do It Better, Bear Funk and Eskimo. The single YAML was released as a 12' in May 2017 and the video premiered by music, fashion and culture mag Blackbook. DJ-producer- sound designer Bottin actually calls La Serenissima home - though he has actually been one of Europe's most hard-working and traveled DJs. Back home he has remixed many top Italian pop artists, and also worked with Benetton's Fabrica.' On his new album, I Have What I Gave, out October 6th on 2MR, Retrogroove, and TIN, Italian musician Bottin outdoes himself. He crafts propulsive, disco-laden scores for films not yet made, and introspective, mind-expanding cuts designed to ensure that people who want to dance never get caught up in conventional experiences. Each moment with Bottin is a memorable one. One thing that sets I Have What I Gave apart from his pioneering Horror Disco and much-loved Punica Fides LPs is that this time around Bottin didn't see to it to create a concept-album structure. Everything came at once during the writing and recording process, which no doubt gives the album its intensity and sense of immediacy. But even if the album didn't come about in a series of tightly crafted experiments, it doesn't sound messy or chaotic. It's just the opposite. Bottin has managed to take bits and pieces of sounds, some short loops and orphaned arpeggios, and a handful of vocal samples, and put them t ogether into an album that unifies 10 songs of divergent trajectories into an outstanding body of work that absolutely kills. Also Available From Bottin: YAML.

...and in the end, not a great deal is known about the Spanish duo Futuro. The saga begins with the discovery of a cache of test pressings deep within the shelves of a very dusty record shop near the Plaza Del Toros De Valencia. As is the case with these things there was no promo sheet or any other information outside of three clues etched into the run-out groove: Futuro, Jollyman, MCMLXXXVII. Through deduction and reasoning it was soon realised that Jollyman was a short lived Italian record label that closed it's doors in 1987. There were rumours for a while that Jollyman was a mafia wedding gift to a music enthused female family member, but as the journey continued it became slightly more likely that this was a tax write-off for it's owners, as the label itself was never very successful, and was more likely an afterthought rather than a full on passion project. That is not to say that there were not gems hidden within it's small catalogue, most notably from noted library musician, composer and arranger Alessandro Signoretti, without whose help this release would not be presently in front of you. Alessandro's assistance led us to the infamous Hafenklang Studio in Hamburg, Germany. The very same studio used by Boytronic to record their classic LP 'The Continental' (some of the same DX presets can easily be heard on both albums) and despite the insane amounts of musicians that have passed through those doors the owner clearly remembered the duo and finally the mysterious Futuro had names: Javier C Rayón and Raúl Láynez.Too late for the Italo boom, and too early for the Sonido De Valencia craze, the recordings of Futuro have sat on master tapes since 1987 finally awaiting their much deserved audience. Bordello A Parigi are more than proud to present this lost Late slow-mo synthesizer Italo masterpiece onto the world.

High Summer. Sun is shining and the Bordello is open to newcomers, the latest being Slovenia's Ichisan. A 12' that bulldozes barriers, Metamundas seamlessly slips between electro disco, braindance acid and gilded funk. Writhing 303 jerks are tempered by warm-hearted key changes for the title track, patterns ducking into playful frolics and lush deeps. And this desire to toy with convention is what characterises the EP. Bitter chords are sugared, machine grooves with nods to the dancefloors of the 70s, spaceflights with undertones of Chicago; Ichisan brings all together in a 12' that is as unique as it is addictive.

Phuture Shock Excursions round up four artists for the next 'EXCURSIONS' release, which like the maiden 12' is another four-track compilation of genre-bending sounds. Representing this instalment is the ever-prolific bass music trailblazer Colin Lindo, better known as Nubian Mindz, Phuture Shock Musik mainstay Roof Light - who returns following his initial contribution to PSMEX001 two years ago, Graz's Simon/off aka Sun People under his latest alias Mighty Buha, and emergent Nottingham- based producer Cyclonix - who in the last few years has amassed releases on various labels including his co-owned End of Level Boss, Horn Wax, and Red Rack'ems Smugglers Inn.

All versatile producers in their own right, each contributor is given free rein to showcase an alternative side of their production repertoire across the EP's four distinct tracks, where some of the styles on offer are seldom heard in their more familiar work within the electronic dance music landscape.

Nubian Mindz leads the tracklist with 'Somebody Else', a deep gliding house cut that sees the veteran producer also take on vocal duties via his C.L moniker, and marks a full on deviation from the rugged, bass-heavy fare that he is renowned for. Next up, Roof Light ploughs a similar deep house furrow, but takes a more leftfield turn through a morass of hazy pads, stuttering vocal samples, and crunchy percussion over a crushed 4/4 groove with 'Hubble'. Flip over the plate and you'll find the sample trickery of 'Sunset' by Mighty Buha, who delivers an irresistibly funky disco edit that's guaranteed to ignite the dancefloor of any party. While Cyclonix wraps things up on a slower tip with 'On My Mind', which harks back to the classic sound of '90s downtempo - all bestrewn with mellow keys and soulful vocal snippets, complete with a broken beat rhythm that's reduced to a languorous tempo. Definitely one to wind down to on a lazy Sunday morning, following the post-raving blur of the weekend.

Debuted on BBC Radio 1 by Danny Howard followed immediately after by the main man himself Pete Tong, Body Funk is a summer jam that does to interpolation what the sun does to California.

Sylvester's 'Do You Wanna Funk' and Hot Streak's 'Body Work' are joined together like bacon and eggs in a perfect Purple Disco Machine orchestrated interpolation.

Premiered on BBC Radio 1 by Danny Howard followed by Pete Tong
BBC Radio1 Most Played track (May) BBC Radio 1 Dance Chart #5 Beatport Indie / Nu-Disco Chart

Emotional Rescue presents a limited edition 7 with two songs that while not featuring on the Stollwerck Sampler reissue (ERC026), make a unique piece together as they are focused around the legendary drumming of Jaki Liebezeit. Coming out of the European Free Jazz movement of the mid-60s, by the end of decade Liebezeit had moved towards psychedelic realms of rock and alongside Irmin Schmidt, Holger Czukay, Michael Karoli and David C. Johnson formed the pioneering 'Krautrock' band, Can, in 1968. His unique half-man, half machine metronome style was integral to the band's development and success throughout the following decade, a centre-piece to their sound as they became acclaimed international stars. With the slow hiatus that engulfed Can in 1980 each member went on to work on new projects. For Leibezeit, this saw him team up with guitarist Dominik Von Senger to form Phantom Band. Releasing just 3 albums, each are highly regarded, encompassing an extension of latter-day Can's funky-jazz fusion with metronomic rock and experimenting with African rhythms. Out of this came the Von Senger led Dunkelziffer (ERC007/8/9), all centered around the warehouse art spaces of Stollwerck. When the recordings for a special Sampler album bought together various artists and bands based in the space it was logical that Liebezeit would be heavily involved. The Sampler's LP collage of post-punk, krautrock, dub and avant-garde music saw many unusual collaborations and for this limited 7 we present two such pieces, including the first ever recording of his drum ensemble, Drums Off Chaos. First, Phantom Band team up with the unknown Linear Johnson & The Protons. A mixture of krautrock meets 50s USA rock'n'roll delivery makes for a wondefully odd combination, but the interplay between drums and Von Senger's guitar marry with R&B vocals to jovial perfection. On the flip, here then are the beginnings of Liebezeit's Drums Off Chaos. Some 5 minutes of pure drumming explosions, this unique recording was not followed up for a further 20 years and is therefore, a special document in a comprehensive music career.