House Новости

Kompleks is the mysterious man from Belgrade Serbia.
Here he delves into the crates and produces the goods. Expect 4 crazy cuts that you will only hear on the more discerning dancefloors. With artwork from his friend Marko vuleta -djukanov this ep is a showcase of the underground art /music scene in Belgrade..... Music we just got through passport control....

Diggin' Disco Deep's massive RSD 2016 release has been split into 3 separate vinyl releases.The 3rd & final part features tracks from Obas Nemor, Monsoon Season, Manuel Sahagun & Space Coast Feat. Terry Grant.

The ever elusive duo, Flight Facilities, will release their new single I Didnt Believe on May 7th (North America) & May 8th (Australia & rest of world) 2013. Alongside the tandem production outfit, Alexander Burnett (of Sparkadia) & Marcus Browne share songwriting credits and bring a silky pop feeling to the song.The duo came to international recognition through the success of debut single Crave You, and have maintained a spotlight in the form of subsequent singles Foreign Language, With You and the more recent ambient, brooding track Clair De Lune. After pleasantly surprising everyone with the dark atmospherics of Clair De Lune, I Didnt Believe is a brief return to familiarity. It's disco. No need to beat about the bush on that one. As taboo as the term has become, the genre has had more come-backs than a Hollywood bad guy. From the bass to the strings, it's nothing more than an unadulterated, feel-good guilty pleasure. I Didnt Believes release follows uncharacteristically quickly after their last single, but by no means was it hastily slapped together. The instrumental was Flight Facilities' first original production after the release of Crave You, however the song has been a work in progress for almost 2 years. This time around Flight Facilities are joined by their close friend, Elizabeth Rose. The up-and-coming electronic-pop singer/producer in the vein of Bjork and Fever Ray, shows her diversity by bringing an early-80s-Madonna flair to the track. The song comes complete with a remix package, including another world-renowned secretive disco duo Tiger & Woods, New York based label owner Lou Teti (Tigers On A Leash) and studio buddy Light Year.

Whiskey Disco Small Batch series are custom made for Summer weather, water sports and festivals.
Baltic Beaches EP pairs the mastercraft of Beard In Dust and Karol Alexander for three songs to soundtrack your summer time. Each smacks of sublime breaks and Balearic keys. Enjoy responsibly.

First up on the fresh Amsterdam-based label Late Night Burners is Kurley's debut 'Feelings EP'. For this young and very talented musician anything goes, as long as it's unique, warm, rhythmic, and raw, and this five tracker perfectly showcases this ethos. From the uplifting, acid-driven title track, we dive straight into Heartbeat', taking us a level deeper. On the B-side Kurley starts off with the stabby, slightly melancholic 'Long Time' while never losing the floor out of sight, preparing us for the vocoder-infused killer 'Groove All Night'. Closing off the EP is 'Tribute', bringing a more exotic type of heat. In short: a lot to love.

Serge Devant returns to the forefront with 'Always On My Mind' for Damian Lazarus's Crosstown Rebels, complete with remixes from Kornél Kovács and Pirupa. First heard on Lazarus's Essential mix in 2015 and much requested since, 'Always On My Mind' has been causing tremors in its wake. Oceanic waves of melody frame muted vocals from Ali Love, resulting in a chiselled classic bridging the splintered sounds of today.Pirupa's remix is a shadowy monster with a deviant bassline, allowing the vocal to etch out shards of light. His recent groundswell is undeniable, mapping out a chart-topping string of releases on the likes of Drumcode, Desolat and Noir. Stockholm's Kornél Kovács has not escaped the spotlight in recent months, be it through his Studio Barnhus label that he runs together with Axel Boman and Pedrodollar, prolific releases on Numbers and Smallville and topping many end of year charts for 2015. His effervescent remix rolls up its sleeves to distill elegance into the original, extending the vocal and braising the beats and melody.
With this release Devant cements a triumphant year putting him back in centre stage after an accident that tore him away from the studio, and digs deeper into his production skills, adding to his growing repotoire of recent releases on Hot Creations' sister label Emerald City and Crosstown's cousin Rebellion. Devant mastered his craft at the legendary NYC nightclubs of the late 90s, Tunnel, Limelight, and Crobar, carving out consistently compelling and dynamic sets. His production career started in 2008 and soon spawned two albums, and a touring schedule that has since seen Serge circumnavigate the globe.

Oslo's Rune Lindbaek follows up the best-selling first volume of Norsk Tripping with his latest stash of secret weapons

A six track treat this time, and a veritable Norse Bankett of the good stuff- uptempo Disco, sits alongside wild Cosmic concoctions, obscure 80's jams and delicate Balearia

Limited run - buy now or cry later .

We welcome onboard Leeds based producer LK, already released on the great Shall Not Fade, with 3 fantastic housy tracks plus an superb remix from the talent Baltra fron NY.

Two power plays from Edit royalty Dimitri From Paris Staples and favourites in his sets, now available for mere mortals to light up the dance

DJ Raw Sugar started deejaying in the mid 90's spinning techno records at the legendary Tresor club. Soon he discovered his love for house music and was
part of the emerging vibrant Berlin club scene.

In 1997 he won the KISS FM Berlin Next Generation Deejay award as one of the most exciting newcomer deejays at the time. As a producer and remixer he has worked with a number of outstanding artists such as Amp Fiddler, Fae Simon, Milly James and Inkswel. He's released edits, remixes and original productions on labels such as ISM, Gazeebo, Midnight Riot, Voyeurhythm, BBE, Editorial and his own imprint Love Sexy Records.
His compositions have a uniquely raw yet polished and distinctive quality. As a regular presenter on community radio stations around the globe he shares
his passion for beats, love and happiness.

Everybody's Darling Rahaan is back with three hard knocking Acid Tracks.

In May 1976 a record was released that would have an unforeseen and lasting impact on the music industry Ten Percent' by Double Exposure was an early release on the New York independent label Salsoul Records. America was in the grip of a disco explosion with new clubs opening on a weekly basis, Salsoul saw what was happening and swiftly created a sound for their label, heavily influenced by the music then coming out of Philadelphia, aimed directly at New York's dance-floors. Records like Salsoul Hustle,' Tangerine' and You're Just The Right Size' by The Salsoul Orchestra borrowed heavily from the beautifully orchestrated Philadelphia International records but added a more percussive, bass heavy depth that New York's DJs loved. So what was so special about this particular single then Double Exposure was, after all, just another band, Ten Percent' just another song, one of many disco' records released that week. First of all Salsoul became the first record label to make a twelve inch single available to Joe Public - the exotic format was previously only available to DJs as promotional items or bought under the counter at certain record stores. Not only that though, the extended version was created by Walter Gibbons, a DJ at New York's Galaxy 21 who'd built his reputation making exclusive versions of tracks to play in his sets. In 1976 it was unheard of for a DJ to set foot in a recording studio, being seen as little more than living jukeboxes by the serious music industry. Recording studios were strictly the domain of recording artists and producers so Walter found himself in a unique position, gaining access to a world no DJ had been granted before. Or so we thought...
The Men In The Glass Booth tells the full story. Featuring ground breaking re-edits and remixes by some of the Disco era's most influential DJs including Walter Gibbons, Bobby DJ Guttadaro, Tom Savarese, Jellybean Benitez, Tee Scott and John Luongo, this opulent release also includes a 40 page book which features exclusive photos and insights from some of the story's key figures.

Japonaiserie was the term the Dutch post-impressionist painter Vincent van Gogh used to express the influence of Japanese art. Artists including Manet, Degas and Monet, followed by Van Gogh, began to collect the cheap colour wood-block prints called ukiyo-e prints" A mini LP by Benoit B, the boss of Banlieue Records , on which he creates a futuristic environment influenced by the Japanese electronics of the '80s. A musical "Japanaiserie" that can melt your cold cold heart.

The Far Out Monster Disco Orchestra is Far Out's in-house, Brazilian disco super group. It features the arrangements of Azymuth's late Maestro José Roberto Bertrami and the legendary Arthur Verocai amongst a host of other Brazilian musical icons. With a consistent stream of original modern disco sounds, the project has also played host to a series of remixes from some of dance music's greatest pioneers. FOMDO12 is the latest in this series, with fresh interpretations from Dego, Andres and Ben Hauke of the as yet unreleased 'Where Do We Go From Here'

Like 'Step Into My Life', which came out last year via two John Morales remixes, 'Where Do We Go From Here' is taken from the forthcoming second instalment of the Far Out Monster Disco Orchestra project. Check the first here:

A1 is Dego's 2000 Black remix. The broken beat innovator streamlines his sometimes more rugged sound, with the funk as priority. It's a sophisticated and irresistibly slick disco-house roller, reminiscent of his recent single for Neroli, 'Don't Stop (Let It Go)': with the same cross-genre appeal, a deep and deeply inviting groove, with Dego's signature swing.

A2 is a study in contrasts; Ben Hauke's take looks inward to find its feet, an intriguing riposte to Dego's open-arms welcome to the dancers. Organic rhythmic elements pile on top of each other, so loose and precariously balanced they seem to be perpetually on the verge of collapse. It's to Ben's credit that he pulls it off while showcasing a gifted ear for minor-key melody, with warm synths and piano notes taking his mix to another level. An essential slice of soulful, broken house, it effortlessly builds upon the tracks foundations, adding deeper, darker dimensions to the original's classy disco sound.

B1 is Andres' mix. It's got the touch of smooth Detroit class that we have come from to expect from him. Woozily silken keyboard chords work their way around an insistent bassline, the jazzy interplay perfectly offsetting the locked groove. The latter is a head-nodding house beat with a touch of boom-bap that belies Andres years of experience in the hip-hop world, most notably as Slum Village's resident DJ. Vibe-wise, it sits comfortably between Dego's sophisticated uptempo soul and Ben Hauke's downbeat late night groove. All three make for a stellar addition to The Far Out Monster Disco Orchestra remix roster, showcasing the many dimensions of their pioneering modern disco sound.

Kojak Giant Sounds return to the fold for 2018!! You know the drill...

Jerome Derradji + Still Music are proud to present Let's Dance Records - Mike Macharello & Duane Thamm Jr. Chicago 1983-85. The origin of house music, at least in a commercial sense, is generally associated with young African American producers from Chicago's South Side, but one of the first Chicago house music labels was started by a young, white, gay DJ from the far west suburbs.
The Let's Dance story will take you back to the beginnings of Mike Macherello and Duane Thamm Jr. when Chicago's house music was in its infancy.
Back then, after starting as young roller disco Dj in the late seventies, Mike Macherello gradually made its way to the best radio station in 1981 - WBMX - and started a movement that still ripples through the city today. Let's Dance's founder, Mike Macharello, was a DJ who bridged diverse music scenes, from rock clubs to discos. The Let's Dance record label helped establish Chicago's dance music industry between 1983 and 1985, before becoming Play House Records (which will be reissued by Still Music in an upcoming set). Macharello's pal, DJ Duane Thamm Jr., also from the 'burbs, became the label's main producer and one of house music's most important studio engineers and producers. Mike and Duane went on to release a few legendary singles for Let's Dance that are still to this day considered to be the earliest House music records coming from Chicago.The 12' pack includes faithful reissues of Selenia's 'Single Girl', Duane Thamm Jr. 'Jump Trax', the insane Knight Action 'R-Trax/D-Rail' 12's along with a 5 tracks 12' compilation and an accompanying poster insert including rare pictures and artifacts with the story of the label.

The latest release on Roam Recordings comes from Mexican based rock techno fusion duo Zombies in Miami. Widely known for their deep, dark, and energetic live performances and their excellent productions on labels such as Correspondant, Cómeme, Love on The Rocks, and Hippie Dance, Zombies in Miami are the perfect fit for Roam Recordings. In the Primitive EP featured here Zombies in Miami bring two stunning originals that offer up both the light and the dark. The title track Primitive is a fun discofied tune with floating flutes, a cut up vocal, and a bassline full of bounce. Contrast that with Tizane that gets witchy right from the start with ethereal arps, ominous synth sweeps, and vocal chants that summon the dark spirits. Joining the EP is Jakarta-based artist Jonathan Kusuma who has previously released on I'm a Cliche, Love on the Rocks, Nein, and Machine Limited among others. In his remix of Tizane, Jonathan Kusuma strips down the original giving it a heavier drive with a methodical intention on the guitars and vocals while keeping the dark vibes alive. Taking on the remix of Primitive is Mexican dj/producer Mijo that has previously released on Correspondant, Sanfuentes, and Shara among others. Mijo's remix of Primitive brings the lasers with a welcomed quirky and hypnotic spin on the original. All four tracks come together to form a diverse EP that on one side is perfect to set the mood for a seance or dark club and the other for fun party vibes. The Primitive EP also marks the last EP of 2017 for Roam Recordings. Zombies in Miami, Jonathan Kusuma, and Mijo together bring a strong finish to an already big year for the label.

Famed actor and resident at the Schaubühne theatre in Berlin Lars Eidinger presents the reissue of his cult record I'll Break Ya Legg. Previously released as a 10' now expanded to a full length including four unreleased tracks.

LA disco balearic duo Poolside bring us a limited 12' featuring four Edits from Poolside including Delegation's soul classic Oh Honey' and Bohannon Save Their Souls. Poolside recently posted a mix tape entitled Contact High which included these edits and the band are just completing their new album, the follow up to the critically acclaimed debut "Pacific Standard Time"

Four more road-tested brutes from Brooklyn's Schatzi. A1's a rigid stomper with disco diva vocals; A2's a slinky, sleazy classic; B1's a brassy, glitzy disco bomb; and B2's a slippery snake-charmer that'll scuzz up your dancefloor.

New project and new label from the creators of the fantastic 808 Box, Fundamental Records.There are many details that make this project something really unique. These records will become classics if they are not already!. The music of every record is very special, also the artwork and the technic use to print each sleeve, but the concept behind this project something you need to understand, as you can read in the website everything is based in two factors: First, to provide the artist with complete anonymity in order to create in absolute freedom.Second, to offer the listener the work of the artist without any external distortions.The use of words to describe or define music is a senseless task. Most of the time the intention of descriptive text is not to shed light on the work of the artist, but rather to serve as a promotional tool to drive sales and increase recognition. This often has the unfortunate result of limiting the creator and his work. Music is all we need, any other additives are completely dispensable.This project is an experiment.Only six artists are part of this project.The identity of the artists involved in the project will remain private but they are free to reveal their identity after some time, even if we would prefer they didn't (that is the reason we provide a special code in the back of each record) The artists involved in the project are not aware of the identity of the other artists.During the following 12 months we will periodically release 12 records: 11 x 12 and the last one, a special 7.Each record is a full album, a trip into the mind of the artist. There is no need for 'perfected' tracks as this is not a collection of hits compiled on a 12' for massive sales. We asked each artist to work without any limitations or expectations that their previous 'sound' might impose. In this way the artist may expose ones true self in the music or choose to demonstrate another side of their creative self.

Büchsenöffner Vol. 7 - Driving Home For Hitmas!

Comes on Clear/Gold Splattered 10 inch, limited to 200 Copies!

Ocha Records latest vinyl release introduces two gems from DJ Kemit's (also known as ½ of Kemetic Just) full length release "Everlasting". The former DJ and producer for the Grammy Award winning group Arrested Development brought his soul sensibilities to this project and caught the attention of Carlos Mena who enlisted the help of some real dance music heavyweights to rework two of the tunes.
On "Fortune Teller" Eric Roberson lays down a powerful vocal that has been taken to another level by the one and only DJ Spinna with one of his future funky Galactic Soul Remixes. And if that is not enough, Osunlade's hypnotic vocal performance on "Transform" gets the Quentin Harris Re-Production treatment and we are given a peak time treat.

DJ Support :

Tedd Patterson, Atjazz, Osunlade, Danny Krivit, Marques Wyatt, Ian Friday, Jojo Flores and many more.

one day he found a great, reddish slab of stone on the side of the road. It shone. Could he transfer the very same color onto himself
He searched and found a rough surface which he used to scrub the stone hunk until there was a pile of crimson powder. Mixing it with water, he coloured his body with the shinning red. Standing there painted, he began to sing. As he sang, the stone slab on which he stood opened and swallowed him up. Even today, on passing this stone, they say one can still hear the song of the enchanted.'' From below the surface of Amsterdam's underground, Depth Over Distance will release its first EP of spaced out grooves conjured by Eversines. Four jams covering the spectrum of deep electronic music ranging from slow building anthems (Pyramids) and acid fuelled dubs (Transition Portal and Vultures) to the celestial closing pads of The Other Side signifying the first stop on this journey.

Within the music of GALAXIANS - the duo of MATT WOODWARD and JED SKINNER formed in 2012 - lies a powerfully hedonistic strain that does much to loop a thread through the party lineage of their (adopted) hometown of Leeds. Influenced by classic disco and house labels such as SLEEPING BAG and Chicago's TRAX. From their raucous live shows at punk-associated DIY spots to late night gigs with the likes of HORSE MEAT DISCO and AUNTIE FLO, this UK duo is making waves with a hedonistic strain of analog funk, disco, and house. Includes the epic original and the more subdued SIREN remix. (DITHER DOWN) HOUSE DISCO "Fiercely danceable astral-gazing house-influenced duo tear up every show they play, regardless of who they're billed with." - NME "Channeling New York's late '80s "freak disco" (Was Not Was, Liquid Liquid, Arthur Russell) and Detroit's Acid House scenes, Galaxians produce a maximum output from minimal set-up."

Nao Katafuchi is a New York based Japanese artist. Nao's mini album is lost somewhere between the future and the past. All of the music was made using a semi modern groovebox, guitar, and voice. This musical combination created a new wave cyberpop atmosphere that would not be out of place in a bar in Liquid Sky, Blade Runner, or Total Recall. Trashy Japanese retro-future pop out of New york City!Wasure-banashi / Stormy Weather / Hidden In Your Eyes / Yumegoto Tsurezure
The 5 track 12" single comes housed in a full colour jacket with mini poster and lyric sheet.

NightMoves, who is one quarter of Boogie Cartel, has Trip City's second release in the bag with his first solo release, the MIRAGE EP. Spasm is the big hitter on the record with heavy basslines and drum workouts, stripped back and meaty, the opening track is a sweatbox, just add poppers, while Swelter next up angles in on a tropical disco island, building up with synths and birds alike setting the mood before the mid way frenzy, after dark at centre parcs. Deep vibes on the B side with Deeper Love slowly burning its way through as the opening track, warmth and feeling squelch & radiate on this love excursion while Duneswill take you on a journey over sands far far away, tripping on a Mirage.

"This release is individually 200 hand-numbered limited edition CASSETTE (100 PINK and 100 SMOKE TRANSPARENT) with a sort of 'greatest hits' of (almost) all Archeo releases (AR001-AR011) + an unreleased bonus track from Roberto Aglieri (Ticino parte 4 - Il merlo), celebrating 3 years of the label, from 2014 to 2017 - selected with love by Manu- Archeo (AR001C).

Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of predominantly Italian music but also all over the world of the 70s, 80s and 90s.
All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images.
Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.
All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls."

Bomb after bomb!
A new My Rules Records original coming straight from label boss Justin Van Der Volgen.

Fresh off the back of his latest EP which featured peak-time versions of Shit Robot's 'Lose Control' and Felix Dickinson's 'Burning Flame', this one sees him on a whole other but no less floor-filling trip.

Coming in regular and dub mixes, 'No Vacancy' sounds like a lost Brooklyn dub-soca-reggae-house classic.
The A side charges with warped machine percussion, chanting vocals, a militant rhythm section and a seriously heavy bass line.
Flip to the B side and check Justin's impressive dub skills. Stripping the track back, he maintains complete propulsive energy, all the while adding plenty of psychedelic twists sure to melt minds.

Expect to hear your favourite leftfield, deep-digging, big room selector DJ ripping the dance all year with this...

The secretive MFR collective delivers the party goods on this one, with a magical release that has both the perfect opening and closing tracks of the night!
Feeling about as familiar as a well-worn pair of bell-bottoms, Gettin' Down builds on instrumental loops towards an uplifting vocal climax, while Your Love Is Saved takes us straight to disco church!
Throw in a beats DJ tool for good measure, and we're going straight from the sewer to the skies!

Milano producer Turbojazz is back on GAMM with 'Food For Cats Vol.2' and this time he throws down fender rhodes fusion style with two full on Jazz/Latin/Brazil-House assaults aimed straight for peak house Jazz-dancin'.

Both 'Bara Bara' and 'The Road Is Hard' are full of tasty Jazz samples (the heads will know whats up!) but are also equipped with additional production.

And most importantly...they'll get u dancing !

We've had our eyes and ears on Tee Mango for a while now.

His debut album 'Imperfections' is a future classic in our book and the Tribute series has been part of our DJ-sets for a while now.
In short - we had to get him to do an EP for Local Talk.

DADHAUS EP is forward-thinking music with an edge (undoubtedly sharpened through countless studio hours).
Tee channels the deep house flavours of Detroit and Chicago across four tracks of exquisitely executed percussion and 'sample-not-sample' work.

It's another winner from the man like Tee Mango.

The industrial project of Oliver Ho and Tommy Gillard at its most subversive and evocative, with two preoccupations threaded throughout: Middle-Eastern percussion, most vivid in the chimes of Casting and the driving doumbek rhythms of Burning and The Sands; and the structural iteration of chaos, underlying a collage of wild left-turns, scornful of repetitive hooks and other musical routines. Early birds bag a 7' by Ho's Desert Burials, evoking classic punk/funk hybrids like Cabaret Voltaire.

With a new single just released ("Roadside"), accompanied by a groovy video, and a "Greatest Hits" album in the pipeline, it is time to look at Torpedo Boyz from a new perspective.

After more than 10 years in the business, four acclaimed albums in the discography ("Headache Music", "Cum On Feel The Boyz", "Return Of The Ausländers" and "Don't Cry") a collection of "Greatest Hits" will be released in October 2017 featuring all time classics and never out of fashion tunes like "Gimme A Bassline", "Ich Bin Ausländer (Leider Zum Glück)" or "The Disco Song".

Right in time for this release Légère Recordings asked Boca 45, their favourite 7inch DJ and remix expert, to deliver his versions of the Torpedo Boyz favourites "Any Trash, Professor Abacus" and "Are You Talking To Me". The Boca 45 remixes will now be released on two different 45s, including the original versions on the flipside.