House Novedades

Hell Yeah Recordings are pleased to announce they have been tempted into the reissue market. As such, the label starts a new offshoot, PERDIO (roughly meaning 'lost' in Portuguese) which will focus on putting out re-issues and new remixes of classic or forgotten gems.

The first one is a newly remastered instrumental version and new Francisco Dub of Giorgia Morandi's 'Children of the Sky', a cover of the Italo-classic "Figli delle Stelle" by Alan Sorrenti which just happened to be released 40 years ago.

500, 12" 180g hand stamped, individually numbered records, single press only.

NADANNA proudly presents its new project, the Canadian synthpop act TECHNIQUES BERLIN! Formed in 1984 by high school buddies Andreas Gregor and David Rout, the band started experimenting with synthesizers, drum machines and guitars. In the early stages, TECHNIQUES BERLIN was heavily influenced by UK new romantic acts like Japan, Spandau Ballet, Visage, The Human League, Orchestral Manoeuvres in the Dark, Yazoo and Depeche Mode as well as rising Canadian synthpop bands Rational Youth (Dave became a member in 1998/99), Men Without Hats and Trans-X. It took them a few years to master their electronic toys and create a unique blend of addictive lectropop melodies and beautifully crafted alternative beats. In the late 80s, TECHNIQUES BERLIN played live on a regular basis and their 3 cassettes, released on their own Bombshelter label, received frequent local airplay in Canada. Despite their moderate success, the band failed to secure a record deal. A&R reps would comment that their songs were either too alternative to be classified as pop, or too pop to be alternative, which became rather discouraging in the long run. By late 1991, the band members had developed a strong interest in the burgeoning electro-industrial scene. Dave and Andreas had founded Bang Elektronika and were working with Digital Poodle as live drummers. Both of these projects were soon picked up by record labels. TECHNIQUES BERLIN played their last show at the University of Toronto in November of 1991, debuting the last track they had recorded, fittingly called 'Time Fades to Nothing'. Now over two decades later, TECHNIQUES BERLIN is staging a remarkable comeback! Encouraged by the growing interest in the long out-of-print 'Back Issue Volume 1 and 2' (now available on iTunes) and the highly sought-after compilation 'Suburban Playgrounds and Concrete Beaches' (released by Fabrika Records on vinyl), Dave and Andreas have decided to bring TECHNIQUES BERLIN back to life. A series of shows in Toronto and Montreal saw the addition of keyboardist and backing vocalist Dina Naskos to the line-up. To celebrate the anniversary of the label that they founded, they included an unreleased track on the 7' EP, Future Past, on the Bombshelter Productions label. Andreas, Dave and Dina have completed an album of brand new material, titled 'Breathing'. The set consist of the new album, as well as a previously unreleased material and alternate versions of tracks from the Bombshelter vaults.

Faze Action Records', (FAR), next release unearths the disco wonder of unreleased music by Andromeda Orchestra. The lead track has been expertly remixed by legendary DJ Nick the Record, extending the percussion, bass, keyboard sections and then teasing in the vocals towards the end to turn the track into a peak time disco burner which sits comfortably alongside Disco old and new. On A2 we have High Steppin' which see's Andromeda Orchestra heading for a more stripped down instrumental track, tight percussion and keys drive home another floor filler. B1 We have the original mix of "Get Up & Dance", staying true to a classic disco arrangement. With B2 ,Andromeda Orchestra exit with a more laid back funk/disco groove perfect for the warm up.

Toulouse zum zum zum Cassaird DJ. Bright bibliothek. Neu wave anthem. La kassette secrets. Arrakis dubbing. DEMO-crazzzzy. Emporer drumming. Six killerbomben-experimentz. Merci Marine. Bruits De La Passion merci. Vive La Panzer Peoples !!

Messrs Beedle, House and Jarvis return to their Heavy Disco imprint for its vinyl debut with this 12".
A-side Super Jock is an edit of Goody Goody's (produced by Vincent Montana Jr) 'Super Jock' from 1978, an uptempo disco funk monster with a wild fusion breakdown, jazzy keys and a breathy female vocal part.
On the flip, our master editors extend summer with a solid rework of Stereolab's breezy 1994 track "Ping Pong".

Four originals from J&AG—Jaymo and Andy George—the British producers behind the adored Moda Music and Moda Black labels. Buttery, pippin' hothouse in the mode of French touch producers circa the mid-90s. Or late 90s. Don't think about it too much—just let the music work its magic.

1x each customer! Limited edition remastered reissue containing the vocal original version plus the full extended version of a Killer boogie classic. This is one of the most sought after release from the Delirium USA records, now handled by Best record Italy. In 1983 the song Take Time came out as a one-sided 12 inch only, with a quite short 4 minute version.

2x12" !

Siegmar Fricke describes his music as 'dynamic dancable collage-pop with a 90s technoid tendency'. The music on this release is made by Yamaha sampling- keyboards, Yamaha multieffects, synthesizers and 60s magnetic tape recorder, recorded on a four-track Tascam tape-machine. From 1987 - 1993 he produced twenty four cassette releases, some on his former label 'Bestattungsinstitut' and some on other tape-labels all around the globe. This vinyl is a fine selection of various tapes from 1988 - 1993 slightly edited for club use and remastered by Berlin's masterchef Kitaro from Schnittstelle. Heavy underground dancematerial for the first time on vinyl!!! Comes with a strong extended dancefloor remix by Manfredas.

Quality is the key word from Copenhagen based Music For Dreams and here is another home run. Willie Graff splits his year between DJ residencies in New York and Ibiza. In this new outing with studio partner Darren Eboli, the influence is, as the title suggests, clearly NY-based. Over only four tracks, the pair manage to craft a stunningly comprehensive exploration of the essential elements of dance music.

Opening track "Love Flight" staggers into a lush string-driven groove that recalls the glory of Metro Area meets Wally Badarou vibes. Minimal yet playful, it lounges somewhere in the depths of the house tradition, calling on familiar sounds while throwing in odd details along the way (harmonicas). It takes both skill, devotion and a sense of humor to pull this track off, making for a strong opening. "Moon Tan" lingers on a metallic hook that drags you into a plethora of percussion followed by a rubbery soft baseline. Dubby key work would suggest this was a new wave band jamming at Compass Point, while the icy chill of the xylophone transports you into 80s italo territory.

"Second Sun" pulls out the bag of boogie tricks, relying on a firm but humble baseline and smattering drum machine claps. Nile Rodgers-style guitar licks guide us onwards into a well-orchestrated jam that builds up and breaks down with perfect timing while dreamy chords reach for the sky. "First Light" keeps the groove tight while dipping over towards more Balearic temperatures. Steeped in a watery atmosphere and gentle organic percussion, it focuses in on a trance-inducing arpeggio that lulls you in to the swaying Badarou-style synth swirls that intercept it.

MAKE BELIEVE DISCO, the energetic younger sibling in the SLEAZYBEATS family of labels, continues to provide quality modern club jams !

This time they welcome Ouvrijster to the Make Believe Disco fold.
Ouvrijster might be Dutch for 'old spinster', but we're not dealing with some old hag with EDM aspirations here.
A fresh face from Amsterdam's bustling scene is behind the moniker, making his debut on the label with a three-track affair that ticks all the right boxes: sample-heavy disco gear, dusty basement beatdown and some proper mahogany vibes make for a killer EP.

Music continues to evolve and lions continue to roar! Thus is the case with Michael The Lion and his first EP on Soul Clap Records. MTL is just one of the successful pseudonyms that have been associated with DJ Apt One. Pittsburgh-reared but Philly-bred, that City of Brotherly Love flavor is resident in nearly all of his work. A 'genre-setter' of Nu-disco before it had a name, Michael has consistently delivered quality DANCE MUSIC through his production and DJing for more than a decade.Great music often plays homage to its foundational past. Michael's original music accomplishes this with his sample-based focus rooted in a disco-funk-soul core but with a keen sensibility for today's dance floor. His incorporation of live vocals, like Amy Douglas' gutsy performance on the modern funk monster - 'Get It On', results in original SONGS vs. the 'one hour bedroom tracks' that proliferate today. Live instrumentation has also been Michael's hallmark, differentiating his past hits like 'Get More' and '909 and Herb' and on this EP with the hypnotic, 'Changer'. I also love Michael The Lion's focus on POSITIVITY in MESSAGE, as is evident with the uplifting 'Side of Life'.

Phonk D connects with his buddy Le Rubrique. They created three real floor bangers with some heavy punch. Raw MPC drums, disco samples and classic synths melt into a deep funky mixture. As a very special goodie they could team up with the great Borrowed Identity, who contributed a pretty nice remix to this EP. Watch your feet!

Fourth Record for Red Rooster. We are talking about a super various artists E.P.: We have some new entry in the team: Calma, the duo based in Bologna, owners of Sorry For This Records, The Mechanical Man, talented producer that released some records on the famous Bosconi, we have a fresh and slow cut singed by Jimbo, this is the first but not the last record for him and obviously we have also the roosters, D'Arabia and Dj Rou, directly form Bologna.

The first EP with Mr Al Kent did so good we just had to make a follow up...

Just like on the first EP we stick to the formula with a lush mid-tempo Philly jam on the A side, over on the B, banging it out with a big disco stomper.

Together you get a 12" that combines the best of both worlds...one for the warm up / end of the night sessions and another for the peak hours.

A seriously good value 12" release ! --

Danilo Braca (danyb) arrived in Brooklyn from his native Rome in 2012. Playing around town, running sound at local venues and slowly allowing these edits--informed by many years working the floors across Europe--to evolve on and off the dancefloors of New York City. Check his web radio TSoNYC - The Sound of New York City.
Busted Vol. 1 kicks off with something very special - a lovingly reworked, top secret, late 70's jam favoured recently by none other than DJ demi-god Harvey
Anyone who's heard him play in the last couple of years will be familiar with the original version of this truly magical 13 minute slo-mo Disco jam - it's a genuine holy grail moment !
Having established that quality is of the upmost importance, Busted continues with a beautiful duo of amended cuts on the flip. The uptempo, playful 'Play Me Hard' works the groove, hard !
while 'Have A Cake' is a gloriously sleazy mid-tempo workout
One hell of a 12" ladies & gentlemen !

HOTMOOD (GUILLERMO) gets his own label. The Mexican Wonderman is no doubt the king of this scene since the summer of 2016. And with a slew of sold out releases, this guy seems unstoppable. This EP is his funkiest work yet with 2 slamming upbeat jams plus a couple global funk heaters. Hand-stamped DISCO RETRO

Jackie Moore's 1979 Disco bomb 'This time baby' is one of the biggest tracks of the genre. A total classic that found fame on the dancefloors via DJ's like David Mancuso, Larry Levan and Ron Hardy it is the epitome of a roof-raiser. Produced by Philly legend Bobby Eli (MFSB, Salsoul Orchestra, Stylistics, Barbara Mason) and mixed by underground Disco legend John Luongo this is an essential 12". Originally performed by The O-Jays Jackie's version ramps the energy right up to the max and cranks the heat up to 100. Everything is here, killer driving drums and percussion, THAT bassline that drops, the cowbells, horns, strings and of course...... Jackie! This is a straight repress of the '79 pressing on Columbia and features the sweet b-side 'Let's go somewhere and make love', another breezy Philly number courtesy of Mr. Eli yet again. All round quality. This classic has been legally reissued by Above Board distribution in conjunction with the legal rights holders - Sony Music Entertainment. This high quality repress features original Columbia pink label Disco 12" artwork and has been remastered from Sony's original sources by Optimum Mastering, Bristol UK.

We gave it to them straight: "Let us remix your song or we're taking all the meatballs."Having heard the baggy psychedelic beauty that is Rushing Through My Mind' on Lauren Laverne's 6Music show, we thought we could do a number on it. Turn it into a psychedelic disco record (with added meatballs). We think we managed it, reliving the rushy highs from indie-dance's finest moments of 1991. For those of you unaware of the splendid Swedish rockers' groovy workings, they have already released two albums, debut Horse Dance in 2015 and last year's excellent Mirage, from which the ecstatic Rushing...' comes. The release comes on Joe Bugner-style heavyweight vinyl (180g) complete with Instrumental and Radio Edit. Mang Dynasty is Ray Mang and Bill Brewster.

New project and new label from the creators of the fantastic 808 Box, Fundamental Records.There are many details that make this project something really unique. These records will become classics if they are not already!. The music of every record is very special, also the artwork and the technic use to print each sleeve, but the concept behind this project something you need to understand, as you can read in the website everything is based in two factors:First, to provide the artist with complete anonymity in order to create in absolute freedom.Second, to offer the listener the work of the artist without any external distortions.The use of words to describe or define music is a senseless task. Most of the time the intention of descriptive text is not to shed light on the work of the artist, but rather to serve as a promotional tool to drive sales and increase recognition. This often has the unfortunate result of limiting the creator and his work. Music is all we need, any other additives are completely dispensable.This project is an experiment.Only six artists are part of this project.The identity of the artists involved in the project will remain private but they are free to reveal their identity after some time, even if we would prefer they didn't (that is the reason we provide a special code in the back of each record) The artists involved in the project are not aware of the identity of the other artists.During the following 12 months we will periodically release 12 records: 11 x 12 and the last one, a special 7 Each record is a full album, a trip into the mind of the artist. There is no need for 'perfected' tracks as this is not a collection of hits compiled on a 12' for massive sales. We asked each artist to work without any limitations or expectations that their previous 'sound' might impose. In this way the artist may expose ones true self in the music or choose to demonstrate another side of their creative self.

The Mighty Zaf & Phil Asher present '80s, their new edit label specialising in disco & boogie, and strictly vinyl only.

Their debut 3 track 12" brings a mixture of boogie, disco & disco funk, something for everyone.

These unique new edits are already being championed by MCDE, Red Greg, Geology, Jeremy Underground, Sadar, Darryn Jones & Mark Grusane.

'yeah this is really dope' Alexander Nut
'passage of time... i'll play that' Lefto
'thanks, cool rerubs!" Detroit Swindle
'Feeling this.' Ashley Beedle
'Great groove on In The Groove" Nemone (BBC Radio 6)
Following on from his massive 'Feel It In My Bones' release (which gained support from the likes of Moodymann, The Black Madonna, Gilles Peterson, Sassy J, Seven Davis Jr) and a killer remix for Afrobeat legend Dele Sosimi - North London producer Books returns to XVI Records with two storming edits, kicking off their new 'High Praise' series in fine style.
'In The Groove' hits the ground running, immediately throwing the listener into the middle of peak-hour, loft party hysteria, it's soulful vocals swirling overhead whilst the driving, unrelenting rhythms create a sweaty, electrically charged delirium. On the flip, 'Passage Of Time' takes a slightly more introspective approach, it's shuffled hats and hazy keys giving way to majestic, uplifting horns - guiding the way down a psychedelic black hole, it's laid back groove providing a perfect soundtrack to the voyage, as planets spin by in the darkness.

Repress from the promotional 7"single from 1984 by Felix - the collaboration between Nicky Siano and Arthur Russell ! Arthur Russell and DJ Nicky Siano contemplated working together once again after their first collaboration in 1978 lead to a successful 12' single called Kiss me Again' on Sire under the Moniker Dinosaur where David Byrne even played lead guitar. Their second collaboration Tiger Stripes' came as the result of Siano convincing the father or a then girlfriend to fund the venture. Arthur wrote the lyrics, and while Siano remembers remembers the Demo tracks being promising, problems began to emerge as Studio time began ticking. Russell became annoyed by Siano's hyperactive personality in the Studio, while the former Gallery/Studio 54 DJ grew impatient of his collaborator's constant changes and money spent in studio time. However according Author Tim Lawrence the feud escalated when Arthur wanted to introduce a drum machine after the session drummer could not keep the time. As a result, he ended up scrapping the original tracks which included vocals recorded by Evelyn Thomas. However the nail in the coffin came when Siano assumed the role of lead vocalist at which point Russell quit appalled by how terrible he sounded. Although a perfectionist, Russell also suspected Siano had been using the project as a platform for himself as a vocalist. In any case their project went on with Siano as lead and newly recorded backup vocals by Maxine Bell. Released on Splash Records in 1984, Siano is credited as the artist and sole-producer while Russell only agreed to be credited under the alias Killer Whale.Not too long after, Sleeping Bag released a 7' promotional copy of Tiger Stripes' featuring only Bell as the sole vocalist, a different B-Side and Felix as the artist name. Although Russell did not credit himself by his real name, he credited the Killer Whale alias for all the writing and production on the single. There is a 12' on Sleeping bag which credits Siano for production on Tiger Stripes' but it's clear from the release of the 7' that Russell wanted to make a statement. Beyond this peculiar story however, the music itself is worth the note. In a 2014 piece for The Vinyl Factory, Peter Zummo, one of Arthur Russell's closest collaborators best describes this release:
Side A: 'Tiger Stripes', is a crazy editing job with lots of disparate elements. The opening beats give little sense of what key it will be in. Side B: 'You Can't Hold Me Down', is drum machine and conga, rhythm guitar, keyboard, female refrain and lead vocal, and male chant on bad little kitten - pounce on you.' There's no real bass. I like it not only for the way it sounds but also that it shows that you don't have to follow the rules.

This split LP compiles the output of two closely related bands from, as suggested by the title, the hot, humid and (at the time) socially isolated city of Brisbane, Australia - an unlikely location for synth-pop and new wave music during the 1980s.Prod & the Moonbaby were a high school duo experimenting with tape loops, cheap electronics and primitive sampling.. the result is certainly lo-fi, light-hearted and naive, but also charming and the music belies the young age of the musicians.Ash In October was in many ways a logical progression of Prod & the Moonbaby and shared some of the same personnel, but also added some new wave influence through extra instrumentation and more serious, considered lyrics. Most of these tracks have never been heard before outside a handful of self-distributed tapes and this compilation was compiled over several years by the artists in collaboration with Hysteric and Nick Mariano (Crispy Nuggets).

From Da Vaults... Nettles is a new series from Red Rack'ems Bergerac label which will focus on the more sample based end of things. Tracks which have remained secret weapons for many years will finally see the light of day. This first release features music which was played by quite a few heavy hitters but sadly remained lost on the hard drive...until now...'Bill George' starts of as a super funky, cut up electro disco jam which morphs into the mother of all breakdowns before drifting into super deep Detroit style house and then peaking back to the original electro funk vibes. A secret weapon for the likes of Crazy P (who featured it on their Beats In Space mix way back in 2010) and one of Red Rack'em most 'unreleased tracks requested for release', there's going to be quite a few people around the world celebrating Bill George finally making it to wax. A 30 second piece of incidental music from a long lost German children's television series is extended into a late night disco jam 'Timm' which picked up props from none other than Todd Terje when Danny extended it back in the Hot Coins edit days of 2007. Another 'lost' track which is finally seeing release.... 'Transfer List' began life as a hip hop beat which ended up being such an epic opus that the full glory of the track had to be unleashed. Once again a Cdr classic for a trusted few. A super funky beat evolves into a kind of honky tonk vibe sort of on the KMD tip but with added poppy vocals. Made in 2003

Native New Yorker Son Of Sound aka Henry Maldonado returns to Delusions of Grandeur with another fine EP including two floor-friendly originals plus a stripped back remix from Aroop Roy. For those too young to have been buying records in the early 90's Henry was a key figure, involved in seminal releases on Strictly Rhythm as House 2 House, Maxi Records as Deja Vu and MAW Records as Rhythm Section. To say this guy has history is something of an understatement having made an important contribution to the first wave of deep house with productions dating right back to '91. More recently he has created magic for Jus Ed's Underground Quality, Classic, Razor n Tape and Local Talk as well as establishing his own District30 imprint.
We kick off with NY Iz All I Know, a warm, soulful yet pumping slice of what can only be described as proper house music! Looped up vocal chops bounce around a classic disco groove until things breakdown into a new chord progression and saw wave bassline which add an interesting twist to the arrangement. Skin Tight drops next introducing a funk break underneath the solid four on the floor kick. One of Henry's trademark chord progressions emerges and the elements build up around to form another masterclass in sample-heavy house perfection.
Aroop Roy steps up for the remix following a run of fine edits and originals on the likes of Freestyle, Basic Fingers and House Of Disco. NY Iz All I Know gets stripped back and pumped up, taking the key elements and adding his own disco inspired groove and Moogy synth business for a floor- pleasing gem that we're sure will help find him new fans from across the house and disco spectrum.

KosmoramaDisco Vol. 1 is the first of a series of compilations that KosmoramaDisco label wants to release from this year to the near future. The Vol. 1 shows a sampler of few of the first tracks produced by different electronic artists. The label presents a wide range of electronic styles all with a spaceship common ground, from Italo to Dark Disco and Slow Mo all wrapped in club dancing format

Here we are! It's a pleasure to introduce to you the second chapter of Apparel Wax, the vinyl faced artist who tears the dancefloors apart. APLWAX002 is once more a concentrate of groovy beats, catchy melodies and vibrant harmonies that come together to create a solid 4 tracks release with an only one soul: the soul of the music we love to dance to. Indeed, the whole EP doesn't sound like an assembled work, on the contrary is more a complete entity that moves together in an organic way since the very first track till the last one, creating an impactful musical story. Everyone should be aware that the unknown mystery man is back in town! Premieres on Houseum, Delicieuse Musique and Sleazy Beats.

Philadelphian Jazz legend Benny Golson has had a long and storied career, he's played with luminaries such as John Coltrane, Dizzy Gillespie and Art Blakey just to mention a small handful. Obviously his credentials are rock solid and his skills as a tenor sax legend are undisputed.
'I'm always dancin' to the music' from 1978 is taken from Benny's LP of the same name. Released on the mighty Columbia imprint as a mono & stereo promo-only white label it's status among underground soul, funk & jazz aficionados is heavyweight, a true 'rare groove' indeed. Produced by George Butler (whose credentials are no less than impressive!) this one has been a hugely popular dance record that has never been easy to track down in 12" form, often topping 'most expensive' record lists it's a record that certainly won't appear in your local second hand spot anytime soon.
Due to it's scarcity and the fact that 'I'm always dancin' to the music' is such a stellar, uplifting piece of jazz-funk-disco goodness it's no surprise that the bootleggers have tried their hand at replicating this masterful release, often resulting in some fairly shoddy facsimiles. Fear not, this beautiful, legit repress comes to you via the combined forces of Above Board distribution and Sony Music, utilising their superior and original master sources and lovingly remastered and repressed just as the 1978 promo 12" was released. No messing around here.
Essential, rare and beautiful - Another amazing nugget from the vaults!

Groove Dis Exclusive. PRE RELEASE. THIS TITLE IS NOT AVAILABLE YET. EDIT & DUB unearth more unreleased gems! These are unbelievable takes of TEE's classic remixes with the music breaking down like never before, apparently direct from master tapes! Lovers of JOEY NEGRO & DIMITRI FROM PARIS should...

Unavailable since 2018, now being repressed. Due the beginning of Feb. A stone cold classic on STAR CREATURE that helped wake everybody up to the talent of SAUCY LADY. The A-side features a remix by YUKI MONOLOG KANESAKA

Japan is loaded with ace disco producers. YUKI TAKHASHI better known as T- GROOVE is one of them. His ensemble laces up 2 unreleased Saucy archive cuts. Heavy Drums, Funked out bass & easily mistaken for an unearthed WEST END or SALSOUL rarity. Supported by the GRIMY EDITS & RAZOR N TAPE crew.

Debut of a new collabo between SoulPhiction and Blunted Monkz, recorded during one of their jam sessions. Three tracks cover the grounds between deep and jazzy on GOTTA HAVE IT, minimal and tracky excursions on CRITICIZE, up to a frantic live mayhem like TRIPOLIS JAM. No polish done here, keepin it raw and direct. We welcome SBM to our roster and look forward to further expansions of Philpots Universe. Thanks for purchasing a real copy!

1976 - The Brothers were an emerging Disco soul septet whose blistering arrangements and ferocious playing had earned them a cult following and a major label deal. Little did they know that only a few years after the release of 'Brothers theme' that it would be a huge record on the dance-floors of NYC's Paradise Garage and Chicago's Music Box with both Larry Levan and Ron Hardy hammering the record behind the controls every night. The playing of the group paired with the production prowess of the legendary producer, writer and arranger Warren Schatz (Frankie Valli, Dolly Parton, Vickie Sue Robinson and more) combined to make a fairly heady brew of Disco, orchestral overtures and bombast that just ignites. 'Proper' Disco music in it's purest form, still doing damage today! Often sought after by the deepest of Disco heads on a white label promo 12" this rare EP now sees a fully legit reissue, made in conjunction with Above Board distribution and RCA is sourced from their vaults using original materials and remastered and repressed to the highest standard for 2018 and featuring all original 1976 RCA label artwork.
Accept no substitutes!

Two of Alkan's most bombastic reworks over one disc. His scene-defining cut of Justice's breakthrough club hit 'Waters Of Nazareth' adds a subtle Chicago drum edit to the original's notorious snarl, while the Australian band's 'Why Won't You Make Up Your Mind' psych-rock is blasted through with euphoric electro energy.