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The debut record for Low Budget Family DJ Cat aka Ivan Fomin, Moscow local and DS Bar regular showing his wide influence in different genres and styles by mixing them all together.
A1 is gooey 80's disco track featuring some recordings from a lost answering machine which gets less straightforward and more dubbed out atmospheric treatment from Lipelis on A2 with a nice touch of flute by no other then maestro Jimi Tenor !.
B1 goes to the totally different territory with a morning vibey breakbeat jam and it all rounds up with a 909 dubby slow jam on B2.
And if you were wondering what's that track Young Marco and Jamie Tiller were playing lately and couldn't find out, we got you sorted.
Hold on, Gigolo Calling!
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10 track album of re-edits from the Turkish super producer who has released 12"s on GAMM, SQUARE, PLIMSOLL and others. A kickass mix of disco, funk & jazz tracks from GLORIA GAYNOR, STANLEY TURRENTINE, DON COSTA, QUINCY JONES and more. More copies coming with pic sleeve.
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Early 90's Warehouse find featuring classic NY Garage, Disco & Boogie + a DJ tool. This amazing EP starts off with AFTERSHOCK'S "SLAVE TO THE VIBE" followed by "KEEP ON MOVIN" Remix by DEODATO. On the flip we have "THE SOUND OF MUSIC" by DAYTON and to end we have "SET IT OUT" by MIDWAY (ACCAP)
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Two seminal cuts from Norman Whitfields standout project, The Undisputed Truth. Remastered and reissued on 180g vinyl.
If you're not familiar with 'You + Me = Love', well that bass synth intro will have you hooked from the off. 'Sandman' on the B side is a funk bomb nestled on the Smokin' LP....must have!
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Main Ingredient's fantastic take on the Average White Band's original funky classic - for the first time ever on 7" too.
Backed with a Main Ingredient track that's shot-up in popularity over the last few years - welcome to the long 7" version of "Instant Love" previously only available on the U.S. promo 7" which will set you back circa £80 large.7 inch vinyl with a large dinked centre hole.
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After a short break in the African wilderness, Black Rox return for part 4 of this acclaimed series. 'Date With The Rain' sees Soft Rocks turn in an 11 minute 'One For The Lion King' manipulation of a joyous and uplifting jam that fuses traditional rhythms (think a humm-ba-ba) and vocals that are underpinned with a strong 4/4 kick.On the flip side,Roots Unit perform some major surgery with a 'Pump Up The Jam' reconstruction on 'Le Beat Is Technotronic'. Crazy percussive jungle rhythms and wonky vocal hooks rule the roost until it merges into a future 'techno-techno' Amazonian world.
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REPRESS ALERT: This EP is a dedication to the Amsterdam based Alkebulan Project. Philou and Villy are both members of this project, the project brings artists from Africa & African Diaspora together.
The Alkebulan Project is on a mission to change the perception of Africa an it's citizens. Nigerian artist Villy and his group "Villy & The Xtreme Volumes" are on a mission to educate Africans with their message calling for a revolution in Africa, politically and socially in all aspects. Philou has a combination of Congolese, Nigerian and Sierra Leonean heritage and it is in these roots that he has built his sound. His passion for the continent of his ancestors is fervent and his projects are challenging commonly held preconceptions about Africa. His goal is to challenge negative stereotypes, by making African cultures more approachable through music.
Much love for Rudy Asibey for founding The Alkebulan Project and bringing the artists together and many thanks to Marcel Vogel for giving us the opportunity to tell our story through
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BLIND DELON debuted back in 2016 with 'Edouard EP'. After a sold out and a lot of love and great acceptance of specialized press the french duo presents 4 new remixes of the main track 'Edouard' signed by Kareem, Synths Versus Me, I Hate Models and Violet Poison. 'EDOUARD REMIXED' will be presented on 12 EP format and produced in a ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. All tracks have been specially mastered and remastered for LONG CUT vinyl by Eric Van Wonterghem.
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Young Adults return to the fold with another gem from the Polish underground.
Having bubbled up in the Polo House scene for the last couple years, 2017 finds Richu M stepping into the forefront for his debut outing 'Donor Goes To Hawaii'.
Rhythm-centric, but varied in approach, the 6-tracker traverses swirling techno, heady thumpers, muddy beatscapes and throwback boom bap.
Simultaneously airy and off-kilter, the release shows a breadth of approach that is not easily pigeonholed, but feels vaguely familiar.
Opener 'Round' soundtracks a laser tag pursuit scene with swayed synths, chattering percussion, and pitch-shift vocal echoes.
The title track 'Donor Goes To Hawaii' takes a Dilla bounce kit to the beach and gets the vibraphone and organ all sandy.
Jazzy piano loops and squelchy synths stack wobbly layers high like Jenga blocks on 'Aquarian Mummies'.
'Pistaccio' gets subterranean with infectious skittered patterning and a proper bump to boot.
Picking up the pace, 'Melting Dolphins' is a funky floor filler.
Finale 'Landskates' blisses out with floating pads and a meditative drumroll.
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Bosq's Aptly Titled Third Full-length Effort love & Resistance' Is A Collection Of Songs That Reflect A Producer's Continuing Emergence By Diving Deeper Into His Influences. The Trains Of Afro And Latin Flavors Are Interwoven And Still Heavily Permeate But The Underlying Groove And Rhythms Have Taken On A More Modern, Jazz-funk And Disco-soul Vibe With Nods To Bobby Caldwell, Roy Ayers, The Mizell Brothers And Nile Rodgers' Chic.originally Based Out Of Boston, Ma But Now Calling Medellin,colombia Home, Bosq's New Surroundings Have Inspired Him To Create His Most Diverse And Creative Album To Date. Already Featuring The Top Tune can't Seem To Hide' With Megan Doherty That Made A Splash Off The Gates As The First Single From The Album (10/10 Rating From Mixmag), The Whole Album Is Soldered Together With Each Track Being A Single-worthy Release In It's Own Right. Featuring Guest Vocalists On All But One Of The Tunes Including Frequent Collaborators Kaleta, And Nicole Willis, Along With Ray Lugo Who's Known For His Work In Kokolo And Boogaloo Destroyers. La Based Singer Induce And New Duo Lucid Paradise (e Da Boss & Ishtar) Along With Vocalist Bruno Morais Whose Classic Brazilian Voice Is Reminiscent Of Jorge Ben Round Out The Cast Of Bosq's Most Vocally Varied Album Work To
Date, Reflecting Both His Growth As An Artist And His Willingness To Push His Own Sonic Boundaries. A Relentless Work Ethic Fused With A Broad And Varied Music Palette All Attuned To The Groove And A Focus On Making Folks Move Has Led To Numerous Remix Projects, Most Recently With Legendary Benin-based Orchestre Poly-rythmo De Cotonou . With A Steadily Growing Fan Base And Reputation Amongst Fellow Artists And Musicians, Bosq's Immediate Future Is Already Laden With Releases Lined Up For Fania And His Collaborative Effort Body Music Alongside The Rapture's Vito Roccoforte
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New, furiously exhilarating Tsapiky music from the south-west of Madagascar, beside the Mozambique Channel. A rough, electric, rural take on the classic Congolese, Kenyan and Mozambican urban dancefloor styles of the 60s and 70s — hyper-fast interplay between pumping bass and clattering drums, overlaid with cranked-up high-life guitar — nourished with the musical traditions of local villages, especially in the singing and other passages of acoustic respite. Ace.
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"My aim is high, close to the sky, i can not fly but i've got to try..." D'Hardest, one of Shadows most sought after tunes, reissued!
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D'Hardest' was recorded at K.H. studios in Trinidad in 1980 and another version/mix was released on the Wake Up album. This song is everything, thanks to Winston Bailey aka Shadow and all his team.
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Norwegian house and techno producer Bjørn Torske started experimenting with electronic music in the late '80s in his hometown of Tromsø. As a teenager he was inspired by other Tromsø musicians, especially Geir Jenssen, the musical prodigy later to be known as ambient pioneer Biosphere. Torske started releasing minimalist techno in the beginning of the '90s, primarily under the name of Ismistik.
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coming out of Philadelphia heem the music monsters were produced and handle by long time philly producer and writer Hubert willis. The group had small success circa 1976 with their psych funk 45 "wake up people"/piece of the rock" they recorded a few more tracks from those sessions and what lay on the reels for all these years is probably their best yet...Its just right for now. "Keep god on your side" is modern soul disco of the highest order, over 5 mins long it leads you onto the dancefloor and never lets go! Flip it over and you have one hell of a funk disco instrumental entitled " going down (incognito)". We have maintained the Blood Leaf label with a slightly new design
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Jan Ketel is back on Tieffrequent with his second solo EP. No razzmatazz, just pure deepness on 4 tracks combined with his passion for Soul and Hip Hop. Bliss!!
On the A-Side the - 30 Seconds Of Yeah EP flows in with a hopeful and wide opener called - Blue Horses . The use of a raw and steady bassline sourrounded by harmonic and melodic elements and the clearly structured drum arrangement makes it a deep going groover. The titletrack - 30 Seconds Of Yeah is a snotty rhythm based pattern with a puncturing bassguitar slap wrapped in a deep pad...but there's a lil' suprise...you will hear and see :-)
The B-side starts with - Come Home , a stomping beat with a coating chord sequence and some straight hidrum patterns. After the break it changes completely and wondrously transform into an emotional deephouse beauty. - Around Tha Corner represents a dusty sound without compromises. The bassline-kickdrum pattern and the repeating deepchord push it from start to finish...one for the basements.
Jan Ketel's - 30 Seconds Of Yeah EP tells little stories containing unexpected twists. It is a very musical record full of warm chords, versatile percussion and phat beats...but always focussed on the main aspects of deephouse music. Can you feel it
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Renaissance is the debut release by Dead Husband, two Boston Brahmins who stagger from the mausoleum onto an Italo-disco dance floor.Building from prior projects in industrial and techno, Dead Husband meld lacy rhythms with droid emotion, straddling the space between the Notre Dame and Centre Pompidou, drowning the melancholy of lingering memory in the vigor of an analog dance floor.Renaissance cuts across Dead Husband's remodeled influences.The essence of industrial dance, dark techno, and the sweaty pulse of EBM bleed together into a decadent and hedonistic whole. Elegant, introspective, and infectiously danceable.
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Red Laser CEO Il Bosco selects four Manctalo nukes that rock the label's Manchester Party on a regular basis.
The Manchester DJ and producer carefully edits these rare or ignored tracks with the help of the another well-known local who only wishes to be known as 'The Bat'.
Play That song is like The Smiths decided to have a go at boogie and creates an amazing mix of indie electro funk that shouldn't work but does.
A Little Happiness has had the big Italo collectors around Europe searching frantically for the original of this lost gem since the track was aired on Red Laser's Soundcloud. Who will find it first
Pac Manc is an amazing dreamy slice of electro boogie ripe for the dancefloor and finishing the EP in style is the heavy drum led afro funk of Shotgun Rules Again, with a synth bassline so big you could see it from Mars.
This one will live in DJ bags for some time.
Limited to 150. Hand stamped in textured grey card sleeves.
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Especial welcomes the debut EP from Romanian duo Khidja. After remixing Baris K's 200 earliering on for the label, here they deliver two Eastern influenced pieces of dubby electronics, that are backed with remixes from Timothy J Fairplay and Juju & Jordash. Khidja appeared on Especial's radar after a call from one Mr Sean Johnson (A Love From Outer Space / Hardway Brothers) to say he'd DJ'd in Bucharest and that 2 young DJ's had closed the party with an amazing track that on enquiry turned out to be their own production. And so Mustafa soon arrived. This was followed by Abdul and before Teressa May could get her fascistic paws on them, they were safely part of the team and handed over to the care of Timothy J Fairplay (The Asphodells / Crimes Of The Future) and fellow cross border travellers, Juju & Jordash (Real Soon / Dekmental) for induction and reinterpretation. Mustafa is more immediate with shuffle percussion, swirling sirens and acid bubbles leading to a perfect hornbreak In the hands of Mr Fairplay though, a bigger, bolder version is seen. The word anthem is banded around easy at times, but when aired by Mr Weatherall, this reinterpretation, with it's stabbing bass and build, has seen howls wherever it's heard. Abdul on the other coin, is the calming influence. Art of Noise vocals, kick and bass keeping things simple, dub and echo enticing the slow-mo groove to swing before Eastern melodies take it away. Bass is the dominant force in the Juju & Jordash remake. A reminiscent (aka balearic) guitar is plucked from under the melody and throb to recall forgotten lands and complete a memorable debut.
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Bjorn Petrikat aka Konig Saatgut has not released a record for 15 years but never stopped experimenting with different flavours of dance music. The Spirit is a Disco / UK Breaks hybrid that repeatedly ignites dancefloors across the board. A curveball that set everything on fire.
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Almost ten years ago, back in November of 2009, before Let's Play House was even a humble basement-bar and hotel-lobby party, Jacques Renault quietly released a four-track EP on Hole in the Sky, an imprint run by Canyons' Leo Thomson and Ryan Grieve, called Favicon , that was both a snapshot of New York City's glitter-dusted disco-revival haze and the culmination of the first few years of Renault's career through the club circuit. It quickly became a cult classic and set in motion much of what followed for Renault; it added some fuel to the fire that was Runaway, his project with Marcos Ca
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Kwaito 12-inch featuring two forgotten bass-heavy cuts from South Africa in the early 90s. Volcano is a sought after tune right now (so difficult to get an original copy!) while the Beat Gangsters are a new introduction (to us) from Okapi's vaults..TIP!
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Some proper jazz funk here. Ron Trent executive produced EP that reminds of bands like Atmosfear.
With its debut EP on the Future Vision label, is the band created by artist, writer and producer Jared Hines in collaboration with executive producers Ron Trent and Jonesy.
Inspired by the Jazz Funk elements of UK outfit Atmosfear and the alternative Disco sounds of Dinosaur L, presented here on this EP are five tracks that embrace the energy of 'live' dance music. Reminiscent of the early 80's Boogie sound, A Band Called Flash will surely capture the attention of the more eclectic, global dance floor.
Andras Fox:
"Nails the reference nicely. keen to hear this in full!"
Ben Westbeech:
"Superb summer vibes"
Volcov:
"it's the bomb! pure class thank you"
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When the Growing Bin first bloomed from blog and record store to label it was originally intended to be a reissue imprint. If you've kept your ear to the ground and head in the Bin, you'll know that isn't exactly how it went down. But for this release we are going back to the scheme a young Basso dreamed up in his adolescent years: bring back the rare, unknown and unfindable.
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