House News

EP number 2 from the wizards of re-editing - Psychemagik.
A selection of far-flung and undiscovered lysergic renderings of some 'well-known' pop & dance classics.
These aren't your common dime a dozen covers either, these are straight killer, bizarro rearrangements that will have you scratching your head in wonder, and hitting the discotheque dance-floor in equal measure. As always, the Psychemagik boys strive to bring you that heat, reworking from only the prime source material sourced from their regular global jaunts and epic record trades in far-flung places. Welcome to the soundtrack to a funky alternative dimension where things seem somewhat familiar, but perhaps a little off.... in the best way! Pure sonic trips all over this one. Dig it! Answers on a postcard please!

It’s no secret that the Irish know how to party. That energy is epitomised in the bubbling scene of homegrown talent rising through the ranks all over the island. House of Disco, having recently moved back to the Irish shores, let loose their first 4 track sampler EP in 7 years, ‘Home Turf’, showcasing the best in under-represented young Irish producers.

Taking the first slot, Dublin’s LPM hones in on that signature HoD sound with some expertly interlaced late ‘70s samples, reworked and repackaged into a bomb of a filtered, disco house, hand-raiser that’s got sunshine stamped into it’s very core. Newbridge locals, Mix & Fairbanks then offer up a deep, synth-laden gem, drenched in weighty stabs, analogue melodies and squiggling top lines.

On the flipside, the young gun from Killarney, Shee gets soulful for ‘Me You Us’ with low-slung vocal samples and hazy pads layered over the top of swirling disco loops. Lastly, Wicklow native Purple Ice signs off this killer Irish EP with a blissful, piano infused groover that’s eyes closed ecstasy from start to finish.

Bang on!

More cut n paste action aimed straight at late nite floors!

The mysterious mischief makers Cannon & Mirrorball are back with another slice of sample-heavy dancefloor madness for ya'll.

The A side is all about feverish disco breaks, strings, cowbells, crowd noise, and ear-worm riffs and old school raps to keep the club pumping.
It's a melting pot of park jam throwback energy at its finest, and is a guaranteed hoot to the last drop.

There's a story behind all the releases I've put out in recent years.
I usually try not to bore people with the details, but this one is about my own mental health crisis back in the mid noughties.
The upshot was, I ended up trying to do the ultimate unthinkable. Luckily, I failed in my attempt, and ended up seeing a psychologist for a number of sessions.

Music has always been around for me, when I'm high or when things aren't so good, and I wrote these tracks roundabout that period.
I see them as a reflection of my experiences of the journey through clinical therapy. And in addition, the act of writing them was probably my own therapy for myself, letting things out in the form of music, though I most likely didn't see it at the time.

The tracks chart my progress from initial complete alienation at the start of therapy, through to the light at the end of the tunnel at the end of the session programme.
The original track was written and completed in 2004, and the other versions would have been started roughly at the same time, with additional production to complete them taking place this year (2019).
To my ears, they're as ever my own take on Techno - Detroit's in the mix, but also Sheffield, and of course current hometown Manchester. The Soundcloud algorithm heard disco, but also synthpop, electronic rock and chiptune.
So we can probably agree on influences such as Cabaret Voltaire, UR and Robert Gordon.

100 COPIES IN VINTAGE BATIK SLEEVE WITH NUMBERED INFO INSERT...

From the people who brought you Disques Sinthomme and Ghost Town comes a new imprint LESDK.

Bringing back that NYC Lower East Side grime, LESDK will feature edits as well as new work from Dennis Kane and his circle of proper low-lifes...

Ghost Town and Disques Sinthomme featured contributions from Brennan Green, Richard Sen, The Beat Broker, Bicep, Jose Manuel, and Cosmic Metal Mother, as well as edit monsters like Jeff 'The Drunk' Overton and Cazbee. Kane will be helming this label, curating work and providing his own productions and remixes.

LESDK

Starts off side A with 'Real' - A soulful disco romp that has a gospel force as well as a powerful vocal performance. The song grooves from its first beat, and pushes the energy as it builds. "Now it's time to be real..." Edit as manifesto - Pure heat! The edit work here comes from one of the OG's of serious digging, Senior Reyes aka Jersey Pete.

Side B brings 'Action' as its first track, complementing the A Side, this is some dirty late night Philadelphia bar nastiness, mentholated disco with a humid female vocal, "I like to party, I like to flirt..."

Side B closes out with 'Motion', a slice of cosmic funkiness that laments a love that is not happening while a thick bassline moves the proceedings along.
This song has heartbreak and the haze of an early morning on the dancefloor.

Three essential edits for the DJ to bless the party people with.

Dennis Kane is a DJ and producer based in NYC, he has run the Disques Sinthomme and Ghost Town labels and is also a partner in the recording group SIREN, (with Darshan Jesrani) on Compost records.
Kane has produced numerous tracks and done remix work for Cantoma, Liz Torres, The Phenomenal Handclap Band, and Hokis Pokis among others.
He has been a DJ in NYC since the mid 90's holding down numerous residencies and touring worldwide.

Fantastic Voyage kicks off the first vinyl focused label, Fantastic Wax, with Hong Kong based vinyl aficionado, and owner of Pharmacy Records and Fauve Radio, Romain FX. Inspired by his love and respect for African music and it's deep roots, Romain approached it with a modern mindset to give a second life to the tracks that we're disappearing due to the lack of accessibility and rarity of these records.

DJ Feedback

Felix Dickinson:
"Very nice, feeling these, especially Gambian Neptune."


Nightmares On Wax:
"Love it."


Jerry Bouthier / JBAG:
"Def for an african movement thx!"


Casino Times:
"Absolute jamssss."


Lonely Boy:
": I liked Indaba Kabani from the moment it started. The whole record is great. Like the soundtrack from Fletch with an African twist."


Cottam:
"Nice work!!"


Craig Bratley:
"Boat party material."


Fabrizio Mammarella:
"Very nice!"


Chris Coco:
"Indaba Kabani for me, nice party vibes."


Franck Roger:
"Nigerian Charon for me."


Ooft!:
"Ooh nice, digging all the trax! Played the previous EP a lot!"


Moon Boots:
"Love it!!"


The Revenge:
"These sound wicked. Thanks!"


Kon:
"Cool."


Andy Butler / Hercules and Love Affair:
"Tasty once again."


Tensnake:
"Big one."


Jacques Renault:
"Rad 4 tracker all around here."


Tim Sweeney:
"Nice!"


Dreems:
"Dayum!"


Dubble D/Moodymanc:
"Great... keep em comin' please."


Inkswel:
"Ill!"


Jackie House / Honey Soundsystem:
"Oohhhhh party EDITS!"


Ben Gomori:
"Lovely tracks."

Salsoul opens the vaults once more to today's top editors and remixers. This incredible 12" sees Australian editor supreme Dr.Packer take the reigns.
Side A sees the good Dr tackle Loleatta Holloway's massive 'Hit & Run' to devastating effect, and Aurra's boogiefied 'Such A Feeling', taking these classic dance cuts into a new dimension, essential DJ weapons right here. Over on side B we have Salsoul Orchestra's evergreen early 80's jam 'Take Some Time Out' being tweaked and The Jammers 'Be Mine Tonight', another total killer from the vaults.

Notorious disco protagonist, DJ and producer, Al Kent returns with his latest dance-floor tour de force. His updated take on 'Gold Wave' is a tasteful reinterpretation of Japanese producer Waq Takahashi's tribute to the soulful roots of vintage disco.
Clocking in at an epic 11+ minutes it's wholesome, uplifting and unsurprisingly reminiscent of a classic Walter Gibbons rework. With incredibly tight musicianship and accomplished production, complimented by soaring orchestration, It's hard to believe this was recorded in Japan in the 21st Century and is not some long lost Vince Montana recording that's been gathering dust in a New York recording studio since 1976!

'Palais' is a 12 track multi-faceted exploration of Kris Baha's musical sensitivity. The one man band's namesake LP title, 'Palais' is based around the concepts of alienation, detachment, melancholia and lust. All songs written, performed, recorded and mixed by Kris between 2015 - 2018 in Berlin, laced in his signature industrial sound. 'Palais' encompasses a range of shades from dance-floor works ' Living Nothingness', 'Brink Reality (Part 2)' & 'Non For The Sane' to experimental cinematic undertones 'You Told Yourself This Would Get Worse'. Also embodied are modern classics like the machine funk metallics of 'Steel Sands' and 'Defied', a year 2042 cyber punk hit. There's even a dark room inspired theme for the black leather lovers. From his own batch of psychedelia to post-punk and electronic romanticism this album is full of surprises and we at Cocktail d'Amore Music are absolutely proud to present this outstanding work.

We let the jazzy cat out of the bag with dj, selector and arranger Oonops' second co-operation with japanese trio Nautilus. This time they covered another master piece of history: De La Soul's "A Roller Skating Jam Named Saturday". this version combines it with the heavy little break of UMC's "One To Grow On". On the flipside you'll get a heavy drums rework by German producer glueset. Additionally Oonops asked canadian rapper Abdominal for some rhymes and japanese songstress Kei Owada to add some vocal flavor. With this 45 you're covered for your Sunday home listening pleasure and equipped for your Saturday night peak time set. It's a Sunday !



b B1 A Rollerskating Jam Named (glueset remix) [feat. Kei Owada & Abdominal]

We've been trying to get Chicago brother Rahaan on GAMM for quite some time and now we finally managed to lock him down for a solid release!!

As the beautiful purple label art reveals it's all about the man, the myth on side one...Prince!
On the flip Rahaan lays down an early 80's boogie theme that heads probably might recognise. But check that build-up...wow!

UK based Tecwaas background is in the early Yorkshire rave scene, which makes you understand his music on a deeper level. His tasteful turning of knobs on the Roland 303 takes you back to in time to an early morning somewhere round 1990 with a diesel generator pushed to the limit roaring somewhere in the background. But Tecwaas music is a lot more than a trip in time: the sound is modern and extremely well produced where the few but exquisite sounds hook in to each other naturally and creates a round solid groove. The sound varies from airy and light in ”Xentaeh” to warmer and heavier in the other track ”Ci”. What goes for the sound overall is the somewhat surprising elements in how the songs develop, both in rhythm and sound wise. Teecwas music bare traces of trance, rave, early techno and so on but you could call it ”uplifting, psychedelic leftfield house” and this is his first release on Höga Nord Rekords.

The first of 2 salvos from the wizards of re-editing - Psychemagik.
Part 1 is a selection of far-flung and undiscovered lysergic renderings of some 'well-known' pop & dance classics.
These aren't your common dime a dozen covers either, these are straight killer, bizarro rearrangements that will have you scratching your head in wonder, and hitting the discotheque dance-floor in equal measure. As always, the Psychemagik boys strive to bring you that heat, reworking from only the prime source material sourced from their regular global jaunts and epic record trades in far-flung places. Welcome to the soundtrack to a funky alternative dimension where things seem somewhat familiar, but perhaps a little off.... in the best way! Pure sonic trips all over this one. Dig it! Answers on a postcard please!

** INITIAL 400 LPs CONTAIN A BONUS 7" OF AN ULTRA-RARE DISCO / MODERN SOUL BANGER! **
Only one year after the big success of "Can You Feel It? Modern Soul, Disco & Boogie 1976-86", Tramp Records is extremely proud to present the second volume in the series. Get up, get down, and get ready for some more highly underrated MODERN SOUL, DISCO and BOOGIE! SIDE A: Cirt Gill's disco bomb "Put The Music In Your Ear" is the perfect tune to open this second Volume. Tony Swamy, originally from Georgetown, Guyana, South America, recorded his one and only 45 in 1978. German saxophonist/band leader Ambros 'Mabusso' Seelos is best known for his 1960s/70s funk outings. "In Orbit" is an insanely groovy disco cut and with this compilation celebrates its debut on vinyl! The Gangbusters unreleased disco banger remained in the can for 38(!) years until Tramp put it out on proper 45rpm single (on clear wax!) in 2018.
SIDE B: The contribution of The Mabin Brothers Band is quite obscure as is "Love Me" by Mr. Maurice, while Maxwell is best known for his funk classic "Radiation Funk". "Meltdown" was recorded around the same time but remained unreleased. Funk 45 collectors watch out as Tramp will put out a strictly limited 7" of both tracks soon - don't sleep! Harry Hann recorded "Bump and Run" in 1977 when The Bump was one of the hottest dances around.

SIDE C: Tyree Glenn Jr. is no new name for the educated Tramp musicologist (check out "Can You Feel It? Vol. 1" and the two recently released 7" reissues "Jealous Love" b/w "Beautiful Woman" and "Superbad" b/w "Marl Sehen"). Jeremy Power's "Ombre De Plaisir" is sung in french, and what a "magnifique" Boogie-Funk track it is! "Intercession" was recorded in 1984 and is also a very fine midtempo Boogie track. Cecil Lyde is best known for his superrare, self-produced Stone Free album from which we pulled "Money's Funny".

SIDE D: The album finishes with four mellow tracks. First of all we have the wonderful "Dear Wendy", followed by the equally great "Lover's Fantasy". Grayson Street delivers the uplifting "Medicine Man" which has a similar positive vibe as the final choice for CYFI 2 by The Fantastic Shakers, Carolina's premier beach music combo. "The Wrong Side Of Me" with its catchy almost pop-ish arrangement closes out the set perfectly.

So there you have it, 16 obscure but brilliant Disco, Modern Soul & Boogie grooves of which the majority have not been compiled anywhere else. Not sure if there will be a third volume in the future, but if the answer to the question: "Can You Feel It?" is "YES!", then we shall see.

We present you 'Mamma Jamma' - an astonishing debut release on Disco Fruit from the Montenegrin up & coming duo 84Bit, inc. hot remixes by : Dr Packer, Hotmood and Tonbe. This release is everything you will ever need for your very special gigs! Fat, funky house driving bassline with powerful & uplifting vocals in the Original Mix, while Hotmood strikes immediately with a groovy & marching bassline - you're gonna love it. Dr Packer plays beautifully with percussions & vocals and manages to leave his recognizable mark on this release. Tonbe brings it home once more with a nice & sexy groove, lovely atmosphere and his identifiable drum hits. This is truly "A Must Have EP" for your vinyl collection.

Elitechnique. Bordello A Parigi. Finally! Right The Rotterdam duo arrive in Amsterdam with two cuts of groove dipped electro disco. 'Disco D'Azur' starts as it means to go on. Juddering bass and crystalline synth lines open into astral avenues, chords cascade and flow before they build into triumphant highs. The flip keeps the party fires burning. 'Riva Riviera' takes its cue from 'Disco D'Azur', bold and broad bars with clean percussion with just a touch more mirrorball romance. Keys intertwine, embrace and twirl away as Elitechnique lead you from dusk to dawn.

Italian producer Giovanni Damico (otherwise known as G-Machine
or Ron Juan) has been busting out funkified gems for more than 10 years now, and his mighty back catalogue includes plenty of turns
on Lumberjacks In Hell. He returns to the label with four crisp and refined slices of boogie business that span a range of tempos to give you plenty of party tackle for any situation.

"The Sound Of Revolution" is a natural choice for the A 1, dripping with cosmic synth flexes and an irresistible groove, while the snappily titled "Italians In A Line" brings a sweet strain of upfront robo-disco to the table.

Tagliabue provides the two original tracks from his AFRO SPAZIO EP released on COSMICA MUSIC in May 2019. With psychedelic atmospherics, deep melodic layers and tribal rhythmic formations, he sets a wonderful palette of cosmic frequencies, to stimulate the remixers visionary powers and creativity. DJ Rocca started to produce in the late 90s, working on some drum&bass and breakbeat singles as Maffia Soundsystem from the same name club in Italy, where he was the main resident DJ. In his career he
collaborated with Howie B, Pressure Drop, Zed Bias, Dimitri From Paris, Daniele Baldelli and Jazzanova producing singles, remixes and albums on some of the best european labels as Sonar Kollektiv, Compost, Classic, Rekids, Skint, Hell Yeah, Rebirth, Internasjonal, Futureboogie Recordings, !K7, Deep Freeze, Tirk,
International Feel, Defected, Skint, Gomma, Paper Recordings. As a producer, DJ Rocca is also part of Ajello (with Taver), Supersonic Lovers (with Marcello Giordani) and Crimea X (with Jukka Reverberi). He has remixed big names such as Oliver Koletzki, Luke Solomon, Blaze, Isolee, Pete Herbert, Bjorn Torske, Chris Coco, Dimitri From Paris, Andrew Weatherall, Justin Robertson, Soul Clap and now our very own Joseph Tagliabue. With the award-winning jazz musician Franco D’Andrea he has formed the Electric Tree Project, a contemporary music trio, hovering between jazz and electronics, with a double album released in April 2016 on Parco Della Musica Records, defined as record of the month for the magazine Musica Jazz (June 2016). The collaboration with such a great name of the jazz scene, moves on with the realisation of an octet and the production of a new album entitled “Intervals I”, recorded live at the Auditorium Parco della Musica in Rome last March 2017. Mushrooms Project is Giorgio Giri and Marco Lentano, producers and serial collectors of vinyl with a common passion for dj’ing and for any type of music whatsoever. The project came into being in 2003 when Giorgio, a punk band drummer and vinyl collector with a strong preference for anything from psychedelic rock to Afro, meets Marco a deejay since 1994 who mixes every possible kind of dance music; from afro to house, passing through techno and progressive. 2013 saw their debut album ‘Undergrass’ released on Leng Records, which was a continuous evolution of their sound elaborated in close contact with other musicians.
In 2015, Ivan King, a talented guitarist who had collaborated many times with the Mushrooms Project, became an integral part of their productions. They have now dj’ed across the world and are known for their hallucinating and all encompassing music that is made using live instrumentation such as guitar, bass, synth and percussion to create a “dirty” but unique insight to the very long, deep, mesmerizing and unusual minds of the Mushrooms.
We are proud to showcase a pure Italian collaboration effort. The uprising talents of the new generation of progressive producers meet with the Masters of the Cosmic House genre for an epic production.

No More Pop returns after the summer with a surprising New Wave release by Obscure by Degrees. The extremely rare original from 1981 has been remastered and geniously remixed by swedish artist Zener Color. For the digital bonus no one else, then Rude66 touched 'I'm Dying'. If you look closely, you'll find a secret story card...

A much welcomed reissue of the 1978 Idris Muhammad gem 'Boogie To The Top'. Released a year after, arguably, Idris' most well-known anthem, 'Could Heaven Ever Be Like This' the similarities in style and composition are clear. Expertly produced, rich instrumentation, expansive drum fills, gospel tinged full-bodied vocals, all the while epic and life affirming in it's nature - what more could you want

Young Pulse steps up on the b-side, to add his own subtle touches and tweaks to the original. Looping the guitar and echoing out the vocals whilst working in more of the synth lines. The addition of a crisp clap and extra percussion add an element more vibrancy into this mix, keeping the original feel intact whilst revitalising it for 2018.

Release n° 2 of Presente has been also cultivated by countryside boy José Martí between orchards not far from the Mediterranean coast. On this florid EP, he shows again his salty touch with these 2 fine edits focused on dancefloor agitation. Bon appetit.

With “Bobo”, the coastal farmer took some latin jazz seeds from East Harlem and nourished them with 909 drops to grow a raw dish that suggests life celebration to the hungry diner.
On the side b, a funky cutting from japan was brought to life on the seaside's fruitful soil to become “saxo“, an affectionate dessert that may encourage taster´s spirit with its pleasing tenderness.
Limited edition of 500 units. Vinyl only, 140 gram.

HOT PEAS 'N BUTTER round 2 !

Following the fast-moving first EP, this series of floor-friendly re-rubs from Mom & Pops' collection.
UK upstart Simba rinses the racks for 4 bona-fide underground classics.

Time machine tear-ups from the golden era, as likely to be heard on Mom & Pop's turntable as they were rattling the cones on the home-made block party stacks or basement sound systems.

100% DJ material - and available in VERY short supply...you snooze, you lose !

Hand stamped vinyl only 12" series in poly-lined kraft sleeves

Sheffield soulbender thatmanmonkz teams up with his good pal Martín Miguel's Better Listen Records for his newest EP.

The record is inspired by several trips to and dope parties in the District of Columbia, home of the quickly rising label.

After the club hit "Watchin Out", Dirty Channels are back again with another killer EP. This time on Dan Shake's imprint Shake. Three club tools for those who love to combine disco, house and techno.

The A-Side kicks off with Body Language Pro heavy drum machines, teasing samples looped and mangled to perfection. Plus, a remix from Cole Medina and Lovedancing label head, Sleazy McQueen.

B side, Let Me Come Into Your Life is a beautiful arrangement of persistent samples, bubbling percussion that cruises similar to the best disco house from the late 90s. Finally, The Lone Dancer works disco strings and vocal loops to amazing effect.

West End records open the vaults once more to today's top editors and remixers. This incredible 12" sees Australian editor supreme Dr.Packer take the reigns.
Raw Silk's total anthem 'Do It To The Music' goes under the knife, the good Dr. has massaged, tweaked and embraced this early 80's gem into a 2019 dancefloor banger. All killer, no filler. Barbara Mason's 'Another Man' kicks off side B, another post Disco classic lovingly reworked with care and brushing shoulders with Shirley Lites powerhouse 'Heat You Up, Melt You Down', a dubbed out proto House monster that hits all the right spots. Back to back classics.
Fully licensed, sanctioned and released by Above Board distribution and West End Records, 2019. Accept no imitations!

This new coming EP splits out of two Japanese indie disco labels of today. On the A side, Tokyo based DJ/Producer duo, "Jig n'Hug"(DJ Kuu & Toshiroh) drops new tracks from their own label, "Monkey Chop Record" since its first release in 2016. And, on the B side, the label called YU-ZEN owned by "JTT" of Takayuki Hosoda and DJ JAVA hit
their tracks. The EP starts with the delicate synth chord turning into slow burning balearic journey tune, "Soft Magic" of A1. Then, along with elegant melodic piano and keyboard play, the emotional latin house tune, "Reflection Boogie" for A2 is coming. The promo's already been supported by DJ Kza.JTT release their second EP from their own label "YU-ZEN" ."bando" is like a chicago deep house with fat base sound amd impressive snare, synth and piano sounds. "Emilio" is like a atmospheric deeep house with impressive synth, shaker and piano sounds.Kuniyuki Takahashi's mastering helps to elevate the sound even better.

Mastering by KUNIYUKI TAKAHASHI. According to his careful work These Tracks have a high level of completeness.

Saturday opens with the ebullient birdsong that, every morning for a few months of the year, joyfully wakes Samoyed from sleep in his hut in the rural North of Scotland. For the rest of the year, the wild land returns to its state of brooding, overcast quietude, and samoyed spends his mornings sitting staring into the middle distance over a bowl of porridge. Recorded slowly and intermittently over the course of four years, Saturday is a document of sixteen of these passing seasons, a constant state of change and contrast - in the landscape and the man - reflected in its eleven tracks.

Samoyed's preoccupation with the natural world, balance and zen is counterpointed by the faded gloss of the cheap and failing 1980s equipment used to make the album. Saturday has a surface of synthetic lustre, gated snares and digital reverb, but underneath the gloss lies great warmth, threaded with 4-track tape hiss, splashes of plaintive strings and a heartbreaker of an upright piano. The result brings to mind Talk Talk, Severed Heads, Yasuaki Shimizu, Disintegration-era Cure and those bittersweet John Hughes film soundtracks.

Saturday marks the latest chapter in Flask's hectic release schedule, the last being Samoyed's Always from this point in 2008, a low-key classic of drone released on hand-screenprinted CD-R. In the years since, aside from gaining a design PhD and having a couple of wee melties, samoyed has released an EP of songs on Astro:Dynamics and prescient, loping schmaltz-house records for Lukid's GLUM and Jacques Greene's Vase labels.

Flask has been resurrected for the same reasons that it was founded - to release a Samoyed album so out-of-nowhere that no other label seemed appropriate for it (or really wanted it). In line with Flask's emphasis on beautiful, hand-crafted packaging, the Saturday LP features a 2-colour black and metallic gold woodblock print cut by the man himself.

Netherlands-based LA producer, Diego Herrera returns to the Melbourne party
imprint, Animals Dancing for its seventh release; this time under his Suzanne Kraft
alias. Across three tracks, Herrera showcases his method in the madness, expertly
fusing glistening pads, warm synthesis, razor-sharp percussion & frenetic bass lines

One Thelma it seems, is never enough...

Following the rousing response to GALL008, Bitter End return like a Nadal serve with two more interpretations from their private stock

'Kneel B4 Thelma' spoiled us with an utterly futuristic cyborg-Soul anthem...
'Thelma Hous' takes her down an altogether more dimly lit back alley to gain entrance to a clandestine gathering, a door rattling throb greats us upon entry, then a kaleidoscopic Disco Ball and laser combo explodes with 'Leave Me This' on the flip. A raucous and scantily clad energy blast of a timeless piece of Disco history


This one's frighteningly limited folks - so let us sell ya some Thelma, pronto !

BLACK BONES are certainly having something of a purple patch, so what better way to celebrate their regal success than with a purple edition in the best-selling series !

More awe-inspiring archeology afoot here, as we're treated to another invaluable 4-tracker taking in heavyweight Funk, a fired up freestyle beatdown, strobelit, leather-clad Disco and Folky outdoor Balearia

Limited, hand-stamped vinyl 12"

The Revenge is back at the controls for Home Taping!!!

The Scottish DJ and producer kicked things off on the imprint back in 2009 with his 'Forever In Their Debt' release, which grabbed the attention of House DJs around the globe.

Now he drops another timeless EP of killer House Music on the imprint
'Lost Grooves Part One' demonstrating his musical depth and amazing production skills as he drifts effortlessly between jackin' dancefloor trax, deep House grooves and looped up Disco business.

The result is a totally authentic and raw sounding homage to House music delivered by someone who has lived and breathed it over the last decade or so.

Home Taping all night long!

Salsoul opens the vaults once more to today's top editors and remixers. This incredible 12" sees Italian maestro Moplen take the reigns. Side A sees Skyy's 'Here's To You' getting some serious boogie love from remix powerhouse Moplen. 2 absolutely essential reworks of this massive garage classic are featured, both vocal & dub mixes for the Salsoul hardcore. Over on side B is Salsoul Orchestra's 'Ooh I love It', again blessed by the Moplen magic, always adding something to the mix in a respectful and knowledgable way, offering up breathtaking contemporary versions of the classics.
Fully licensed, sanctioned and released by Above Board distribution and Salsoul Records, 2019. Accept no imitations!

Chillum Trio started out as a collective of like-minded musicians in 2002, however, after releasing an album together (which was supported by the likes of Laurent Garnier) the project slowly become the solo act of founding recording producer, Geza Szekeres.
At that time he discovered West-African music, latin jazz and the universe of soul and funk, these new directions have been shaping his musical evolution ever since.

In 2014 he turned out as one of the winners of Gilles Peterson's Havana Cultura remix contest that gave him the opportunity to travel to Havana and record music with the creme of the Cuban jazz scene.
One of his songs recorded in this session got released on Brownswood Recordings compilations Havana Cultura Mix and Havana Cultura Anthology.

Budabeats Records is more than proud to release Chillum Trio's first ever 12" single called Cosmotropica with two dancefloor friendly tracks mixing broken afro-house with tropical and cosmic influences.



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King Street Sounds has reached its Silver Anniversary and in celebration of twenty-five years of iconic house music we’ve selected eight standout tracks for this special edition double vinyl release “25 Years of Paradise.” Kicking things off is house music maestro Kerri Chandler’s fun, funky and soulful King Street classic “Harder Gets Higher (623 Heavy Mix).” Following suit legendary KSS artist LY (aka Jovonn) pays homage to the New Jersey dance institution with “Back To Zanzibar (Sublevel Edit)” aka Doc Martin. Berlin based DJ/producer David Mayer brings his unique touch of class and deep groove to Tuccillo and Kiko Navarro’s classic release “Lovery” (first time release on vinyl). Prepare to experience all the feels over again as we conclude record #1 with London duo Idjut Boys’s gorgeous and emotional dub remix of Ananda Project’s original mix “Moments Before Dreaming.” Moving right along, record #2 opens again with house music icon Kerri Chandler’s appropriate un-released dub mix of “Welcome To King Street.” When Japanese DJ/production duo guri guri boys teamed up w/ Blaze vocalist Josh Milan for their single “Be Yourself” we were ecstatic! French Afro-house wizard Manoo slides in next with his remix of “Be Yourself.” Louie Vega and Kenny Dope’s project Masters At Work is synonymous with house music as it’s kick and hats. We flip record #2 to their MAW club mix of “Give It Up.” The King Street sound wouldn’t be what it is without some Dennis Ferrer. We conclude the VA with his DF’s Kicked Out Mix of “Dem People Go!”

Milan's Brioski returns to Slow Motion for his first sole record following his appearance on the Italian Dance Wave compilation. Onertolati is four tracks of tweaked-out disco madness, off-kilter rhythms and electronic brain flutters. It's kind of like being stuck inside a particularly sexy ECG machine. One of the heads and the dancers

limited repress, be fast to secure your copy
Soulful way deep house in the Heard tradition featuring smooth vocals by Mr White which sound a lot like Larry's own style.

The queen of the scene brings 2 tracks of gorgeous, emotional, disco-inspired deep house in the vein of her sought-after 2013 Argot release. Already getting played by Derrick Carter, Mike Servito, and more. 300 w/ menu insert.