House Новости

ARTIFACT is again hot off the vinyl presses with a private edition, curated by stalwart editor BOTTIN. First off, "Manifesto Balearico" does exactly what it says: providing a blueprint of the Balearic Beat genre: thick layers of dreamy keyboards over a lavish mid-tempo groove, topped by a sparse macho voiceover and chanting sirens. With "Palmy Days" we leave the Mediterranean Sea for the ocean and the French West Indies: it's not so much Latin music, but rather sophisticated tropical new wave. On the B side we cross the U.S. of A. for some naughty Californian Hi-NRG treat, better served straight into your ear channel: "Got Headphones?". Finally we head back to Bottin's homeland and explore an Italian city well after dark. "Ok Goodnight!" Buonanotte, amiche care.

West End records open the vaults once more to today's top editors and remixers.
This incredible 12" sees the mighty PBR Streetgang take the reigns for 2 gems from the stash!

Michele's 1977 'Magic Love' kicks things off in fine style, a slick bass driven groove is what we get with this funked out slab of string laden Disco heat. Nicely cut n pasted for the DJ's, dropped at the right time this one will go off! On the flip is North End's 1979 jam 'Kind of life, kind of love', boasting some serious harmonica and an almost AOR feel, the PBR version clocks in at 10+ mins of building dancefloor magic! Tweaked just right, and with a respectful nod, these 2 new versions are essential for the discerning disc jocks out there.

Fully licensed, sanctioned and released by Above Board distribution and West End Records, 2020. Accept no imitations!

Berlin Duo Local Suicide and Mexican Producer Mijo join forces to deliver two stunning original works for the latest installment of Roam Recordings. Edo Kai Tora is a uptempo main time jam with a nice vocal weaved through driving electronic stylings. Ganz Falsch has an electro boogie feel with cosmic synths and a fun vocal rhythmically tying it all together.Supporting the EP are two excellent remixes from renowned artists Sascha Funke and Simple Symmetry. Sascha Funke's elegantly dark version creeps in with a hypnotic and captivating energy while Simple Symmetry moves into party mode with pop sensible guitars and heavy wonkiness perfect for picking up the vibe at any party.All four tracks are standouts on their own and together form an outstanding versatile EP and excellent addition to the Roam Recordings catalogue.

Born out of a chance encounter in 2012 that led to a lasting friendship, Rhythm Section Int'l & producer, DJ, label boss, radio host, and record store owner Ruf Dug join forces to present 'The Committee'. Sitting somewhere between fictional band and studio collaboration, the record is the first fully in-house production for Rhythm Section, recorded start to finish at their own South East London studio and featuring vocals from label founder Bradley Zero and label mate FYI Chris's Chris Watson.

Right from the studio's initial creation, Ruf Dug felt inspired by the space's unique musical identity, jumping at the opportunity to create a collaborative record there over a two week studio residency. And between his DJ residencies at Pikes, Gottwood and NTS radio the Manchester-via-Ibiza computer game freak and renowned vinyl digger found the time to meld his wide range of influences. Having been a key driving force behind Be With's Holy Grail reissue of Bô'vel's - Check 4 U , Ruffy has more than earned his stripes as a boss level Street Soul collector, pre-empting the resurgent interest in the genre, which began in the mid 80s and is still a popular sound in Manchester today. This new release draws parallels between the DIY attitude of Street Soul labels like TSR, Intrigue, Jam Today & Elite and the modus operandi of the RS studio.

A wholly synergetic work, the project's title 'The Committee' reflects the collaborative nature of this release, as Ruf Dug states: 'Authorship is a strange concept at the best of times but this genuinely is a group effort and I very much enjoyed feeling like just one piece of a larger entity - the complete opposite to my usual production experience of being all alone in my room for days at a time.' The EP also features additional production from Rhythm Section's own Mali Baden-Powell, who DJ's and produces as Z Lovecraft and comes from a background in Street Soul music, his father was also in legendary UK acid jazz collective D'Influence. In addition, the record features a dynamic range of vocalists: sultry deliveries from Natalie Wildgoose and Sienna Mustafa, a rap from her sister Nadina, and the vocal debuts of FYI Chris's Chris Watson and Bradley Zero. 'I had been joking with Bradley that he needed to be on the record somehow and he did appear, playing an egg shaker at one point, but his singing wasn't in the least bit planned... I got back from lunch, and the next thing you know he just starts singing...So I dragged him reluctantly down the corridor to the studio and that's it- now he's a pop star!'

Also playfully melding digidub, soul, chicago house and acid jazz, the release not only marks a new chapter in the development of the Rhythm Section sound, but also catalogues a crucial turning Point in Ruf Dug's musical development. Still oozing with the cheeky DIY approach that won his own label, RUF KUTZ an army of fans, this latest Collab steps things up and opens a whole new realm of possibilities for one of Manchester's favourite sons.

SIRS returns with another healthy dose of edit debauchery, dropping four more secret weapons that are perfect examples of what a good rework should be.

Slick, punchy, chopped in all the right places and looped just when you wanted that extra little bit of juice, this 12” is about to go straight in the record bag and become that ever dependable record you can use in any situation. From leftfield Italo wonders to disco nuggets there’s a slice here for everyone.

Simon Marlin, aka The Shapeshifters, has spoiled disco devotees with his array of Glitterbox releases. His latest release ‘Second Chance’ and 2019 hit ‘Life Is A Dancefloor’ have seen Marlin collaborate with the unmistakable vocals of CHIC singer Kimberly Davis, and now both have been placed on a limited 7” Vinyl, celebrating these two joyous tracks.

With both recordings featuring cinematic strings, live horns- and melodic keys, provided by some of the UK’s finest session
musicians, the rich instrumentation on both provides a luscious backdrop to Davis’ vocal musings.

With two records that have limitless dancefloor appeal, memorable lyrics and timeless charm, this 7” delivery is a record box essential
for all disco-discerning DJs, from an artist at the top of his game.

With releases on such esteemed labels as Sound Signature, KMS, Peacefrog, Track Mode and Planet E just to name a few and being part of the legendary The Music Institute in Detroit - Alton Miller is, simply put, a legend in the scene.

Over the last three decades there been a steady flow of music from Alton that has one thing in common - it's never out-of-date.

The tracks on Infinite Experience is Alton at his finest. 'Afro Grey' showcasing a rich and soulful house sound and on the flip 'By The Way She Moves', another sublime slice of deepness.

A very special record indeed.

Following on from the massive TapeEdit 001 this next Double A sided outing moulds the JB's banger Groove Machine into a tightly edited funk bomb and Mi Mi Africa by Nobou Yagi given the Guns stretch.

On the flip side Play me is an epic congo driven monster that never stops and finally we come in for landing with the brit funk creation For The Game featuring Check The Guns original vocals and a tightly cut reworked break from Shakatak - Easier Said Than Done.

LoveDancing is proud to present 'Yawumna', the new EP by Tel Aviv based veteran discoteers RaBo & SnoB. Ronen Sabo & Eyal Rob have been DJing together since the mid nineties and have been releasing their music via notable labels such as Whiskey Disco, LoveDancing and Disco Halal. Ronen, using the alias Obas Nenor has also released music on Moodyman's Mahogoni Music, Heist, and Strictly Rhythm.

'Yawumna', featuring vocals by Soma, is the fruit of the duo's visit to Ghana and the result of a chance meeting at Accra's main market while the duo were out looking for records and handmade percussions. The three quickly connected and Soma was recorded on vocals and the Kora. The result is an infectious, chantable afro stomper that feels both contemporary and rooted in Ghana's musical heritage. 20:20 Vision and Local Talk affiliate Art of Tones is on the remix adding his own signature tweak.

'Ifa' featuring Azizaa, is African house with anthemic qualities and a true club monster. Azizaa, who was introduced to Rabo & Snob via a mutual friend, packs the track with her unique vocal style and flamboyant energy. Let's Play House head honcho Jacques Renault steps up with an equally impressive remix.

Comet presents the third release of its new Disco Highlife series, featuring remastered originals by Ghanaian legends Ebo Taylor & Pat Thomas and disco re-edits by Trus’me and Tiger Tigre.
On Side A, “Yes Indeed” is a heavy afrobeat piece out of the legendary LP Super Sounds Namba recorded in Togo and released in 1981 on Abotar Records. This awesome synthetic afrobeat is
featuring the two biggest stars of Ghana Ebo Taylor and Pat Thomas.
Trus’me Version is cross Atlantic production between Trus’me from Lisbon and Benjamin Tierney from LA. An effortless collaboration of musicianship and production, using the seductive Simmons
drums, Ensoniq ESQ-1 on percussion, Casio CZ-5000 on the lead & a solid Moog rogue on the bass. The additional production complimenting the original direction, whilst intoducing it to a modern
day eclectic dancefllor, courtesy of Prime Numbers Records.
On Side B, “Yesu San Bra” is a strong funky disco highlife anthem by Ghanaian legend Pat Thomas. This disco highlife classic has originally been released in 1980 on the Ivory Cost label Pan
African Records. Tiger Tigre’s rework is a mysterious secret weapon deployed to decimate dance floors. Adding with his characteristic bleepy twist, a punchy kick drum fully acoustic, an
heavy liquid bass line and transforming this disco highlife classic into a euphoric and hypnotic
piece of progressive house. Vincent Taeger aka Tiger Tigre is a french artist producer, drummer, a
virtuoso who just released his debut album Grrr ! to his credit for numerous collaboration as
producer with international artists like Allen, Oumou Sangare, Sebastien Tellier, Charlotte
Gainsbourg, Franz Ferdinand, Chilly Gonzales, Gregory Porter, Saul Williams…

After the successful debut album by Roland Sebastian Faber 'RSF' on Closing the Circle records RSF is returning with a new EP. We are not Friends! Double A side vinyl release with remixes by Benedikt Frey, Kinky Roland and Keen K. Including download code.

Sadly, soul diva Betty Wright left us recently, on May 10th of this year, only 66 years old.

We pay a tribute to Betty with this unique 12” release, featuring 2 of her greatest hits.

“Tonight is the night” (yes, the famous full 8 minutes live version!) appears on the “A” side of this 12”, while on the AA-side it features the 7 minutes long and easy mixable “Disco Purrfection Remix” of “Where Is The Love” by Canadian DJ DiscoCat, now however edited to perfection by Ben Liebrand at a steady 128 BPM.

”Tonight Is The Night” is taken from the (previously top10 Billboard-) album “Betty Wright Live”, which vinyl-edition will shortly be re-released with bonus tracks on the High Fashion Music label.

Reissue of the much sought after Hotbath edit series from Crazy P. Hotbath Edits Vol.1 kicks off with a rather tasty re-work of a familiar NYC disco record which uses only the beat and vocal of the original with some very tasty musical elements added.
Backing that up is the equally juicy edit which works that groove and takes it straight to the dancefloor.Changing tack for the flip we have a re-work with original elements of the acoustic guitar and the vocals are bolstered with live beats, bass, strings and brass to give a truly uplifting mix. Finally look out for the curveball edit of a certain Neptunes penned pop hit to round off this killer package!

Following a trip into the heart of Max Santilli’s Sydney studio, Into The Light Records’ ‘international’ series returns to Europe for an audience with former Peur Bleue, Versatile and Wisdom Teeth contribitor Benoit B.

The Berlin-based producer has previously won praise for his atmospheric and evocative approach to electronic music, which priorities melody, texture and vibe over form and function. “Notes of Love”, his first EP for Into The Light, was deliberately designed as a “soft journey for the ears”, with Benoit B opting to layer up only the most essential musical elements in order to guarantee sparkling, crystal clear sound and an overriding clarity of purpose.

Even so, the six tracks are still stylistically eclectic. Compare and contrast the sunrise-ready new age synthesizer melodies, bustling synth-bass, Fairlight style stabs and shuffling breakbeats of “2090”, the Vangelis Katsoulis style bliss of “Polar Nights”, the Art of Noise style ambient collage that is “Czechoslovakia” and the intergalactic, post-electro pulse of “Cowboy Dan”, whose rubbery synthesizer lines and electronic motifs somehow manage to be both funky and foreboding. Yet for all of these stylistic twists, “Notes of Love” is a coherent statement of intent from a producer whose personal musical vision remains as clear as ever.

Nebraska comes to Razor-N-Tape Reserve with a 3-tracker of soul-laden sampley goodness primed for the floor.
The title track drills deep to the depths of primal funk for an extended disco-house workout that stretches over the full A side.
On flip we have a pair of slow-burners, with Instant Pressure juxtaposing modern R&B vocal flavour over a hypnotic rhythm track, and then Keep On Keeping On takes us back to the classic soul side with its gritty and gospel-infused groove.

Psychemagik return with another freash 12 of killer edits, firstly they give Paula Cole's 'Feelin Love' a new dimension by speeding it up around 120 BPM and adding the dirtiest nastiest synth swooshes that'll have even the hardest of dancefloors bursting with sexual tension! On the flip they settle back into Balearic blissed out territory with another sunrise killer, their supreme rework of 'Wake Up Everybody' by Harold Melvin.

Their sparkly live piano solo and tight crispy drums take an already amazing track to epic new heights. Just add Yacht.

On their stunning debut album Made Me Feel, Fabrikate take a trip back to the glory days of disco, a time when love was the answer, inclusion was the only message worth spreading and everyone was invited.

Fabrikate are Francis and Chuck — two guys with similar tastes and interests digging into the past to uncover some long lost musical wisdom. Their devotion to this quest grants them laser focus, working like madmen to create bumping, neon-flecked sonic landscapes for their listeners to wander through.

Both Francis and Chuck have their own personal tie to the disco era and the forgotten magic it left with. They grew up listening to celestial funk throughout their childhoods in Montreal, an island with deep disco roots of its own. The music they produce as Fabrikate takes the spirit of disco and weave it into a modern sound, with breathtaking results.

“We both grew up immersed in disco in our own ways. The music and the culture of that era has always been a deep influence. Disco culture was very inclusive and non-judgemental. It was always about the vibes and the experience. With Fabrikate we’re creating our own interpretation of what disco music means for us today.” Fabrikate

Across 14 unique tracks, Made Me Feel blends both house music and disco influences into a sound that while heavily influenced by the sounds of the past, also manages to remain rooted in modern-day dancefloors, and takes inspiration from the US, Europe and of course their native Canada.

“Montreal was a major player in the disco scene even back in its early days, had an important effect on a whole generation. We feel that Montreal has incredible artistic diversity, and that has a lot to do with the emergence of disco and how the city played a role in it.” Fabrikate

From the very start of album opener It’s Coming Down, the tone is set: a triumphant brass refrain that drops into a fast-paced 4/4 beat and glorious vocals. From there the album kicks on in magnificent fashion with the life-affirming filtered loops of Feed The Flame and basement stomp of Into The Ground, one of the album’s most overtly house records.

Another clear album highlight is lead single Love Was Real, a joyous disco-house hybrid with a triumphant vocal, punchy drums and a brass hook that will bring a smile to even the most hardened of dancefloor veterans.

Fabrikate have an innate ability to pick out a wonderful sample and transform it into something almost overwhelmingly powerful: the aforementioned Love Was Real and the equally infectious New York City Man being prime examples of this. Years of obsessing over obscure disco records have given both Francis and Chuck a wealth of geeky knowledge on which to draw, and this album is a masterclass in how to do sampling properly.

A joyous homage to an era of which happiness and hedonism was the main focus of the music, Made Me Feel is a phenomenal accomplishment, and one that will bring joy to disco revivalists and newcomers alike.

The first of three 12”s from Jamaican duo, The Pearls. Reggae Disco Rap from 1980.

The Pearls are Stanley Shaw and Norman Watson, lifelong friends who wanted to fuse Disco, Soul and Rap with Reggae. Norman Watson worked at the famed Randy’s record store in downtown Kingston, also the base for the revered V label, where he came into regular contact with label artists Fats Domino, Millie Small and Augustus Pablo. Suitably inspired he started his label Reality Hits in 1978 and not long after came a series of singles including ‘On & On’. The Pearls soon caught the ear of Sly & Robbie and went on to record an LP for their Taxi label.

The original 7” version of ‘On & On’ leads the charge on the A1, a proper reggae disco stomper with boogie piano, super charged bass and a chorus that sounds like a lost hit. The Dub Version ‘We’ll Do It’ occupies the A2 whilst on the B side Waxist, the consummate Parisian selector and compiler Julien Minarro, steps up with an extended edit that combines elements of the Original and Dub. The 12” is housed in a disco 12" themed Isle Of Jura sleeve.

Tipped for big things, Alex Virgo presents the first release for his brand new Label 'Pomme Frite'. An imprint influenced by his love of Disco & his keen ear for sampling in House music.

The title track 'Let Me Through' builds energy fluidly, effortlessly chopping & changing. Destined to make an impact on the dance floor.

The B side features two more originals from Virgo. The first is a ruthless French house inspired bomb 'Come On Baby' and collab with new comer & long-time friend Benjamin Groove entitled 'Private Caller'. A groovy house number with skippy drums & hypnotic sax sampling.

Remastered official reissue of the hugely in demand Billy Frazier disco funk masterpiece Billy Who? Originally released in 1980, this time including on the flip side the rarest and expensive (at about 800 euros on discogs) : The Mind Blower instead of the unnecessary short radio edit.

These two killer disco classics represent huge hit on the underground scene and a staple at legendary clubs like The Paradise Garage, The Loft and Chicago's Warehouse.

A must have for any collection to get peoples bodies moving.

Z Records unstoppable ‘Attack The Dancefloor’ series powers it’s way to its 14th Volume of remixed disco gold.

Delia Renee - You're Gonna Want Me Back (Joey Negro Disco Blend):
"You’re Gonna Want Me Back” was an all but forgotten early 80s obscurity only known to hardcore vinyl collectors. Joey Negro has got hold of the original multi and has transformed what was already a very strong song into an end of the night anthem. Delia’s vocals are classic power soulful vocal disco diva, whilst JN makes the most of the parts in the fully orchestrated live backing track.

Foreal People - Shake (Dr Packer Re-Shake):
Originally released in 1999 the Joey Negro revamp of GQ’s Chic like “Shake” features David Grant from Brit Funk act Linx on lead vocals. It's back out 20 years later with a fat funky Dr Packer remix, who drops down the bpm and adds a more dubby approach to the arrangement.

Z Factor - Gotta Keep Pushin (Grant Nelson Remix):
A classic from the ZR back catalogue gets a brand new makeover from Grant Nelson, making it an instant dancefloor hit.

Four80East & CeCe Peniston - Are You Ready (Joey Negro Redemption Mix):
Brand new gospel tinged soulful house originally produced in Toronto by live jazz funk act Four 80 East featuring the powerhouse vocals of Ce Ce Peniston. It has now been remixed by Joey Negro for release on ZR. The Redemption Mix showcases the full song which harks back to the big vocal records that came out of NY and Chicago in the late 80's/early 90s.

Another indispensable ATDF 12", destined to cause waves across dancefloors worldwide.

A Salsoul classic re-worked by the masters of the remix. Unearthed from the vaults, remastered and released on vinyl in their full length, unedited glory for the very first time. With Frankie delivering a remix and dub oozing both the style and grace accustomed to Godfather of House and Morales staying true to the percussive sounds of the original production this EP showcases why the Def Mix production team have always been the leaders of the remix.

One of the undisputed kings of the remix, The Reflex works his magic on two new revisions for Salsoul Records. With a well-known ear for groove, the Frenchman takes on Double Exposure’s ‘My Love Is Free’ – crafting a layered, smooth remix that builds upon its slick guitar riff with conga rides, warm basslines and that euphoric, soulful vocal. Next up is Instant Funk to get the Revision treatment, as The Reflex re-edits and remixes ‘I Got My Mind Made Up’. This one’s got some punch: chunky, percussive breaks lay the foundation for lashings of funk, bass and some sexy vocals to boot. Always a welcome addition to any catalogue, The Reflex Revision of ‘My Love Is Free’ further solidifies why he’s the best in his field.

Halo were a late 70s/early 80s West Coast soul and funk band. Key members include James King Jr (who later joined The Futures and release solo singles on Expansion), singer/songwriter Karvin Johnson (who sang with Gemini and recorded with Johnny Gil), and Greg Coleman. “Let Me Do It” is a rare and extremely classy soul/boogie track from 1981, largely unknown at the time but becoming progressively sought after. A 12” Extended Version has been especially re-edited for this exclusive release. The group’s 1988 single “Life” has sold for hundreds of 12” and have now endorsed a rock guitar free ‘re-edit’ exclusive to Expansion

When Simon Dunmore heard Horse Meat Disco drop 'The Spirit' at Glitterbox in Ibiza last summer he immediately needed to know where and who the track came from. It's no surprise that Mighty Mouse's style of production was a good match for Glitterbox, with his reputation of delivering high energy, eclectic, disco infused sets. The track went on to become Annie Mac's Hottest Record and has been on heavy rotation among all discerning disco DJs. Now this rugged party starter has its long-awaited vinyl release, with an exclusive remix from Partyfine boss and French maestro Yuksek keeping it company on the A-side. On the B-side are two huge remixes from UK techno titan Mark Broom, bringing new depth to the disco original.

Italian duo Souldynamic are probably most known for their deep soulful house productions.
But this time they've taken aim at some of their fave Jazz-funk tunes and reworked them with a nudge towards the house community.

Rodney Franklin's classic 'Vibrations' and Franco Bixio's library anthem 'Break' both get superb house rubs, but without losing the organic & dynamic feel of the originals.

Chicago brother Jamie 3:26 is back and this time more focused and more sober than ever (yup, he gone clean)!

After his classy album release on BBE he's now back on GAMM with what he does best, top class Chi-town disco edits!
This time 'round Jamie goes to work on two gems from The Watsonian Institute and Peoples Choice.
As usual, the soul and funk is always present and both edits go well beyond the 9 min mark...extended play guaranteed!

Continuing the series, Dr Packer’s ‘Different Strokes Part 3’ offers a stunning package of the Australian disco maestro’s latest soulful remixes. Kicking off the A-Side with his remix of The MuthaFunkaz ‘I Don’t Want You Anymore’, where the heartfelt vocals of Marc Evans are complemented by elegant keys and live instrumentals, the vinyl next features Dr Packer's remix of The Shapeshifters ‘When Love Breaks Down’, featuring the powerhouse vocals of Teni Tinks this glorious disco cut continues to fill dancefloors with joy. On the flip are two fresh releases from Dr Packer from the Glitterbox imprint, opening with his epic ‘No Price’ remix, and rounding off the release with his take on ‘Boogie 2nite’; a guaranteed future Glitterbox anthem. This red hot 12” is an essential for any disco inclined crate digger, with four cuts ready to set the floor alight.

OTE step it up a notch once more with their third release. Irish producers Mix & Fairbanks deliver a dancefloor bomb, while label mainstay Jimmy Rouge dips his toes in afro acid.

John Beltran is welcomed into the MotorCity Wine Recordings family with his sun-drenched and soulful debut entitled "Back To Bahia". Titled after his MCW residency of the same name, the release combines Deep House, Jazz, Boogie, and, of course, música popular Brasileira flavors to welcome the sunshine into your life.

Totally funkin', groovin' female Italo-Disco vocal jam recorded in 1984 at the Studio Group in Rome by Stefano Zito (aka Blackway & Helene, B.W.H.) together with the band Live Fashion. He was supported by his partner Carlo Favilli, the arranger Marco Colucci (aka Mark Owen) and Gloria Ludovisi with her magical voice.

Album features Ernie K Doe’s ‘Here Come The Girls’, The Meters, Eddie Bo, Professor Longhair, Lee Dorsey, Wild Magnolias and more.

This is the definitive collection of New Orleans Funk featuring acknowledged masters next to some of the earlier artists who shaped the meaning of funk. The album is also filled with many rare, sought after and undiscovered funk tracks. It covers the period from the emergence of New Orleans Funk in the early 1960's through to the mid-seventies.

The record is an essential part of anyone in any way interested in Funk's record collection. It has some vital ingredients in it that you can't find elsewhere. With the sound of the New Orleans Funeral March Bands, Mardi Gras Indian Tribes and Saturday Night Fish Fries all as inspiration New Orleans Funk developed into a unique sound.

New Orleans is a port town. Originally owned by the French, this was where many slaves were brought from the West Indies. Many of these slaves came from Haiti and brought with them the religion of Voodoo and its drums and music. It became one of the first parts of America to develop a strong African-American culture leading to the invention of Jazz in the early 1900's.

A main feature of Jazz in New Orleans were the Jazz Funeral Marching bands. Solemn Brass bands accompanying a coffin would, on burial, be joined by a second line of drummers and dancers which would turn the event into a celebration of the spirit cutting free from earth. This African tradition is strong in New Orleans and still goes on to this day. The backline drums play a syncopated style that is neither on the beat nor the off-beat. It is these rhythms that are the basis of New Orleans Funk.

The album comes with a booklet presenting a historical explanation to how and why this music came about, and with lots of information about the people involved.


Reviews: "A Perfect Primer For Funk Fans" Q (Top 5 albums of the year). "Probably the finest compilation that Soul Jazz has released. Essential" Time Out.

Only 150 copies pressed

Another great re-issue from the vaults of DJ Dukes imperium. This time it's the Music For Your Ears #8 by The Visionary aka Felix Da Housecat from 1996! On top of this Dj Duke included an unreleased remix to this gem (B2). A must have not only for those who missed this record in the past!

*unreleased till now

After the success of his latest release on Tropical Disco Records, Javi Frias is back to his own label Night Shift Records with a new EP of disco reworks featuring four obscure tracks that have now obtained a new life after passing through the hands of the Madrid producer. A side starts with 'Universal Sound' a super soulful disco tune with a house feel, perfect to dance with the hands in the air, and 'On Fire' has that boogie groove that makes you move. On the B side you can find 'Guitar Jam', a little funky number full of nice breaks and superb (obviously) guitar licks and the EP ends with 'Really Need To Talk', an amazing modern soul song that you will not be able to get out of your head in the coming months. Another sure shot release by the owl label!

UK born, Australia based DJ & producer Dr Packer, who has garnered worldwide praise and acclaim for his soul, funk and disco edits, gives the Rework treatment to no less than four cuts from the legendary Salsoul Records back catalogue. Disco diva Loleatta Holloway and her mega-hit ‘Runaway’ is updated with a 2020 groove that maintains all the character and uplift of the soul drenched original. Rafael Cameron’s ‘Let’s Get It Off’ is a heavy slice of funk, with Cameron’s powerful gruff vocal front and centre over riffs and strings. Next is Ripple’s ‘The Beat Goes On’ – a shimmering, uptempo disco cut where Dr Packer really exhibits the sound and vibe 70’s dancefloors for contemporary ears while in-house collective The Salsoul Orchestra get ‘You’re Just The Right Size’ reworked: the lush percussive beats and elegant orchestral work are brightened up and who can resist that sultry vocal hook? Dr Packer once again reworks his magic to perfection.