House News

After the success of 'Discollection' vinyl EP, reaching #1 in the Bestseller Disco Charts in 2019, San Diego producer Never Dull is back with the follow up 'Discollection II.' This collection of disco edits really shine through the 'West Coast Disco' sound that Never Dull has been building throughout his latest releases. 'Cool Love' is the lead track, with a disco bassline and expressive vocals. 'Get a Little' is a 'wonky' party track with a driving beat and soulful chords. 'Want My Love' has an excellent soulful disco intro that breaks into a driving baseline and vocal harmonies. While 'Whatever U Want' captures that perfect balance between the obscure and the party vibe, featuring a thumping beat and expressive shouting vocals.

Andrzej Korzynski is, without a doubt, one of the most important, celebrated and influential Polish musicians of the XX century.
He wrote plenty of pop hits, created a very famous and extremely successful Franek Kimono project, collaborated with world renowned movie directors like Andrzej Wajda and Andrzej Zulawski, and played a key part in the legendary studio group Arp Life. Korzynski is also well known for his soundtrack for a cult classic for kids, "Mister Blot's Academy".

All in all, he's perceived as an extremely creative person, a real pioneer who helped introduce synthesizers to the world of domestic film and pop music. A true artist with many faces, a handful of projects, and a musician that cannot be pigeonholed. Without any doubt, he is really something.

So, with all that being said, no wonder that The Very Polish Cut-Outs' attention was drawn by the Master's work.

Without further ado, we have an honoor and pleasure to announce this release.
Four remixed tracks from the very rich artistic output of Andrzej Korzynski. All the tracks were carefully picked by the composer himself, out of a dozen proposals. It is worth adding that such a release was a personal dream of Zambon, the TVPCO's founder, especially given the fact that his very first edit was "Baby bump", a cut by the aforementioned Arp Life group.

"Niezle Numery" EP consists of four top notch edits and remixes brought to you by a well-known pack of producers closely related to the label with the famous rooster logo.
Holiday 80 guys take over the A side having expertly cut original material by Zenek Czubaty (the predecessor of the legendary Franek Kimono studio output), finishing off with two thumping peak-time heaters with infectious vocals.
On the flip you can find a more relaxed and reflexive take with a downtempo twist. Pejzaz adds his trademark sound to "Monika", a piece deeply immersed in slo-mo vibe, while Karol Aleksander's "Welwet" is a nu-disco tinged groover with a personal touch. This EP is strictly dedicated to the lovers of hidden dance floor gems and die-hard collectors of rare stuff.

The outstanding cover was designed by long-time collaborator, Bartosz Szymkiewicz.

Following the first 12" of mother imprint Dusky Adriatic,
Dancing Tramonto is ready to release its 12" chunk of
summer. This time all 5 tracks by Italian producers only:
A1 "Wind Live Jam" is a funky disco house ride with DJ
Rou, D'Arabia & Jimbo all together behind the wheel and
on the mic, the trio keeps the Bolognese sound on a high
level with this super catchy track with a vocal hook that
will rock the dancefloor. A2 "So Hot For Your Love" is a
powerful disco house tool by Brine, the London based &
Bologna raised producer comes to Dancin' Tramonto with
this track adorned with a super vocal by himself echoing
certain Talking Heads sound and house edits. B Side starts
with a chicagoish house gem made by S-DM under one of
his various alias, you'll love its powerful bouncing bass,
will lose yourself in its tom & conga groove and its soft
pad. B2 is a lost gem coming from HIll studio straight by
the sea of our riviera, tropical 626 drum lines, a fresh
classic sounding lead melody and juno bass delivered by
the seaside for the seaside.
Last but not least we have "Unity House" by Manuold, a
deeper but still fizzy house track with mellow pads and a
gentle acid line.
This comes from the sea, the sun & the sand, from every
riviera of the world, from all those common yet special
moments lost in the sunset. Music for a never ending
summer

Since 2017’s ‘Song For Mr Lewis EP’ on Phonica White, Austin Ato has dropped stunningly funky 12”s with ease on many respected house labels including Classic Records and Defected. We were waiting for the right track for his follow-up on Phonica White and when we heard ‘When Love Is Tender’, we knew it was the one - a huge disco house based on an obscure Philadelphia-style jam.

It’s the simplicity of the original mix that sets the tone with pumping and driving Disco drums backed to roof raising saxophone licks and soulful vocal snippets, with those all-important deeply moving Philly string samples that are restrained when necessary and released at all the right moments, especially when the drum drops. ‘All Night Long’ highlights Austin Ato’s sample chopping expertise. The drums roll effortlessly through the track as dusty Soul and Disco samples echo and repeat, conjuring sonic memories of Andrés and Pépé Bradock’s best work.

For the next release we head to Barbados and 1985 for the first official reissue of ‘Exit’ by Fire Flight. The best reissues succinctly capture a moment in time and this album provides a snapshot of Island life in the Caribbean region of the America’s in the middle of the 1980’s. The LP encompasses new wave, funk and early house rhythms with a backbone of calypso.

The idea for Fire Flight started with Carl “Beaver” Henderson, a musician, arranger and producer who initially provided back up band services for the Royal Bank of Trinidad & Tobago’s annual staff Calypso competition. In 1981 the idea quickly evolved into the 15 piece band that was Fire Flight who took Trinidad and Tobago’s performance spaces and annual carnival by storm with their electrifying life performances. The band also travelled to Toronto, Montreal and New York for their annual carnivals. In 1984 the band entered the now defunct Coral Sound Studios in Barbados to record their debut album. The driving force behind the LP was the band’s main songwriter Francis Escayg’s desire to explore alternative avenues of recognition for the band and to perform and thrive in the carnival off season. Highlights from the LP include the slow new wave funk of ‘Best Shot’ & ‘White Horse’, the melting pot of calypso, zouk and reggae influences on ‘Hard Life’ & ‘Mornin Lovin’ and the tropical proto house of ‘Wantin U’ that was a highlight of the Fire Flight live show.

The LP is pressed on heavyweight 180 Gram Vinyl with new full sleeve artwork from Bradley Pinkerton.

Megaton level soulful disco bombs right here! Anthems. Classics. Patrick Adams on the boards, during one of his most creative phases for sure. This is that NYC disco sound, from the gate. Strings, drama, crazy ass percussion all over the place - and of course - the ladies of Musique incredible vocal performances. Much sampled, imitated, copied and coveted, it doesn't get any more essential than these 2 cuts right here. Play them loud, to a room full of people and you will 100% have a party on your hand within minutes. Absolutely essential repress, beautifully presented by your friends over at Unidisc.

Completely unorthodox production techniques employed by one of Spain’s maestros from the 80’s, THANKYOU brings back one of Julian Ruiz’s craziest productions that come with a potential threat to any well tuned HiFi system (careful at 1:26 on A side). A remarkable dubby/italo rhythm section sets the foundation for a dreamy melody that won’t be forgotten so easily. Inspired in Indian mythology, “El Genio De Los Pies Rojos” is a masterpiece that will take any tasteful dancefloor to serious heights. Includes 2 other shorter titles from the album originally released in 1986.

Few groups of musicians would be brave enough to tackle such an iconic jazz funk classic, but the Incognito guys under the guise of Citrus Sun and in the capable hands of their producer, Bluey, have pulled it off. This rendition of the Lonnie Liston Smith masterpiece from 1975 was recorded in 2020 and became the title track of an album, further to which it has brewed on the underground dance scene building an insatiable appetite for a release on 12” vinyl. So here it is in all it’s glory, coupled with an original instrumental jazz funk creation “Hard Boiled”. Grab one while you can. This 12” version comes in straight on the bass line.

High Fashion Music retrieved the original multi-track tape of this hidden Greg Scelsa produced disco-gem from the 80’s where Italian Luca Locatelli, a.k.a. “Moplen” did tear it apart completely and into detail , and produced 2 brand new versions.

While the A side features a genuine disco version, cooked and mixed into perfection, with respect to the original, focusing on a authentic modern disco sound and arrangement, Moplen gives with the on the B-side featured “Reprise” a showcase of his praised talents, where the great vocals, accompanied by strings and horns of Delia are put in the spotlight, building up to a full version. Additional engineering and mastering by Ben Liebrand.

High Fashion Music retrieved the original multi-track tape of this hidden Greg Scelsa produced disco-gem from the 80’s where Italian Luca Locatelli, a.k.a. “Moplen” did tear it apart completely and into detail , and produced 2 brand new versions.

While the A side features a genuine disco version, cooked and mixed into perfection, with respect to the original, focusing on a authentic modern disco sound and arrangement, Moplen gives with the on the B-side featured “Reprise” a showcase of his praised talents, where the great vocals, accompanied by strings and horns of Delia are put in the spotlight, building up to a full version. Additional engineering and mastering by Ben Liebrand.

Another entry into Unidisc's mammoth 40th anniversary celebrations is this sublime prime piece of 1983 boogie pressure from Ingram, boasting a refix from the mighty Mark Knight & Michael Gray.

James Ingram's evergreen jam was an anthem at 80's soul weekenders in the UK, as well as being a crossover record that found favour with B-boys and ravers alike with it's easy electro funk groove. A true classic in every sense of the world, 'DJ's Delight' is one of those tracks that just doesn't stop - watch that bassline! In the spirit of celebration, Unidisc has invited remix heavyweights Knight & Gray to bring their vision of the track into the year 2021 with their modern peaktime version appearing here in both extended and single versions alongside the OG mix. Absolutely essential repress, beautifully presented by your friends over at Unidisc.

"For Volume 5, we looked to a broad church - from Brazil to Cuba, Ghana, Jamaica, Japan, Mauritania, South Africa, Sweden, Trinidad and Tobago, the UK, and the US. We pulled songs from the 70s up to the present day and feature a stellar cast of artists. There’s an exclusive track from Sven Wunder which was recorded solely for this compilation. We also have a track from Admin which was released as a private press 7" at the start of 2021 and one we felt was far too good to only be available for the lucky few. You’ll also discover one of our most treasured Gyedu Blay Ambolley productions, a full-force African disco colossus! We hope you will enjoy this selection of seventeen eclectic songs as much as we do."

Here are 2 Tons of driving disco gospel Edits circa 1980 from NY's legendary Walter Gibbons.

Walter is heavy on the groove with a live turntable mix & intensifies the message with an impactful Edit. These artefacts are a glimpse of the personal Edits & unique creations that came from Walter's Room, highlighting the raw talent of this Disco pioneer.

Label Info:
Take a journey to the dawn of DJ culture with Sunshine Sound, the NY imprint that through a series of genre defining Disco Edits became recognised as the 'Birthplace of the Edit'.

These 'Disco Adjustments' would become the hottest tracks in a DJ's crate, spawning countless bootlegs & imitations since they first appeared so many years ago.
As influential as these recordings were, most only appeared as acetate discs individually cut in mono & sold direct to DJs.
Some of these were cut in such small quantities it could be debated as to whether they ever really existed at all.
40 years later and all that remains are remakes & rumours...

...or so it was thought.



Sunshine Sound rises again to bring you a series of classic, legendary & mythical Edits.
Travel back with us to re-discover monumental works that helped shape the sound of dance music as we deepen the textures of history with a series of exclusive Digital & limited Vinyl releases selected from the vault.
Sunshine Sound releases are distributed by Moonshine Sound, bringing you antiquities of historical Disconificance.

Absolutely seminal Danny Krivit re-edit of Gary's Gang "Let's Lovedance Tonight"!

Originally released on Nervous Records a decade ago this finally sees the light of day again... Original 12"s go for $100 each on discogs. Re mastered for 2016 and released in conjunction with the original Sam Records.

Following the release of their critically acclaimed debut album ‘Love And Dancing’, Horse Meat Disco reveal their latest single ‘Love If You Need It’, a highlight from the LP, complete with remixes from Mousse T. and Dr Packer. Written by London singer-songwriter Fi McCluskey and long-time friend of the group Luke Solomon, Horse Meat Disco once again capture that warm glow of a night on the dancefloor with this slice of nu-disco joy. With Mousse T. lending his signature effervescence to the release with his Classic Shizzle, his Dub You Need provides a clubbier alternative to the vocal original. True to form, Australian master of the disco edit Dr Packer’s remix fleshes out the bassline with plenty of extra funk to make a perfect fit for a disco set.

Red Vinyl

A Leftfield journey of rockin' sleezy disco edits! It feels like something weird and sinister is going to happen from the moment you drop the needle and keeps that energy throughout. Limited Heavy weight colored vinyl. Fans of DJ HARVEY, RON HARDY, PATRICK COWLEY and THEO PARRISH take notice

TCR005 was being held for better times due to the pandemic crisis waiting for creamier times on the dancefloor. The release features Oito / Oito on a gentle scrape of some old Portuguese goodies to create a fresh batch of unique edits.

The Portuguese duo certainly brings up that drip ass acid sauce along them groovy beats and kitch vocals making you feel good dancing on your PJ’s at your favorite lockdown.

Limited run 400 copies

40 years after its initial release, the impossibly rare diamond-in-the-rough 45 from Pure Release is once again seeing the light of day.

Led by James Fernandez, this East LA Funk crossover is in a league of its own. It’s sunshine and feel-good vibes from top to bottom with a decidedly learned but still naive aesthetic. Fernandez stacked his band with a cast of mostly Latino local session musicians so it’s needless to say that the çrhythm section punches well above its weight for a private release such as this one.

One of the choice tracks from the album, “I’ll Know it’s Love For Sure”, met some criticism after the album’s release for its lack of a certain level of polish in the production. It was eventually re-recorded and pressed to an equally rare 7” single. This version of the hit song would go on to become the most sought after, and therefore most easily recognized version. This means, for old and new fans of Pure Release alike, that the 45 cut of this track from On the Loose might be an entirely new experience with all the same floor-filling potential.

Following the release of the single of the same name, Dutch duo Tunnelvisions return to Disco Halal with new EP ‘Gold Teeth’, out on Friday 27th November.

A three-track release, ‘Gold Teeth’ opens with an extended version of the title track, an infectiously feelgood house number, characterised by driving synths, busy percussion and catchy vocals. Next up, ‘Hyperfocus’ is a slow-burning progressive house cut that unfurls steadily across its six minutes. Closing things out, ‘Heat Wave’ harnesses an old school house vibe, characterised by deep bass and fluttering percussive elements.

Speaking about the EP, Tunnelvisions says: “We’re proud to present you our next EP called ‘Gold Teeth’. Three tracks combining our percussional and synthpop influences into something we’re very excited about.”

With an unmistakable ear for imaginative, melodic themes and entrancing rhythms, Tunnelvisions hit the sweet spot by seamlessly fusing worldly influences with analog synthesisers.

A diverse collection of tracks, ‘Gold Teeth’ sees Tunnelvisions skilfully explore various shades and tones on the house music spectrum.

Don't be fooled by Spellacey's lower profle: amongst those who know, the Melbourne-based New Zealander is widely regarded as a seriously dusty fngered digger, capable of unearthing and championing ridiculously good records from all four corners of the globe. He sells some of these exceptional fnds through his Crown Ruler online store, though there are many more that he keeps hidden from the public.From synth-laden Zambian reggae and sumptuous orchestral Afro-soul, to humid Trinidadian boogie and horizontal Italian jazz-funk, Spellacey offers a whirlwind trip through the most kaleidoscopic and exotic parts of his epic collection.As you'd expect from a man who has traveled the world hunting down records, the majority of the 15 tracks will be unknown to all but a handful of similarly minded crate diggers. In fact, some are so obscure that you'll struggle to fnd any mention of them at all online. This could be your only chance to own the boogie-era reggae-disco brilliance of Le Banda De Martin's Mi Dueno' and the tear-jerking Afro-soul shuffe of Kosmik 3's I'm Gonna Pack' (here featured in exclusive Jeremy Spellacey re-edit form). Spacetalk Records' frst compilation, Beauty, offered listeners the chance to take a trip through the record collection of noted Parisian crate-digger and DJ Jeremy Underground. It was a runaway success, so the label has decided to repeat the
exercise. This time, though, they've turned to a lesser-known hunter of rare and obscure records, namely Crown Ruler Records co-founder Jeremy Spellacey. Spellacey has previously shied away from sharing the secrets of his extensive record collection. Crown Ruler Sound, then, is a rare treat: a gloriously colourful, sun-baked compilation of tropical treats from Africa, the Caribbean and beyond, hand-picked by the man who helped license this year's most essential reissue, the South African boogie brilliance that is Focus's Zulu.Highlights come thick and fast, from the frst note to the last. Check, for example, the wild P-funk of Acayouman's Funk Around', the dancing marimbas and undulating grooves of Feladey's Forest Music' and the impeccable South African jazz-funk of Stimela's sought-after 1983 debut single, I Love You'.Other notable highlights include Ezy & Isaac's spellbinding 1977 cut Let Your Body Move (Oba Balu Balu)', seemingly the missing link between Rotary Connection, Fela Kuta and soundscape disco, Devon Russell's inspired reggae-soul cover of Curtis Mayfeld's Move on Up', and Mike Fabulous' Wang East', a sublime chunk of summery lectro-reggae from Spellacey's native New Zealand. We could go on, but we don't want to spoil all the surprises. Suffce to say, Crown Ruler Sound will surprise and entertain you in equal measure.

Presenting a collection of stone-cold classic breakbeats and b-boy jams from the sunkissed vaults of Miami's legendary TK Disco label!

NYC in the late 70's and early 80's saw a nascent street subculture fully evolve, a movement with it's own language, art, aesthetics, dances, fashion and way of living.

What would become what is now globally known as 'hip-hop' was in its infancy, with it's own legends and history being forged on an almost daily basis across the city's Black and Hispanic neighbourhoods. Music was central to hip-hop, the DJ was king and at the hands of people like Kool Herc, Grandmaster Flash, Grandmaster Flowers, Mean Gene, Jazzy Jay, Afrika Bambaataa, Charlie Chase and numerous other groundbreaking DJ's of the era, music took on a whole new meaning that would reverberate through popular culture for the rest of time.

The breaks - minute sections or breakdowns of a record where we get to the unadulterated groove and the band on the record cut loose - is what it was all about! Unlike the discotheque DJ's who favoured the long mixes and blends in their club scenarios, hip-hop DJ's were amassing huge collections of records that had these magical sections on them, often x 2 copies of each, so that they could elongate the best part of the record ad infinitum by cutting them up live - all killer no filler! These special on the fly mixes and edits were then unleashed in the local parks of their neighbourhoods, on gargantuan DIY sound systems for all of their friends and neighbours to party on down until the wee small hours. These breakbeat segments also gave the MC's space to address the gathered masses without their voices colliding with lavish string arrangements or vocals underneath. A clear, concise, stripped back slab of funk on which to put forth their ideas, feelings and rhymes for all to enjoy.

Collected here are some of those most infamous breakbeats, all from the TK vaults. These records were studied by these young DJ's, coveted, covered up, hunted down, whispered about in darkened corners by those who needed and obsessed over the freshest of beats. There's a good chance you will have heard these records in some form or another as they have been covered, sampled, recreated and spun in clubs across the galaxy for over 4 decades. These are the very building blocks upon which popular culture and club music have been built, and here they are all in one place for your listening enjoyment!

Released with love and respect by: Above Board and TK Disco, Miami FL. 2020.

"Finally, Zach Witness' sought after rework of The Purple One's '17 Days' is available physically and on hand-stamped purple vinyl no less !"

COLORE VIVO is a concept album with an atypical genesis: the idea was born from a sequence of images, as the soundtrack for a movie (never made) on the exploration of the uses and customs of archaic and mysterious populations. The soundscape he paints shows an extraordinary coherence in this. Bjondo is an artisan, as in the tradition of the great masters of the Italian Mondo Films, and it’s precisely to that manual knowledge, to that exploration and to those sounds that the disc is most recalled. The artist's research and his eclecticism translate into the wise use of rudimentary tools (bamboo, pieces of wood, stones, vases, necklaces and even a sort of self-made berimbau) to obtain unique and unclassifiable exotic sounds. His research on the evocative skills of primordial sounds breaks with the

narrowness of the genre and opens up to total experimentation. Each listening opens the window of imagination on other worlds. A dizzying look at the lost memory that is hidden inside each of us. A continuous (re) discovery!

Iner compiled another kind grooving music from around the world. A lot of sunny house and disco bangers.

After winning over the disco scene in the last five years, Masterworks Music has branched and launched sister label Deep Cutz. And the first release, a five-track EP from Jehan and Donnie, lives up to the name brilliantly.

After an atmospheric intro that hints at the deep, jazz-laced house masterclass to come, it's straight into business with Donnie Moustaki's 'Saturnian Beer' and 'Lady 2000' by Jehan on the A-Side.

Donnie's lead track is full of fluttering arps, dusty kicks and claps and a hazy sunset glow brought on by piano solos and soaring brass. We're not sure what a Saturnian Beer is, but we'll have a four-pack on this evidence, please. 'Lady 2000' meanwhile is a filter-disco groove monster, all live bass action, tippy-tappy percussion and deep house chords.

The B-Side keeps up the momentum on the Deep Cutz EP as Donnie Moustaki and Jehan collaborate on 'Cool Man Nazz.' With a funkier, slower tempo and chunky, driving drums, it's perfect warm-up material to get the toes tapping and the heads nodding.

The EP closes out with Donnie Moustaki's 'Rock Bottom' which goes full-on jazz, all Art Blakey drum rolls, headsnapping bass and righteous piano swirls.

Four of the strongest club mixes from the Deluxe version of PBR Streetgng’s ‘Late Night Party Line’ will make their way to their rightful vinyl home on March 15th.

The four tracks here have been hand-picked for maximum musical power and all bring something different to the floor. PBR Streetgang - Montu’ (Paul Woolford Remix) is the first, with a signature Woolford piano powering this pristine house music instrumental all the way from Leeds. Next up is a particularly percussive production from fast rising Berliner Cinthie. ‘I Left My Heart’ (Cinthie Remix) is one for Panorama Bar and Peckham floors alike.

Then ‘Money, Casino, Brass’ (Hercules & Love Affair Remix) steps up on the flip, a decidedly daring and different take from Love Affair disco legend Andy Butler. And then finally, Gerd Janson and Philip Lauer take us down an almost Green Velvet coloured house road for their peak-time TCK vocal take on ‘Everything Changes’. The Tuff City Kids remix of PBR and former Rapture vocalist Mattie Safer closes this exclusive vinyl package off in fine style.

Tilman is back again on the Shall Not Fade Seasons Series imprint. The German producer, who specialises in pumping, jazz-inflected house, brings the positivity of his personality into his music - "Untitled Scripts", his longest release yet, has the sweet sounds of summer interwoven throughout. The EP sees him moving away from sample-heavy house, although the first track "Relax Yourself" is still a sample-driven house piece that is classic Tilman. In contrast, "By All Means" beautifully showcases his abilities as an instrumentalist - sublime keys that are interspersed with singer Louisa Laos' R&B vocals. It's the first time Tilman has worked with a singer, and a standout moment in the
record, a song with potential beyond the club. "Beauty In The Dark" uses peaceful flute stabs to contrast with a real deep bassline; somewhat dreamy, but still a danceable roller. The A-side closes with "Sound Issue 84", definitely another dance tool, a tight hi-hat contrasted with dubbed out chords that hypnotise.

Tilman says "Vice Versa" is "the love song of the EP". Real classic house vibes on this one; melodic piano that feels totally alluring - something to spark a dancefloor romance. "Mercury Hill" builds into maximalism, a shimmering eclectic collection of sounds. "Say Good Bye" takes a real 90s house approach - it wouldn't be out of place in the golden Ibiza summers, and leads well into "Make You Hot". The record closing track has a sound that sums up the EP overall: grooving upbeat music built to make you smile. Digital bonus track, "Lemon Venom", is also a hidden gem... smooth, swinging chords that build up into a glimmering crescendo of plucky melody, it's a euphoric club heater.

Another rare nugget culled from West Ends incredibly influential back catalog. "There's Never Been Someone Like You" is a smoothed out soulful Disco jam and a Paradise Garage classic! Produced by the mighty Kenton Nix whose credits include working on records for Taana Gardner, Gwen McCrae and The Treacherous Three among many others and featuring the exceptional vocal talents of underground Soul singer Bobby Youngblood.

Kenton Nix was something of a prodigious production talent who worked on numerous independent and major label projects and was a good friend of Larry Levan and had the honor of hearing his rough mixes and versions through the Paradise Garage sound-system which helped shape the end result of the records he was involved in. "There's Never Been Someone Like You" has always been a popular and sought after 12" among Disco / Boogie / Funk collecting aficionados since it's release nearly 34 years ago in 1980 and continues to be an influential record now in contemporary dance music. An utterly essential Disco-groove!

This is the very first time this record has been re-issued and this pressing features both the long "dance" version and shorter 7" mixes of the track just like the original pressing from 1980. It has been re-mastered and re-pressed with the permission of and in conjunction with West End Records, New York City.

This next Toy Tonics EP takes one more step into a futuristic sound that connects Broken Beat, House & Neo Soul.
The EP was produced by Fényan. France based dancer and producer (originally from Martinique) who hooked up with Kosmo Kint.
Soul singer raised in New York and since one year part of The Toy Tonics crew in Berlin.

Fenyan & Kosmo Kint met shortly after Kosmo Kint’s first release on Toy Tonics (the „Get lost“ EP with french producer Mangabey). Together they created three magic sparkling pieces of music. A unique sound inspired by the UK Jazz sound and the broken beat scene. A great further step in the evolution of uptempo Neo Soul dancemusic.

Fényan’s rhythms are special. The groove is unique. This music makes you dance differently. No wonder as Fenyan (his real name is Kwame) is a professional dancer.
He is travelling around the world teaching dancing with his own dance company and is a judge on international dance battles. Besides dancing he has ben producing beats since the age of 19 on his MPC. Influencd by the great names of deep jazz and fusion, but also inspired by the music from his origin Martinqiue: Zouk, Biguine, Bélè… you can feel this in the programming of his beats.

Besides the MPC Fenyan tried many instruments, but mainly it’s the keybaords and the trumpet what he feels well with intuitivly.
Kosmo Kint lives in Berlin since three years. He came from NYC where he was singing in Soul bands, hanging out with musicians and also writing songs for other artists. he is one of the many artists that moved from the big apple to Berlin recently. He joined the Toy Tonics crew almost 2 years ago to work on new styles between House and Soul. Disco and R&B. In fact there is a big movemnt of international top musicians coming to the German capital. Its not just DJs in Berlin. But a huge community of ex-pad musicians working on all kind of styles. Mixing the european electronic dancefloor music with all kinds of vibes and influences. And many of these musicians find a new home on Toy Tonics records.

2099 is the debut EP of the talented Figi who is on a mission to bring Boogie back to the 21st century. The EP is a clash of time. Taking sounds from the 70's/80's on a trip through space, traveling through wormholes, ending up with bass-driven disco tracks with a strong eighties feel inspired by proto-house. '2099' is recorded using sessions of musicians playing the ideas of the young producer. The entire album has been recorded in separate takes: layer by layer. And as a special guest you'll find San Proper on both vocals and guitar.

Disco Reggae Funk & Punk sensibilities are effortlessly fused in these classic recordings from the undisputed masters of rhythm - Sly & Robbie.

These Compass Point recordings became the bed for some iconic songs, however the backing tracks themselves were missing in action.

Washed up on a distant shore, the original tapes have revealed these previously unheard Instrumentals, showcasing the talents of Shakespeare, Dunbar, Badarou & crew.

Catch these legendary heavyweight grooves on 180g 12" Vinyl Limited Edition EP.

Every once in a while, a record comes along which resonates in a special way, stands the test of time, and brings the same reaction to the dancefloor now as it did all those years ago. 'Groovejet (If This Ain’t Love)' is one of those records, a classic in every sense of the word. Originally released in 2000, Defected are, re-releasing this club essential for new and original fans alike in a special, limited edition deluxe remix reissue.

This unique two vinyl pack comes in full colour gatefold sleeve with augmented reality cover that will come to life once you scan the mask image on your phone accompanied by a four page 12” insert written by Spiller detailing the full story of ‘Groovejet’; from original production, early reactions, chart success and new 2021/22 remixes.

The releases features the original versions plus new mixes Purple Disco Machine & Lorenz Rhode, Riva Star, Breakbot & Irfane and Harvey Sutherland. Exclusive to the vinyl are Riva Starr’s Skylight Mix and the Harvey Sutherland Instrumental version.

Constant Sound offshoot Cardiology's latest boundary-blurring re-edit release comes courtesy of Alexny, an Argentinian rising star who has previously released a wealth of music on all manner of digital-only imprints. He hits the ground running with 'Everybody Get Up', sneakily adding new beats, bass and musical touches to a string-drenched old disco jam, before applying the same house-style approach to a hybrid disco/electrofunk cut on 'Get On The Floor'. Over on side B, 'Give It To Me' is a chunkier and more bass-heavy disco-house bumper, while 'Do It You Got It' is a rolling, filter-sporting revision of a particularly spacey, turn-of-the-80s disco workout.

Second 'Disco Fruit Sampler' release is here. All-star Disco Fruit artists once again : Hotmood, C. Da Afro, Mitiko and Loshmi. Disco Fruit offers up a suitably juicy re-edits, tasty revisions and sun-ripened reworks. As you'd expect, there's plenty to get your teeth into from start to finish.

The label is delighted to welcome Kris Baha with his first 12" for Especial. After killer remixes of Sfire and Red Axes for the label, his name as an artist, with his darker take on dance music, has risen and risen.

With releases on Bahnsteig 23, CockTail d'Amore and Pinkman, Baha has become a respected artist in just a few years. Building analogue equipped studios in Melbourne and Berlin, DJing, producing and mixing have all led to atonal ear, where success came through dedication.

Following his debut album Palais, Barely Alive acts as release from these years of sweat. A call to all in this modern world, the song exemplifies a move from club music to a freedom in sound and song, as vox crash against 808 and Arp 2600. Remixes start with Timothy J Fairplay a name synonymous with Especial. Here TJF laces his trademark echoplexxed wash for a cold wave mover. Next prodigy Job Sifre builds on his acclaimed debuts with a remodel that goes straight to 'that' basement, mixing his love of electro, new wave and industrial. To close, the legend of Das Ding creates a re-alternate remix, fusing his unique fuzz with Baha's ode for a brittle finale.

For many Disco and House music producers and listeners, Leroy Burgess might be one of the most important figures and inspiration, however being clearly quite unknown to the mass. Born and raised in Harlem, his musical knowledge was picked up informally through his mother (a classically trained soprano) and the infrequent family reunion with his mom's cousin, legendary Philly soul arranger/producer Thom Bell. It resulted in a 50 years musical career, which started in the late 60s within the Black Ivory band, under the shoulder of famous producer Patrick Adams. The list of project and artists he’s contributed to whether as a singer, musician, arranger, writer or producer is then incredible: Inner Life, Dazzle, Logg, Aleem, High Frequency, Change, Universal Robot Band, Rick James, Ben E. King, Eddie Kendricks, Narada Michael Walden are just a few of them. His influence to the Disco and Boogie musical movement is quite unequaled, and in the 90s he became also part of the Garage and House movement, ollaborating with acts such as Blaze, Glenn Underground, and Cassius. Since 2016 and a special gig at the festival “Nuits Sonores” in Lyon (France), where he was invited
by MCDE, Leroy Burgess started touring Europe, backed by a band composed of musicians from the French city. He says himself that it’s part of “the best musicians he had the honor to play with live”.
In 2018 at the New Morning in Paris, Pascal Rioux from Favorite Recordings, could confirm this feeling, while he also realized knowing most of these musicians, who collaborated to project from the label such as Mr Day or The Dynamics. There was not much more needed to launch the idea of some Leroy Burgess’ new recordings with the band, reviving the 80s analog production golden-age. Today Favorite Recordings is thrilled to present Work It Out / Til I Found You, new 2 tracks single by Leroy Burgess & Saving Coco, produced and composed by The Bernard Brothers and Bruno “Patchworks” Hovart. The Bernard Brothers is a Paris/London based production duo comprised of Elliott and Nevil Bernard. Elliott (aka Seiji Ono) and Nevil (aka Koji Ono) are also involved in running London reissue label, Melodies International. Bruno “Patchworks” Hovart, is a famous French producer, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres through various projects such as Voilaaa, Mr President, or Uptown Funk Empire to name just a few.

"“Music is a borderless language”
This is our gargantuan motto at Fauve Records.

With this mission statement arose a new project called ? WEST & ? EAST.
Born from the desire to link the world of the West & the East. The idea was to ask two artist/band to collaborate on a split EP, with one original track each and finally to remix each others’ work.

For Volume 1, it is with a humble esteem that we present you to Mameen 3, the duo soFa & Cheb Runner, from Belgium & Morocco face to face with the Indonesian future legend called Dea from Indonesia. We are extremely happy to launch the new series with this extraordinary collection of retro-futuristic club music filled with treasury oddities."