House News

Masterworks Music mastermind 80's Child unleashes the third in his Masterworks compilations. A two-part vinyl release with volume one joining the dots between The Funk District, Oldchap, Dr Packer and Hotmood. Stepping up first, The Funk District harnesses those glamorous grooves into a DJ friendly, uptempo slice of sunshine, sure to make an impression in those peak time sets. Oldchap takes things into deeper territory with a disco house joint filled to the brim with sleazy synthwork, staccato guitars and dreamy percussion coupled with touches of funk vocal brilliance. *Flip it over and Dr Packer dissects some disco gold, re-stitching into a brass led, boogified roof raiser. Closing out part one of Masterworks Vol. 3, Hotmood lovingly loops up a bass riff and tight percussion with reverberated vocal samples to create a bumping floor filler. Hold on for a spiritual synth solo that elevates 'Your Big Chance' into the far reaches of the sonic stratosphere.

Part Four in a series of 12” vinyl EP’s celebrating 30 years of Z Records and the legendary Dave Lee. Featuring sought-after tracks and remixes by, Joey Negro, Horse Meat Disco, The Sunburst Band, Mistura, The Revenge and The Reflex.

First up, Dave Lee joins forces with London's super disco collective, Horse Meat Disco to rework the classic, 'Candidate For Love'. This 2014 debut collaboration for Dave and HMD also features long-time Sunburst Band vocalists Diane Charlemagne and Donna Gardier.

Kendra's original downtempo version of 'Smile' was a monster on the UK soul scene. JN gives it a housed up mix for the A2 with a clear nod to the classic Suburban sound of Musto and Simonelli.

On the B side, South African goddess Letta Mbulu has one of her classics, ‘Kilimanjaro’, reworked by edit royalty The Revenge before The Sunburst Band - The Secret Life of Us gets that magic touch from another standout re-edit wizard The Reflex.

Adeen Records 007 proudly continues to deliver more of the quality music you like. This time, producer Camille (real name Jason Wilkins) teams up with the legendary Chez Damier for a hand picked selection of 70's and 80's hidden Dance ,Funk and Disco gems retouched and edited by Adeen's own Nico Lahs. From one of Chez's selections of Coco Kane, to Camille's Gator Bait, Nico Lahs breathes bouncy party-like vibes into each of the 8 cuts. Whether you know these tracks or not, you'll fall in love with them for the first time, or all over again.

Two massive disco edits from the mysterious new Cheeky Chops label, first up chopping some classic vocal samples over a massive uplifting disco/house tune, then on the B-side a classic house tune given an 80s boogie kind of vibe. Both huge!

Repress

Baris K and Jonny Rock don their incognito aliases for the second Disco Hamam release. Straight up ottoman disco business strictly from the vaults. Killer artwork, killer music. ( Baris Manco, Timur Selcuk, Istanbul Calgicilari etc)

Brooklyn’s Toucan Sounds collabs with Mexico City’s Super Spicy Records to drop the ‘Beginning’ EP from Drop Out Orchestra & Monsieur Van Pratt. Leading the release is floor filler ‘Glitter’, which gets the party started with brightly mixed horns, saxophone flair and deep bass licks, before moving into ‘Feel Great’, with New York R&B artist Shareef Keyes’ vocals sitting atop an effortlessly grooving and sparkling production. Pink Flamingo Rhythm Revue’s baritone sparks joy in ‘Get Busy’, sliding into higher registers in the chorus over a crystal clear funk backdrop. For the final track on the EP, ‘Organ Fett’ drops the vocals for earworm synth leads, organs, and guitar hooks, conjuring images of palm trees and orange sunsets. Drop Out Orchestra rose to prominence in 2008 with a seemingly endless arsenal of bootlegs, re-edits, and covers. Now teaming up with Mexican DJ Monsieur Van Pratt for their first collaboration.

Limited Edit business from Lego Edits.

Split EP of US & UK Garage Sounds with a nod to the R.I.P crew and the U.K garage legend Todd Edwards.

"This second series of Konduko reissues continues with the rare and in demand Street Talk. Noel Williams (aka King Sporty) again shows the breadth of his talent, recording reggae, funk, soul and disco in the space of a few years with groundbreaking results.

Back recording at Miami's legendary Quadradial Studios, alongside master engineer Paul Speck, Williams created a synth-assisted, beat-programmed bomb, adding Jeanette Williams and Betty Wright's vocals and Bert Bailey's (The Ex-tras) blazing guitar, Street Talk heralds the dawn of the computer funk called electro boogie.

The inclusion of Benji "The Mad Bomber" for some South Beach rapping showed Williams' encompassing new music styles that led to his music being heavily sampled and revered at the birth of Miami Bass.

This all comes together and out the other side in the panoramic Discomix by Rune Lindbaek. A legend of the Norwegian sound that has conquered far and wide, Rune is one of the elder statesmen, from setting up his own long standing Drum Island label, to releasing with Noid, Repap and recent edit excursions on Norsk Tripping. His psychedelic dub wonderland is an all-together outer-body experience where vocal and rap soundclash deep, deep in the echo chamber.

For the third volume of compilations curated by confrmed crate diggers, Spacetalk invites you to take a trip to the magical Mediterranean resort of Club Meduse in the company of Beachfreaks Records co-founder Charles Bals.
A creative director, designer and curator by trade, Bals spends the majority of his spare time searching for superb, unknown, small-run music releases made between the 1970s and 1990s. While some of these are made available for other enthusiasts to buy via Beachfreaks' mail-order service, many more make it into
the racks of Bals' private collection. With Club Meduse, Bals is sharing rare, hard-to-fnd and just plain brilliant gems from his personal stash for the very frst time. For Club Meduse, Bals was inspired by countless magic childhood summers spent playing amongst the rocks, beaches and warm seas of the Cote D'Azur. The compilation, then, is a soundtrack to the greatest soft-focus, sunlit teenage summer holiday you've never had, with a gaggle of forgotten musicians and overlooked artists for company.
Take a barefoot stroll from the campsite to the beach with Ara Macao, whose warm and lucid Canyon' is a softly-spun delight, before splashing in the crystal clear waters to the accompaniment of The Clean-Hands Group and their 1984 Balearic blue-eyed soul gems Night Fly' and Shake It On'.As the sun comes down, clamber across the cooling rocks with the tumbling, sun-kissed guitar solos and sparkling analogue synthesizer motifs of The
Keyboys' leisurely Savannah' ringing in your ears, before using the words of Gemini's Take A Chance' - undoubtedly the most Balearic record to emerge from Sweden in the last 50 years - to get firtatious under the moonlight.
Should you fancy a dance down the camp disco, Bals' selections will gently ease you onto the dancefoor and into the gaze of the boy or girl of your dreams. The fuzzy Italo-boogie of the C.V.Q Band's Whatever You Do (Instrumental)' will get you going, while Miss's 1984 French electro gem Hip Hop' should guarantee a
celebratory conclusion to the night's party. No perfect holiday evening is complete without a stolen kiss in a secluded cove, and happily Bals has it covered. Check the seductive, dub-powered Balearic synth-boogie of Gigi Flag's brilliant Nymphomaniac (Instrumental)', the steamy sweetness of Bals' own edit of The One O' Ones Radio Cosmo 101' - possibly the greatest tune recorded to promote an Italian radio station - and the undulating electronic rhythms and exotic synthesizer lines of Eddy La Viny's
overlooked '80s zouk classic Havan' Havac'. Another essential Compilation from Spacetalk records

One of the most succesful songs from the London-based duo third album, "Loving Stereo", now gets its official 12" single release including amazing remixes by Dave Lee and The Blessed Madonna.

A soul-funk studio project for the Italian label S.P.Q.R. (Sound Production Quality Record) featuring vocals by Nathaniel Bush and arranged by Marco Colucci (aka Mark Owen). Comes on a 2020 re-edition of 300 copies!

Red hot Modern Soul 45 recorded in Memphis, Tennessee in 1985. Big thanks to Robert Garcia @mrbighappy & Daniel Mathis @quartzwatches for the research and words on this one!!

Brotherhood Band was started by Ernest Coleman(EC) and Clint Hyson, who met thorough a US Navy band called "Mid-South", which was the US Navy's premier musical organization operating out of Millington, Tennessee (20 min outside of Memphis). The group initially played as an instrumental jazz band. In keeping up with the times, they shifted gears towards a more contemporary sound. Shortly after, they decided to cut a single. Enter "Nicci's Theme", which is the B-side here and it's a beautiful jazz tune EC wrote for a girl he fell in love with. This song was supposed to be his door way in, but he actually never opened the door with her.

A few weeks later Clint called EC and played this syncopated bass line for him over the phone. And then EC being the ladies man that he was wrote the lyrics to "Leather Pants" to it. Part of the lyrics read "The pants they stretch, but they don't bust. Enough to make a blind man cuss", but it originally read as, "The pants they stretch, but they don't bust. Enough to make a PREACHER cuss". The song was ready, but they needed to find a singer. That's when member Richard Owens mentioned that he had a young cat back in Atlanta named Taji. In a gamble Taji drove up to Memphis for the Sunrise recording studio session to record the track. According to EC when Taji laid the vocals down he took the song to the next level. In fact it was so impactful that EC, who is now a Grammy producer, still references Taji's sessions when working with new artist.

After the single dropped the group played at Memphis hot spots, Bills Twilight Lounge and Club No Name. EC even had an idea to host a local leather pants contest as a way to promote the song. This lead to a frenzy of women seeking to be "Miss Leather Pants".

The mighty Gouranga Music have curated this fine remix EP of French live act Dombrance.The haunting Taubira gets the full Prins Thomas Diskomiks treatment - stretched out over 11mins! UK producer Josh Ludlow extends the original for the dancefloor, while regular Gouranga collaborator James Rod takes things down a darker route. Powerfull stuff!

Riot Records deliver an almighty sermon of four gospel disco edits for the first in their 'Take It To Church' series.

Channelling the divine goodness, spiritual choirs and godlike musicality of these choice gospel records, Le Visiteur, The Soup Dragons, Jack Tennis and Alan Dixon rework and rebeef with their own signature touch producing four heavenly, DJ friendly, dancefloor destroyers.

DJ Support:
Unabombers - Dimitri From Paris - Danny Krivit - Craig Charles - Horse Meat Disco - Hifi Sean - Melvo Baptiste

Remixed With Love Volume 3 is the latest edition of what has become the industry-leading disco remix series. No one knows this era of music better than Dave Lee, who under his Joey Negro alias once again turns his impeccable hand to some of the best-loved records ever committed to wax.

“I can clearly remember in the 80s having fantasies about being a remixer and dreaming of tweaking my favourite songs and re-releasing them. I really never thought it would happen. The days when I receive the parts for some of these classic recordings are literally a dream come true.” – Dave Lee

Remixed With Love Volume 3 has been a real labour of love, and a release several years in the making. With original parts for some of these classics hard to find, and with major labels rightly protective of songs created by legendary artists, it is a testament to both the perseverance of Lee and the esteem in which he is held as a remixer that the project was ever completed. Luckily for us though, here we are: Remixed With Love Volume 3 is done, dusted and ready to deliver a healthy dose of joy to us all.

As with previous volumes, Lee has put his own inimitable spin on more than a dozen seminal records, with The Fatback Band, Patti LaBelle, Evelyn “Champagne” King, Odyssey and many more vying for attention across a stunning three part gatefold double vinyl, double CD and digital release.

As you’d expect from an artist of Lee’s calibre, he’s taken the task extremely seriously. “Some songs I’ve wanted to get access to the multi for ages turn out to be far less straight forward than I imagined. You know it’s a great track, but unlocking the key to doing a

worthwhile new version doesn’t always come easy. To make more of a feature of one element sometimes means there has to be less of something else. There are many decisions to be made, lived with, revised, maybe reversed until finally your gut tells you it’s about right.”

There are very few producers with either the confident or ability to take on records of this heritage, but Dave Lee has once again proved that when it comes to sensitive re-workings of disco staples, he’s in a league of his own.

Released back in 2016, Remixed With Love Volume 2 included exclusive reworks of classic soul and disco records all from the original master tapes, with the collection going on to be Traxsource’s best-selling of 2016, reaching top 30 on iTunes album chart, and also being named DJ Mag’s compilation of the year.

All the remixes here are 100% new and exclusive to the compilation, making Remixed With Love Volume 3 an essential purchase for any serious disco devotee.

“Judging from comments and suggestions I get from people online thankfully there is still a large appetite for re-workings of 70/80s material, something you can’t bank on when you embark on the project. I hope you enjoy the music.

Remixed With Love Volume 3 is the latest edition of what has become the industry-leading disco remix series. No one knows this era of music better than Dave Lee, who under his Joey Negro alias once again turns his impeccable hand to some of the best-loved records ever committed to wax.

“I can clearly remember in the 80s having fantasies about being a remixer and dreaming of tweaking my favourite songs and re-releasing them. I really never thought it would happen. The days when I receive the parts for some of these classic recordings are literally a dream come true.” – Dave Lee

Remixed With Love Volume 3 has been a real labour of love, and a release several years in the making. With original parts for some of these classics hard to find, and with major labels rightly protective of songs created by legendary artists, it is a testament to both the perseverance of Lee and the esteem in which he is held as a remixer that the project was ever completed. Luckily for us though, here we are: Remixed With Love Volume 3 is done, dusted and ready to deliver a healthy dose of joy to us all.

As with previous volumes, Lee has put his own inimitable spin on more than a dozen seminal records, with The Fatback Band, Patti LaBelle, Evelyn “Champagne” King, Odyssey and many more vying for attention across a stunning three part gatefold double vinyl, double CD and digital release.

As you’d expect from an artist of Lee’s calibre, he’s taken the task extremely seriously. “Some songs I’ve wanted to get access to the multi for ages turn out to be far less straight forward than I imagined. You know it’s a great track, but unlocking the key to doing a

worthwhile new version doesn’t always come easy. To make more of a feature of one element sometimes means there has to be less of something else. There are many decisions to be made, lived with, revised, maybe reversed until finally your gut tells you it’s about right.”

There are very few producers with either the confident or ability to take on records of this heritage, but Dave Lee has once again proved that when it comes to sensitive re-workings of disco staples, he’s in a league of his own.

Released back in 2016, Remixed With Love Volume 2 included exclusive reworks of classic soul and disco records all from the original master tapes, with the collection going on to be Traxsource’s best-selling of 2016, reaching top 30 on iTunes album chart, and also being named DJ Mag’s compilation of the year.

All the remixes here are 100% new and exclusive to the compilation, making Remixed With Love Volume 3 an essential purchase for any serious disco devotee.

“Judging from comments and suggestions I get from people online thankfully there is still a large appetite for re-workings of 70/80s material, something you can’t bank on when you embark on the project. I hope you enjoy the music.

If you start with a tune like Keep On Movin’, more a national treasure than simply a classic, you really have to do something special with the remix. As you’d expect from the team that brought you the original song back in 1989, Funki Dred Records have revisited their triumph in four unique mixes the bring it right up to date, while celebrating the legacy it left and the heritage that surrounded it.

The Zepherin Saint Go-Go mix has all the pulsating rhythm of that DC vibe, but cushioned with horns and keyboards for an almost orchestral, very Soul II Soul street-meets-sophistication arrangement – if they start making blaxploitation films in again, this is where you’d look to find a theme song.Booker T takes a very different approach, as the urgency of the vocal pushes the tempo yet never gets too frantic as the whole thing is anchored by a trancey reading of the original’s melody, which keeps feet on the ground while making them move. The Satta Dub Mix is a dub masterclass that doesn’t simply strip the elements out, but opens the tune up with the precision of a scalpel to reveal the intricate layers of the melody lines and how the rhythm was stacked beats and chords to create patterns you just can’t ignore with enough bounce and echoing dub technique to keep everybody on their toes. The Salsa Mix, however, is the most exciting and will be a joy for not just Soul II Soul fans, but anyone who appreciates music with a no limits approach. North London meet South America in a explosion of salsa swing and Funki Dred beats, that brings the best out of each - there’s even a flamenco guitar and talking drums.

While this Latin-flavoured mash-up is the epitome of Jazzie B and Soul II Soul’s 40-year history of making moves other people might not have dreamed of, all four of these remixes celebrate daring but meticulous approach to everything they did. And it’s this attention to detail as they reapproach one of Soul II Soul’s finest moments, that ensures each of these tunes lives up to the famous motto “A happy face, a thumpin’ bass, for a lovin’ race”

The King Of Nothing is back - this time offering this sublime limited 7" selection featuring 2 dynamite mystery reworks for the discerning DJ.
On the A-side - 'Messin'- our minds are being messed with in the most funky way with a serious mid tempo dubby stepper showcasing some heavyweight grooves all over the map, most definitely one for the dancers. The B-side - 'Stop (Rock The House)' - steps up the pace a little with some straight up disco leaning badness - watch out for those killer key stabs and the breakdown, the breakdown is mean! This one's a sureshot party starter. Old school business.

As always, these jams have been respectfully remixed by Kon from source, and the sonics are top notch. Blink and you'll miss it!

A follow-up of sorts to Messengers Incorporated's Soulful Proclamation, LA Will Make You Pay by Burton Inc. featured core members Charles and Barbara Burton of both groups, and is a shining example of the modern soul and disco that pulsed through the Oklahoma underground. Moving away from the psych-infused heavy funk jams of Soulful Proclamation, these eight tracks gave Barbara Burton's vocals the spotlight with heart-tugging soul ballads, sun-soaked horns and bass grooves. Originally released independently in 1976, P-VINE is delighted to reissue the album on limited-edition vinyl with an iconic Japanese obi strip included.

Two slammin’ cuts of garage house from label boss Marc Cotterell & Danny J Lewis.

Warehouse find!

Nr 9 in the series comes with the driving, bass led edit from Cerrone's 'Striptease' on the A side and the easier Ralph McDonald 'Play Pen' track on the flip. Tip!!

Côco Do Macaco is the second Maxi Single of the Golden Records series from upcoming album by Sócrates E As Garotas, 40 years after the monkey party album. La Matta Records tries to bring you back into the world of Brazilian jazz/funk rhythm, adding an increiblde extended mix and a disco flue version for the club. This track is packed with high spirit, contagious happiness and contains and excellent production, also thanks to the participation of Orlandivo and Lincold Olivetti. An all-time classis on dancefloors!

Born from the friendship between Luke Solomon and Derrick Carter, Classic is above all else a family label. Creating a platform for artists to satisfy their artistic intentions with left-of-centre house creations, this release sees Classic return to its vinyl-only beginnings for Volume VIII of its 12” Label Sampler series. Kicking off the A-side, Classic co-founder Luke Solomon, Amy Douglas & Queen Rose deliver ‘Love. Hope. Happiness’, a joyous boogie-filled track destined to uplift listeners. Jansons’ ‘Less Ordinary’ follows featuring Liz Cass’ uniquely hypnotic vocal, with a devilishly deep bassline providing boundless dancefloor appeal. On the flip, Scotsman Austin Ato’s groove filled track ‘Heat’ opens, featuring choppy guitar riffs and a soulful vocal, this record radiates good energy. Wrapping up the sampler is Jaden Thompson’s ‘To The Light’ with warm synths and a gloriously deep bassline sure to captivate its listeners. This sampler is the perfect dose of Classic’s signature grooves that are always full of character, and with all tracks previously unavailable on 12” is not one to be missed.

Family Of Swede hail from Oakland, California and were originally formed at whilst in High School in the mid 1960s. They were originally known as The Epics and released one single 'We Are Made As One' on Bridge Town Records. It was during the 1970s that the band decided to change their name to Family Of Swede because the leader of the group was Swede McDaniel. Under the name of Family Of Swede the released one single on Butter Fields with the uptempo 'Everybody Must Pay' and the ballad 'I Got To Move On'. They band had recorded an album called 'Family Album' during this period but it was never released at the time, until now that is. We've also included on the label some later recordings from the early 80s with different takes of 'Sad Lonely Feeling', 'Living From Day To Day' and 'Set You Free.' The CD version comes with the monumental full length 11 minute 50 seconds version of 'Set You Free,' which has been supported by Gilles Peterson on his BBC radio show. 'Family Album' is a collection of beautiful and timeless songs which should now deserve the acclaim that they deserve.

Róisín Murphy releases a supersized double-A side 12” with two bumpy disco-laced revisions by none other than The Reflex. The fantastic original versions of the songs ‘Incapable’ and ‘Narcissus’ appeared on 2020’s hugely successful and critically acclaimed LP “Róisín Machine”.

These comes hot on the heels of “Crooked Machine”, a divine reinterpretation of the aforementioned “Róisín Machine” by long-time collaborator Crooked Man aka DJ Parrot, and a fabulous appearance with Honey Dijon at Glastonbury’s Live Stream this weekend just gone.

2020’s “Róisín Machine”, was Murphy’s first full-length project since 2015’s Mercury Nominated “Hairless Toys” and 2016’s equally revered “Take Her Up To Monto” and perhaps her best yet, if the adulatory reviews are anything to go by. The likes of Guardian and the Independent garlanded the record with Album of the Week sobriquets, while Metro, The Arts Desk, Daily Star and NME gave it a full 5 stars and everyone from Uncut to Classic Pop to Evening Standard giving breathless 4 star reviews. “Roisin Machine” was universally recognised as one of the albums of the year.

Sandy Grooves Vol.1 is the debut compilation release from Boogie Bodega, a newly formed label based in Bali set up by Mexican Disco wizard Sould Out. Comprising of some of the most sought-after producers within the Disco & Edits scene of the last years, Sandy Grooves vol.1 tickles all the Disco senses with something for everyone. From laid back Balearic inspired incarnation to a more uptempo dance floor heaters, this comp focuses on the full spectrum of the Disco & Funk arena.

Opening things up, “Easy Way To Groove'' could not have a better title for the music to match, it's a definite “does what it says on the tin” kind of vibe. Hotmood works his magic once again with this bass led stomper, tidy guitar licks and cinematic string section that’s sure to get butts off seats and wiggling

Stepping up next, New York’s Razor N Tape boss JKriv fires off with his atmospheric builder “Sunshine”; a slice of filtered, loopy Disco House goodness with progressive percussive elements.

On the B side, Disco Deviance Pete Herbert & Dicky Trisco compliment the more downtempo offering of this selection with a dubbed-out guitar laden trance inducing gem that is sure to spin a few heads. Following that, Igor Gonya’s “Habibidisco” holds its place as a romantic vocal Disco funk journey through Arabia with plenty of energy - another one for the dancefloor crew.

Finally, “Keep You Burning” by Clean Is Good is a mid-tempo swinger that’s sure to heat up the listeners ears. Sleek, smooth vocals, classic disco beat and undeniable funky guitar - I dare you not to groove to this one!

Getting back into the swing of things, Innermoods starts to ramp up again with another release from Toronto house legend Abacus (known for some great releases on Prescription and Guidance).

A deep floor filler ready to help us all get back to partyin' again! 1-sided, hand stamped white label.

Barefoot Beats dig deep and deliver a well-balanced package of Brazilian delights via two rising stars of the scene Elado and Bernardo Pinhiero.

Elado kicks things off with a highly infectious sing-a-long boogie affair that is guaranteed to get those hands in the air.

While on the flip, Pinheiro's more wonky, heads down disco beast is perfect for when you really want to feel the heat.

Tudo magia.

Cloud’s sought after Brit-Funk classic ‘All Night Long’ remixed by Ge-Ology from the original studio tapes for a two-track 12” featuring main and extended dub versions. Originally released in 1980 as a white label single, Cloud’s debut has since become a sought-after UK classic that has been re-visited to create another dance floor gem.

Legit vinyl re issue of Kerri Chandlers 1996's seminal 'Trionisphere EP Part 1' on NYC's King Street Sounds.

This is a discogs holy grail but this newly re mastered version will sound better than anything else! Pressed with original 1996 artwork.

Expect many more King Street Sounds re issues in the pipeline...

And in other news...those bad ass rodents are back with another batch of cut 'n paste unclassics for the discerning disc jockeys out there.
Packed full of sleaze and with max potential for body popping moves, the only bombs these bushy-tailed bad boys drop are on the dance floor.

The Disco Express rolls into town once again with this four track EP of disco and house delights.

First stop, 'Sugar Rush', a buoyant, synth track tipping its hat to 90’s house identities. Featuring powerful diva vocals, rolling drums and a fun bouncing bass line, Sugar Rush is exactly what it says on the tin, a sudden rush of energy full of drive and sweetness.

Next up, 'Marble City' is a thumping house track packed with catchy guitars, grooving live bass and gorgeous synth hooks. Altogether they create a ready made, dance floor banger, full of urgency and enthusiasm.

On the B side, featuring the stunning vocals of Venessa Jackson and 'Special K' on guitar, 'Blue Diamond' is a concoction of disco, house and gospel; an original dance music experience, made with gusto.

Neatly tying together the Iridescence EP is 'Kobala'. A breakbeat number full of chilled percussive grooves, a jaw-dropping sub bass and spine tingling strings.

Geraldine Hunt's 1980 classic "Cant Fake The Feeling" gets the remix treatment from none other than Carl Cox. Featuring 2 new mixes from Carl plus the original and the highly useful dub.

"Can't Fake The Feeling" held the #1 spot of the Billboard Dance chart for several weeks in 1980 and sounds as fresh as ever... Carl Cox needs no introduction with a career dating 4 decades and still going strong. Oh yes.

Promo's, edits, mega-mixes, the record pools, white labels, acetates, reel to reels. All of the above were the weapons of choice for the disc jockey's of yesteryear, utilising these tools helped various luminaries pave the way for where we are today on the modern dance-floor.

Those 'secret' mixes, 'private' versions and edits of the hottest Disco jams that only the select few had access to could make or break a DJ's reputation in the clubs and on the streets. It is within this world that the For Discos Only label operates, sourcing the finest underground edits and mixes for the Discotheques. We carefully hand pick and dig for obscure or forgotten versions of the best tracks that may have been previously out of reach for the majority, inviting the hottest editors and mixers to open up their archives and share their secret weapons with us all via the medium of the 12" record.

Our second offering pulls together 2 of THE biggest edits from the last 20 or so years, so big in fact that they are regarded as classics of the genre. 2 absolute monsters that now fetch tidy sums in their original forms. That's right, we've asked the mighty Revenge to give us their versions of BOTH Hot Chocolate's 'Heaven's In The Back-Seat Of My Cadillac' AND Gwen McCrae's 'Keep The Fire Burning' and they agreed! We then cleared both of these versions to be released on FDO with the license owners and catalogue controllers, had them remastered and pressed onto a high quality 12" for your maximum playback, dancefloor pleasure. This is one essential 12" for any serious lovers of the Boogie, Funk, Soul and Disco underground, boasting 2 of the largest reworkings to ever come out of bonnie Scotland. Do not sleep on this!These versions are designed to remind the dance-floor of where we came from musically in a respectful, modern fashion. Giving a nod to the pioneers who came before us in the DJ booth. Absolutely essential tracks for the late night dancers. All mixes are 100% legit, licensed and sanctioned. For Discos Only is a BOOTLEG FREE zone. Too legit to quit. Artwork by Remastered by Optimum Mastering, Bristol UK.

2019. In het holst van een ijskoude winternacht werd hij wakker in zijn bed en kreeg een paniekaanval. Hij wist niet goed wat hem precies overkwam, maar strompelde naar beneden, schonk zichzelf een glas wijn in en schreef het nummer "Zoeken Naar Mezelf". Enkele dagen later nam hij middels de zelfontspanner op zijn camera in het weiland om de hoek de bijhorende videoclip op. Ziedaar het ontstaan van de onnavolgbare uitdrijving der demonen in liedjesvorm genaamd Willy Organ, een homerecording DIY-artiest pur sang. Soms verschenen er meerdere nummers op 1 maand. Er was geen concreet plan of doel, enkel de urgente innerlijke noodzaak om te schrijven. Vrij snel werd zijn aanstekelijke muziek opgepikt door vogels van diverse pluimage. Jonge kunststudenten op zoek naar zichzelf, mannen van middelbare leeftijd verwikkeld in een vechtscheiding alsook de maitresses van diezelfde mannen leken zich te kunnen identificeren met zijn naar catchy beats vertaalde diepzinnige, poetische teksten. Inhoudelijk gaan hard realisme en absurditeit hand in hand, maar ook de muziek en bijhorende videoclips manifesteren zich in een spagaat tussen schoonheid en lelijkheid, humor en bittere ernst, verdriet en euforie. Hij laat zich inspireren door velerlei muziekgenres, ja, ook door wat sommige onverlaten zouden omschrijven als 'foute' muziek (als bestond er zoiets als 'juiste' muziek). Het betreft hier een zoektocht naar dat oergevoel van hoe een kind muziek beleeft, onbevlekt, zonder zich de vraag te stellen: "Is dit wel 'cool' genoeg?"

Willy Organ steekt als Jonge Plant net zijn hoofd boven het maaiveld en deze plaat verzamelt het beste van wat hij in 1 jaar bij elkaar schreef.