House Новости

More Late 70s/early 80s Westcoast Yachtpop you can almost dance to!
Buoyed by the incredible love felt for TSTD Vol. 1 in summer 2014, Berlin's renowned pop archaeologist, that master musical excavator DJ Super-markt, has leapt straight back into the soft-top and been out digging for the lost gems you'll find here on Volume 2. This is another perfect collection of missing-in-action, late-70s/early-80s smooth, singer/songwriter, AOR-paced, yacht-based pop and blue-eyed soul. Every song brims over with that West Coast sunshine, and for Volume 2 we've dug even deeper into obscure corners of LA, London, even Cologne, to create an even more potent soundtrack to that lost world that's somehow always with us. So join us on another sunset trip as we soundtrack summer 2015 in the company of these lost luminaries. Bask in every detail of that glorious over-production, and recall an era when the music industry had the time, money and sheer musical talent to make everything BIG. Pay no mind to the cynics, the cooler-than-thou-erati, or the buzz kills of the sincerity police. These are big tunes that deserve to be hits, even if it's taken 40 years to get there, driving slowly up that winding California coast road in the wonderful warm summer air.

Rocksteady Disco returns with a remix record for the first time since 2018, with new versions from Igor B, Blair French, Dazzle Drums, and Eddie Logix. The whole EP takes heavy inspiration from Pan-African sounds, with Ontario-based Igor B leading the release with a drum and sub bass heavy dance floor reimagining of Moonlighter’s iconic “Give Us Rain (Ah Mila)”. Blair French picks up where Igor left off, channeling his inner King Sunny Ade for his remix of Sol Power All-Star’s “Every Time You Move”. He taps in Jazzanova’s Paul Randolph for electric bass duties, dubs out Frank Martin’s (Elcados, Shina Peters, Tyna Onwudiwem, and many more) guitar, and extends DC-based Besufekad Tadesse’s baritone sax solo for afro dance floor bliss. The flip side goes even deeper, with Tokyo-based Dazzle Drums giving Eddie Logix’s “Sunday Palaver” the hi-fi Afro Tech treatment, perfect for those dingy after hours parties. The release closes with Eddie Logix’s reinterpretation of Nois Land’s cult classic “Big Kahuna”, reimagining it in a balearic-esque disco-not-disco mid-tempo stomper that highlights Peter Croce’s electric guitar performance.

finally repressed!

The Detroit - Berlin Connection!

If Samosa Records combining with Dirtyelements & Drunkdrivers sounds like a match made in heaven, then here’s the proof. Samosa Records bangs down the door of 2021 with an absolute peach of an EP from the supremely talented Tuscany based trio - Dirtyelements & Drunkdrivers.

This latest gem from the Samosa juggernaut features four tracks that ooze with sumptuous disco and funk fudge, sprinkled with a secret ingredient known only to these Italian masters.

First up is Baby: “How’s everybody feeling?” is the question asked. The twisted disco bass line, perfectly filtered brass and stomping beat provide the perfect answer. Then the vocal. Oh my - the vocal. It lands like the first ice-cold beer on a scorching hot day; guitars kick in with the swirling brass ensemble and this groovy train is suddenly at full steam. The melody and tight production are in perfect harmony - it hits you like an aural pleasure ray-gun that stuns the senses. DJs will drop this one on the crowd cold. No warnings given.

Next is Disco Ball (Feat. E.M.A.) - from the get-go this is a Class-A funky and chunky number. The ethereal voice samples lure you to a smoke-filled dance floor with a disco slapping bass, a stupendously uplifting brass fanfare and mesmeric three-string guitar riff - wrapping you in a hot, musical tortilla. A breakdown full of mono synth stabs and soft electric piano flakes are added to the recipe; building to a crescendo stuffed with brass, funky bass, wah-wah pedals and a wickedly soaring guitar solo. A serious dance-floor mega-bomb that shatters the glitter ball and makes the hairs stand on end.

Leading on the flip-side is the EP’s title track, Never Give Up (De Gama Re-Built). Low frequency beats kick things off as the claps tantalise. Subliminal guitar licks motor into delicious electric piano stabs. Then the sax. THE sax. It’s all about the sax.

The whole groove flows majestically, combining subtle and complex key changes - this has De Gama’s deft touch all over it and the combination is glorious. A track that truly evokes memories of smoke-filled clubs calling you; powerful bass unites with a heaped serving of cowbell and then the wonderful soaring vocal takes over. This is a solid-as-stone cut; everything fits together, everything makes perfect sense. The message is “You have to dance. You have to lose yourself”. This will be a massive DJ favourite to get juices flowing.

The final track is Do It Funk: Swinging and intoxicating - this is raw, punchy and demands your attention from the first beat. The soul and funk vibes slip this into cruise control and it’s one hell of a ride, with a sensually wicked sax melody playing across guitar licks and beat-skips. A track that showcases this trio’s diversity in their production skills and taste, and a perfect cake-topper for what is sure to be a classic EP.

This EP will be a must-have for those who are serious about the groove. A super-strong start to the year from Samosa - a label that only knows one direction. Upwards.

repressed !

After continuous requests for the edit of Alicia Myers' I Want To Thank You, Earls BOOOM!!! Edits will finally see the light of day on wax. It will also consist of 3 extra Reworks of heat from yesteryear, specifically designed for the dancefloor

Los Angeles disco producer LUXXURY's Be Good 2 Me 12" kicks off with the title track, a muscular, bass guitar-powered song (as heard in Forza Horizon 4 for XBOX). Evoking that 1979 moment where rock bands like Kiss and The Rolling Stones made their token 'disco song,' the tune was inspired by the melodic punk basslines of The Clash's 'The Magnificent Seven' and Hot Chocolate's 'Every 1's A Winner. "I Need You" (8.5, DJ Magazine) is an honest-to-god love song featuring funked-up bass from Fitz' and the Tantrums' Joe Karnes, while "Feel the Night" (as featured on Hedkandi Beach House, Toolroom's Poolside Ibiza and more) is a rubbery dancefloor destroyer just begging for falsetto sing-along. 'I wanna be EVERYTHING' is an unabashed love letter to 70's dancefloor culture audaciously recalling the sexual hysteria of peak time Studio 54: Loleatta Holloway, Chaka Khan and all four Gibb brothers rolled into one.

Strangely Enough is the long awaited label project from Matthias Meyer. As an artist Meyer is renown for his storied, emotion laden DJ sets, regularly linking multiple genres with considerable aplomb. His new moniker is an effort to transmit this recognisable style to his musical productions. From deep house to breakbeat,
Meyer will indulge his varied tastes all the while keeping it under the umbrella of his distinguished style.
The label kicks off with two original productions from Matthias himself, Strangely Enough and Fantazy.
The title track Strangely Enough is a quintessential Matthias Meyer effort. Combining a dark, vibrant groove with haunting vocal snippets, it perfectly encapsulates his mission for the new imprint. As a composition, it sits in that indefinable space between the dance floor and the after party, a powerful weapon in the right hands.
Fantazy, the B side of the EP, follows no fixed form. It is a jaunt from breaks to driving house with an emotive breakdown which prompts thoughts of escapism from the structures of modern music. It is often remarked that fantasy is the creative measure of a man, and in this cause that assertion runs true, with
Meyer showcasing his wide musical palate.

500, 12" 180g, hand stamped, individually numbered records, single press only.

For the 5th release the South Italian Label adds a touch of Jazz to the catalogue with The Rhythm Slaves . Real name Richard Gow, historical and devoted Jazz Musician of the mid 90’s, steps up into the Theory Of Swing team delivering a great collection of 5 beautiful pieces of total musical pleasure.

The Louisville space-cadets, Cosmic Incantations, return with coded messages and heat-signals from far, far, away. Partner Music leads the way with ‘Lena’ a tactile euro-disco thermal-detonator. Four One Five is back folding space, reminding you that the downtempo must flow on ‘RBHA’. Finally The Jambonies reassemble with the help of ‘Pulses N’ Proteins’ a monster made entirely of foliage from a tropical planet!

What's crunchy, sweet and simply delicious? Right, it's the new "Disco Biscuits" series on Luv Shack
Records! Volume one features four club-ready, no nonsense dance tracks, all tied together by a touch of 80ies nostalgia.

On the A side we hear Endrik Schroeder laying the foundation with a modern italo banger by the name of "Heather", followed by Jakobins synthpop-house hybrid "See Me Through". The B side features "Tonight", Lee Stevens' definitive homage to mid 80s John Carpenter soundtracks, and ROTCIV´s foray into proto-house psychedelia "Hypnolove".

More heat from OTE on their fifth release featuring reworks of two highly sought after afro gems. TIP!

Uk`s finest vaccine. Works in any way.

Following the collaborative releases with DJ Duckcomb, Emotional Rescue teams with “discodub” specialist NAD aka Dan Tyler (Idjut Boys) in the continual documentation of the crucial role played by the Caribbean diaspora in Britain’s music history.

Of the many who have made a mark, Clifton “Sonny” Roberts maybe one of the most unheralded. Upon arrival in the early migration from the Caribbean, Roberts used his carpentry vocation to build and operate the first Jamaican recording studio and then black owned record shop in the country.

Working alongside and sharing offices with a young Chris Blackwell and Trojan founder, Lee Gopthal, Roberts’ trailblazing through his Planetone and Orbitone labels were pivotal in bringing first Ska, then Reggae and on to Lovers Rock to prominence, as well as releasing influential Afrobeat and rising Disco sounds of the day.

It is on the sub-label Cartridge that the mega-rarity I Want You appeared in summer 1982. Teaming up with vocalist Joseph “Remy” Martin, the original 12” is a wonderful mixture of all their influences; soulful vocals, unrelenting boogie groove, afro keys, all pinned by reggae bass.

A heavily saturated Discomix is then created by Dan Tyler aka NAD. A dub masterclass with live desk filter passes and flanging, all running through spring reverb for a true Tubby disco-rockers ride, this is a sound system treasure with more to follow soon.

Here we are at the dawn of a new compilation series and we’re kicking things off with an absolute gem that features a selection of hard-to-find records (some impossible to find) and some that have been hiding in plain sight all along. They all share common qualities, being that they are beautiful, soul quenched songs that sing of love, peace and unity.

‘With Love: Volume 1’ has been compiled by Miche and presents a curated selection of rare Brazilian, gospel, modern soul and jazz-fusion fire. We have Brazilian rarities by Alcione and Quientaessencia, UFO gospel by Keith Chism & Light, the jazz-funk/AOR sounds of City Lites taken from a Radio Station album, and the anthemic feel-good emotional soul of Belita Woods to name but a few.

Tracking down artists and musicians from the past is an art form. Like a seagull swooping for treats, sometimes the prizes are easily found, and at other times, it’s the result of very late nights trolling through Facebook profiles, message boards, hitting dead ends and following red herrings, and yet still the search goes on. This compilation is a true labour of love with all the artists tracked down and licensed by Miche. It has long been an ambition of the London based musical connoisseur to compile an album, and like anything that requires craft, care, and knowledge - it takes time. There are many twists and turns in the hunt for those records that make your jaw drop.

In 2018, when just 24, Miche became a music programmer for London’s illustrious Spiritland group of venues. From this musical sanctuary, he was able to listen, learn and meet some of the best selectors from around the world. It was a musical education, and he was particularly drawn to the deep sessions by DJs such as Mark Taylor, George Arthur, Kev Beadle, Patrick Forge, Dr. Bob Jones, and Colin Curtis to name a few. He also used this time to begin running his re-issue label Discs of Fun and Love with co-owner and friend Frederika.

Sometimes the cynical knock compilations, there is certain snobbery amongst some about the original pressing, but music shouldn't just be about lucky collectors giving over large sums of money to record dealers. It's also about a bridge to the past, a celebration of the legacy of somebody’s art, and a second chance for initially overlooked work to shine. As with all the best compilations, it has been compiled with love…

Set those filters to stun and get the glitterball rotating, because Italy's Giuseppe Scarano is back with some serious glitzy disco gear on his Cardiology label. 'BEK Again' boasts a hefty house undercarriage on which the brass, handclaps and funk are transported, a Jackson-esque vocal hook proving to be the cherry on top. 'Remember Da Name' and 'Know About Me' are a little sparser, with a garage beat not a million miles from some of Van Helden or Roger Sanchez's late 90s work, the musical gloriousness squashed down by filters until it's finally allowed to peak and soar. 'New Funk' completes the four track package, a tad slower and funkier with a sublimely wriggling bassline the central factor.

There’s a rumour going round that the boys of Hard Drive Library were pulled out of traffic by the sample police. However a limited number of their next record is in circulation. More cheeky sampling than ever before, the third issue comes with four peak time disco reworks - one hotter than the other. Some people might say too hot. Grab your copy before they are gone forever.

Burner! Massive! Wird Bereits Von Solomun, Trikk, Musumeci, Lehar U.a. In Jedem Ihrer Sets Gespielt. Hier Kommt Die Erste Maxiauskopplung Aus Mr Raoul K's Album 'african Paradigm'. Und Was Für Eine! Die A-seite Birgt Einen Killertrack, Dunkel Aber Schimmernd Schön. Ein Wirbelndes Pad Und Treibende Beats Führen Den Tack Erst In Eine Dunkelheit Und Dann Geht Die Sonne Auf, Wenn Sona Diabate's Stimme Reinkommt. Ihr Kraftvoller Gesang Flutet Licht Über Alle Schatten Und Der Track Schafft Den Spagat Zwischen: 'putting You In A Trance' Und 'raise Your Hands In The Air'. Eleganz Und Energie. Auf Der B-seite: Der Kaito Remix 'african Paradigm', Eine Zwölf-minuten Freigeistige Glückseligkeit Mit Einem Unwiderstehlichen Groove. Das Ist Mr Raoul K's Trademark: Organische Sounds, Traditionelle Instrumente Der Elfenbeinküste, Und Funkelnde Soundlandschaften - Wundervoll Geschmückt Mit Mysteriösen Vocals.

The Neapolis label brings us two slices of sun drenched house with a distinctly European feel and a dubby twist, as Partenopes from Naples offer up the beach ready 'Nella' before Craig Bratley takes the track and turns it on its head. His remix is a slow burning acid affair set to leisurely, breezy hip-hop beats, tailor made for that hour when the sun goes down and the tempo goes up. Magical.

"“Music is a borderless language”
This is our gargantuan motto at Fauve Records.

With this mission statement arose a new project called ? WEST & ? EAST.
Born from the desire to link the world of the West & the East. The idea was to ask two artist/band from opposite ends of the world to collaborate on a split EP, with one original track each and finally to remix each others’ work.

For Volume 2, it is with a honour that we present you to the Russian duo Radial Gaze en tête-à-tête with the Japanese Sensei crew called Que Sakamoto+NT. The second edition is filled with sleek baselines and gloomy atmospheres to make dance-floors sweat."

Guesthouse Music is ecstatic to welcome the ultra-talented, chart-topping Joey Youngman back to the realm of classic house music with two officel remixese of Bobby D'Ambrosio's So Thankful, And Elevate Me. These stunning remixs, Youngman's first house productions in more than a decade, demonstrates with absolute clarity Youngman's roots in and love of the house music genre. As an added bonus we've got two more tracks from Peter Brown and label boss DJ Mes.

Edits Collection debut release with Detroit based Peter Croce (Razor N Tape, Rocksteady Disco).

(incl Demuir remix)

For our second release we are thrilled to have Toronto House legend Jason Hodges on Purveyor Underground Limited! We have re issued 3 timless tracks from Jason's vast catalog and enlisted label boss DEMUIR to remix the title track! Enjoy our second release!!

Vega Records is proud to present its newest release “Time To Let Go” with Mike Lindup, singer, keyboard player composer and founder member of the legendary band Level 42. Formed in 1980 with Mark King, Phil and Boon Gould, the band has sold over 30 million albums and still performing worldwide. Mike Lindup has performed onstage with many artists including George Harrison, Eric Clapton, Ringo Star, Sting, and more. Even on theater stages in London’s West End, Mike Lindup has played on shows Thriller Live, Let It Be, and has completed four tours on the Thriller Live tour production, twice as Musical Director. “Time To Let Go” is taken from the new Mike Lindup album “Changes 2” with smokin’ remixes by Two Soul Fusion AKA Louie Vega & Josh Milan. The Remixers deliver two versions, one taking you to the soul house funky grooves of Two Soul Fusion and the other catapulting you into the world of Afro House. It’s all about Mike Lindup’s unique voice and his powerful, brilliant lyrics that make a huge statement well needed in the world today. Grooves to make you dance are no problem for Two Soul Fusion but when you have award winning lyrics its a whole other level here. The man who sang the lead vocal on New York City’s favorite dance club culture classic “Starchild” by Level 42 has now blessed Vega Records with the new gem “Time To Let Go”.

Vol. 4 of Pandemix Live Jams is kicking of with „Tides“, a broken beat homage to the early 90s. Deep swelling chords, a subby bassline and soulful vocal snippets come together to create a unique retro-futuristic melange. A2 „Freedom From The Mask“ deals with the deprivations caused by the pandemic. Another moody broken beat track with a tinge of Indie vibes enhanced by the return of some guitar. A programmatic center piece of the Pandemix series. The rst
track on Side B „The Golden Pudelizer“ featuring Rüftata110 is a more uplifting and happy tune. Ralf Köster aka Rüftata110 sets the tone by describing his job on a regular MFOC Sunday at the famous Golden Pudel in Hamburg. „I play music, do the door and the bar“. The sample is used courtesy of Benjamin Brunn. References form Global
Communications, to guitar infused Disco, Soul and 80s Boogie’s big singalong basslines are present. B2 „noqqiN“ is somewhat of a bonus track, as it was not part of the original series of Move D’s Pandemix Live Jams. It rounds off this colorful and hard to categorize 12“ with a downtempo Electronic Funk stomper. Overall, Pandemix Live Jams Vol. 4 is a journey into more Lefteld material. The Common factor
is David’s unique signature sound dened by a softer and more melancholic, yet funky, psychedelic and elegant approach to music which he draws from all kinds of personal inuences and his long DJ life.

Initially slated for release in 2019, in the innocent days before the pandemic, the debut release from new label Crudo Ricordi is finally ready for the streets.

Three formidable edits from Beard In Dust (AKA Lipelis), all aimed at peaktime dancefloor action.

The title track “Señor Paraíso” might sound familiar to some hardcore Italo fans, but this pumped up and extended version hits much harder in the club. The two b-side tracks “Kirkorovmoroder” and “Coconut Paradise” could be recognised by only the most seasoned of USSR synth-pop connoisseurs, both tracks featuring totally addictive and ecstatic melodies.

Edited with taste and restraint in the typical Beard In Dust style, these high quality edits should not be missed.

Last year saw Greek edit wunderkind C Da Afro drop two joints on Cardiology amongst a whole load more discofied party fodder for the likes of SpinCat, Sound Exhibitions and more besides. Now he's back on Cardiology with even more goodies to share with the people in the place, leading in with intention through the rabble rousing 'Get On Your Feet'. He's working the filter hard on 'The Solution', teasing the funk until that sweet release on the drop. 'Disco Gang' whips up Backlash's classic '81 stomper 'Hang With The Gang' and gives it a gentle house injection, while 'Doing The Boogie' burrows deep into the groove for a simmering cut to keep the crowd loose and limber.

Theme To An Ending - Catchy and slick, made for the summer, this bouncey number has all the elements of a beautiful house cut. Big horns and drums give this one a certainty in those selectors looking for the freshness.

Lay The Love Down - Slick synths, bouncy bassline with them punchy drums to match. Lay The Love Down drops perfectly into those disco house sets. A perflect blend of how old school meets the new school.

Nobody Else - Flippin samples in only the way Jerk boy know how, this deep and subtle groover gives you that edge when it comes to digging for the deep house joints.

DJ Support:

Roger Sanchez, Demuir, Dave Mayer, Javi Bora, J Paul Getto Lee Walker, Homero Espinosa, Luke Solomon, Christian Nielsen, Crackazat, Charlie Tee (Kiss FM), French Toast (DJMAG Radio), Golf Clap, Jason Hodges, Indy Lopez, Sondrio, Donald Leicester, Colour Castle, Pantheon, Jack N Jerk, Music Is 4 Lovers, Oscar de Lima, Joey Coco, Deepinradio, Beth Grace, James Winter

Fresh label by Scruscru with his friends on board

4 cool tracks for your pleasure. DJ friendly tools for everynight use

Place the needle on the groove - feel your shoulders start to move.

It's finally here the fourth and final release in the afro series with Zeke Manyika and Faze Action. This time they crank up the horns and lean towards a more afro latin, balearic flavoured track entitled "Maswera". Its tailor made for any festival or outdorr situation with its infectious piano riffs and Zeke's chants. This track is set for peak time moments. On the other hand "Rugare" has its roots firmly in the afro electronic sound. Think Eddy Grant meets 'manu Dibango circa 1981 and your in the right area. A solid bass line underpins the whole track, while horns and guitars dub in and out to create a classic afro club track.

For the second AOTN 12" this month we got another smasher,when we landed the united Spirtual Singers over lockdown we were lucky enough to get multitracks so East Coast Love Affair and love time friend of the label Tom Noble got to work

Side A - We decided to go full on front room Sylvester vibes on this, what initially seemed to be an easy job turned into months of work, session musicians when we were allowed and arguments over vocal timings, but nothing good is easy won and we are proud of this. On the flip our good friend Tom Noble calmed the situation down a bit with a tasty New York version of the track, and big up to him for doing this while fighting through his shop flooding and a new opening of his superiorelevation shop in Brooklyn.

Three exclusive disco remixes from the edit king Dave Lee as part of his Remixed With Love series.

Four classic tracks from the Selador catalogue come to vinyl for the first time. Each one a Beatport Top 10 best seller in their own right, this is the sound of Selador.

Flankup welcomes Ankle Release to the roster, with a stunning release full of disco / nu disco cues across 3 warm & deeply grooving house cuts. The meeting of the HipHop-Underground culture of Triplex and the more Disco-Funk side of Fabietto Delgado are the perfect fusion of styles that combine these killer disco tracks. With only a release on Masterwork Music (2018), the Italian producer duo is only just getting started. And as far as starts go: This release on Flankup will definitely open some eyes & ears across the house scene.

Tokyo-based producer Omar Santis returns for his 3rd Karakul EP following on from releases on Dionysian Mysteries and Envelope Audio.
'Thursday Night Funktion' is the 6th release on the imprint and really embodies the ethos of Karakul, soulful deep house workouts designed for the dance floor.
The EP is dedicated to his Tokyo club night 'Funktion'; a cultural party that's held every Thursday at one of the world's top ten small clubs, Oath in Shibuya.
Their events have caught the attention of Tokyo's local community and their international guests by its unique branding and "mature but wild" party atmosphere.

The EP starts on a high with the groovy sample heavy disco/house jam 'Nira'. Vocal chops and guitar licks build and culminate until a massive string section releases a second rush of energy taking the track to even higher ground.
The follow up 'Sakura Blossom' is the deepest cut of the release with washed out pads and bleeps cascading while a hypnotic bass keeps the track grooving.
Iron Curtis adds his personal touch and ups the energy on his remix of 'Cameo Appearance', adding a breakbeat, ethereal melodies and vocal snippets floating atop a plucky bass line.
Ending the release on a blissful note 'SpaceColorPalette' is a flurry of melodic synths and muffled percussion that swirl around over the top of a solid kick and bass groove.

Colleen ‘Cosmo’ Murphy presents Balearic Breakfast Volume 1. An eleven track compilation of gloriously transcendent genre-hopping music inspired by one of the most listened to shows on Worldwide FM; most tracks impossible to find on vinyl.

How does one make a Balearic Breakfast?

You need to obviously start with one part blissful sunshine, rising over one part white sand, set to the sound of the sea looping back and forth. But what else - that perfect, idyllic backdrop aside - sums up that most important time of the day, specifically when spent right in the heart of the most glorious archipelago in the western hemisphere?

Luckily, DJ, broadcaster and producer Colleen ‘Cosmo’ Murphy has perfected the recipe.

Colleen has been mixing together Balearic Breakfast shows on Worldwide FM for the last few years after starting in earnest during the first pandemic lockdown. Her shows offer a remedy to the pressures of the outside world; each is curated with the admirable aim of trying to “create a musical atmosphere for escape”, be it from bad weather or bad vibes.

Inspired by formative experiences at The Loft in NYC and on the terrace at Space, Colleen’s Balearic Breakfasts are endlessly eclectic and always inspiring, pulling together - in her words - a “hodge-podge of chill out, spiritual jazz, deep soul, percussive house, quirky disco, indie-dance and what may ‘traditionally’ be called ‘balearic’ (whatever that may be).” Basically, the kind of music you want to hear as the sun breaks over the horizon.

For her first Balearic Breakfast album (lovingly compiled for the ever-visionary Heavenly Recordings), Colleen has put together a set of songs that allow the listener to drift with her between myriad genres and join the unseen dots between them. The journey takes in shooting star ambient sounds, deep soulful hypno-house, ecstatic Neu-esque locked grooves, ethereal sea-shore jazz and Southern Hemisphere starlight disco, with tracks by artists such as Friendly Fires, Mildlife, Linkwood and Lady Blackbird (a track praised by Elton John, who called it “a groove that blows my mind”) and producers such as Andrew Weatherall (under his Asphodells alias), Ashley Beedle, Coyote, the late, great Phil Asher and Cosmo herself.

Flowing together, the tracks perfectly create that musical atmosphere for escape - a recipe for daydreaming yourself into a Balearic Breakfast state of mind. Tune in and leave the everyday behind. The sun’s rising overhead and the waves are at your feet, whatever time of day it is wherever you might be in the world.

Strap yourself in and get ready to blast off into the stratosphere on the rocket ship that is; A Real Mother For Ya” by Johnny Guitar Watson.

High Fashion Music are proud to present these new re-issues. After bringing the Old Skool remixes to you, now Ben Liebrand demonstrates why he’s one of the best dance music producers around with a variety of hot mixes that manage to tick all the right boxes and subtly offer a little something for everyone.

The Nu Disco versions pick up the pace. There are three to choose from. The ‘Essential Mix’ incorporates a pulsating, bumping vibe with rolling loops and an authentic disco drum section to create an infectious groove that’s amplified with a killer vocal and delivers a sure fired dance floor bomb. The ‘Jackin Mix’ is the more traditional low slung Philly, Funk, boogie style vibe that oozes brass and class. A lovely slap guitar, orchestral stabs and horn section compliment vocal to perfection and make this version a must-have for all serious Disco heads. Finally, the ‘Go To A Disco Mix’ adds to the Essential vibe, with more horn and a bit more funk.

This is pure future boogie gold!