House News

Hello world, please enjoy Ivan Iacobucci’s new EP. See you!

Danzha begin the journey into audiophile territory with a glorious 4 track EP, in which these four gifted producers have contributed to the inception of an everlasting vision of pristine sound design.

Dunkler Boulevard initiates this elevated discourse of soundwaves with a seamless weaving of percussive elements into a futuristic soundscape, meant to transport the listener into a state of serenity and familiarity with the algorithmic grooves that intertwine flawlessly into this mystical atmosphere.

Following up with "Roots, Rock", Paul Walter describes with sounds the process and concept of blending the reggae dub vibe into the technical and precise micro house state of motion, thus he manages to alert the listener of a change in decorum whilst preserving the essence that brings forth an endless voyage into the transcendent state of active listening and introspective thinking.

The premise brought forth by Topper with the third installment entitled "Riders of the Lost Arp" is characterized by a stout structural validity and a resonance that links it in both variety and similitude to the aforementioned creations.

Last but not least, as an authentic "audiophilosophical" discourse, the storyline of "Jimmy the Killer" brings the journey to a conclusion that is a reflection of the more obscure corners of the mind and spirit that so many of us are afraid to explore, yet this composition incites the courage to drop the needle on its wax sculpted grooves in order to blend its darkness into the dancefloor and to soothe the senses of even the most pretentious of music lovers.

Danzha, the very definition of one of our innermost desires to dance, is waiting to be invoked into sanctuaries and clubs all over the world and to be savoured by those whose musical palette extends into unexplored and alluring territory

Next release on Aimed featuring France producer Karaba, who delivers a very effective 4 tracks EP with various shades of his style from break to electro and tech-house influenced tracks. Lille based DJ and producer blends mid 90’s textures and club-oriented sounds, giving the result of what he was able to produce in his lockdown studio back in 2020 with this 'Jungle Juice' EP

Introducing sub-label, White Scar! A new project by the crew behind parent label Subterranean Odyssey...

White Scar was founded to give the label a different outlet to more release music from their favourite producers more readily while keeping the concept of Subterranean Odyssey the same. Each release on the sub-label will be 4 tracks from 4 different artists which will be hand-picked mainly from up-coming and previous producers on the parent label. Therefore, you can expect more of the same club ready sound that has been showcased in the first two Subterranean Odyssey EPs as well as a few curveballs thrown in along the way.

The name/idea is based on the largest cave system in the UK and each release will be named after a feature of the cave. They will also be distributed in a white sleeve with the artwork from Madame Fourmilion displayed on the centre sticker. White Scar can be found in Yorkshire where SO was formed.

For WS001 - “The First Waterfall” the label invited producers from different parts of the world. The A side is a Uruguayan affair with Braik's “Dangerous Area” and Pi's “Space Dystopia”. No doubt you'll be hearing more from both of these artists as the label progresses! On the B1, from Casablanca, Morocco is Chaou B's “Lost Data” a breakbeat banger sure to get your feet moving. Last but not least on the B2 is Biokid from Slovenia with “Undata”, a unique track with a dreamy melody to close out the EP perfectly.

Ventriloc returns with the long awaited release by Leanca, 4 deep minimal grooves with a unique take in sound by the Romanian artist.

I dream of a quiet life
in the suburbs of the metropolis,
between apartaments and iron dumpsters,
because it's only and endless party
the robotic work that everyone dreams of

unutrei. presents the labels fourth release composed by Vern, the rising talent of Romania and a remix by the legend himself Mihai Popoviciu.

Supported by Traumer, Cristi Cons, Arapu, Archie Hamilton, Sublee, Nu Zau, Jay Tripwire, Andu Simion, Azteca(Loy) and more...

repressed !

Marc Leclair from Montréal, also known as "Akufen", dims the lights to bring us "Horror Inc.". With last years "Horrorama EP" on Revolver and the follow up "Horrorama remixes" (including a "Dimbiman" remix) he introduced his new project to us. Straight out of the crypt Mr.Leclair continues to tell the story, that he started with last years constribution to the "superlongevity3" labelcompilation entitled "A Dream Within A Dream"

One for a sundowner: “rumour” is the first single of isolée’s upcoming album “resort island”, his first proper long-player since 2011's „well spent youth“ on pampa records. With its glittering strings and buzzing bass „rumour“ feels like a warm embrace. The groove as well as its textures and soundscapes will take you (and you friends) out there to resort island watching a vast mirror ball rising up over the horizon..
The EP „rumour“ sees the release on isolée’s own new record label „resort island“ on February 24, and comes with an exclusiv epic B side track - entitled “seven eleven” - that will not be on the Album. This is deep in thought house music that levitates between intoxicated ecstasy and escapism

repressed !

Perlon's 49th release is brought to you by Berlin based Matt John. Entitled "Joker Family Park One" itmarks the first part of a story with an open ending... At the beginning, we meet miss "Princess Unknown", who rings the bell with great passion. Af ter a pleasant ride through "The Rising Scope", we finally finally reach the hypnotic fields of "Ferro Sanol Duodenal", which marks the end of this stunning debut of mister John.

finally repressed !!

Narcotic Syntax always have felt obliged to satisfy the demand for gaining the emotional maximum on the dance floor. They follow their inner impulse of lowering the club down to the boiling ground water of euphoria, at the same time placing the levelling rule higher. On the occasion the space that is created in between is filled up with thrilling, lascivious rhythms and sophisticated arrangements to get the crowd absorbed in a state of unconditional attention, hypnosis and urge for motion.

Time is the only hope of those who have lost their dreams.

Our first only vinyl, no repress, no promo

Unknown Milano comes back with their 18 release.

Old and new friends comes togheter for this strong Various Artists

After already an outstanding split EP alongside Paolo Macri for us in 2018, our hermano Pohl is back again to show how he’s excelled his sound signature even further with his first solo EP on LowMoneyMusicLove

Lukea, a French artist, is bringing a new vinyl featuring minimal and micro house. His tracks showcase a sophisticated blend of technical skill and artistic finesse, making for a highly enjoyable listening experience. Whether you're a fan of minimal and micro house or just appreciate top-notch production, this vinyl is a must-have for any music lover.

The boys are back on Pleasure Zone! Marc & Nils deliver now their 3rd release on our small vinyl only label :)
Modern electronic music from Offenbach! We think it's the best one so far - well done!

Repress
Vinyl only
180 grams
2021 The Pool House, Inc. - All Rights Reserved

In the gutter lie sun dried leaves, scraps of paper, burnt matches and cigarette butts. It is early morning; the sun rises with warm grace. you've come to the right party... you see, the body of a young man sitting by a pool, nobody important, really. Just a movie writer with a couple of "b" pictures to his credit. He always wanted a pool. Well, in the end he got himself a pool, but let's go back some time and find the day when it all started in “Hollywood,” the place where they pay a thousand dollars for a kiss and fifty cents for your soul.

Three years after he celebrated “Sketch of Japan” EP, Superpitcher returns to Mule Musiq, bringing an epic super-pitched 40 minutes trip named “Hollywood”, that perfectly works as the score for the above remixed opening scene of a famous movie on the trances of Hollywood, the cage, that catch our dreams. It’s a slow grower, incorporating some of core elements of the city of celluloid dreams: action, drama, romance - all epic noir and yet so flooded by light. As ever the producer and DJ from Paris garnished his long building up and going down voyage with se-ducing melodies, glamorous pop, and psychic rhythms, creating the hippy dance ambiences he is famed for. Even though the twelve inch comes in accustomed a/b chapters, “Hollywood” should be perceived in one go to feel the depth of Superpitcher’s tropical leaning story arc, that stretches the idea of a track into a dream of satin teardrops on flickering velvet lights. It paints sonic celluloid pictures of ghostly creatures, while a female/male voice is the music’s constant melodic companion, injection Janus-faced longing dream pop spheres on the overall tripping house melancholy. A heroic electronic drama, elegant as Tamara de Lempicka painting. It asks for endless rides on the Hollywood freeways. in the back the sun – a big orange ball – sinking slowly below the horizon.

You've come to the right party... you see, the body of a young man sitting by a pool, in the back a long, graceful bar, bathed in soft light, filled with elegant customers. There's nothing else, just us and the music and those wonderful people out there in the dark, ready for a divine dance in closeup.

NIMMA010, the anniversary release, comes from V.i.c.a.r.i., no stranger to the scene. Each side has its own mood but both sides are equal in quality.

Vinyl Only

Point of art is back with a new vision with this VA curated by Arnaud Is Dancing, Doc Pavlonium, Lorenzo Aribone and Twineffect there is a magic flow thinked for every dancefloor, emotions and positive energies are the key of this fresh compilation.

Aesthetic 17 comes from label regular TIJN and newcomer Daines. Its had big support from the Romanian cult of DJS and looks to be a massive EP this year.

(Ricardo Villalobos, Ada & Tolouse Low Trax Remixes)

This EP is more than your usual remix package—»Remixed« is a meeting of kindred, idiosyncratic spirits. Ricardo Villalobos, Ada, and Tolouse Low Trax each give a new spin to one track from »You're Super In Diagonal«, the latest album by Ant Orange. Their versions of »Monogome«, »Flutter«, and »Cracker« are complemented by the brand-new track by the elusive artist, »FFF«.

Villalobos keeps it short and sweet—at least by his standards. His rendition of »Monogome« translates the mutant jungle vibes of the original into an entirely different dialect while maintaining its psychedelic qualities. The chugging, nine-minute-long »Siebhouse Remix« is at once rhythmically intricate and positively disorientating. Ada proves to be as imaginative as ever with her first remix in three years. Her take on the album opener »Flutter« extracts the track’s warmth and transplants it into a laid-back downbeat track. She also incorporates the vocals from »Monogome«, but gives it a very different spin and adds a healthy dose of autotune to it in the process. Dreamy, hazy, blissful.

On the flipside, Detlef Weinrich approaches things very differently. His »Bo Bo Zy Remix« of »Cracker« offers industrial at its most inebriated, dub riddims after a bottle of hard liquor instead of a spliff. Ant Orange’s »FFF« then seems to mediate between those three very different approaches: danceable yet melancholic, challenging yet restrained, it picks up on the underlying concept of »You're Super In Diagonal«, combining IDM’s penchant for complex rhythmic structures and a directness inherent to hip-hop music since the early days of the genre up until the age of UK drill.

12345 500 copies 180 gramm 3 artists 3 wizards in the vinylwoodland. On her way, Roon meets and befriends the Jeanneret, who wants a brain, the Malin Genie, who desires a heart, and the Afriqua, who is in need of courage. Roon invites each of them to accompany him. After the Witch attempts to stop them several times, they finally reach the Emerald City. Inside, after being initially rejected, they are permitted to see the Wizard. He agrees to grant their wishes when they bring him the Witch of the Vinylwoodland.

Berlin-based French selector Shonky adds a new dimension to his music career with the launch of his brand new label, Stoned Pilot. Inspired by his love of collaboration, the platform will focus exclusively on collaborative projects with each new release. At his studio in Berlin Shonky has assembled a mouthwatering array of equipment; vintage synths, drum machines and sequencers. The set up allows him to cultivate a highly creative atmosphere - a playground for those who visit - and the resulting productions exude the kind of energy that you typically find during liberating jam sessions. Shonky cites the studio, and its many playthings, as a key part of his growth as an artist. While everyone he invites to join for a session leaves feeling invigorated by the experience.

On the first release he appears with Otis, an Italian producer who lived in the same building as him. Through lockdown the two men became better acquainted and they decided to hit the studio together. The result is the Humanizer EP, featuring four cuts that encompass the merging of Shonky and Otis’ individual styles into one cohesive body of work. On the EP the duo delve into the deeper side of the dance floor, utilising bass, rhythm and energy to explore varying styles and tempos, tinged with an air of mystery.

So the stage is set, Stoned Pilot heralds a new phase in Shonky’s career, from global tours, to his exemplary back catalogue and now label owner with a core ethos centred on creative collaboration.

Private Lane Records is a newborn music label and part of a wider artistic platform that wants to promote young, upcoming artists and dreamers like us.

“Dream Drivers” is the starting line of something new and exciting.
The well known french talent Noiro and austrian wonderkid DJ Void are our pilots for this journey, taking us into a world of dreamy synths and funky rhythms. A travel with such beautiful landscapes, you don’t want it to ever stop.

H.H. - Hayet Hayati' is the second studio album of Memento and DBArtists head honcho Idriss D. Hayet, that in Arab means 'life', is thefirst name of Idriss's mother: the album is dedicated to her, who havealways been a leading a lucky star and a trustworthy shelter for theAlgerian artist.
'H.H.' is a rich summary of all his influences, devotion to music and splendour; written and produced throughout many months of hard passionate work, it shines for its variety and its consistency.
'Intro Salam' featuring Eryn Eliott from Detroit opens the ball with a
delightful blend of evocative Saharian woodwinds and chants and a steady four to the floor rhythm.
'Lost and Conscious' displays the greatest influence that street Hip Hop has been on Idriss's musical journey, and accompanies super rolling fat beats with the swinging Italian rap of Libbera and a dystopic array of synths and bass lines.
Eryn Eliott deep space spoken-word in 'Phenomenal Woman' takes us out in the sky with its fluffy atmospheres through the funkiness Middle East flavoured percussions and a blues bass guitar. Like a bolt from the blue, the title track 'Hayet Hayati' brings us with its hard kick drum, and incessant repeated stabs in the middle of a dance floor, in the rush hours. Inflaming the atmosphere with its heated vocal hooks and acid bass line.
The soulful voice of Eryn Eliott is again injected in the fast paced
'Call Detroit', another late time killer cut, minimalistic, funky and
full of Motor City reminiscences.
'Moody'and 'Re-Dimension'made of shuffled rhythms and futuristic vibe showcase Idriss's passion for American Techno and the big influence that has been to work with many of the Detroit GodFathers in the last years.
Finally, 'Salam Outro' featuring his uncle Zerouala Mohamed Lamine closes the album in a suggestive beatless journey into the mysterious nights of the Great Desert.

Three widescreen trips from the studio of Berllioz, one of foremost exponents of modular synthesis. Each track uses space and depth to conjure a refined and enveloping atmosphere. The jazzy percussion and drizzly chords of 'Mo Orea' bring to mind a clandestine bar in a film noir. The chatter and hubbub on 'Faka Urea' is brighter, matching the steppy groove. Finally, 'Aphetidae' is an epic, taking in a massive walking bassline, orchestral swells and an extended ambient.

Placid aka Paul Wise is the leading light behind ‘We’re Going Deep’ – an online community and record label, born out of a lifelong affair with the many shades of electronic rhythm and obsession for collecting records since 1988.

Known to many in underground House and Techno circles, he’s spent the last few decades moving heads and feet at select venues, parties and fields across the UK and beyond. On a mission to share and release new music via his imprint: only the best in Acid, Electro, Techno and Deep House for the dance floor, front room or even just your headphones makes the cut.
For the latest We’re Going Deep solo series edition, Paul welcomes the mysterious talent and touch of Dircsen. Whilst little is known about this impressive producer hailing from Germany, his superbly rounded set of releases for the Hague’s Soundtravels and Croatian outfit Beef Records have certainly captured the ear and the imagination. With a penchant for the purest sounding waves of TB-303, soaring synths and punchy percussion – there’s nothing but magic when it comes to his work.
Kicking off with the hypnotic, dubby tinged tones of ‘Nothing Remains’ on A1 – the stripped back shuffle of percussion and shimmering stabs evolve in ghostly fashion as an evocative mood prevails: a purist exercise in restraint and calm. Balanced with gnarly intent of ‘Artificial Mind’ on A2, he lands the cutting SAW of his trusty synth to an unfaltering 808 groove. That simply grows in intensity and growl – burying itself in your psyche in the process.
B1 ‘Nervous Disorder’ drives on even further into twilight zone, unleashing a soaring lead to the punch of a swinging 909 that’s designed for pure pleasure – an ode to Chicago’s finest. Ending out on the mellower, house inflected tones of ‘Imminent Flow’ on B2. The cyclical roll of the melody and gentle sub compliment each other perfectly as airy pads lift the atmosphere and bring the EP to a dreamy conclusion.

The feeling of aligning yourself, the notion of togetherness. That is what we felt when Timothy Padilla, the man behind Montei, sent us the final drafts of the two tracks that make up the A-side of our premier release. That is also the definition of Syzygy, a global house label focusing on the kind of music that will make you lose yourself on a dance floor. Montei hails from Buenos Aires, Argentina and immediately caught our eye with his minimal but groovy, melodic house music. On the B-Side Nima Gorji gives one of the tracks the sunny treatment keeping you smiling on the floor.

repress

Vinyl Only

The agglomeration of atomised souls of Ricardo Villalobos and Ferro on the 7th instalment of VBX Records

2023 Repress

2019 is mule musiq’s 15 years anniversary. we’re going to release twelve 12inchs with our friend artists and stefan marx make the collectable artwork.

10th release is our long time friend hippie dance’s superpitcher aka pachanga boys. “maki” on a side is a tribute song for legendary japanese folk singer maki asakawa, superpitcher wrote the lyrics and dip in the pool’s miyako koda translated in japanese and did the reading. “mishima” on b side is a trademark of superpitcher’s melancholic house tune. it sounds like updated percussive nyc house in early 90’s.

123.ro has gathered a fine selection of material from ix3m and ghertz that has been tested on many dancefloors but that wasn't enough. That's why 123.ro decided to take the treasury and pass it to veterans of the industry for remixing, herck and minube.

Four new tracks from Eb Flow mark the latest release from the ever prolific Constant Sound label, as ever providing solid and dependable dancefloor gear that boasts a myriad of different flavours. 'Sunshine' wastes no time setting up a strutting, Van Helden-esque groove and lets it roll, adding a few vaguely nostalgic samples on top. 'Running' has more of a breaks feel, harking back to the days of rave's roots when breaks and acid could sit together naturally rather than in different genre pigeonholes. 'Before' is the most minimal of the four, peppered with frisky garage snares and a subtle but ultimately devastating filter breakdown, while a feelgood gospel-style vocal gives the closer, 'Searching', a lovely optimistic tint. Constant Sound continue to deliver.

a fantastic minimal house burner with a nice atmosfear !!! great !!!! slave to the rhythm !! ;o))

Following on from his remixes of Robert James' LP Battle Of The Planets, Berlin-based Klix goes in for the kill with four examples of club-friendly grooves that are big on dancefloor dynamics but also boast a delicate sensitivity to melody that's often left behind when it comes to the minimal/tech genre. Check, for instance, the distinctly understated acid undertow to 'Just Tell Me', balanced beautifully with lush, New Order-esque pads, or the almost imperceptible trails of flute left across the landscape of 'Satisfaction'. Best of all is probably 'Squanchy Thoughts' featuring Shibafu No Baga, the vocoders and synth lines rendering it like a post-rave Kraftwerk.