House Новости

UZVAR back with starting a new story. Summer vision by KiRiK with 3 house clips.
Vinyl Only release.

For its second installment, Tresydos presents ‘Description’, a selective, four track EP from US producer Matt Anderson. Normally working and releasing on the label Wex, he has shared with us a unique EP, a dive into the flavors and varied tastes he is inspired by.

Leading off on A1 is the title track ‘Description’. With an emotive melody & pushing jungle bass, this tune is a mixed and mangled, psy-hypnotic, peak time bouncer. A2 follows with ‘Small Talk’, which holds a smooth and liquidy touch, sprinkled with notes of jazzy bends & spacey arpeggios. On the flip side for B1 is ‘Gangsta.vox’, a playful tune, varied between a 4/4, acidic zooming, & airy, euphoric breaks. Last up is ‘Inside A Neutron Star’, a chugger that offers an acidic, yet smooth psychedelic theme to carry you on.

The 3rd episode from r.hitect brings two new original cuts on the A side and Remus as special guest on the B side. vinyl only! no repress!

The first Prince de Takicardie’s EP is finally going into the spotlight in 2019. After releasing materials under the moniker The Signal Phantasm, P2T is now ready to go on his own and we couldn’t expect a better result ! The journey starts with SPACE DANDY, an aventurous 4x4 minimalistic track with those typical razor sharped drums that defines his sound. Usefull tool in a mix, this will find its place in every DJ set. On A2 you’ll find that crazy futuristic acid house that is SCORPIO’S TRACK, a modern reinterpretation of this genre, melted with video games inspired elements to make it freaky. 1...2...3... !! THE HAUNTED CABARET may be the highlight of the release, out of nowhere this piece of music has already proved its efficiency on many dancefloors over Europe. Careful with it, it can make damages.. Like every story this one has a dark side. More rave oriented with breaks and trance influences, THE GATES OF HELL finds its perfect place on B2. Made for big floors.

2018 has a lot in store for London spiritual jazz outfit Emanative, with a full double LP and several remixes forthcoming, as well as some full live band appearances and DJ gigs. 'Planet B' is the band's first release of the year and it takes them in a slightly different direction, on a completely different vibration entirely, with an epic nine minute, almost post punk, afrobeat, disco and jazz inspired piece aimed at the leftfield dancefloor. The idea for this project grew from our interest in releasing the live version of the Ahmed Abdullah-written 'Lions Of Judah' (Steve Reid & The Legendary Master Brotherhood) , which appears on the B-side and was recorded live at London's famous Cafe´ OTO, an institution for experimental live music and free jazz. The version has become a Gilles Peterson favourite and a regular on his 6Music and Worldwide FM shows. Nick Woodmansey, the head of the group, wanted to include an original piece as well and so went in the studio with the band and a clear concept for recording 'Planet B'. Inspired originally by a Greenpeace poster and advert of the same name, as well as current adverse planetary situations. Musically it follows the spirit of Arthur Russell's leftfield disco of Dinosaur L project, no wave band ESG, and Sun Ra.

This is a long overdue collaboration and we couldn't be more excited to present a brand new EP from our man, Jena's mad scientist funk freak himself, Metaboman. A stalwart veteran of the legendary Musik Krause camp, which has been a kindred spiritual sister label of sorts of ours since the millennium-turn heydays, being fellow purveyors of bold and raw dance floor music, still brimming with new ideas galore and bucket loads of soul. Here with the Wireless Dancer EP we have Metaboman in top form offering nothing less than his finest work: 'Doppeldenk' starts things off with some classic Krause bump that brings to mind the heights of the Duo at their peak but updated, like an STL banger turned up to 11 with sinewy melodic lines and that special Thuringen twist. 'Hanno' follows up with a guest spot by jazz saxophone master Thomas Prestin, and guarantees to bring down the house with a storm of swinging stabs, rough riffs, and fresh-as-it-gets drum work. On the flip, 'Splitit' does exactly that, whether referring to wigs, legs, or that last drink ticket - where dusty blues vox chops and a rolling percussive smack down will revive any fading floor faces. And finally, 'EchterG' rounds it all out nicely with the illest of atonal trips and subsonic bass tones that the finer sound systems out there will fully indulge. Much love from Jena & Paris to the World!

180g
handstamped
handnumbered
sticker included

Underground Town is born in the heart of the Swiss Alps. Surrounded by nature and breath taking views we throw unique events where quality music and the vibes of the mountains melt together to create an atmosphere where groove and true emotions are the key players.

For our first release we count with 4 artists that have shared with us their love and spent some time with us this past winter season and now we want to give you all a quality piece of each of these great artist and humans.

First track from rising talent Mihai Pol is full of happy vibes from the beginning making you fall in a world of warm synths and space sounds traveling in a infinite world of continuous groove.

Second track of the A-side is Giorgio Maulini, founder of Underground Town and also rising talent in the industry. 'Sky Walk' is about taking a trip through the clouds with a sweet uplifting melody and a strong groovy beat made to make you dream and dance.

First track on the B-side is from our friend, well known for his excellent DJing and strong productions, Michael James. 'Bodyheat' is going to make us travel in a universe of strong beats and dreamy sounds grooving all the way to a parallel world where there are no boundaries in space or time.

And last but not least the great Funk E delivering 'My Straw' to close this vinyl only release with a groovy bass line to shake the dancefloor and a sweet synth coming slowly from behind to trap us in a dreamy state of mind.

Stay tuned for our next releases and events. Much more coming soon...

An artist who deliberately plays with labels, taking in contemporary and novel forms, boldly launching into experimentation (as demonstrated by her collaboration with percussionist Vassiléna Sérafimova), Chloé wanted to take the album’s tracks and transform them in front of an audience by feeding them with new textures and inspirations. Performed over a year at events such as Nuits Sonores, Sónar, Mutek (in Montréal and Mexico), The Peacock Society, and festivals such as Marsatac, Musilac and Colors of Ostrava, Endless Revisions’ live performance has evolved with every show. It was out of the question to let these new versions - replayed, recreated and restructured alongside the evolution of the performance’s very architecture - fade away without a trace Chloé’s prolific Lumière Noire label, in the wake of its first anniversary, had to produce a recording that bears witness to the work that these ephemeral creations represents. Slowly introduced by Dune, then propelled by the impulse of Because it’s There, the mix is articulated around the appropriatelytitled Outerspace, followed by Party Moonster and the bewitching The Dawn, heard here in “clubbier” versions and adapted to a context in which the audience (whose enjoyment of the performance was audibly captured in the recordings), must be kept in suspense, as if carried away in a narrative. The set leads up to Moonscape, an exclusive track created during the performance series, before the performance ends with a new version of Sometimes, Chloé’s relentless 2002 instant classic. At nearly 50 minutes, this recording is like a snapshot of a work’s vital momentum, remaining faithful to the spirit of Chloé’s Endless Revisions while detaching itself in order to conquer new territories. It is what music must also be: a moving creation that is activated and reacts in contact with its audience.

FSL007 drops from Corkwegian, Berlin-based producer and dj Ellen King AKA ELLLL.
ELLLL has always brought a different cut to bass ans techno music and with Febreeze it sets out into the further realms of breaks, jungle and euphoric rhythms alongside a bass driven tech-house uk funky joint from College Driver G.E.O. Corp.

Febreeze keeps my house clean, I even like the advert where someone is absolutely chuffed getting their nose into a carpet or there old dirty shoes cause basically febreeze had sorted
it all out. Febreeze after this has new meaning to me now. Its that large sound break coming into a sweaty basement club, its the euphoric sounds being supplied to a Sunrise before
deciding to go to bed or stay up.
This is the image ELLLL brings to mind when I listen to the two mixes of her fresh sounding cuts from her latest creation Febreeze.

In recent times Alex Pletnev has been making his mark on the musical stratosphere with an array of works from from cold wave edits, through gorgeous adaptations of african and world music to tribal techno originals. He joins us as Pletnev for "Aztec Code / Daywalker", a 12" combining his abundant influences to take us to bizarre, far-off places.

"Aztec Code" is a pure dance thing. Inspired by the fat kicks and live bass lines of the Big Beat era, Pletnev combines a jumping beat with african percussion and a charismatic vocal that seems to call out from between the palm fronds of somewhere steamy as we work up a sweat. Tenderly crafted with samples taken from almost 10 records, one-shots, drum layers and melodic licks are treated and mixed, giving rise to a warm, lush atmosphere perfect for circling a fire deep in the tropics.

On the flip, "Daywalker" is a completely original, synthesised outing. A sleazy lead line charms and slithers upwards between layers of syncopated tabla and a sultry acidic groove. The tune spins and twists around this central oriental theme, ever-evolving as layers of detailed percussion and ad-libbed melodies intensify the tone.

Sound artist Eva Geist joins Fleeting Wax label head Mehmet Aslan to spin "Daywalker". The pair create a sonic bridge between the two originals. Their hazy rework dubs out some electronic elements, adding contorted sound design, distant vocals, lofi samples and an italo leaning bass. A mystic incantation for spaced out late morning moments.

Tiefschwarz are back again on Watergate with a dub version and three stellar remixes of 'Free Falling feat. Khan' from their recent and highly acclaimed album 'Left'. Kicking things off is Skream and he takes the original to new heights in true Skream fashion with vivid arpeggios and silky vocals laid over reverb heavy snares and driving percussion ideal for the more climactic dance floor scenarios. Up next is a man who needs no introduction: Acid Pauli. Already a legend in his own right, we last saw him on Watergate on the Peahen EP with MyMy and Lee Jones back in 2010 and now he's back with not one, but two incredible remixes. Both his 'Cloudbuster and Clouddiver Remix' are lush displays of melodic, yet driving takes on the original. Warm pads and pulsing bass create a swirling melodic journey on both with 'Cloudbuster' being the more pumping and 'Clouddiver' taking the deeper route giving you two foolproof options. Wrapping things up is Tiefschwarz' own dub version of 'Free Falling feat Khan' and with it they deliver a stripped down take of the original, yet keeping just a touch of the low slung, sleek vocals to make sure it still has the quintessential Tiefschwarz feel. Enjoy!

The label and production project from DJ DOG (aka DJ Fett Burger) & Double Dancer is back! Uplifting house, emotional Ibiza and free flowing grooves in the best possible way! Basketball house once again, stronger than ever! Rejuvenating the basketball house scene since 2016.

Third release with one of the most interesting artists from Uruguay.

Final 12” to complete the trilogy from the prolific S.A.M.

The debut EP for Bipolar Records, signed by Priku - “în control”

Retrospect vol. 2 - Reshaping the 70s, 80s, & 90s with the sounds of now.

Ideas call for realisation, realisations turn into habits, habits then quickly turn into traditions, and traditions become an intrinsic part of culture. Born at the turn of the new millennium as a symbol of a new era for electronic music, Kompakt's longstanding TOTAL series returns with its 18th iteration, spreading over two CDs the essential of the label's last few months of intense activity and extended breadth of resources, blowing out its 25th birthday candle with the breath of a young, throbbing heart.

Introducing faces new and familiar, full-scale hits and criminally overlooked tunes, TOTAL 18 recollects glorious moments on the dancefloor and further intimate ones between friends, inviting the listener to flick through a family album marked with tracks as distant yet eerily close as Sonns highly sensual 'Tame' and John Tejada's propulsive 'Detector', Terranova's elegiac 'Let It Fail' and Rex The Dog's mind-altering 'Crasher' but also, and as usual, its lot of unreleased cuts - transcending the mere retrospective nature of the classic compilation format for a further complete core sampling of Kompakt's zeitgeist.

With a handful exclusive deliveries courtesy of label co-founder Jürgen Paape - here making a rare appearance with the humbly-titled opener 'Well It's Paape', &nd's one and only Aaron Ahrends with the nostalgic 'Eyes Closed', Tobias Thomas and Michael Mayer as Thomas/Mayer, Lebsanft & Raquet and the poetic synthesis of 'Signale', Cologne figure Jörg Burger on electro-punk- wave mode, minimal Danish talent Christian Nielsen and Voigt & Voigt for a session of left-of-centre techno, TOTAL 18 sweeps the spectrum back and forth, navigating from the deeper umbra onto the brighter shades seamlessly.

A wide-scope snapshot of the label's recent past, immediate present and near future, TOTAL 18 moves and shifts, from the power of dancefloor-oriented pieces such as Tom Demac & Real Lies' 'White Flowers' (here presented in its house version), Dixon's silky revamp of Vermont and Gui Boratto's euphoric club weapon 'Forgive Me' onto the funky electro pop flavours of Fahrland, cosmic dub-tech jazz of Ghost Vision and robot bounce of T. Raumschmiere's 'Augen Zu' for a whelming tour d'horizon. Kompakt's annual yearbook as seen through Michael Mayer's eyes, for your ears and pleasure. A collection of music to discover and rediscover.

"It's become such a nice tradition to put together TOTAL compilations. It feels a lot like going through one's photos at the end of the year. Memories come back to mind from moments when a particular track made its first impression on me or how the same track would become a highlight in my DJ sets at some point. Each track has a story to tell. Apart from the obvious big tunes, TOTAL's also bear room for the sleeper hits, those tracks that were criminally overlooked. With a bunch of new exclusive contributions thrown in the mix there's plenty to discover or rediscover. KOMPAKT's annual yearbook seen through my eyes for your ears and pleasure" - Michael Mayer

Ideen rufen nach Realisation, Realisationen werden zu Gewohnheiten, Gewohnheiten werden dann schnell zu Traditionen und Traditionen sind ein wesentlicher Bestandteil von Kultur. Initialisiert an der Schwelle des neuen Millenniums als Symbol für eine neue Ära elektronischer Musik, kehrt Kompakts langjährige TOTAL-Serie zum 18. Mal zurück. Das Wesentliche aus den letzten Monaten intensiver Labelarbeit und der Fülle an Material wird auf zwei CDs ausgebreitet und bläst nebenbei die Geburtstagskerzen zum 25. Labelbestehen aus - mit dem Atem aus jungen, starken Lungen.

Vorgestellt werden neue und bekannte Gesichter, kristallklare Hits und sträflich übersehende Tunes. TOTAL 18 erinnert an die Momente auf dem Dancefloor und die Gespräche danach, die den Hörer einladen durch ein Familien-Album zu blättern, das gefüllt ist mit Tracks so fern und schon unheimlich wie Sonns höchst sinnliches - Tame' und John Tejadas forttreibendes - Detector', Terranovas elegisches - Let It Fail' und Rex The Dogs bewusstseinsveränderndes - Crasher'; aber ebenso, und wie gewohnt, seinen zahlreichen unveröffentlichten Cuts - die bloße retrospektive Form des klassischen Compilation-Formats wird transzendiert, um den kompletten Zeitgeist Kompakts einzufangen.

Mit einer Handvoll exklusiver Beiträgen von Label-Mitbegründer Jürgen Paape (hier mit einem seltenen Auftritt in dem bescheiden betitelten Opener - Well, It's Paape'), &nds einzig wahrer Aaron Ahrends mit dem nostalgischen - Eyes Closed', Tobias Thomas und Michael Mayer als Thomas/Mayer, Lebsanft & Raquet und ihre poetische Synthese auf - Signale', Kölns Koryphäe in Sachen Electro-Punk und Wave Jörg Burger, Minimal-Talent Christian Nielsen aus Dänemark und Voigt & Voigt mit einer Techno-Session vom linken Flügel: TOTAL 18 grast das gesamte Spektrum ab, nahtlos von den tieferliegenden Kernregionen bis zu den helleren Plateaus.

Aufgenommen in der Totalen ist TOTAL 18 eine Momentaufnahme, die die jüngste Vergangenheit, unmittelbare Gegenwart und Nahe Zukunft des Labels einfängt und sich um die Kraft von am Dancefloor orientierenden Stücken wie Tom Demac & Real Lies "White Flowers" (hier in der House-Version) bewegt und wandelt. Mit Dixons seidig sanften Remix von Vermonts - Dschuna' und Gui Borattos euphorischer Club-Kanone - Forgive Me' bis zu den funky Elektro-Pop-Geschmäckern von Fahrland, dem kosmischen Dubtech-Jazz von Ghost Vision und dem Roboter-Bounce von T.Raumschieres - Augen Zu' sorgt TOTAL 18 für eine mitreißende Tour d'Horizon. Kompakts alljährliches Jahrbuch gesehen durch die Augen Michael Mayers, für die Ohren und Vergnügen von euch. Eine Sammlung von Musik zum entdecken und wiederentdecken.

"Es ist eine schöne Tradition geworden die TOTAL-Compilations zusammenzustellen. Es fühlt sich ganz so an, als würde man seine Fotos durchgehen am Ende des Jahres. Erinnerungen an Augenblicke kommen zurück, als ein bestimmter Track seinen ersten Eindruck auf mich gemacht hat oder wie der selben Track irgendwann ein Highlight in meinen DJ-Sets wurde. Jedes Stück hat seine Geschichte zu erzählen. Abseits von den offensichtlichen big tunes lassen die TOTAL-Compilations immer auch Raum für die ,schlafenden Hits', jenen Tracks also, die sträflich übersehen wurden. Mit einem Strauß an neuen exklusiven Beiträgen gibt es einiges zu entdecken und wiederentdecken. KOMPAKTS alljährliches Jahrbuch gesehen durch Michael Mayers Augen, für deine Ohren und Vergnügen." - Michael Mayer

Prolific multi-instrumentalist, producer, DJ, band leader, and 22a label founder and boss, Tenderlonious returns with a batch of new and old studio productions.

'Hard Rain' follows hot-on-the-heels from the acclaimed Ruby Rushton album 'Ironside', but whereas contemporary urban jazz was the focus there, Tender's solo record marks a return to another of the multifaceted artist's skills: dope house and beat music that oozes futuristic funk.

This sparse but perfectly-populated masterpiece takes inspiration from J Dilla and echoes elements of vintage Blaze, Larry Heard and Carl Craig. Warm and soulful, but also spacious and clean, Tender extracts maximum flavour out of just a few ingredients.

WOOD Imprint is pleased to present the new vinyl release from the Italian artists Enivrèz Vous & Max (Italy). 3 Original tracks plus a fantastic remix by the talented Herck.

Only Vinyl

Constant Black regular Michael James back with a killer 3 track EP.

Thread captured our ears with their early outings on Reach Recordz, where they showed a unique approach to stripped down breaks and electro, mixing broken beats with minimal, electro and tech-house.

A project run by two hard-working veterans involved in the electronic music scene for the past 15 years, Marc Ashken and Ben Micklewright, Thread is just one of the several facets of this productions duo which is playing a key role in silently and relentlessly defining what we believe is a very unique sound, that blends influences coming from the vast legacy of the UK electronic music culture.

For this EP we’ve selected four diverse cuts that showcase Thread’s distinctive sound while keeping in line with our ethos of finding music that’s out of trends and time.

vinyl only!

vinyl only!

The 6th release on July Z imprint is here.
12” Vinyl Only Release
Limited copies

Our inaugural EWax White release introduces young and exciting Romanian talent Marcu Rares who brings this beautiful original interpretation on the A side which was a huge favourite with artists and clubbers alike during the Sunwaves festival in Romania last summer. Now with a fresh remaster and updated club rework on the B side from EWax boss SY under his YSC Moinker.

After the first great success finally Thomas Wood come back
180 gr. vinyl only

Tom Ries, young DJ and producer from Offenbach, Germany makes the first EP on the new label based in Rome.

NO FACE NO NAME JUST MUSIC

URA is entertainment for the enteric and libidinal, heads foregone. Sub sonics, sludge-ness and front left atmospherica soundtrack your tsunami-ravaged beach bar cocktails/ cloudy sun bathing/ lounge of a dystopian future. 2K19 - Tripping Not Dipping. Rays of sun break through clouds. Don't forget to call your loved ones. Comes in heavyweight sleeve.

Anestie Gomez is not a new name in the scene. His meticulous arrangements, a naïve approach to electronic and an unprecedented love for analog synthesizers have
made him stand out over the last years as one of the youngest and most promising talents rising from Greece.

The four-tracker 'Short Stories for Tall People' marks his debut on Pluie/Noir and showcases his versatility both as a story-teller and a groove maker, with the perfect balance between machine rhythms and organic warmth for the upcoming seasons.
A-side's No Regrets' (A1) is the EP's warmest piece, with a clearly light-hearted approach to musical composition reminiscent of Mediterranean sunny days, while "Gurunext" (A2) shifts the tone entirely to a sonic palette of robotic glitches where
groove is key, pleasing the micro-house aficionados craving detail and swing.

The B-side has Anestie Gomez exploring a deeper organicity: 'Surmena' (B1) is a hypnosis-inducing, constantly moving composition clearly aimed at after-hours where time and space seem untraceable, and 'Supervixen' (B2) is the EP's jazziest
exploration around heavy drum programming, swing, and deep low-ends that ebb and flow with a very peculiar yet organic steadiness.

Full cover artwork by Japanese talent and colage-master Showta Kakiuchi. Limited Pressings.

With just one (meaningful) release per year, Naural finds itself in a restless search for sounds that affect us differently than all that we've heard so far. It's 7th wax is introducing talented Einzelkind, featuring one track on each side.

The Hoal distinguishes itself through a thrilling array of fractured vocals and dark whispers building suspense, while punchy percussion and the rolling bass-lines add a delirious narrative, making this record a subtle killer.

On the flip-side, Bad Wire connects us to a piece that revitalizes contemporary dancefloors, being stripped-down, drawn-out and sparse, with engaging shifts and an original human touch. A guide back toward something resembling reality.

The 3rd release from Tokyo based INIT. The label owner Shintaro.D's solo single including the remix work from
Rio Kawamoto who released under Skadat and What Now Becomes.

Unic return with their most highly anticipated 12' release to date as they employ the skills of Ukrainian maestro and Modeight records head Silat Beksi. He delivers a masterstroke of minimal genius as he pays homage to his breakbeat origins on A-side long-player 'Naga'... alongside two more complex and richly textured slices of rave inducing minimal techno. Beksi once again cementing his status as one of the most forward-thinking artists in his field.

Kicking off a brand new and solid imprint MESLOW. First VA release is a musical journey through stomping and dreamy sounds from 4 of the most prolific heads in the business like Bobby ODonnell, Rowlanz, Ed Herbst and Jake Flory. This is an absolute weapon for dancefloors!

LumieresLaNuit (alias LLN) is glad to welcome on board another talented Russian producer, Gatilove, and his "Wave EP" for the 8th release of its OFF series.

Just as his predecessors Module One and Bypass, Gatilove shows an unbelievable dexterity in delivering soulful, sophisticated and rousing cuts. Whereas "Marini" unveils a breaky and sparkling aquatic atmosphere, "Wave" brings us back above sea level with minimal beats and daydreaming chords.

LLN's OFF regular, Russian duet Bypass offers a minimalist and charming version of "Marini" to the sound of Japanese-inspired strings. Lost.Act, as for him, restyled "Wave" in to a floating and techno journey at night.

After Moscow-based duet Bypass (LLNOFF001 and -006) and Module One (LLNOFF007), Gatilove is the fourth Russian artist to join LumieresLaNuit, and Lost.Act the fifth.

Finally! the fourth instalment from our sister label EWax Black Series has arrived! No names, just music!