No description needed, only music!
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No description needed, only music!
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Stamp Records Paris continues quietly on its path...
We are proud to introduce the new release
2 tracks from french producers, 2 tracks from japanese producers. It s new!
"La Javelle" track is a result of the cooperation of Petit Batou, Suli, Syn & Vlaskiu after long hours of studio sessions. A minimalistic journey, tonic, deep & hypnotic.
Bassam is our french guest, co-founder of the great parties "Distrikt" . His "Dirty" track is a minimal techno influence with modern sounds, round bassline and the beat takes us on clash atmosphere, a dancefloor killer.
In the shadow of Fumiya Tanaka and Takashi Himeoka, we present an amazing duo called Liiebermann (Ko-ta & K.Hamawaki) hard worker in the studio, passionated for Perlon sounds." Forecast" is really groovy and abstract.
Deconcon is another japanese talented artist, producer of a sexy and warm minimal tech track called "Cream" . Enjoy the trip from Paris to Tokyo
Written & produced by Baptiste Saint - James, Yohan Schmit, Simon Geismar, Vladimir Paszkiewicz, Bassam Idbaali, K.Hamawaki & Ko-Ta, Akihiro Murayama
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For its third release Marginal Returns welcomes veteran DJ and producer Controlled Weirdness (London's Neil Keating) to the label. 'Tenth Floor’ showcases Keating's elegant, slanted take on classic techno and electro.
‘Flow State’ is signature Controlled Weirdness - sharp yet perfectly balanced acid-electro, ‘Halfpenny Hatch’ is a sparse but weighty peak-time tool, and the playful UK skip and belltones of ‘Italian Summer’ provides a lighter moment. Detroit meets Deptford on ‘The Art of Blagging’, which concludes the EP masterfully, techno music of the spheres.
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Since the digital only release Happiness with Gloria Burger on Kalvaberget. We've waited for more.
Kiss Me is a vinyl only release including four tracks.
The tracks are nearly impossible to put under a genre. It's house of course. It's Chicago like. Raw and funky. The tracks got elements of Jazz, 60's Afrobeat, Dub and Soul.
This is highly danceable!
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DMB003 is ready for stores, a release crafted by Nicvius and re-interpreted by Bacauanu aka VID.
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Ruutu Poiss, the Amsterdam/Tallinn based expert in glistening psychedelic electronics, arrives on the first outing for Wake Dream (A new label run by Amsterdam’s Orpheu The Wizard).
After releasing several 7”s, 12”s and EP’s on Levels, International Major Label, Rets Records and features on various compilations from Fasaan Rec. and Porridge Bullet, Ruutu Poiss lands at Wake Dream to release his first full length album (WADR002), scheduled for late summer 2020.
Leading up to the album, this untitled three tracker gives you a taste of his unique spectrum of kaleidoscopic modular dance music, futuristic synth funk and emotionally charged experimental cuts. These three tracks are not featured on the album and are exclusive only to this pre-release!
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Vinyl only, limited copies, no digital promotion.
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2LP Over the past decade, SUED co-founder SW. has arranged the building blocks of dreamy rave and techno music-billowing pads, undulating sub-bass and adroit, nuanced drum programming-into and novel dance floor structures. TRUElipS, SW.’s first full album since 2016 and his first for Avenue 66, is a beguiling, fully-realised statement. The 12-track LP is rooted in the storied ’90s era when the spirit of orbital raves and free parties was channeled into massive leaps forward in the studio. A combination of house and drum & bass looms large, as does the much-referenced intelligent techno era, but if you’ve listened to an SW. record, you already know TRUElipS is the work of a singular auteur. Breakbeats, rave stabs and major chords permeate the album, motoring along on a chassis of sine-wave bass lines and SW’s widescreen percussive vision. Forays into downtempo and sweeping ambience keep the listener’s head in the clouds, while the superb melodic techno constructions that comprise the album’s core are at once contemplative and liable to bring on a giddy head rush. TRUElipS brims with the optimistic, escapist spirit that fueled dance music’s original triumph, a throwback to bright, imagined futures.
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Following her 2019 debut Womanhood, Klein Zage makes a triumphant return with new EP Tip Me Baby One More Time. With plaudits and endorsements from Pitchfork, Resident Advisor, Bradley Zero, DJ Python, Mr. Mitch, Femme Culture and more in tow, she presents a record inspired by her beloved service industry. Her cut-throat lyrics, razor-sharp beats and wry humor carry through from the housey menstruations of Womanhood to Tip Me Baby's anthemic exposé of the server/guest dynamic.
Zage sees the restaurant as club, the service floor as a dance floor - a place for performance one in the same. If the A-side presents Zage 'clocked in', on the B-side, she's 'clocked out' - transporting the listener to the inner workings of her mind with the help of Joey G ii on 'I'm (Almost Certain That I'm) Here’ -- hailed by Tip Me Baby remixer Facta as 'one of my favorite songs this year'.
In light of the impact that the Covid-19 crisis is having on the restaurant industry, all profit from this release will benefit Restaurant Worker's Community Foundation Covid-19 Emergency Relief Fund as well as New York's 'Service Worker's Coalition'. Now more than ever this industry needs you to 'Tip! Baby One More Time'.
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Maru welcomes Suolo for its first release, with two mesmerizing original tracks, supplemented with a flawless reshape of "Ninja report" from Vincentiulian, perfectly suited for long after hours. Early support from Gescu, Herck, Mihai Pol, Direkt, Lulla, RQZ, Mihigh & many more.
Limited to 300 copies
Vinyl only
Artwork by Raul Ciceu
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For their third release, Sentaku calls upon the forces of Delaj - a fresh new name emerging from the Parisian underground scene. With compositions echoing the grace and poetry of Kazunomiya's calligraphy, Delaj brings us deep within his hypnotic groove that ever keeps us yearning for more. The title track particularly comes as a comforting rhythm with enigmatic vocals, that are elegantly complemented by a playful drumming in Argentinean sensei Jorge Savoretti's remix. Together, they enthral us through a musical adventure culminating with tracks emulating the serenity of Eastern spirituality. Like Kazunomiya herself, SENTAKU003 is as beautiful as it is deadly.
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Hibit Black is the new born brother of already known Hibit Records label. We aim to release music from undiscovered new talents and already established artists in the scene.
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The latest collection of wayward floor heaters from Nuances De Nuit takes us once more into a colourful headspace where the possibilities are wide open to make house music with personality. Californian shining star Liquid Earth is up first, although he's better known as Urulu. 'X-Form' is a bubbling metropolis of futuristic synth squiggles with starry-eyed wonder in its heart and vintage techno smarts up top. Huerta follows up that sterling start with the enchanting electro incantations of 'Legwork', which build wonderfully on the sound laid out on his recent debut album for Voyage Recordings. On the flip, DJOKO brings a smart shuffle and some shimmering synth work to the forefront for a seriously smart twist on the tech house template, while T. Jacques opts for space age machine funk with a splash of boogie poured in for good measure.
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Following our deep & dubby vibes, this time is our Swiss friend Philipp Lichtblau as usual, no digital promotion and limited edition.
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Applique presents their very first vinyl release, called Noodles. Mint underground sound comes from 2Vilas, a label boss Mark Sanders and Adamov.
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Vinyl Only, Limited to 400 copies, NO REPRESS Series.
A beautifully crafted deep techno EP. Bjika delivers a cascading expanse of atmospherics and rolling deep techno beats. Every moment that passes feels familiar, yet unique, in its own space and time. Quite simply this is Lush.
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Argentinian collaborators Paulem have procured the 5th instalment in VSA Records’ surmounting catalogue of vinyl depositions.
This fulfilling 3 track EP permeates a fusion of sounds, ranging from dub techno, through chunky minimal, and the trippier realms of tech house.
In-line with the EP’s working title, ‘Niche’, the A-side portrays a refreshing blend of peak-time resonances, whilst the B-side assumes a more sinister mood, suitably aligned to business-end afterhours.
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OMOSA is the first sublabel of GAAZOL. For its first release, OMOSA welcomes no less than 5 artists : Bitterjazz, Oden, Fatzo, Munir Nadir and Modbox.
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Perceive is a vinyl only imprint dedicated to minimal house music.
For this opening chapter, the brillant Venda unveils an intense three tracker.
Each cut of the EP is a minimalstic gem that reveals a deep hypnotic atmosphere supported by subtle rolling drums.
The record will be available in limited edition.
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After making a V/A appearance on ‘EXCURSIONS # 5’ via Phuture Shock’s EXCURSIONS sub-label in 2018, rising German talent Sandilé returns, this time on the Bristol-based parent imprint, with a blistering two-track missive entitled ‘Bulla Bulla’.
Having emerged out of Cologne’s vibrant underground house and techno scene over the last few years, the local DJ and producer has steadily built a name for herself with frequent DJ gigs across Europe and a clutch of releases on hometown labels including Like Records and IM IN LOVE. While last year saw the German artist land a production credit on Berlin’s Neovinyl, by way of a notable collaboration with prolific house duo Black Loops.
Here adding to her growing credentials, with her first solo outing on Phuture Shock Musik, Sandilé showcases her versatile, groove-driven style across two club-bound tracks - both of which bridge the gap between the soulful essence of deep house and the unrelenting drive of techno; replete with dark and dubby overtones, whilst also heavily taking cues from the UK’s rich bass music roots.
The opening salvo arrives in the form of the bass-driven ‘Bulla Bulla’, where a rollicking, tom-tom laden groove, sharp hi-hats and driving beats serve as a taut, rhythmic base for a whirlwind of fluttering dub chords, manic rimshots and Jamaican vocal chants that delicately merge with deeply emotive keys and lush pads enriched with the hi-tech soul of Motor City and an air of Bristol melancholy. Maintaining the dancefloor urgency on the B-Side, albeit on a more pensive, heads-down tip is ‘Heavy One’, which unfolds with the throb of hefty 4/4 kicks, bubbling low end and delay-drenched synth stabs that incessantly pierce through layers of skittering percussion and snappy claps, before a cascade of eerie padded chords akin to the 90’s intelligent jungle atmospherics of LTJ Bukem’s Good Looking imprint - takes you on a late-night sonic journey across the dark Metropolis of Berlin via Cologne through to inner city London and Detroit, running deep into the afterhours.
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3th release of OLO Records. vinyl only. Early support by Barac, Traumer, Janeret...
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One of the hottest producers at the moment, Rigzz delivers 4 tracks strictly for the dancefloor- not to be missed!
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The Swiftness continues with Bucharest based act Heerd, as we are letting our imagination run through space with the speed of light, leaving our captive bodies behind. As we prepare to venture into the unknown , we start off with STANDARD ORBIT, a calming yet energetic thrust that passes though time and space. We then drive past the infamous SOYUZ 40 capsule , a relic which envisions man's desire to reach for the stars. We also encounter the only blue planet with evidence of life. Upon entering its atmosphere we can feel the strong magnetic pull of the PULSAR SWING. After landing on this newly discovered world , we notice light particles behave differently from what we used to see back on Earth. The ultraviolet rays pass through a REFRACTION layer in the atmosphere.
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Okain's key ear for a groove finds a home on Infuse in the form of his 'Magic Box EP'.
'Place Des Fetes' is a keen example, subtle layered sounds sneaking in between the b-line driven ride means there's always something new to find.
'Magic Box' moves into a more blissful arena with it's swelling pad perfect for those early morning sunrise sets whilst Rich NxT remixes Place De Fetes, stripping the elements down in his own inimitable way.
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TELUM returns with its 6th episode of the label. Worldwide support from Raresh, Petre Inspirescu, Cap, Praslea, Barac, SIT, Gescu, Priku, Arapu, Mihigh, Mihai Pol, Cosmjn and more
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Japanese producer JUN KITAMURA released 2EPs from his own label Capricious back in 1998 and 2000 named Outergaze and Outergaze 2 by his artist name JUN. They were both Underground hit in the UK and other countries. EFD compiles 2 tracks from these 2EPs, which are still heard in dance floors worldwide after more than 10 years, as the first release EFD Classic series.
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Recognized for bringing some of the most cutting-edge DJs to Tokyo from its inception in 2013 (starting with a:rpia:r), Beat In Me is proud to announce the launch of its own record label. Catalog No.001 finds Raha, a key contributor to the Japanese club scene for over 30 years, collaborating with his creative partner K-Sobajima to bring us their very first EP. Side A is a masterly crafted made-for-dancefloor track - its high-density, dynamic minimal grooves deployed with precise effects. On Side B, we have Romanian up-and-comer Crihan (known for releases on Ultrastretch, Naural, and Eliptic) on remix duties, as he takes a detour toward a more ‘dope’ and atmospheric mood. Working tirelessly while constantly traveling between Europe and Japan, Raha finally delivers on this long anticipated work. And with early full play support at parties and festivals by such top-class DJs like Rhadoo, Petre Inspirescu, Cezar, Dubtil, and Mihigh, its quality is unquestionable - a true gem of a release, polished through the kind of experience and taste that could only be gleaned from standing steadfastly at the very core of a scene
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The Nugs are back in business. For this second EP we joined forces with two Italian artists. On side A, Robbenspierre delivers two amazing tracks, A1 has a solid bassline followed by an oldschool vibe, A2 brings an hypnotic groove pointed straight to the dancefloor. Side B belongs to the promising duo, Dormald. B1 is a mysterious House track with a touch of acid, B2 has a strong minimalistic rhythm separated by a sequence of breaks.
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Debut release on Sintope for the Berlin based artist Gabriele Mancino, flanked by two amazing remixes from Cristi Murar and french duo Miroloja.
Limited release + vinyl only as usual!
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Luminer is back on Artreform with an incredible deep house release! This vinyl contains 3 original tracks: Down Sweep, Last Romantics and Nine Tails. The EP also contains a fantastic remix of Down Sweep by our very in demand brother Silat Beksi! We are enormously happy to present this wonderful release to our followers. Enjoy your vinyl only copy!
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Pluie/Noir's close admiration for the land of the rising sun and its artists is not new. Having released two very solid EP's from veterans Radiq and Fumiya Tanaka in the past, the imprint drives its attention to Japan once again, this time to showcase the work of the young and talented Berlin-based artist Yuzo Iwata
Already established as a valuable and passionate organizer and DJ in Japan's music scene, Yuzo's 'Kiteki EP' is his first vinyl output after his move to Berlin, and a perfect showcase of his skills in story-telling, musical composition, and sonic wizardry. True Story (Kyakushoku Mix)' (A1) is the EP's melodic behemoth:
spanning through all sorts of emotional states, 'True Story' is a piece that's as 'cinematographic sci-fi' as it is 'early-morning club', especially due to its very particular movement of tension and release. "Night Train" (B1) is the set piece of Yuzo's story about locomotion: a hypnosis-inducing, constantly moving musical
translation of a night-time train ride through Japan, with a dubby deep low-end that constantly reminds the listener to keep moving. 'Ueno' (B2) is the last track of the EP and also the name of a train station in Tokyo, which (not) coincidently
is the last station from multiple regions in Japan since a long time. Here, like a chameleon, Yuzo shows his versatility as a producer capable of bending musical genres where groove and sonic engagement are key to success.
The release was visually interpreted by the Japanese painter Mamoru Kondo through a traditional and highly special technique of rock painting mixed with animal glue, translating Yuzo's musical train into a unique graphical work.
Limited Pressings.
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Amphia 021 is narrated by Christopher Ledger, who subtly
undertakes us into different corners of the electronic music
field.
The record provides 4 dance-oriented tracks, with moments of
introspection, a state of mind in which one does not fear to
explore his inner gloomy parts.
Side A begins with “Afterglow”, which smoothly blends its
dynamic rhythm and acid bassline with dreamy pads giving an
alluring glimpse into its ingenuous approach.
“Not formally” feels like a change of register with its four to the
floor beat and airy pads encompassing multiple textures.
The sequel surprises the peak of the EP, with “Deceptive”.
Sharp edges and a heavy bass line give the track its raw appeal
perfectly combined with the “deceptive” minor chord.
With an enigmatic approach, the record ends with “See
through”, concluding the scenic space we’ve all been guided
through.
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