House Новости

Nicola Altieri aka The Mechanical Man delivers here a 2 tracks mini EP on, where Casio sounds, Yamaha FM synths and Akai samplers are the main ingredients to give birth to his own compositions. Sounding like a constipated and forced music between slow deep house and minimalistic electro-funk created in a small bedroom environment, warm, dirty and slowed down like from an old tape cassette but full bodied. Mechanical soul for you ears.

Bosom is back with another monumental release.

We bring in: &lez, the talented Italo-Albanian music producer. One of the most thrilling and hard working producers of the electronic scene.

Presenting here "Terra", an intense dance floor ditty with a sweet flowing melody along with a bouncing percussion.
One the same side of the record you will find a remix by the Berlin-based duo Eins Tiefer. They offer a chunky and groovy interpretation, proper to blow up the floor.

Igniting side B we have Cioz, with an energetic slamming cut, that will flap with power and dynamism.
Closing the release, coming from South Africa, De Cave Man & TonicVolts completes this vinyl with an afro rhythm remix full of energy. A magical trip influenced by their roots.

Limited to 200 copies, no repress!

Bosom, from Portugal with groove.

Felix has been working his Studio hard this past summer and caned out a whole bunch of awesomeness! We are more than pleased to welcome him back on Dirt Crew this year after his excellent new EP on 'Bobby Donny' and the 'Buster' jam for our 'Deep Love 2018' compilation. The A-side starts off with 'Between US', a cool, pump-y and jazzy track with a hypnotic tribal bongo rhythm that winds up in that typical Leifur swirl. Followed by the super deep 'Hamburg 3011' that flicks an off-beat mash up of soul, guitar samples and funk hi-hat vs snare groove that is just irresistible dance floor goodness, we can't wait to drop this on a massive sound system. Over to the musical world of that B-side! What can we say, Felix changed his style quite a lot here and delivers some bang on Electro with 'Pinot Noir 1985' that just bounces in yer face with a dope ass beat keeping those typical Leifur flavors alive with a warped piano loop and delayed vocal snips. Second is the almost garage-y tune 'Modern Soul Classics' with massive subs underlaying the 'Rhodes' and drum cut ups, moody and deep in his signature style. The closing track is a real Icelandic Bossa Nova affair! Silky 'n smooth again he works that piano loop towards eternity, we love this piece a lot! Reminding us of past 90s electronica by the likes of 'Sabres of Paradise' or 'Nightmares on Wax'. The best ending to this EP we could have hoped for! Enjoy this varied 'n eclectic EP by our Icelandic talent Felix Leifur and make your Autumn a hot one by dropping these jams on the floor!

Unsung and hard to find material from recondite UK producer Lemmon Grass aka Scott Featherstone. Whilst the B-side collects and re-releases 2 tracks from the 1993 'One O Them' record (originally released on the British House label Triumph Records) the A-side digs through Scott's unreleased demos from the same time period and proudly reintroduces them into the flow of 2020. All the tracks are top notch and range from deftly programmed 808 beat tools to seriously uplifting 4/4 and showcase the talents of a producer that obviously has pure house music energy running through his veins.

Mic Mills, "Global Skywatch" boss dog, friend and family man gives us "ILIO002 - Variety Boy". Mic Mills, originally established with the now infamous "Untzz 12 Inch" and "Big Doint" labels, brings us an EP that is as versatile as the title suggests. Take a plunge with us through dubs, drums, synths and acid lines. Joined by long time amigo "Furious Frank" on the A1, Variety Boy then ebbs and flows from start to finish with low end subs, catchy hi's, addictive percussion and lots of "love" to keep you dancing until the cows come home.

Don't snooze, grow wings and take flight.
Limited to 300 copies - ILIO

You know what gravity is, right? That force that keeps our two feet, face, back, ass, ears, knees on the ground…. That force that ensures that even after 25 years Ovum can still pull out serious surprises, join more dots beyond the dots and welcome true legends to the label for their debut.
Celebrating 22 years of Josh Wink’s cult acid classic ‘Sixth Sense’ they’ve invited old friend Shlomi Aber and a bonafide Master At Work, Louie Vega for a set of remarkable updates. Celebrating his first Ovum appearance, Louie takes the lead with a whole menu of mixes that provide total mix creativity. The lead mix hits with that essential New York swing. Stripped back to its naked form, the drums bump your hips and shoulders into submission while a rubber ball bassline and Ursula Rucker’s signature spoken word lock you down. A complete flip on the paranoid, pacey original, it’s Louie Vega at his very best and most dancefloor-focused.
Vega’s remixes are joined by two equally alluring twists from long-time mate Shlomi Aber. His first is a pumping, uptempo techno twist that nods to the original while his Hidden In The Dark offers a much darker twist. Bare to the broken beat bones, it’s a trippy escapade into much shadier corners of Shlomi’s sound. Restrained, tense and cavernous; perfect for Ursula’s vocal to totally hypnotise and pull us back down to earth. Extra sensory business this summer, these aren’t remixes – they’re whole new chapters.

The second of Alma Negra's 12 Rhythms Series is dedicated to the Maloya sound from La Réunion, a tiny island where a
melting pot of cultures is reflected strongly in its music. Maloya's roots go back to the time of slavery, its quick tempo and raw
energy making it not only a popular dance music but also a powerful protest through movement.
On their Maloya EP, the Basel collective pay tribute to the hypnotic rhythms that were feared both by the Catholic Church and the French government for the musical form's subversive part in the rebellion against colonialism.
The release revolves around two contrasting Alma Negra re-workings of Lindigo's Tany Be. The first takes a classic call &
response structure in 12/8 and 6/8 rhythms, adding a driving bass line and guitar licks. A solid 909-kick locks things in step,
along with a sax flourish and FM synths. Their re-imagining of African and Tamil influences for modern dancers is a triumphant
manifestation of the music's origins.
With the main reworking focusing on a rolling dance floor groove, the Dub Mix concentrates on trance-inducing aspect of
Maloya. Using a modular set up to pick apart layers of percussion, it is a dense and heady trip into the spirit world.
The B side focuses on Christine Salem, one of today's stars of the Maloya scene. Without wanting to squeeze the soul from her
deep tones, Kabaré is slowed down a notch, with drums added sparingly. This sensitive treatment gives the track just enough
weight and tension to punch in on todays dance floors without losing the intent of the original.
The source material for this EP has been road tested from the very beginning of Alma Negra's journey. The collective have gone
to great lengths to ensure the original creators are on board with their treatment of their music and are honoured to be given the
chance to distil their own ethos into a record that is bubbling with today's dance floor drive. Their reverent treatment aims to
preserve the power and beauty of the source material, to bring uncovered gems to a new audience.

D.Tiffany lands on Coastal Haze

Having discovered electronic music at the end of the 90’s, Thomass grew up going to raves where trance was one of the main styles played at this massive partys. The influence it had on him was planted deeply into his DNA and this EP is the interpretation he has these days of the genre. He moved on to different pastures soon after but the style was already in him. Thomass now takes the old fashioned elements he still likes and takes them to new directions. Fueled by gated chords, dreamy arpeggios, trippy vocals and percussions this tracks are destined to take you back into the past and bring you right back to the present. Forget what you learned. Trance not trance.

Pablo Fierro's edit of 'Baiana’ is one of the most sought after tracks 2019 and is finally out on vinyl! Further more this release features a FNX Omar remix of the Innervisions’ classic 'Kuar’.

As usual Culted Edit will takes you for a ride in a folktronic sound !

collecting orders for repress
Red Axes are very excited to present the first part of their new project called: "Trips", a multi media venture combining music, film and travelling across the globe in pursuit of extra ordinary collaborations.

Niv Arzi and Dori Sadovnik are seeking to discover new grounds and sounds, and to record local musicians, indigenous instruments and present workshops for youth music schools.

In March of 2017, the Israeli duo touched down in Africa for the first time, and set up camp in both Ethiopia and Ivory Coast, yielding In Africa, a triple header EP which features three slices of contemporary body music, with both East and West African musical motifs.

The project will always present a musical release, on vinyl and digital, that was created on the trip, accompanied with a documentary, showing the whole journey.

The Music;
A1 sees Red Axes and seven-piece Ivorian band, Yakomin, intertwine mechanical drum-machine passages with breathing, live percussion and recordings of instruments indigenous to the West African costal region. Amuse's dusty, afrofunk-leaning synths pair excellently with the celebratory singing and rhythms by students from Abidjan's Insaac Music School. Addis Sababa's overdriven, analog electronics escort lesser-known wind and plucked instruments to the sunny finish line. in trademark Red Axes style.

The Film;
An accompanying documentary by Nimrod Von Keren, entitled TRIPS #1 - Africa, is soon to be unveiled, which showcases the magic moments behind this first-of-many, transcontinental, nonstandard collaborative experiences.

The Show;
On August 23rd, we will present a one of a kind performance with 3 of the amazing musicians we worked with in Ivory Coast, from the band Yakomin. The show will happen at "Sacred Music Festival" in Jerusalem, and this is the most amazing closure, the band and Red Axes could have dreamed of. The artists will prepare a special set up of tracks recorded together, and new organic interpretations for their biggest tracks

The dynamic trio of Yør Kultura returns from the Netherland wilderness with their new 4 track ep “Ours Is Yours" on Permanent vacation. After last year's magical hit "Shimming" that you could hear in every corner of the world and was found in dj bags across genres, they continue discovering new paths while perfecting their shamanic, percussive and hypnotic sound. It takes you to the nearest rainforest of your mind with no wishes left unfulfilled.

The Futurists rejected tradition and introduced experimental sounds and this fact, that influenced a lot of composers during the 20th century, helped them to build a concept that started the career of Barcelona based duo Iro Aka. The evolution of their music started with this EP, fluctuating through psychedelic and esoteric influences, taking as its main references the continuous technological evolution and those new techniques to make electronic music. “Futur” is an extract of the first ideas of Iro Aka. They started the project at the beginning of the 2017 and this EP was produced then, showing the abstraction that they felt at that moment, a path drawn by different sounds that came from different people and different places.

Tapan leaves their mark on Zukunft with reimagining the original as a slowly building, tribal inspired and almost sitting in an alternative timeline. Clever use of percussive elements does not take away from the track being playable in the club.

The slightly psychedelic dance floor experience is delivered by Anatolian Weapons. Pulsating rhythms intertwine with classic drum sounds and paint a mood almost contradicting the vocals of the track. Perfect secret track for any dance-floor.

Repress!

Another sampling of the 'Vancouver Sound', as it is not known. The recording debut of Slim Media Player, with two deep (but not too deep) club cuts, toeing the line between 'just about heady enough' and 'I'll play this one later when more people are here'. Electric Sound Broadcast kicks off the flip with a thoughtful tribute to his favourite recreational vehicle; and Khotin brings us ashore with a track referred to as the 'EP standout' by someone on the internet.

The Garda Lake in the early 80ies is possibly not be the first place which pops up, when it comes to pivotal moments for European dance & club culture. Whilst most of Europe was dancing to more and more commercialized disco music, a handful of north Italian DJs were trying to find an alternative form of dance music embracing a spiritual and natural sound. Forward thinking club residents like DJ Mozart, DJ Rubens, Daniele Baldelli, Ebreo, Pery and Beppe Loda fused African and Brazilian music, Reggae, Ragga and Bhangra with Kraut-Rock, space disco, US funk or British new wave b-sides with a carefree and partly odd approach into their so-called “Afro/Cosmic Sound”. ecords were sped up or slowed down massively to create a slow-paced rancey journey somewhere between 90 and 110 beats per minute.

Finally Repressed!

Coming soon, the new e.p. from Konstantin Sibold on Snork Enterprises! What about him Born in Stuttgart in 1987, grew up with hip hop music, high school in fine arts, study of aviation and space technology, teacher of drums and percussion, active as a drummer in a classical orchestra, co-founder and artworker of the renowned Common Sense People event series & resident DJ at the club Rocker 33 in Stuttgart, music repertoire includes hip hop, pop, indiependent, folk, classical and electronic music. His musical design can be best described as opposites attract with attention to the everlasting basic principle: As little as possible, as much as necessary or better: if no girl is dancing, I've made something wrong! Noisy and clear, functional and strange, stereotyped and unconventional, wide and narrow, stereo and mono. Sampling takes precedence over the programming of sounds, every element must have a function and must be internally consistent, vinyl is the sample source and acts as patina supplier, Presetsound-"not"-sound is absolutely taboo. Everything stands or falls with the sound of the elements used. These need to fuse together to a foundation, where your first impression can sit. Is this
foundation given, you get things deliberately to collapse. The arrangement is derived from the items that are available and not the other way around.

Red Axes are very excited to present the first part of their new project called: "Trips", a multi media venture combining music, film and travelling across the globe in pursuit of extra ordinary collaborations.

Niv Arzi and Dori Sadovnik are seeking to discover new grounds and sounds, and to record local musicians, indigenous instruments and present workshops for youth music schools.

In March of 2017, the Israeli duo touched down in Africa for the first time, and set up camp in both Ethiopia and Ivory Coast, yielding In Africa, a triple header EP which features three slices of contemporary body music, with both East and West African musical motifs.

The project will always present a musical release, on vinyl and digital, that was created on the trip, accompanied with a documentary, showing the whole journey.

The Music;
A1 sees Red Axes and seven-piece Ivorian band, Yakomin, intertwine mechanical drum-machine passages with breathing, live percussion and recordings of instruments indigenous to the West African costal region. Amuse's dusty, afrofunk-leaning synths pair excellently with the celebratory singing and rhythms by students from Abidjan's Insaac Music School. Addis Sababa's overdriven, analog electronics escort lesser-known wind and plucked instruments to the sunny finish line. in trademark Red Axes style.

The Film;
An accompanying documentary by Nimrod Von Keren, entitled TRIPS #1 - Africa, is soon to be unveiled, which showcases the magic moments behind this first-of-many, transcontinental, nonstandard collaborative experiences.

The Show;
On August 23rd, we will present a one of a kind performance with 3 of the amazing musicians we worked with in Ivory Coast, from the band Yakomin. The show will happen at "Sacred Music Festival" in Jerusalem, and this is the most amazing closure, the band and Red Axes could have dreamed of. The artists will prepare a special set up of tracks recorded together, and new organic interpretations for their biggest tracks

he Label Boss returns to his own Yore Imprint with another stunning solo Release. These are Different Times indeed for Andy Vaz if the EP's three mighty jams are indicative of where his music's heading.

A woman wants to marry a man who lives in the ocean. The man came up from the sea, proposed the maiden and they sink back into the waves, and sink.

The mysterious Algorythm makes a welcome return to his own imprint with his Hunter EP- four original productions that showcase his ability to create perfect synchronicity between light and dark. Title track Hunter is a tense, dramatic offering that plunges the listener into an enthralling trance. Homework fuses eerie and industrial sounds with a pacing percussive backdrop and dark cinematic layers. On Ich Glaub Ich Spinne Algorythm takes the EP on a new journey with an uplifting groove, playful beat weaved together with triumphant pads. Shark Tale deploys a carnival of percussion as waves of synths wash over the intricate layers. Little is known about Berlin producer Algorythm. Under this enigmatic alias, he heads up Berlin-based imprint Neptune Records, as well as being one of the key figures in the newly launched Planet X Recordings - a label with an equally mysterious thread running through it. Named after Planet X- a supposed 'planet' with a mass 10 times of the Earth deep in our solar system- the project will be an exploration of this object with each release featuring the work of different photographers, which will be exhibited later this year.

DJ Fett Burger's first solo album!
A nine track double album with the full circle of Fett man's artistic styles to date. A deep personal trip into the different sounds that in recent years have been defining, and inspiring his productions and output. A musical story from beginning till the end. Always weird, never straight. A free flowing creative record with no compromise in mind, and never predictable. A genre spanning experiment within the strict frame of Fett man's aesthetics. Deep, personal and wonky, with a psychedelic and emotional touch!
Sound wise, always looking back to move forward!

CAIN closes out his Fine Grains triptych with a vivacious EP of signature bass shuddering, polyrhythmic drums. ‘High Call’, his first 12” on the now Amsterdam-based label, offers 6 original tracks and a remix by Japanese producer Jun Kamoda in homage to the revelatory spirit and pre-medieval origins of carnivals. Artwork by Dutch/Scottish artist Roos Dijkhuizen created through ink and water drawings.

Colours emerge from the dark, glowing torches and fire embers flicker through the night. ‘Caapi’ warmly draws you into proceedings, an alluring tease of soothing chimes and preview of the infectious shuffling drums that will follow. From ‘Apsara’, Cain sets us on the front foot. A pounding, stuttering rhythm ignites the track, as spinning chord sounds echo and a haunting, hallucinatory vocal lead us on. The carnival is fully alive in ‘Gundon Night’, a sinister and menacing broken track steered by Cosssack warrior chants. High on the mountain we reach the pinnacle of ‘High Call’, a triumphant lead track with CAIN’s recognisable warm and driving, rhythmical drum patterns. The otherworldly psychoacoustic melodies of ‘Taiyi’ and slower-paced triplet drums structures of ‘Zetwal’ make these tracks the outliers of the EP, but they also complement and help to complete the picture. Jun Kamoda’s zany turned up marching techno take on the lead track signs out ‘High Call’ in playful, multi-coloured order.

Hotly-tipped Glasgow duo Manakinz are next up on Jasper James’ budding imprint Mitchell Street Records with a vigorous three-track dispatch.

Behind the duo is Jasper’s father and house music legend, James ‘Harri’ Harrigan, and venerable selector Affi Koman. Both are steeped in Glasgow’s rich musical history, with Harri being one of the legendary faces behind Scottish institution Sub Club with its world-renowned flagship residency Subculture, and Affi Koman is known for his lauded Sunday Circus residency.

Established in late 2018, the duo’s productions have bagged support from a long list of respected artists, including Andrew Weatherall, The Black Madonna, Levon Vincent, Ashley Beadle and Bill Brewster.

“A week after I got these tracks, I dropped the A-side ‘Snakehips’ at a Boiler Room gig and the reaction was amazing. Approval doesn’t get much better than spinning it through a road test and I’m looking forward to kicking 2020 off with this killer EP. ” – Jasper James

The EP leads with ‘Snakehips’ a frisky peak-time brew loaded with propellant, tribalised drums and a soulful vocal cut set to stir. On the B side, ‘Yamaha Rumba’ runs with the headiness, amplifying the atmosphere with a maelstrom of synths and skittering keys, and it hits the spot with the release of a lustful, lascivious female vocal. ‘Partizan’ completes the package, giving listeners a robust, heavyweight club track.

Danzaikaki is proud to present its first Various artist which features all the label artists. Support from : Dave Ellesmere , Phil Weeks, Loco Dice , Marco Carola , Ilario Alicante ! ! !

Repress

Third EP from the man Sentiments releasing four 90's inspired tracks, somewhere between detroit house & early idm. Breakbeat & tribal rhythms guaranteed.

PGH guys drop their debut album, focused on the dancefloor & sequenced for those whose favorite dancefloor is at home, putting their distinctive spin on house, techno, electro, & disco. Warm, inviting, & perfect for the summer months ahead.

The dynamic trio of Yør Kultura returns from the Netherland wilderness with their new 4 track ep “Ours Is Yours" on Permanent vacation. After last year's magical hit "Shimming" that you could hear in every corner of the world and was found in dj bags across genres, they continue discovering new paths while perfecting their shamanic, percussive and hypnotic sound. It takes you to the nearest rainforest of your mind with no wishes left unfulfilled.

Rollover Milano is proud to present Anything Goes - Rollover Edit Service Vol. 4! Four lovingly reworked edits soaking up the sun and channelling that sea breeze saunter from Ferraroni, Jacques Renault, Makossa and Pasta.

DJ Support: James Murphy, 2manydjs, Jacques Renault
and Axel Boman.

We proudly present "A Work in Progress" (Priceless one) with help from chez Damier) on our 18th release.

Wokoundou is an electronic music label rooted in Afrofuturism and Sci-fi, raised by Philou Louzolo. Philou is an artist hailing for his audience to perceive traditional African music within the realm of a more obscure, sci-fi and techno indwelled electronic music experience, hereby fast-forwarding its ancestral prospects into the future. The first volume is an EP that represents Wokoundou's intergalactic diverse sound. Shinobi Of Wokounou is a 5 tracker EP, blending Techno, Japanese Anime soundtracks, Acid and African music. Wokoundou's first release is directed to all dance floors in this galaxy to connect and invite people to perceive African music with an multiversal mind.

dave aju returned to mule musiq with straight dance floor tracks after an excellent album “txlax” on mule musiq.

“go!” on a side is a dark jazzy newwave deep house, it’s already favorite of axel boman.

“glendale blvd boogie” on b1 is a trippy tribal house tune and “ciao sun”on b2 is an experi-mental breakbeats.

"Eye Contact" is the World's first look at Detroit's Symptoms of Love. Ryan Spencer (of Freakish Pleasures) and Ben Christensen (co-head of Sector 7G) display affection for their community through 3 tracks crafted in Hamtramck, Michigan. Auxiliary percussion and a plethora of classic synths makeup these sludgy, intuitive, melody saturated disco hits. Sticking with the theme of community, featured musicians include Antonio Manzari and Paul Taylor.

he inaugural physical release on Tonal Unity is a modern take on Korean traditional sounds, presented here as the first in a series of 3 compilation EPs. The raw and ancient sounds of Korea are interpreted by a cross-cultural selection of artists, each seeing them through their own cosmic prisms. Sit back, relax, and put a fresh cone in the incense burner for a trip to the hills in the Land of the Morning Calm.

Diving head first into 2019, we are adamant to continue our pace of never slowing down in our quest to release cutting edge, timeless music and with our first release of the year we turn to one of the most sought after names in todays scene to guarantee it. The one and only Butch graces us with two stellar cuts and both tunes are uniquely crafted cuts that only Butch could make work on the dance floor. 'Bepsi' kicks things off with organic percussion where groove reigns supreme and an ethnic vocal sample provides the lead creating the perfect balance of sincerity and humor only Butch himself could pull off. The second tune; 'Yallah' takes cues from the previous but cranks up the pace and infuses indigenous instruments and energetic atmospherics to create a wild ride perfectly suited for any dance floor moment. As if those two weren't enough, a remix of 'Bepsi' from one of the recent years hottest new faces; Waff and Butch's own dub version of 'Yallah' forging an undeniably strong bundle of modern dance floor antics. Enjoy!

Hamburg-based Love-Songs’ newest output Nicht Nicht continues the band ́s striving to mesh defined grids with improvisatory snapshots to create their very own take on organic electronica. Since 2012, the electro-acoustic trio were able to explore the possibilities of their free-flowing interplay through the course of several EPs and the mini-album ‘Inselbegabung’, which was released on Kame House.

Now they are ready to submit their debut album Nicht Nicht on Bureau B. Meandering through it's seven-tracks "Nicht Nicht" contains the Trios most aerially shimmering tracks to date flanked by Tribal bouncers. Form, deform- and somewhere in between ...

Inner atmos and next time – rain into rivers, rivers to rain.

Sequence is subjective, irrelevant – it’s where we stand. Out of order, we dissolve and reform, coming together to come undone. There is no first, no now, no next – just precision points in the wide deep sky.

Another bang, another – it’s the reading which is important. Repeating in parallel, the natural loop is healing; repair, resonance, return. We live in a fragment; soft light and clouds drift like dreams into memory, showing movement in the mirror.

“Here the performer becomes free like the playful clouds high above the world of pain, suffering, happiness, ecstasy, disappointment, greed and ambition of human life”

In this present, we are touched to have unreleased business from Memphis. In unlocking the stoic DAT tapes we open a direct channel from 1993 to this now; three tracks which are meditative, essential rhythm with direct, organic charge. It’s Dream Night Dance Music and Osram 509, with RHK, En-Trance, and Microgravity.

More poetry in remembering our first release was also Memphis. Big complex loops and inner paths. Who’s been here before? All of us, one of us, none of us.

Tribal journey into psychedelics grooves, voodoo incursions and exotic atmospheres.

Recorded by composer and multi-instrumentalist Giuliano Sorgini between 1974 and 1976 in his studio in Prati district in Rome, a stone's throw from Italian television offices, Africa Oscura is a set of tracks inspired by the wildest and most obscure secrets of those lands, intended to be the background of some tv documentaries.