House News

Infamous District is back after 4 years with a second release!
This time Pustota aka Lectromagnetique delivers 4 banging dark techno tracks , Lectromagnetique is known for his incredible electro releases .
This EP called Rascal EP produced by Pustota is a masterpiece , it’s the first time he produced Dark Techno , and will not be the last one , if these tracks won’t get your blood streaming , nothing will .
We at UMX are honored to release this EP , and we can’t wait for the next one .
Check out this release and i’m sure you will be hooked to the sound of this record .
Make sure you pre-order this one cause i got a feeling this one will go fast , make sure that you get it for your collection

Garies come through for Future Times! After putting a killer on the FIGS Compilation last year (the excellent “Don Bongo”), Lumigraph and New Jackson team up and go wild for a four-song collection. Again channeling a few sounds at once, Garies go up and down with the tempo from the lazer-and-dirt-soaked opening rumbler “Emergency Tenner” thru the Dance-Mania-off-the-rails energy of the B2, “What A Room.” Get In.

Horse Category closes out its first year with the third Phonopsia release, Peaks and Troughs, completing the reconciliation with older material that spans these first releases. The three slower techno tracks share little in common besides their tempo, while the faster closing track offers something more DJ friendly.

Hypnotic, scuffed dancefloor movements, dub-dilated drum workouts &
heavy-lidded ambient zones.
Made in Hong Kong before the storm, Manchester and Bristol.

Born and raised in Hong Kong, Scott Young’s music traverses a wide sonic palette, encapsulating leftfield dance music, musique concrete, experimental film soundtracks and lush ambient excursions.
Following a noteworthy appearance on Samo DJ’s Born Free imprint, a series of accomplished releases on Discos Capablanca and a mesmeric contribution to the 2019 Opal Tapes compilation ‘Amateur Vampires’, Young returns with his most significant output to date.
Comprised of five tracks that work towards different styles, ‘Ket City’ is intended as an intimate ode to the United Kingdom, and a response to the oppression of algorithmically filtered modernity and the drudgery of work. Diving into hypnotic, artfully fractured dancefloor movements, dub-dilated drum workouts & heavy-lidded ambient zones, ‘Ket City’ is a diverse prospect that nevertheless reveals the execution of a unique signature.

Limited vinyl featuring producers Seldom Seen, Force Placement, DELINSTR, and IvanAM. 4 underground trax ending out 2021 with this bang for your buck release!! L.A. West Coast focus: Caltechno, deep groove and electrofunk beats! Digital download code included (code sealed inside behind label sticker)

With MEL016, Melodies International are extremely proud to take one more step into house territory with their reissue of what certainly constitute the two most exciting remixes of Flame by UK Trip Hop group Crustation: New York House legends Mood II Swing’s Vocal and Borderline Insanity Dub mixes.

John Ciafone and Lem Springsteen from Mood II Swing grew up and met in New York City in the early 90s. They were club kids with roots in early hip hop, soul and disco and soon decided to start producing together. After a fateful encounter with Louie Vega from Masters At Work, Ciafone and Springsteen committed to pursue dance music, and given the opportunity started releasing their own records that would lead them to settle in as genre defining house producers celebrated by their contemporaries back then whilst informing and influencing the styles of many eminent dance music producers of today.

Flame was originally produced by Crustation, a Trip Hop group from Bristol formed by Ian Dark, Stig Manley, Mark Tayler and singer Bronagh Slevin, as part of their last album Bloom originally released in 1997 on Jive. The same year, Jive released a string of remixes including two from Mood II Swing included here on this release.
The vocal mix centres around full segments from Bronagh Slevin’s chorus and an incredibly satisfying progression of synth stabs based on the chord changes from the original which alongside Slevin’s silky vocals intimately captured the melancholy in the lyrics depicting recovery from someone’s unconditional love being taken advantage of repeatedly. However, Mood II Swing’s club treatment, subtle arrangements and sequencing bring an added sense of closure which feels somewhat cathartic and liberating, therefore resolving the song’s predicament. A true anthem for emotional dancefloors!

On the flip, we have Mood II Swing’s Borderline Insanity Dub mix which essentially discards the vocal version’s “song” aspect, focusing mainly on John Ciafone’s dexterous drum programming and an extremely simple and repetitive three note bass pattern, which alongside subtle use of overarching synth lines and chopped up elements from the original bring the track to an all time creative high shining in its full 7 minutes of dark, hypnotic bliss.

Both these remixes would go on to become club classics, the Borderline Insanity Dub mix in particular which embodies one of Ciafone’s brightest and most inspired moments in the studio, which would go on to influence a whole new generation of producers.

For Instance, in Floating Points' words:
“I first heard the Mood II Swing dub mix on a mixtape by Phil Sherburne maybe 13 years or so ago. I think a lot of things changed at that point for me. It was probably my gateway into dance music, I hadn’t heard a groove like it. But it also has the hypnotic and repetitive elements that make this a record that can help dig into the deepest end of a DJ set or push it to the exciting rolling heights. It’s a record with everything I love about the genre!!”

Presented for the first time as a standalone release, remastered to the highest possible standards and cut to half speed lacquers at 45rpm, Flame’s Mood II Swing remixes are presented in loud 12 Inch format!

Melodies seem to sprout from the hands of Reinhard Vanbergen. This Friday, the multi-instrumentalist releases his bundle of no less than three new albums. Has he been seized by some kind of spirit, channeling higher creative forces through his body? Or does everything he plays around with just seem to work? Whatever it is, we’re digging it.

The first album, Presents For Friends, consists of piano pieces, Stringworx is string pieces and Ubuntu dives into the world of the computer, as a mode of production and instrument in itself.

A release that resists categorizing. It flies from bliss to whim, flirts with the sensational and the silly. An immersion and a playdate, with beautiful melodies, masterful harmonic shifts, eccentric fusions and little moments genius scattered throughout.

limited press, be fast... order, to secure your copy!!

Second instalment on Derailleur’s own Decade Box imprint, featuring a rather good remix from Carl Finlow. Derailleur’s arp driven, sub heavy original gets a signature reboot courtesy of Mr Finlow. Dorsia’s Adam Reid switches up the vibe, taking a more breaks driven approach to Derailleur’s electro version. While Finlow adds the funk, Reid strips back the elements to reveal a starker, more urgent vision of the original.

Following his timely 2004 debut on Varial, Derailleur has also released on Dust Science, Soma and Harmless. With a strong commitment to hardware based recording and performance, 2019 brings in a new chapter for the France based producer and DJ.

For years, the vinyl 12 inches from the French Techno-house & New Beat label N9 were nearly impossible to find, and devoted Oldschool Fans kept asking for represses.
Thanks to a joint venture with fellow Belgian label Fenix Fire Records, the wait is over! Here’s a deluxe 2x12' compilation, on 180g marbled red vinyl in a beautiful gatefold package.

With 11 tracks spanning from the origins in 1990 to the rebirth since 2005, N9's most wanted releases are here, remastered by French sonic wizard André Dalcan, ready to get turntables at the right 33+8 mood, and get the white glove raised again!

The release also includes a digital version of the compilation, plus a 21 min megamix by Igor Altman, and 3 additional unreleased tracks, including the infamous cover of The Maxx's "Cocaine" in 2020

Double A-side 12'' by Agoria with some well produced modern house music with strong hooklines, full of tension, slowly building up.

First EP for this newcommer. And a good one. One side of pure electro trippy techno and one side for a solid 170 BPM electro tribe tune.

Exzellente Kollektion des in Kyoto geborenen und in Tokio lebenden, japanischen Digital-Künstler, Fotograf und Komponisten Osamu Sato mit exkusiven und bislang unveröffentlichten Ambient-Aufnahmen aus den Jahren 1993-2001. Osamu Sato began seine Karriere Anfang der 1980er mit ersten Tape-Releases und erlangte weltweite Beachtung durch die Produktion kultiger Videospiele wie "Eastern Mind" (Mac OS) und "LSD Dream Emulator" (Playstation), zu denen er auch die Soundtracks schrieb.

We are proud to welcome Fear-E for his Dark Entries debut ‘Grey Skies In A Dear Green Place’ out February 28th. Fear-E is the moniker of Scott McKay a Glasgow based DJ and producer. Scott has already made a name for himself as one of Glasgow’s most technically-gifted and diverse selectors over the past decade. Then a slew of releases on the home-grown Dixon Avenue Basement Jams and Super Rhythm Trax introduced Fear-E, equally skilled studio operator, to the world.

‘Grey Skies In A Dear Green Place’ contains six club-ready tracks to “smash sound systems and illuminate sweaty warehouses.” The title is a reference to a nickname that Glasgow has, coming from Cumbric, means 'green hollow' or (dear) 'green place'. Layering cut-up vocals with warm thumping beats, Scott creates a stripped-back yet deeply jackin’ vibe. Call these tracks what you will, “acid attacks”, “club destroyers”, “pickle ticklers?!” All songs have been mastered by George Horn at Fantasy Studios. For the cover, Scott commissioned legendary Detroit illustrator Alan Oldham, who’s artwork has graced established an identity for Transmat and DJAX-UP-BEATS, to create a futuristic portrait of Glasgow in black & white and with green kryptonite flourishes by Eloise Leigh.d

Heavenly Recordings announce the release of ‘Heavenly remixes 3&4 - Andrew Weatherall volume 1&2’, a brace of compilation albums collecting together some of the finest remixes from the label’s long-time friend, collaborator and go-to remixer. These compilations follow ‘Heavenly remixes 1 & 2’, which showcases some of the label’s other great remixes.

 By the time Heavenly was born in the spring of 1990, Andrew Weatherall was already an inspirational sounding board, as well as a fellow traveller on the bright new road that stretched out ahead, thanks to the massive cultural liberation of acid house. Back then every energised meeting could be turned into a fortuitous opportunity in this burgeoning new underground economy. Bored of your job? Start playing records out! Start a club night! Get in the studio!
Start a label! Just don’t stand still. Commandments Andrew would follow for the rest of his life.

 At the start of things, Andrew was a regular visitor to Capersville - the pre-Heavenly press office run by label founder Jeff Barrett (soon to become Andrew’s manager). It was there that he famously picked up a copy of Primal Scream’s unloved second album and singled out a
track that would later become ‘Loaded’, after being given an instruction to “fucking destroy” it by the band’s Andrew Innes; it was there too that the idea to remix the first Heavenly release
came about.

 Andrew’s mix of that first Heavenly record is very much a product of its time. ‘The World According To Sly and Lovechild’ is a swirling bass punch topped with a hypnotic marimba line and the kind of ecstatic diva vocal that you’d hear coming out of the speakers all night at postShoom clubs like Yellow Book.

 His take on the label’s next release - Saint Etienne’s ‘Only Love Can Break Your Heart (A Mix of Two Halves’) - would set the template for his next three decades of audio exploration. A drawn-out imperial dub, the track builds and builds with a moody intensity (partly down to the
melodica played by Weather Prophets legend Pete Astor) that’s far more Kingston JA at dusk than Kingston-upon-Thames at kicking out time. It’s both a dancefloor record to get lost in and
headphone psychedelia of the highest order - a perfect example of what he did better than anyone else.

 Between 1990 and his untimely death in 2020, Andrew fed more Heavenly bands through the mixing desk than those of any other label. Consistently, he returned visionary music to the
office, often in person for (at least) one ceremonial playback - a ritual that would involve the volume cranked up high and Andrew rocking back on his heels, eyes closed, lost in the alchemy of it all.

 Each time, he would warp and twist originals into beautiful new shapes - elasticated club records that might evoke Detroit techno one second and Throbbing Gristle the next, before wheel-spinning into something akin to The Fall produced by King Tubby.

 Andrew’s studio adventures would always be guided by that early advice to destroy the source material. It’s why he was the first name that came up when remixes were discussed; the first number on the speed dial. Listening back to these remixes now - to thirty years of glorious outsider sounds - it bangs home again just how fucking good Andrew was.

Hong Kong artist MR.Ho known as cofounder of Klasse Wrekcs gives 4 tracks for the floor.

Cabaret Recordings 26th release.

WWM is happy to welcome one of the purest talents of the scene, directly from Kyiv, Vladimir Gnatenko.

Vladimir built his reputation with some outstanding live shows, and he is one of the most interesting artists of the shining Ukrainian scene

The EP is a perfect example of the diversity of styles he covers, from 4/4 to breakbeat with a very unique blend of spacey trance sound which is a trademark of his productions.

A side opens up with Storm, an emotional excursion into Vlad’s art. Nostalgic synth lines evolving into a hedonistic dancefloor banger.

A2 is Roosblom, a kidnapping tune that brings you to a dystopic world when new forms of life are trying to surface.

On the flip side, we have Toevlug, the most introspective piece of the EP. Melancholic sounds and robotic sequences create a dreamy aura while the sneaky breakbeat held up the tension.

Skarrel closes the EP with a ruthless 4/4 beat combined with a gloomy atmosphere that finds its climax on the break. That’s pure madness in a big sound system.

The duo from North of England (Silverdale) is finally back with their 3rd studio album ‘A Safe Place To Be’. ‘A Safe Place To Be’ comes as the most personal and up-close album from the band.

It’s an album the two of them have been working on, on and off for 2 years, and they and it has been through so much in that time.
The creative aspect of this album (shown in the artwork, videos, and physical formats) is a huge part of this album. The detailed model village where everything was captured, is based on the band’s memories old and new. It’s set in the village (Silverdale) where they both grew up and each song holds a special place in that model village for the two of them. It itself is the band’s ‘Safe Place To Be’, their memories, their hometown, and the songs of this album all in one place. It’s a journey they’d like to take their fans and listeners onto and hopefully, they can find or return to their own ‘safe place to be’.

The duo from North of England (Silverdale) is finally back with their 3rd studio album ‘A Safe Place To Be’. ‘A Safe Place To Be’ comes as the most personal and up-close album from the band.

It’s an album the two of them have been working on, on and off for 2 years, and they and it has been through so much in that time.
The creative aspect of this album (shown in the artwork, videos, and physical formats) is a huge part of this album. The detailed model village where everything was captured, is based on the band’s memories old and new. It’s set in the village (Silverdale) where they both grew up and each song holds a special place in that model village for the two of them. It itself is the band’s ‘Safe Place To Be’, their memories, their hometown, and the songs of this album all in one place. It’s a journey they’d like to take their fans and listeners onto and hopefully, they can find or return to their own ‘safe place to be’.

After a 5 year hiatus, Tel Aviv based artist Naduve, returns to Cocktail d’Amore Music with Hypogeum. Each of these tracks facilitates its own special part in the life of party. Starting off on a hypnotic and forward driven note Echo Wave Bay leads dancers perfectly into hypnosis with its trance inducing melodies which wave upward and downward. Title track Hypogeum begins to pull on the heart strings with its soft synths floating over pastel textures before giving way to the aptly titled FX Jungle, a deep trip into the low lying canopies of your imagination. Ending where we began Thursday Gem explores the same cyclical themes as Echo Wave but in a subdued fashion making it a perfect choice for winding down any raucous party.

New Omar-S.

Four epic space jams to play as your attack ship goes down in flames off the shoulder of Orion. 'Go big or go home' could be Dream Ticket's motto by now, and Seoul-based Pyramid Of Knowledge has the sonic weaponry to live up to it: breaks, bass, acid and an extra heaping of laser noises. Hearing is believing!

It's the dawning of a new era... after many months of being connected via proxy the time has come to get together... Tonight My Dance, Is All About You!

Pascale Project brings you three original dance music compositions in the key of having a good time. Soaked in the tradition of summer fun in the city, elements of Freestyle and Electro weave in to the House beat. These sounds evoked by our beloved corner of the world are now broadcast to the global network of party purveyors. A pulsating chill-out version of 'Welcome' by DustWORLD head Dust-e-1 sits nicely at the A2 position to be used as needed.

All cut at 45rpm for diverse playing styles!
Music by Pascal Mercier.
Mastered by Nik Kozub.
Artwork & design by Kris Guilt

Dream Ticket continues its explorations of acid's deepest waters, this time with a splash of braindance courtesy of Robert Semeraro aka Pearl River Sound. At higher velocities you get the slippery pop of 'Digiana' and the chicago drum deluge of 'Biblio Time', while slowing down brings the rising swell of 'Just Fucking Days Without You' and, finally, 'Topolove', the soundtrack to a shipwreck viewed in slow motion. Limited to 150 copies.

San Francisco’s Xyla is a queer BPoC classical musician-turned producer, heavily influenced by footwork, R&B, club and orchestral music.
 ‘Ways’ is Xyla’s Leaving Records debut. Echoes of
sweaty rave anthems and classic IDM head trips
can be heard strewn throughout the album’s eight
compositions, awash in deep ambient swirls and
intriguingly twisted samples.
 For fans of Bochum Welt, Aphex Twin, Four Tet,
Barker, Matmos, Plaid.
 Tip-on jacket with gloss finish and black polylined
inner sleeve.

Leaving Records introduces San Francisco’s Xyla to the world. The classical musician-turned-producer’s debut full-length Ways presents a fresh, electronic yet organic sound that deftly skates over and around genre limitations into a deeply felt, lush and hyper-futuristic group of songs. Echoes of sweaty rave anthems and classic IDM head trips can be heard strewn throughout Ways’ serpentine compositions, awash in deep ambient swirls and intriguingly twisted samples. Of the album’s title, Xyla states, “Sometimes you think of how things could’ve been. There are a million different ways that things can go.” The eight tracks on Ways each feel like a uniquely personal expression, heavy feelings processed by the producer’s classical music training and extrapolated through exciting self-taught production methods.

The trajectory of Ways covers many different moods and atmospheres. Early standout “Now” inhabits a reflective space, emotive vocal samples mingling with a variety of expressively filtered synths. Xyla states, “It was a very vulnerable time when I was making this music. It was winter, I quit my job, and I had lost a few close people. I just really felt like, ‘Now that I need you, where are you?’” The devastating “Cold” mirrors its title with thick smears of psychedelic pads, abetted by deliriously sliced vocals stabs and a ferocious acid bassline. Title track “Ways” straddles the line between footwork and ambient, a stuttering, endlessly listenable track that unfolds new and unexpected sounds at each turn.

The pairing of Xyla and Leaving Records is a natural one, with the label and producer sharing an affinity for adventurous musical styles that defy easy categorization. Xyla states, “I listen to so much music, and I really feel like my music is all over the place … I was having an identity crisis, and then Leaving Records announces the mantra ‘All Genre, All Genre, All Genre,’ …… ‘yes, that’s me.’”

Critically acclaimed producer Principleasure drops his second full length LP showcasing just how accomplished an artist he has become. No stranger to a well-stocked studio, having designed presets and loops for Roland’s TR-8S and System-8 instruments, this visionary LA-based artist and recent DJ Mag cover star takes listeners through a beautiful world of soundscapes, genres and influences with an analogue warmth running through its veins.

From swirling cinematic sonics, new wave power and italo-tinged excellence, to dreamy electronica, emotive house and synapse-firing electro, this is a journey that captivates the mind every second of the way.

The Void Project is back with its second release “VP002”

Alec Falconer UK rising star, previously released on art of dark, Rue De Plaisance and Entity:London.

Bodin, part of the artist duo "Bodin & Jacob". Co-founder of Traffic Records & NOT ON EARTH

All tracks mixed and masterd by EYE SOUND STUDIO aka Loris Pugnet (LOWRIS)& Kevin Prigoniker
Art work by Elzo Durt

Detroit beatdown legend back again on FXHE.

First Word Records is very pleased to welcome back Quiet Dawn with a brand new EP entitled 'Movements'.

Parisian multi-instrumentalist Will Galland has been with First Word since late 2014, providing several releases for us over the years, from his acclaimed debut album 'The First Day' to his last EP release, the organic opus 'Human Being - The Short Story Of The Reed'. Collaborations have included Makaya McCraven, Oddisee, Miles Bonny and First Word crew such as Eric Lau, Bastien Keb and Sarah Williams White, who he teamed up with on his classic remix of the track 'Hum' and most recently on the track 'One By One' which appeared on the compilation EP 'A Family Affair' at the start of 2021.

For his latest project, 'Movements' sits firmly in the realms of broken beat, after being heavily inspired at First Word's infamous 14th birthday party at Total Refreshment Centre, where he played alongside label-mates such as Kaidi Tatham and Children of Zeus. This delectable six-track EP encompasses a series of deeply percussive grooves and squelchy synths. This is a predominantly instrumental affair, though does feature the supremely soulful vocals of Oliver Night on the track 'Change Must Come', following on from Oliver's work with the CoOp Presents crew amongst others.

Quiet Dawn says "after the birth of my son, I took the time to get back to making new music.

And when I started to work on new tracks, I wanted to compose something without concept, unlike my previous records, just because time is precious and I wanted to find pleasure again when I composeand not be fixed to a concept, or a story.



These new tracks are instinctive; made with my main instruments, rhodes & piano, synths, percussions, vocals, bass and guitars. They are naturally oriented towards my big musical crush, BRUK, along with different rhythms, vibes and grooves. For me, it's definitely a record for the dancers. For this reason, the new EP is called 'Movements'. Aside from the dancer's element, the title relates to everything that is happening in the world at the moment, working on this record over the pandemic. Affecting people in all countries, friendship, mutual aid, solidarity and movements in many instances are very important to me, my family and my musical family, First Word.'



The influences on this particular EP come largely from the West London music scene; DKD, Bugz, Neon Phusion, 2000Black, Domu, IG Culture, Jazztronik, MdCL, the First Word fam and many many more artists. There are also heavy vibes inspired by 70's jazz, funk, disco, latin & african music."

'Movements' by Quiet Dawn is released on First Word Records on vinyl & digital in late 2021.

Bristol based record label ​Shall Not Fade​ celebrate 5 years of existence by curating a double LP featuring new unheard tracks from label family members, new and old. The double LP ‘5 Years Of Shall Not Fade’ was created to showcase the labels ever evolving sound, with the 16 tracks delving deep into a wide range of electronic music.
5 Years Of Shall Not Fade features new tracks from; DJOKO, Adelphi Music Factory, Black Loops, Earth Boys, Matrefakt, Mutual Attraction, Rhode & Brown, Jaymie Silk, Computer Data, Harrison BDP, Module One, Soela, GVRL, Jacques Renault, Tilman, Felipe Gordon, Hanna & Gere.

Marie Davidson is a Canadian electronic producer and performer who
released ‘Working Class Woman’ on Ninja Tune in October 2018. This
album is now being released on clear vinyl.

 ‘Working Class Woman’ is Marie’s fourth and most self-reflective record to date. Italo Disco, proto-industrial and electro influences leaden with gut-punching weight that makes the record more visceral than any she’s released before. Industrial heaviness is balanced by Marie’s spoken text (rather than spoken word); dark, textured soundscapes are counterweighted by statements that carry a darkly humorous edge, making observations on both aspects of club culture as well as more oblique critiques of the modern world.

 “As her production taps out cross-rhythms like a flock of woodpeckers, Marie Davidson’s spoken words demand nonstop work: a gig-economy ultimatum.” - New York Times (‘Work It’, #14 in 65 Best Songs)

 “Marie Davidson’s voice is one of the biggest pleasures in contemporary electronic music.” - The Guardian

 ‘Working Class Woman’ was shortlisted for the 2019 Polaris Music Prize and included in many 2018 End Of Year lists.

 First single ‘So Right’ was remixed by John Talabot.

 Legendary Belgian duo Soulwax remixed ‘Work It’, which was nominated for Best Remixed Recording at the 2020 GRAMMY Awards, and for Best Independent Remix at the 2020 AIM Awards.

 Davidson has previously performed live at internationally renowned
festivals such as SONAR (Reykjavik and Barcelona), Primavera Sound, Dekmantel, Lowlands, Flow, Melt!, Dour, ADE Live, Red Bull Music Festival, SXSW, The Warehouse Project, Parklife and Field Day and supported Eric Copeland.

 She headlined shows across the UK, including XOYO with Hunee and a sold out Electrowerkz (London).

 For fans of Essaie Pas, Nina Kraviz, Lena Willikens, Not Waving, Axel Bowman, Mano, Le Tough, Optimo and Sasha.

 Clear vinyl in black paper inner bags, with 12” 12 page gloss booklet in a matte laminated sleeve with spine. Housed in a PVC sleeve with spot white print.

Tartelet has a knack for uncovering virtuosic, off-kilter electronic music. Max Graef—born, bred and still holding it down in Berlin's Prenzlauer Berg—is their latest artist in this mold. Though adventurous dance music is thick on the ground in the German capital, Graef's 2013 run of singles, cropping up on Graef's own Box aus Holz, plus Melbourne Deepcast, The Gym, Heist and Tartelet, continually surprised, infusing worn-in house with manic energy and acrobatic elasticity. Where many of his peers make languid, self-consciously laid-back tunes, Graef makes brilliantly restless ones. Dropping the needle on one of his EPs, you nearly expect it to pop right off again.


Rivers of the Red Planet, Graef's first full-length and Tartelet's latest album project, takes all that wildness and refines, expands, updates and scrambles it. It's as ambitious and deviously entertaining a record as you'll hear in 2014, the fulfillment of Graef's desire to make anything but another contemporary house music album. At any given moment, Rivers of the Red Planet feels like it could have been recorded through the smoke at a jazz club in the booth at a techno club 30 years from now or inside an MPC stocked with crusty dollar-bin samples. (We'd guess the staff at Graef's beloved OYE Records in Berlin will have a difficult time settling on which section to file it in.) If it sounds sampled, it's a testament to Graef's natural musicianship and production prowess —the record is heavy on sounds he played himself, from drums and Rhodes to fat synth melodies wrung out of an old Crumar Performer water-damaged to perfection. For vocals, Graef enlisted Nigerian singer Wayne Snow, whose rugged soulfulness makes him a natural pairing. On cuts like "Drums Of Death" and "Speed Metal Jesus," the club- readiness of his EPs lives on. But Rivers of the Red Planet may be most at home in your living room, with a good bottle of red and a roaring fire's crackles mixing with the pops and hiss of the vinyl—a playful listen that sinks in, burrowing deep and getting you all warm and gooey on the inside.

Analog Concept returns with their 3rd entry, "Bay of Thoughts” a 6 track split EP from Aquatronics (Fundamental Records, Magnonic Signals) and MSRG (Between Places, Heretic Electro). "Bay of Thoughts" EP takes the listener on a deep dive through the sonic imaginations of Aquatronics and MSRG, expertly spanning both ominous and colorful hues of Electro. It's all complete with beautiful artwork from Abu Qadim Haqq for a submersive journey into Drexciyan and Aquatic themed Electro.

Formed by German prominent electro producer Boysnoize and French film director/electro producer Mr. Oizo (aka Quentin Dupieux), Handbraekes comes back with a brand EP, the third one since the mysterious episodic collaboration started in 2012. Blending Boyznoize electro maestria with Mr. Oizo's peculiar touch, '#3' will undoubtedly both startle minds and make bodies dance, creating disco riots in clubs and festivals around the world.

Panorama EP could be considered Erta Ale’s personal homage to the early 90's progressive house . Repetitive patterns, infectious bass lines and emotional chord progressions cooked together with precise rhythmical structures as well as featuring short vocal loops and acid lines typical for that time. The intention from Erta is to bring the crowd back in time and far from intellectualism and negative trips, in a place and time where dancing, dreaming and positive feelings were always present on the dance floor. Side B features an impeccable remix by the growing talented Italian duo we.amps, who as usual deliver powerful and tasteful dance floor tracks.