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Последний логин: 8 мес. назад
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DFR is back with their third release, featuring Brazilian DJ and producer, Villaça, making his debut on the label.
This release highlights his personal style, with each track on the EP meticulously crafted. Listeners are taken on a journey through deep basslines and entrancing melodies, seamlessly merging the darker aspects of house, techno and electro. B1 produced in collaboration with Uruguayan producer PHORO.
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2024 Reissue
Carl Finlow is one of The UK's unsung electro heroes. On "Hashtag", he's remixed by another criminally underrated British electro and dance music wizard: Radioactive Man (a.k.a. Keith Tenniswood). This tight jam from 2013 finally got a wider audience last year thanks to Helena Hauff's memorable Denkmantel set. "Hashtag" combines Drexciya-referencing synth work with the perfect amount of acid flourish and a menacingly gliding bassline. Re-released due to high demand and mint copies selling for L160 on discogs. Pure bliss.
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The lines between off-centre synth songs and catchy hits have always and forever been ultra-thin. With Immer the proof of the pudding is in the eating. Ede & Deckert managed to turn a red wine and post punk melancholy fueled jam session into a haunting alternative dance jam. While their instrumental sits neatly between the dark wave of Eleven Pond and the British Electric Foundation, it is the voice of the German singer with the mysterious name Sargland. One could think it is possibly an anagram? Called in for spontaneous vocal work, the repetitiveness and heartfelt expression of lovelorn of his tone and lyrics are quite simply irresistible and dichotomic. Whether it’s lover’s grief or delight, Immer works its magic in every way and for everyone.
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Very glad to present our first release, a Various Artist composed of french talented producers, called Electrik Pulse (DUR001).
For this release, we wanted to honour our local underground scene with producers from Paris, Marseille and Corsica.
First, for the A side: the two Corsicans producers,P.O that is already well known for the many releases he has done the past years and Human Aventura with his second release on vinyl.
Then, for the B side, Victor Benjamin and Pagenty that will both release for the first time on vinyl, they bring a very serious fresh touch to the Various that will definitely catch your attention.
This episode is electric with a mix of new and old sonorities, keeping track of the groove with melodies and sensitivities, don't miss it.
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Ukrainian label Trance Pandemic continues to evolve, in this issue we have full black and white cover designed by Dima Phase. This EP is a split of goa trance-house from Kurilo and Roland's acids and drum machines from Komponente.
The sound is suitable for loud raves and secret afterparties.
Mastering by the legendary Lapucci at Burbidub studio as always, made the sound even more beautiful. Copies limited.
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Rounding off the vinyl series that accompanies Thema's label-defining Strength In Numbers compilation, Part 4 downsizes from 12' to 7' to present two distinctive jams that show some of the farthest reaches of the New York imprint's sound.
Laurine Frost may be best known as part of the nonconformist house and techno scene of Europe through releases on Perspectiv, Sharingtones and Nervmusic, but on this special creation for Thema he makes the perfect tribute to the city that gave rise to the label, with a little help from the racy diatribe of Amiri Baraka on 'Your House'.
By way of a truly special finale for the series, Minneapolis maverick DJ Slip graces the label with an all-too rare appearance, taking an altogether more primal approach on 'X7' that channels his years spent conjuring up next level techno for Missile, Music Man and more into a taut and punchy electro excursion infected with tricked out effects and seductive sci-fi noir atmospherics. It's the perfect example of the freaky fringes Thema has comfortably reached to over the course of the last forty releases.
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Expansion is the 7th EP on Belgium based Nightflight Records. On several levels it is a deft alignment of the label’s emotional techno aesthetic with Mihail Petrovski’s ability to deliver exquisitely poised music that drives deep into the mind and soul. The EP is a fine addition to his discography presented by the likes of Ferox, Common Dreams, Verdant Recordings & Distant Worlds over the last half decade.
Petrovski possesses an incredible appreciation of the history of deep techno and evidently distils that into his own craft, whilst adeptly melding a sound that is undoubtably his own. This 4 tracker, all original compositions, manifests an uncluttered platform to fully appreciate those talents. Elegantly programmed percussion is balanced with sumptuous basslines and pads but leave wide open spaces for heart warming melodies on each of these tracks.
Tsuris is arguably the most urgent on the record with a warm pressing kick. Omec switches around a superb elastic bassline. Dream Thief brings the tempo down but its innocent celestial melodies linger in the mind. Closing out with Circadian Rhythms, its broken percussion becomes the focus with a sophisticated nod to the finest of mid 90’s UK deep techno.
Pinkman is proud to present the debut album of darkwave artist Skelesys. Across nine evocative tracks, "Fading Echoes" navigates the tension between nostalgia and self-discovery, weaving together a moody blend of synth-pop, post-punk, and goth influences. The result is an atmospheric exploration of memory, heartache, and resilience--a soundtrack for those moments when the past refuses to stay buried, and the future feels uncertain. From the cold, creeping synths to the mournful guitar lines that echo like distant whispers, Fading Echoes immerses the listener in a soundscape where shadows and light coexist. The album has a distinct cinematic quality, evoking the smoky allure of neon-lit cityscapes and rain-slicked streets, where every track feels like a chapter in a film noir tale of introspection and escape. There's a sense of longing that runs through the album, a desire to hold onto something beautiful, even as it slips through your fingers.
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On "The Best EP", Chengdu-based artist B.AI shows she can not only write memorable hooks but can do so while covering a broad array of registers. One of her most enticing feats is her ability to make the minimal, electro and tech house genres she navigates her own by injecting them with a unique sense of melody. "Nightdreaming" is a moody builder: although new, sturdily patched layers keep being introduced and the pace never slows down, a sense of restraint remains. This atmosphere quickly changes on "Satisfy", which, with its tapestry of indeterminate arpeggios and EBM-evoking vocals, takes a nervous turn. "The Best" on the B-side is a slab of vigor tailored for the peak time. Set to an effective bass groove, modulated chords, white noise sweeps, delicately mixed moans and bright pads nearly trip one over another. On "Crash Landing On Nimas" B.AI , together with Diego Santana, unleashes a batch of detuned and portamento heavy square wave patterns. The EP, diverse yet balanced, ends on a note so ominous...
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Anthea invites the up and coming Argentinian producer C.ru.z whos live jam arrangements and direct rave energy being felt from begining to end with the “Secuencias Del Tiempo Perdido” EP being constructed upon twisted beeps and bleeps, and distinct energetic atmosphere's for the peak hours of the night.
For our 24th release C.ru.z has delievered four huge robunctious and original after party anthems, bringing some new flava for your ears and your mind.
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After a cameo appearance on the Spektrum compilation, DC Salas lands on TAU with his first full EP. The Belgian producer has been active for more than a decade and brings with him depth of experience and maturity, along with a clear understanding of the dance floor. His Time Well Spent EP showcases these core skills, along with his distinct flair and emotive nuance...
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“In search of an afterparty” the name of this split EP we are witnessing coming straight from a miraculous country called Uruguay.
The story of a teacher and a student, the tale of different senses and perspectives, the dance of elusive, fictional Jair himself and the spies of the afterparty which can be on either way of self-data collection or when levels of paranoia have come to a boiling point and sense that the eyes are watching doesn’t go away that easily.
The A side is taken by Muten, an artist who has already made a lot of noise not just in his native country but all over the world too whether it’s with an outstanding liveset, flawless dj set or a timeless record that he has crafted. The B side is a story of a rising and promising producer Flhez, and his quest of frequency manipulation + sound perfection. True honor to have these Uruguayan performers to join Exarde and deliver this outstanding body of work for it.
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Berlin-based truthspeaker returns with a full-length Album with 9 new tracks. With forcefully driven rhythms and mystifying atmospheres, they have made previous appearances on labels such as PUPPY, Post Hoc, Ectopic, and Massive Gain while also playing worldwide, from Berlin’s Berghain to touring the North American underground, making appearances throughout New York, Los Angeles, Chicago, Providence, Portland, Richmond, Baltimore, and Nashville. The artist has built a reputation for delivering a transcending, occasionally unpredictable, yet intensely immediate listening experience for the dance floor. Citing previous experience in noise and experimental music, truthspeaker is establishing a functional yet disruptive sound, opening up obscure spaces within the confines of the harder edges of dance music.
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ZUKU's debut release showcases a curated selection of emerging talent hailing from the North of England. This EP features a tight-knit collective of friends, all making waves in the current music scene. From York to Wigan and back to Liverpool, the Northern influence permeates every track with its distinctive flavour. Effortlessly evolving from an event to establishing a record label, ZUKU flawlessly presents an authentic representation of their distinctive sound.
Leading the E.P. is Brent, a Scouse maestro who serves as both a big brother figure and a source of inspiration for the label. The track oozes with energy, capable of setting dancefloors ablaze.
York's finest export: Nathan Pinder takes charge of the A2 on this record. With this hypnotising club track, characterized by Nathan's distinct sound that has already captured dancefloors, with artists such as Sibil embracing its infectious energy.
Embarking on a journey down the M62 to Wigan, we encounter the next addition to our record: Rick Slick. His contribution introduces a fusion of electro tech house sounds, drawing inspiration from the pioneers of the early 2000s.
Closing out the E.P. with his signature funky flair is our dear friend & resident Aerofunk. While still showcasing his electro influences, he adopts a more laid-back approach. Splashes of disco elements round off the record with finesse and flair.
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Toronto-based Hypnotic Mindscapes deliver 4 analog grooves for their eponymous vinyl debut. Founded by Cosmic JD and managed by a tight-knit group of artists, Vol. 1 explores the liminal spaces where electro paranoia meets 90s techno euphoria. Berlin-based Canadian Tro kicks-off the EP with a melancholic trip into a future where machine bleeps duet with FM chord melodies. A2 sees established Ecuadorian producer Nicola Cruz’ Fauna Extinta alias present an energetic modular outing that still maintains his dramatic flare and lightness of touch. On the flip, Berlin-based Ecuadorian Chicaiza delivers a skittering electro bomb with hints of vintage trance. Elusive Toronto live-act Payphone round-off the EP with a deep and cinematic tour of the cosmos.
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Toronto-based Hypnotic Mindscapes deliver 4 analog grooves for their eponymous vinyl debut. Founded by Cosmic JD and managed by a tight-knit group of artists, Vol. 1 explores the liminal spaces where electro paranoia meets 90s techno euphoria. Berlin-based Canadian Tro kicks-off the EP with a melancholic trip into a future where machine bleeps duet with FM chord melodies. A2 sees established Ecuadorian producer Nicola Cruz’ Fauna Extinta alias present an energetic modular outing that still maintains his dramatic flare and lightness of touch. On the flip, Berlin-based Ecuadorian Chicaiza delivers a skittering electro bomb with hints of vintage trance. Elusive Toronto live-act Payphone round-off the EP with a deep and cinematic tour of the cosmos.
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A rhythm created during a common dream, a journey repeated by the rolling of the snare drums, voices bewitched by a humid path, its synthesizers are the only cause of this crystalline mist. It's time to open your eyes, this first side is full of movements ready to hypnotize and energize a dancefloor waiting for these sonic gems.
f B3 | SystmaX - Try8
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The creation of our first EP by Waking Dreams, takes us on a sonic journey spanning the spectra of house, disco, electro, and minimal. This EP is more than music: it's a tribute to the eternal influence of art in our lives.
Each track is a vivid expression of Ageless's unique vision, collaborating with the great Alexander Skancke, capturing the essence of an awakening dream.
From hypnotic rhythms to enveloping melodies, "A Waking Dream" invites you to immerse yourself in a world where music is the storyteller
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Lonewolf returns with the debut vinyl release by Kraut. Stripped-back and direct-to-dancefloor tracks with delicate and progressive atmospheres.
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repressed !
Known for his hardware-harnessing live shows and acidic jams, the Bristol-based Miles Otto’s ‘Skitter’ EP is alive with propulsive electro rhythms and dreamy synth melodies. ‘CV Swizzly’ grabs your attention with its wistful analogue tones and percussive crunch, before a burbling bassline burrows through the arrangement, while the 303-laced ‘Vectron’ takes cues from Detroit electro with its menacing riffs and eerie synth drifts. ‘Skitter’ itself subtly reveals its details layer by layer, with crisp drum machine hits and low tones opening out into mystic harmonies, and Plant43 recasts ‘CV Swizzly’ in his distinct image, adding metallic synth bass and urgent keys to finish the EP in fine style.
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Long-time electro stalwart Carl Finlow is the man behind the Random Factor alias. He started it back in 1994 and it has given rise to four full lengths on 20/20 Vision, which is where he now returns with his first new long player in 15 years. Silencer is a superb return to form with a mix of electro-pop that is laden with indelible melodies, granular vocoders, angelic vocals and the occasion back room, heads down electro banger. As always these cuts are second to none with bumping electro-funkers like 'Adulterant' and celestial trips like 'Lab Grown' perfect for back rooms.
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Ceri and Alex Arnout launch their new collaboration alias 'CnA', for the eagerly anticipated third release on Ceri's Find Your Own Records label.
The A side 'Higher' is a happy house summer festival banger, inspired by getting high from the music, and the B side 'Show Me What You Got' is an eerie slice of breaksy techno, reminiscent of the early UR sound.
On the remix is Ukranian SE62, famed for his releases on labels like My Love Is Underground and Slapfunk. He reworks the original into a dubby summer laid back deep house minimal cut.
The first two releases sold out on vinyl, had plays on BBC Radio1, BBC 6Music, have rave reviews in dance music press, as well as being Mixmag's techno 'Tune Of The Month', and was also supported by some of the biggest and most respected selectors in the scene such as Ben UFO. Fred P, Mr G, Midland, George Fitzgerald, Paranoid London, Move D.
Mixmag News Piece
Early DJ Support:
Lakuti, Chloe Caillat, Jeremy Underground, DJ Deep, Cici, D’julz, Sarah Story
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For the first release of GNC Records we present 5 modern dancefloor oriented electro and techno tracks, with clever samples and vocals that pay tribute to the late 80s and early 90s belgian and german scenes. Taking some elements from new beat, ebm and synthpop, these tracks were made to be used in a club format in order to build up intensity or to get nostalgic at the end of a marathonic afterhours session. Solid basslines that put bodies to move and hypnotic leads that get your mind tripping serve as the ideal balance in this EP which was made to serve as a bridge between modern club music and old school nostalgia.
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Halvtrak has gathered a following. The previous releases by the Finn on Don't Be Afraid and BAKK teased an appetite among techno heads for his Detroit infused and texturised sound and unexpected grooves. Moving towards warmer tones, his latest output on a new London/Helsinki label Cold Blow enters him further into Detroit's past.
As an unexpected treat, the title track has been re-imagined by the very special Chinaski with his trademark ghoul sound so reminiscent of old horror films now blended with sharp electro and EBM vibe. Chinaski has been busy of late with a Berghain live set as well as his fine River's End EP on Uncanny Valley and Ghost Rider on Live at Robert Johnson. From relentless groove to darker places, this is Halvtrak's most refined release yet as he becomes an Illuminator of his own ascent."
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The cheeky yet sophisticated “Manzo Edit” calf returns with a fresh assortment of four lushly revisited cuts. First on the menu is “Digestif”, a laid-back Disco House track ideal for setting the dance floor groovin.
“Get It” also falls into the downtempo realm with its smoky acid beat, while “Dancecraft” hits you head-on with a load of robotic funk. Lastly, “Forneria Moderna” pays a festive homage to the Latin side of Jazzy House.
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Portuguese producer Mardel debuts on Carpet’s Circuits series with a tight set of modular jams. Precise, at times introspective but with a driving motor pulse underneath, the three electro tracks touch on acid and bass as they launch into space. For its part, the ten-minute lead track, ‘Ducks In A Pond’, is a dreamy dubby epic, full of surprising textures and watery flourishes.
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Repress!
This EP is delicately melodic and fluid that even in its short four tracks shows a producer with different bows to their arrow. Intro is a laid back, downtempo affair with vocal samples punctuating the track’s pared down synths and gently propulsive beats.
Contrast that with Engang, which sees Jos Ma chisel all other elements away and put trust in the groove and urgency of its percussive elements. It’s something he echoes in Like Honey, although here the bright stabs of keys provide a welcome interjection - as does the chopped-up vocals that offer a further counterpoint to its kwaito-reminiscent shuffle. It is perhaps here that his respect and love of central and southern Africa’s dance forms is presented at its most bare.
The EP finishes with Mongo’s Dance, so-called after the Cuban Mongo Santamaria and driven forward by a chopped-up pachanga rhythm taken from one of the pioneering percussionist’s tracks. He then adorns it with wavy synths and flutes, each intertwining over the top as though engaged in ritual with one another. It’s a euphoric, slightly delirious end to an EP that puts Jos Ma firmly in Mas O Menos’ “neither here nor there” camp – a producer who simply follows his instincts and revels in the enthrallingly wandering music it throws up.
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Manuel Sahagun is considered one of the most relevant artists in Argentina's house music scene. After several EPs on Freerange, Lazy Days, True Romance and Get Physical, his new offering on Burnin Music doesn't disappoint.
Five tracks mixing different sides of house: a fusion of both modern and classic influences with fresh sounds that have elements from funk, soul, deep and techno.
Early support from:
Jimpster, Fouk, Bushwacka, Ella Knight (Rinse FM), Eddie Fowlkes, Terry Francis (Fabric), Oliver $, Yu Su (Music From Memory), Iron Curtis, Luther Vine (Phonica)
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"Let's dream of underground raves or enigmatic gatherings of the clandestine, where your mind shall wage ethereal battles against soulless algorithms amidst the nocturnal dance, traversing a labyrinth of dystopian dreams. Dance the night away, dance the night away."
Strange times are here.
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The 3rd release from tINI’s Part Of The Gang Records is here.
This new three-tracker comes courtesy of Barcelona-based Uruguayan producer Jorge Gamarra.
Jorge’s takes influences from Detroit and Chicago, as well as the UK and of course, Montevideo’s electro scene.
Across three cuts we get a selection of future facing productions, composed with a vintage sonic aesthetic imbued with Gamarra’s heady mix of influences.
The track ‘ADE’ is opening the EP with a delightful adventure into the cosmos.
Groaning bass is combined with a menagerie of twinkling sounds, chirps and effects straight from another galaxy.
Next up is ‘MK Ultra’, named after the infamous CIA mind control experiments (“Involves several drugs and electrodes plugged into the brain”).
This one utilises layers of retro instrumentation to take hold of your subconscious and get that body moving uncontrollably...
Finally, ‘DTR’ is 10 minutes of Gamarra demonstrating his production prowess, bringing together groovy bass, sci-fi effects and a catchy earworm, whistling melody…
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