House Novedades

Traffic009 by Bodin&Jacob. Always on point.

SmartBar resident Chrissy teams up w/Chicago-based vocalist Hawley in throwback to an earlier Smart Bar era w/12" mixes previewing their forthcoming full length. Full 80s representation. Classic electro-pop.

Californiabased producer Damon Bell could not find a more suitable home for his new 12' than Croatian label Burek. It's his first one since Blues For The Libyan' LP released in 2015. for Deepblak, and it sounds as if the time off was well spent. Two words that perfectly describe this record are rich' and colourful', and the description is equally applicable to all three cuts. Stand By Me' is a synthheavy piece built around the interplay between track's rougher sounds and big lush pads. On the flipside, Life' is slightly faster and more direct, with a wonderful guitar part that circles around the main theme throughout the most of the track. Similarly mannered, but slightly more intense TransAtlantic Journey We Been Here!' is the last piece and features an infectious groove with lead synth piercing through layers of delicate arpeggios playing in the background. All in all, it feels good to have Damon in the team. We hope you'll enjoy this record

The Omnibus Band was founded by Jarda Zajpt and Petr Dikan in 1979 in Czechoslovakia. Having met at the Electronic High School, electronics was their field of expertise. Over time, Petr Dikan constructed several sound devices such as the Šílený Fridrich (Å F, Crazy Frederick) Keyboard and the VSD (vÅ¡ude samý dráty/wires everywhere) Generator which he operated during the recordings and also at concerts. At that time, heavily influenced by Brian Eno and Robert Fripp from the King Crimson band, Jarda Zajpt played the guitars, using all kinds of effects, pre-recorded tapes, and one or more interconnected tape recorders. The first record, âIsraels,â was produced between 1980 and 1982. In 1985, Jarda Zajpt swapped a guitar for a keyboard and a new member arrived â Pavel Zvolenský - who programmed and played the automatic percussions. Martin Bauer, playing the bass guitar, completed the trio. They have produced a second album, ''Rhythmus,'' in this assembly. Remastered from unreleased tape recordings.

ov002: gaspard de la vega / gegenheimer & jenius
- paraguayo ep
ov006: fede zerdan - u 41 a ep

finally repressed

The 05 Poly 800 Loop EP was born in the name of the Dutch-Hungarian friendship when DJ Overdose collaborated with the Budapest based record label Dalmata Daniel, and Hungarian acts, S Olbricht & 12z. A wide range of styles release from dark and mid-tempo to hard-hitting electro. Just how we like it from mister Model Man. The EP also features two remixes both of which are complete reworks of the originals. S Olbricht (Farbwechsel, Opal Tapes, Lobster Theremin) transformed 'Path To Wrath' into a dark abstract techno wave that manages to end up light and romantic. Meanwhile 12z, the newest mascot of Nicolas Jaar's 'Other People' label have made an experimental symphony from 'Be(h)anger' and this pathos covers the whole essence of this EP. A promising start for the Dalmata Daniel label!

This new EP 'AMICALEMENT' was recorded two weeks ago and will be released for free next week on my website (www.oizo3000.com). I have no idea what this is exactly, and that's the point. Marilyn Manson is starring in my new feature film 'wrong cops'. we decided to record this retarded track together to celebrate our friendship. I'm working on a new Mr Oizo LP right now.' GER RECORDS Supporting Mr Oizo's career since 2007 we're happy to follow him wherever he wants to take us. Giving his music on internet, we're down with it. He is one of the latest real free artist in his genre. It's like working with Salvador Dali! He is living in his own world, follow his own rules, he is a tourist on planet earth. He is a genius and a legend for french electronic scene. This new record shows another side of his talent, going from classic banger with 'Solid' to modern hip hop with 'Waltz-e-more' maybe Kanye should have call Oizo too!

ANDREAS GEHM's 2nd EP on MATHEMATICS is getting repressed on colored vinyl as part of the label's 20th anniversary! "THIS IS VOODOO" is a eerie banger followed by the deep "ALL SOULS DAY". "THE RETURN OF RA" kicks up the dark acid while the title track is electro tech perfection. GEHM lives on!

Orestt is one of those talented producers with a sporadic discography that remains viciously underrated. On L'Age de Glace EP, the producer's first appearance on I'm a Cliché since the Moment of a Crisis compilation, we proudly present new material as well as a hard to find tune self-released by Orestt a decade ago.

Polytechnic Youth unleash this killer of a debut full length from Berlin based Brit, Mark VORDERHAUS. Previously the main guy behind earlier label faves 'Detox Twins', Minor Activity' is already being highly lauded from online blogs and early reviews and just recently, Andrew Weatherall has already added 2 ace cuts to his DJ set. There truly is no filler amongst the album's 10 cuts, which in Mark's own words reveal a 10 track slow dive into the sinuous distraction of love that is -however briefly or not- owned or desired by every breather to walk their years until dust. Simple movements in synthesis providing currency for this foray of dark electro pop' Whilst lyrically he admits to a fondness to -and a tip of the cap- in places, to Dylan Thomas, Henry Miller and William Wordsworth. Across the 10 tracks here, you're instantly drawn to that classic early Mute and Some Bizarre sound, Fad Gadget, Vince Clarke, early Soft Cell perhaps, but continued plays reveal not only the darker edge that Mark alludes to above, but a thoroughly modern, of it's time, set of gorgeously crafted melodies and a classy songwriting guile, not to mention being stacked top to bottom with potential dancefloor fillers...

Laurel Halo returns to Hyperdub for her third LP with a fresh approach and a new sound. Routed out of the electronic abstraction of 2015's In Situ - but with clear reference to 2012's sleeper-hit Quarantine - Dust is an album revolving around loose and languid songs, warped, sun-filled, melted and at times, heavy-hearted and obscure. Recorded over a period of two years, the writing process began at EMPAC in upstate New York in January 2015. With access to microphones, percussion, keys and a wide range of routings, Laurel spent days alone in the cavernous space, later inviting musicians Eli Keszler and Lafawndah to join her there. Those sessions would eventually become this album: a collection of breezy, broken songs, based on woody instrumentation, sub bass and restless, intricate electronics. Earnest songwriting meets with modal cut-up strategies, improvisational playing with higrade digital dust. Tactile and fibrous throughout the record, the vocals and percussion coalesce and breathe life into each other. Swung grooves eddy and collapse, acoustic drums are warped into sensual, febrile melodies. The lyrics are themselves bricolage, without a specific narrator or place in time. They slip in and out of view, something that is visualised in the album's inner panel. Extending the influence, the album opener 'Sun To Solar' is an adaptation of 'Servidão de Passagem' by Brazilian concrete poet Haroldo de Campos. In line with the album's sound, Dust is 'Laurel Halo' as a flexible cast of characters. Filled with dialogue, the album helms an interchangeable ensemble of vocalists and musicians, featuring vocals from Klein, Lafawndah, and Michael Salu, as well as musicians such as Eli Keszler, Craig Clouse ($hit and $hine), Julia Holter, Max D, Michael Beharie and Diamond Terrifier. Laurel's omnivorous influences play out in mutated fashion - coalesced, unfettered and inclusive - a broad musical palette free from entrenched modes, catalysed by digital production that could only happen in 2017.

QND Philosophy Records is proud to present the new vinyl E.P by Daniele Baldelli and Marco Dionigi with their own project Funkadiba.

Funkadiba "Irradia" is the first single anticipating the third Funkadiba album expected to be released in early 2017.

The duo ptoject formed by veteran cosmic disco originator Daniele Baldelli and his long time partner in crime Marco Dionigi produced this amazing 4 tracks full of solid Funky grooves, Spaced Out waves and Deep Electronic Vibes.

If you're in love with retro future sounds you really can't miss it !!

Forest Swords, aka acclaimed Merseyside-based producer Matthew Barnes, returns with his eagerly anticipated new full-length record.
Compassion", the follow-up to 2013's critically lauded debut Engravings', will be released on 5th May 2017 via Ninja Tune. The album will be followed by a set of projects across multiple mediums by Forest Swords' own Dense Truth, a new experimental studio and record label, including a series of music videos. Compassion" engages with an uncertain world we're experiencing, distilling it into a unique sound territory: Barnes' exploration of the mid-point between ecstasy and frustration, artificial and human feels timely and affecting. The result is an assured, compelling body of work, tying together the ancient and future: weaving swathes of buzzing digital textures, field recordings, clattering beats and distorted jazz sax with fizzing orchestral arrangements.
"Like many, with all that's been going on since I started making the record, I've struggled to see any kind of light at the end of the tunnel," says Barnes, "so I realised there's some sort of power in trying to create our own instead. I'm inspired by the ways we're communicating now, for better or worse, and thinking about new channels we can distribute ideas. The idea of looking for flexible future ways of expression and language, that bends to our needs quicker, really excites me'. Barnes launched the record with a unique experiment in new ways to disseminate music, personally sending album tracks through messaging app WhatsApp to anyone who asked.
The album shifts from 'The Highest Flood's skeletal bounce to 'Panic's claustrophobic paranoia, the rapturous hyperballad 'Arms Out' to the windswept and cinematic 'Knife Edge', navigating through the orchestral glitch of 'War It' to decaying jazz thump of 'Raw Language'. The album is equal parts disorienting and immersive, balancing bold sweeping gestures and crumbling textures, tracks seemingly disintegrating and reassembling at points across the album. Blending both digital and specially recorded brass, strings and vocals, Barnes's processing never truly makes it clear what's new or old, sampled or unique, constantly blurring and toying with the line between digital and acoustic.

There will also be a variety of multidisciplinary projects set to run through his Dense Truth umbrella over the coming year: collaborations across dance, performance, film and music. Previous Forest Swords projects include devising and scoring contemporary dance piece 'Shrine', composing for the 'Assassin's Creed' video game, collaborating with Massive Attack on their new music, and scoring the first movie made entirely with drones - 'In The Robot Skies' - which debuted at the BFI London Film Festival.

Central to this enthralling world is Compassion", an album that's as weighty as it is vulnerable, sculpting the most striking parts of his previous work into something that feels urgent and necessary, and cementing Barnes as one of the UK's most significant electronic artists and composers.

Compassion", the follow-up to 2013's critically lauded debut Engravings', will be released on 5th May 2017 via Ninja Tune. The album will be followed by a set of projects across multiple mediums by Forest Swords' own Dense Truth, a new experimental studio and record label, including a series of music videos.

Compassion" engages with an uncertain world we're experiencing, distilling it into a unique sound territory: Barnes' exploration of the mid-point between ecstasy and frustration, artificial and human feels timely and affecting. The result is an assured, compelling body of work, tying together the ancient and future: weaving swathes of buzzing digital textures, field recordings, clattering beats and distorted jazz sax with fizzing orchestral arrangements.

"Like many, with all that's been going on since I started making the record, I've struggled to see any kind of light at the end of the tunnel," says Barnes, "so I realised there's some sort of power in trying to create our own instead. I'm inspired by the ways we're communicating now, for better or worse, and thinking about new channels we can distribute ideas. The idea of looking for flexible future ways of expression and language, that bends to our needs quicker, really excites me'. Barnes launched the record with a unique experiment in new ways to disseminate music, personally sending album tracks through messaging app WhatsApp to anyone who asked.

The album shifts from 'The Highest Flood's skeletal bounce to 'Panic's claustrophobic paranoia, the rapturous hyperballad 'Arms Out' to the windswept and cinematic 'Knife Edge', navigating through the orchestral glitch of 'War It' to decaying jazz thump of 'Raw Language'. The album is equal parts disorienting and immersive, balancing bold sweeping gestures and crumbling textures, tracks seemingly disintegrating and reassembling at points across the album. Blending both digital and specially recorded brass, strings and vocals, Barnes's processing never truly makes it clear what's new or old, sampled or unique, constantly blurring and toying with the line between digital and acoustic.

There will also be a variety of multidisciplinary projects set to run through his Dense Truth umbrella over the coming year: collaborations across dance, performance, film and music. Previous Forest Swords projects include devising and scoring contemporary dance piece 'Shrine', composing for the 'Assassin's Creed' video game, collaborating with Massive Attack on their new music, and scoring the first movie made entirely with drones - 'In The Robot Skies' - which debuted at the BFI London Film Festival.

Central to this enthralling world is Compassion", an album that's as weighty as it is vulnerable, sculpting the most striking parts of his previous work into something that feels urgent and necessary, and cementing Barnes as one of the UK's most significant electronic artists and composers.

Lost Trax drops the first release of 2017 on Subwax label "Emotions Electric", 3 fiercesome Detroit tracks of the highest order. Limited copies...

The ring master's voice booms through the arena's speakers. "Ladies and Vagabonds. Round Three just kicked off and both teams seem bent on wrapping this up with brute force. The Good Guys seem to be cornering their malevolent adversaries there, but wait! a swift jab to the jaw and Team Decent hits the canvas" Rising talent Tell (Beat-x-Changers, Banoffee Pies) from Paris handles the opening play for the Good Guys on the third missive of the fledgling Quartet Series imprint. Tell seems to confirm Paris is rapidly reclaiming its former status as a hotbed for raw and moody house music by offering up a delectable blend of lavish chords, distorted sounds and melancholic vocals. Darko Kustura (Pole Jam, What's in the Box) throws in some additional punches for the Good Guys. The Croation beatsmith might not be the most prolific but made a name for himself with an amazing ep on Legendary Sound Research under his Teleskop moniker and treats the crowd to a wobbling groovy baseline and sugary sweet chords. Being Bad can be a good thing sometimes as well. The dark side has cookies, after all. Mancunian Loz Goddard (Dirt Crew, Outplay, Razor-n-Tape) steps out of his comfort zone and delivers a sonic uppercut with a mad piece of swinging acid. Accompanying him on the team is our Hungarian BAL 5000 (SPIEL) who flexes his acid muscle to disorientate and a dubby bass to sedate. The acid is his, but he's willing to share. All in all we'll have a very interesting fight ahead of us. DING DING!

Monoloc makes his debut on Hotflush recordings, the label's first release of 2016. Following a recent single on Innervisions and an appearance on Life & Death, his latest offering 'Another Thing' marks a departure into more atmospheric soundscapes.

The murky grandeur of the title track lends itself to moody textures that build in narrative, walking a knife-edge between industrial techno and minimalist dub. 'TrySome' conjures the setting of a dilapidated warehouse rave at 5am, while 'Makeless', with its low-slung percussive elements draped over misty pads and imposing bass, draws the listener further into Monoloc's wormhole.

Having established himself through a consistent stream of quality releases for Uncanny Valley and the immaculate collection of Rat Life, Credit 00 - real name Alexander Dorn - bring sthe heat on NYH81. These are recordings taken from his old apartment, and feature a heavy dose of reference to classic Gertronica. From Can to Kraftwerk to Neu! to (now) Munich's Dopplereffect, this is some really nifty classic electro.

The band is proud to announce one very last The Neon Judgement release to their fans; a limited shaped picture disc vinyl. No other than Dave Clarke, the baron of techno, asked the band if he could remix TV Treated. The Neon Judgement were a huge inspiration for Dave, just like for many others artists. On the flipside the fans will be able to find a special radio edit of TV Treated, one of the biggest hits in the long and rich history of the band.

We are very proud to welcome back on board our good friends Pablo Bolivar and Luke Hess from Detroit. Pablo Bolivar & Javier OrduNa here comes with "Tales from the ground ", passion for music, analog machines, carefully crafted, beauty, elegance, deepness, dub by elements and perfect for the dance floor are what we have. Creating out of loving for the people who will hear the music. After acclaimed releases on FXHE,Beretta Grey, Echocord Colour,Kontra-Musik...Luke's sound is here again with pong musiq.

Futureboogie spring straight into action in the New Year with a killer single from the much loved German producer, Lauer. As one half of Tuff City Kids (with Gerd Janson), as well as flying solo with two albums on Permanent Vacation, Phillip Lauer has been producing since the turn of the millennium. A cohesive and highly active output of music has come on labels like Running Back, Beats In Space and Brontosaurus amongst many others.
His single for Futureboogie pulls together two outstanding productions; 'Birsk' is a pacey and unrelenting beast of a house tune, its bassline expanding bigger than the waistlines over the Xmas period whilst the meaty drums and snare rolls escort in further melodic touches and delirious automation on its synth riff.
'Kilian' comes more leisurely in pace but no less effective. A choir-like pad underpins the frenetic energy mustered up by Lauer, again adopting a heavyweight bassline against the nimble melodies and the buoyant vibes offered up here. With a supreme sonic gloss and 'never fails' piano motif, 'Kilian' works wonders on every level and will no doubt be ringing all of speaker stacks for some time to come.

LIMITED SUPPLY!

This is Land Of Dance! With the music by: Boston 168, Drvg Cvltvre, Jann, Dave Hargadon (Slowburn), Muskije Lycheeni, Seven Sins, Andrea Vietti. The pack will includes stickers and a CD with a selection of released tracks on LOD.

FR Fels is making his debut on Ortloff Records with a four track journey through analogue mindscapes. Record and sleeve are provided with a phosphorescent silkscreen print.

A new ExoPlanets release is coming out from the 30drop shuttle. Univac, a side project of Geistform's mastermind Rafa M. Espinosa, presents Unknown Radio', an electrocharged bomb EP. Starting with Detroitian electro- heritage, Univac, push up the style into a rhythmical, elegant and contemporaneous status. Four original tracks and a remix by the legendary Der Zyklus (Drexciya, Dopplereffekt, Arpanet,...). Unknown Radio', the homonymous track, opens up the work backward- looking to the techno dancefloor. Lunik' purpose a cold and explicit electro discourse, well understood and remanufactured by the hands of Der Zyklus. Null' is an electrical discharge and, finally, an energy-boost called Zender' closes the work. Unquestionable job.

Horse Follows Darkness is the second record by Delia Gonzalez, her follow up to the album In Remembrance'.

The title is taken from a werewolf genre film her 8 year old son Wolfgang had created. At this time, Wolfgang also turned Delia onto a genre of cinema she had always resisted - the American Western.

Delia explains that what she observed was all relevant - the album is based on our personal experience of moving back to America (from Berlin) and the journey that followed. The record is a manifestation of that, and what one creates for themselves under the given circumstances. Coming back to America, I felt like a foreigner and NYC / America felt like the Wild West. Most Westerns from the 1960s to the present have revisionist themes. Many were made by emerging major filmmakers who saw the Western as an opportunity to expand their criticism of American society and values into
a new genre.'

The narrative of the record is one of re-encountering the frontier mentality that shaped the country but somehow never faded. This time as a foreigner. The genre of the Western remains pertinent, many of the same stories of that brutally deromanticised era are still relevant today. America hasn't changed - the cast, times and settings have, but we still hold onto the same ideal.

Horse Follows Darkness is essentially a modern electronic soundtrack for the Revisionist Western. Even the idea for the record cover is inspired by one of the most well known modern Westerns, Robert Altman's McCabe & Mrs Miller.

The album was recorded with Abe Seiferth at Transmitter Park studios, which Delia likens to going to the finest tailor'. Abe became an integral part of the recording, playing guitar and helping to suggest experimenting with different synthesizers, something Delia was keen to do. Delia refers to Abe as a magical and incredibly intuitive collaborator' regarding the sound of the record.

The music that emerged from these recording sessions combines a range of influences - from the compositions of Erik Satie to 'Salon De Musique', the solo piano record by Su Tissue (of the L.A. punk band Suburban Lawns). The record also took on a much different shape and sound with the introduction of the Sequential Circuits Prophet VS, as well as a vintage Korg Poly synth and the Roland SH-101. The golden era Krautrock recordings of bands like Neu!, Cluster & Harmonia were touchstones as well, the repetition, swirling soundscapes and locked-in rhythm tracks.

ERASURE (Andy Bell and Vince Clarke) will release their seventeenth studio album, World Be Gone, out on Mute on 19 May 2017.
World Be Gone is the follow up to 2014's The Violet Flame, and follows the band's recent 30th anniversary celebrations.
Their new album sees the award-winning songwriters in a more reflective mood, giving the world and recent political upheavals a thoughtful examination and, as highlighted on the painted artwork showing a ship's masthead rising up from being submerged in the stormy waters, looking forward to the future.
Explains Vince Clarke, Obviously the current political climate lends itself to lots of ideas', Andy Bell continues, I think there's an underswell of opinion, and people are slowly waking up. I'm hoping that people will take the album in a positive way, that they'll use it as optimistic rabble-rousing music.

ERASURE (Andy Bell and Vince Clarke) will release their seventeenth studio album, World Be Gone, out on Mute on 19 May 2017.
World Be Gone is the follow up to 2014's The Violet Flame, and follows the band's recent 30th anniversary celebrations.
Their new album sees the award-winning songwriters in a more reflective mood, giving the world and recent political upheavals a thoughtful examination and, as highlighted on the painted artwork showing a ship's masthead rising up from being submerged in the stormy waters, looking forward to the future.
Explains Vince Clarke, Obviously the current political climate lends itself to lots of ideas', Andy Bell continues, I think there's an underswell of opinion, and people are slowly waking up. I'm hoping that people will take the album in a positive way, that they'll use it as optimistic rabble-rousing music.'

Vincent Koreman aka RA-X joins up with Herr Muller to form a new and rockin' Optimus Prime, once again exploring the danceflo

Newly launced Samo Records is setting out to explore the depths of the dancefloor by celebrating the darker, moodier facets of electronic music.The NYC label's first release comes from Pixelife (Sean Dack), a highly accomplished visual artist and veteran of NYC's underground. In addition to releasing on such respected labels as Throne of Blood, Horn Wax, and Let's Play House, he also makes up half of GHOST COP, a band known for its textured synths, iconic vocals, dissonant beats, and captivating live sets. Incorporating the same expert sonic-layering techniques he employs in his live analog sets, he's created a dynamic EP that's both intimate in feel and broad in scope.'Omega Block' stomps out of the gate, all driving rhythms and throbbing basslines with an underlying element of frenetic foreboding — aptly reflecting these geopolitically tense times, while still remaining suitable for losing yourself on the dancefloor. The track gets the remix treatment by Bristol, U.K.-born, Berlin-based Antoni Maiovvi, a self-described 'electrodisco horror mindmelt DJ/live performer/film composer' who heads up Giallo Disco Records with Vercetti Technicolor. Here, he trades his trademark horror elements for successions of staccato beats and a stripped-down sensibility that successfully translates to perfect late-night-at-a-warehouse vibes.Chimeras in the Matrix' soars with gorgeous dystopian melodies overlaying squelchy undertones, revealing labyrinthine layers and anxious crescendos before building to a full-on acid frenzy. Producer/remixer/DJ Tronik Youth (who, like Maiovvi, also hails from the U.K. and currently lives in Berlin) is co-head of the prolific (averaging nearly a release a week in 2016) NEIN Records, which he founded five years ago with Ian Considine; the label has released music from the likes of Rodion, Curses, In Flagranti, Heretic, Man Power, Daniele Baldelli, The Emperor Machine, and Moscoman, to name but a few. He is also a member of Permanent Wave, a spooky, pitched-down, dark-wave-inspired disco project with French singer Justine. He brings a chuggy, bleepy edge to his take on 'Chimeras in the Matrix' with bouncy rhythms, multiple breakdowns, and echoing robo-vocals, taking the original's intensity down while upping the dancefloor quotient.

As the US retire each of their space going shuttles it appears that exiting the stratosphere is more difficult than ever. Yet there is one pilot who still makes aural excursions into the cosmos, Roland Sebastian Faber. Since the beginning of Aube Records RSF has been serving up his brand of analogue astronomy, creating lush interplanetary sounds and otherworldly vistas.

San Francisco sleaze connoisseurs Anthony Mansfield and Tal M Klein
are back with their sixth joint EP under the AM/TM moniker; entitled,
appropriately enough, Sleaze Please. If you file this track under
nu-disco (or nu-anything for that matter), we will find you and punch
you in the perineum. This is Sleaze music, it's dirty and unapologetic
and will melt people's faces off.
The title track, Sleaze Please, is not a modest number. She will
destroy your bassbins and kick you in the nuts. At last count this
track features no less than 10 analog synthesizers you've never heard
of and drum machines that were invented before you were born. This
track is so heavy that when we put it on a scale our phone number
showed up.
A mystery man who called himself Heisse Scheisse clandestinely
delivered a monster remix on reel to reel tape inside a bullet proof
suitcase which also contained a latex banana hammock. After billions
of dollars of research and vaccines, our detective team found out the
man behind the Heisse Scheisse remix was none other than Nick Chacona.
When we confronted him with our findings he said, 'What the hell were
you thinking with that bassline, I fixed your stupid mess and made a
better track than the original.' He then shot us in the knees with a
Desert Eagle .50 and took off in a solar powered jetpack.
The other original track on this EP is 'U WANT 2' which basically
repeats 'you want to' until everyone gets naked and crazy. It's
delicate like an elephant with rabies on PCP. We recommend this track
to people who are tired of playing records that sound like broken
records. It's big, it's bad, it'll make you glad.

Spectators of the Universe is the brand new single from Dutch
producer/artist/video director David Douglas, out March 24. Following the release of his critically acclaimed debut 'Moon Observations,' 'Spectators of the Universe' is a journey through sun-kissed disco and gentle electronic pop, subtly playing with psychedelic and experimental elements and weaving organic textures alongside more robotic landscapes.2014's 'Moon Observations' was inspired by a different star-gazer with the same name. That David Douglas was a 18th century explorer and naturalist, whose writings on astronomical observation has inspired the more modern Douglas' latest music. Those eleven tracks of beautifully fleshed-out electronica were certainly a worthy tribute, and 'Spectators oF the Universe' continues the story in blissful fashion.David Douglas is without doubt one of the most expressive and allemcompassing creators around. Having previously working as an esteemed video director, he switched his focus to music, and both his 2012 'Royal Horticultural Society' EP and his debut album 'Moon Observations' were warmly received, garnering praise from the likes of Pitchfork, i-D Mag,
Electronic Beats, THUMP and XLR8R. David's live sets are known for the substantial amount of gear he has in tow, including a Space Echo that is essential for his signature sound. His shows at PITCH Festival, Best Kept Secret and Into The Woods inspired the penning of his second full album, set to drop early next year via Atomnation

monster follow up of the hit single "forever" !!