House News

White label roller from Roger That taking one of dance music's most iconic vocals, New Order's 'Blue Monday' and flipping it into a heavy hitting, tech house heater. Packed to the rafters with punchy, reverberated stabs, low-end weight and lip-smacking dancefloor grooves it's already steamrollering the club scene - ever extending the reach of those immortal lyrics.

Hammered all summer long by the likes of Solardo, Camelphat, Marco Carola, Jamie Jones and Leon, it's is now available on a limited 12' vinyl.

Despite experiencing moments of some uncertainty across the planet, the Gladio Operations label nevertheless takes a gamble and launches its third EP titled “The Dark Phase Experience”, once again opting for an EP by several renowned artists.

Latvian artist Dmitry Distant opens the EP with “Latvian Electronics” an excellent and intriguing cut of dark atmospheres, based on a very well moulded line of acid.

The renowned French producer Fleck E.S.C who has releases on labels such as Central Processing Unity or Electrix Records among others, gifts us “Mocboss”, an extremely enigmatic track with powerful bass, which clearly breaks away from the traditional electro sound.

The British electro producer Scape One returns to Gladio with “Click Click Drone” a fantastic track where the sequences especially stand out, and which inevitably resonates with the mythical German group Kraftwerk.

The talented duo from Madrid Telephasycs!, and label owners of Rator Mute, close the EP with “Head Rush” a powerful and dark dance floor-oriented cut, beautifully infused with mysterious and captivating harmonies.

AGT Records is back, just in time for Spring. Legend has it that the mysterious Hansel J. Tripwire was locked away at the abandoned Riverview Mental Hospital with nothing but a typewriter, a calculator and a Commodore 64 computer for company. ‘Sounds from the Sanitarium’ is the soundtrack to the party he had.

On the A, an urgent bassline propels the track forwards, balanced by glitchey samples that shoot around crisp percussion. The B is the funkier of the two, with a similarly chunky bassline providing the backdrop for shuffling high-hats and robotic synths to spiral above.

The EP is both menacing and playful, and is sure to cause some seriously wiggy peak-time and after-hours moments. AGT Records is rescuing this weapon from the vaults, all in good time.

When Steve Lawler first sent us 'Crazy Dream,' he told us that he had made the record 'specifically with Turbo in mind,' thus sending us on a quasi-lucid journey down a rabbit hole of self-discovery from which we have only recently emerged. Most labels would simply talk up a nuts-to-the-wall floor-filler with a killer 'White Horse' bassline from an acid house legend and be done with it, but the fact remains that if we forgo an opportunity to learn more about ourselves as dance music imprint, we are doing our fans a disservice whether they could possibly be expected to realize it or not. We hired a board-licensed Forensic Poet to parse the track's lyrical references to nothing being 'quite as it seems,' 'feeling naked and confused,' and rising above 'the push and shove.' What was he trying to tell us The poet assured us that all it meant was that Lawler admires Turbo and thought the track would be a good fit, and that we should put our clothes back on, wipe the confused looks from our faces, and stop pushing and shoving one another because everything was exactly as it seemed. We paid him his $25 and did as we were told. For the remixes, we took a track made especially for us and enlisted a diverse cast of Turbo All-Stars to spin it into a release for everyone, a proprietary practice we call 'Human Alchemy: The Future of Generosity™.' Finland's Jori Hulkkonen, Belgium's Charlotte de Witte, and Argentina's DJs Pareja trace a beautiful global triangle for lovers of acid bangers, stripped-down techno, and tripped-out weirdness, respectively. At Turbo, giving party people what they need is more than just a crazy dream. It's a crazy reality.

Repress

Written way back in 1999, this untitled Voy-E EP was released in 2000 only as an extremely limited white label promo, before the original label shut down and its full release was cancelled. Due to its scarcity and the quality of the tracks, prices skyrocketed while the release remained an enigma. After spending months trying to track down whoever was behind the record, a very delayed response came from over LinkedIn (of all places - one of many methods tried) simply saying “what you wanna know?” followed by a US phone number. This finally led to unravelling the mystery behind the release.

Both Voye and the original label owner, James B Boggs, had no idea that the EP was so in demand and were absolutely stoked about doing a reissue. They both live in North Carolina and left the music industry behind nearly two decades ago, so it means a lot to them that people are still enjoying their work.

The EP is a product of the Florida Breakbeat scene that was happening across the US during the mid to late 90s, which the original label was heavily involved in. One of only two Voye EPs ever released, this collection of tracks has been re-mastered by The Exchange in London using the original master CD from the now defunct label's owner.

Ed Banger Record proudly presents his new signing : MAD REY.
Mad Rey is co-founder of D.K.O Records & Red Lebanese labels.
His brand new 5 Track EP includes the single “Joe da Zin “ feat. French Rapper JWLES, launched on June 11th with a video directed by Mad Rey himself.

Motoko & Myers is the collaborative project of Bay Area-based duo Wonja Fairbrother and Daniel Letson. “Colocate” follows their 2018 debut release on the Open Hands Real Flames imprint, further developing their distinctive style which combines melodic, pop song structures with live improvisation and odd or no-meter approaches to rhythm and timing. It is a collection of bright, addictive listening, full of tracks that manage to feel at once hooky and aleatory, naive and rigorously arranged.

Recorded and assembled sporadically over a period of several years, the album’s idiosyncratic palette was achieved through much technical and methodological eccentricity: “4-handed” collaborative keyboard playing; 12-bit sampling and archaic presets; field recordings of cicadas in Louisville, Kentucky and church bells in Freiburg im Breisgau. The album’s nine tracks exude a homespun quality that is rare to find in contemporary electronic music – hazy, warm, and disarmingly organic.

dle Hands opens up 2021 with a new record from Dream Cycle. While being a new name on the label they continue on from a stellar run of records for Social Sneaker Club. Here they continue their exploration of the hardcore continuum via dubby garage, mellow house and electro.

Record opener ‘Jump Blue’ starts with dreamy pads creating blue moods; opening up into choral pads and a bouncy bassline reminiscent of early records on the label by Facta and Shanti Celeste. Next comes ‘All The Things’ which heads straight to the dancefloor with a swinging 2-step beat, chopped vocals and dubby chords.

On the flip ‘Sonntags’ is an electro track based on subtle keys and suspended chords. Perfect for the end of the night for those willing to experience the journey to the very end. Closing the record we have Deep Dream G rolling at a very casual 92bpm; low tempo vibes with style and grace.

Science Cult regulars Serge Geyzel and Karsten Pflum deliver a strong 4 track Breaks and Electro EP on white and blue splatter vinyl.

UK duo Local Group (aka Corporeal Face and LMajor) follow up their sold out ‘Laser Done’ EP and appearance on ‘Secret Rave 4’ with a ‘Fresh Rhythms’ EP that may contain tracks up to three years old.

After last summer’s appearance at Field Maneuvers, the Oxford festival they’re residents at, one punter requested ‘Local Group for 36 hours straight’ in 2020. Negotiations are on-going. In the meantime, this four-tracker provides almost 25 minutes of their ‘Field Maneuvers famous’ sound.

‘Baby Talk’ self-identifies as a ‘Hardcore Summer Anthem’. It’s got uplifting piano and a glissando, the classic switch up between light and dark, and a spine-tingling vocal that fitted like a silk glove. Why wear a silk glove in the studio? It helps EQ your snares, bro. ‘Fresh Rhythm’ is ‘avin’ it 150BPM hardcore acid breaks with a brief but cheeky donk mid- section. It’s the title track but is on A2. A mystery deeper than the cover of The Beatles ‘Abbey Road’ album. ‘Stolen Dreams’ continues the acid, but in breakbeat house form – in reverence to 1992’s ‘XL- Recordings: The Third Chapter - Breakbeat House’ compilation. Samples various favourite tracks about dreams, hence the title. Follow your dreams. They may be cheating on you. ‘Back In The Daze’ is late 90s D &;B, a formative era for Local Group, channeled into 130 amen breaks and topped with the sort of soulful vocal loved by all-time hero Manix. As the saying goes, if you can remember the 90s you weren’t there. At a squat rave. On K.

No many words needed for this record except that we are more than pleased to welcome into our home an artist that we always admired a lot, who always knows how to surprise, and this time even more, with a record that shows another side of him that had not emerged too much until now. This is our next. This is Chris Moss Acid. Mastered by Alden Tyrell

PAWSA is a man making waves across the globe, with his charismatic style and unmistakable flair in commanding dancefloors. Cue PAWZ013 - two club ready, vinyl only weapons that clearly demonstrate PAWSA's power.

Kicking things off, the A side houses 'On Yer Feet' showcasing a beautiful simplicity in PAWSA's production, proving that when every element works in synergy, there's no need to clutter a mix. Marrying a rolling beat and crisp percussion with a bass weight that drives the track, the foundations are laid for an infectious, mantra-like vocal to capture minds and move bodies. The vocal breakdown is destined to be the catalyst for fabled club sit downs the world over, with the drop providing sure fire hands in the air euphoria.

On the B side a brooding, machine evoking bassline and thumping kick are complimented with claps and hats that cut right through in 'For The Few'. Adding in off beat synth stabs, the combination with the mechanical bass is bound to draw dancers into a trance inducing state.

Two heavyweight club tracks destined to do damage, from one of the rising stars of the scene.

Emerging from Madrid’s underground scene, Hoax Believers lands at District 91 to delivers the 3rd release of the label with four perfect dancefloor tracks.

An EP full of killer drums, acid-funk basslines and dreamy electro synths.

“Hoy como ayer el socorro rojo de España cuidará de vuestras familias”
Asturias, Octubre de 1934.

By popular demand we are excitedly reissuing the 3rd release from Metamorphic, Origins EP by Planetary, carefully remastered from the original DAT recordings! In the interest of preserving the original mood of the release here is the text from the 1993 press release for this record...

In the time before ideas when human life was not even a consideration evolution began. Water from a turbulent sky flowed off virgin Earth into the pools and rivers of creation Meteors coursing the the heavens were intercepted by the mother in order to bring to her the elements needed for her primordial cauldron. 'Origins' by Planetary brings you to this genesis. Your mind swims through the primeval ocean warm with life creation and you witness the beginning. When the music stops your mind and body return to the world of the sentient but you never forget your Origins.

Borde - Uruguay
Only vinyl record label

The horn of plenty arrives at your door, full of freshly harvested produce. It contains fruits of artists you already know and from others waiting to be introduced to you. Don’t be afraid though – they are only your new neighbours. Clear Memory Farms recommends this five track Various Artist EP: EDM-free, sustain-able, enriched with biodynamic electro spells and mystic funk chants. Have a try at this asymmetric game but don’t be surprised to turn into a hairy rebel. Is it worth it? Will you experience all die goede dingen? Seems like we can’t find any good answer for that – find out for yourself.

Mastering by Rude 66
Artwork by Dr. Rekorder

-Dedicated to Theo-

classic !

Thomas P. Heckmann's 30th Anniversary Special Edition !

LTD Splatter Repress !

Presence Unknown is a vinyl and digital label curated by longtime producer and DJ, Neil Keating aka Controlled Weirdness. Neil has been behind the decks and deeply involved in all aspects of club and underground sound system culture since the early Eighties. He has released his music on numerous underground labels and performed all over the world, from plush clubs to dirty warehouses. Worth a read are a couple of published articles by Neil regarding his experiences on the dance floor of underground clubs in London and New York in the Eighties. See links at the bottom of this page for these as well as a detailed biography and discography. There is also a link to a recent 40-minute interview with Distant Planet TV that explores his cultured rave history.

The third release on Presence Unknown contains four slamming tunes, crafted with precision by Controlled Weirdness using a variety of analogue and digital machines in his South London studio. The A-side features some deep and bass heavy electro acid for the dance floor. "Ghosts of the Heygate" and "Running on Empty" feature rolling 808 boom with 303 groove. The flip side starts off with "Are you angry or are you boring?" a future-retro rave anthem with lately bass and killer mentasm stabs and has been destroying dance floors on dub during Controlled Weirdness’ DJ sets the past six months. The EP closes with, "Strange Desires", a slow, sleazy, slinky and salacious groove. Music from the margins. Presence Unknown.

Beyond Space And Time is the new record label from Japanese music festival, Rainbow Disco Club (RDC). RDC has been welcoming music loving people to Japan for over a decade. Throughout the festival's history, the organisers have been fortunate to collaborate with amazing performers and DJs who’ve provided a beautiful dancefloor year in, year out. These relationships have lead RDC to start their own label, and they are now given the opportunity to reveal one of the best-kept secrets: What is in a DJ's record bag?

This time around, festival regular DJ Nobu kindly opens up his collection, and shares the music he loves with us all. On visual duty we welcome Senekt - his representational yet contemporary drawing illustrates the emotion we feel from DJ Nobu.

DJ Nobu selects Pan Sonic's epic Lähetys /Transmission, for this limited one sided 7". It is the first time this track has been released on vinyl. The release is meant as a preview to his forthcoming vinyl compilation from DJ Nobu - a 2LP voyage that navigates much of his musical background, and includes all time favorites.

DJ Nobu describes the track this way…
"Electronic music has existed for decades, and if you are to choose some of the best from all scattered & hidden pieces, Pan Sonic's 'Lähetys / Transmission' must be considered. The track emerges beautifully - breaking structures and transcending the past. Every layer of the piece is produced with such delicacy and care, that as a whole it magically drags you into the world of the unknown."

We have much more music to come in future from artists and DJs that we trust and respect.

Edinburgh based producer Gallonigher presents his full EP on Reductive. After his last release in 1999, he is back in force with this true Tech House four tracker, written and produced in 2001. Full send.

Das Dessauer Harzfein-Kollektiv meldet sich mit der ElectroEP "Phasen und Frequenzen" zurück. Die 6 Songs zwischen
klassischem Electrofunk, Breaks, 808-Trap-Beats, VocoderVocals und Scratches sind in Zusammenarbeit von DJ Magic
Mayer mit Magnetic Bass Force, Chris Bert und Selecta Ras
entstanden. Seit 1992 ist Harzfein ein Netzwerk kreativer
Akteure aus verschiedenen musikalischen Genres des HipHop.
Ein Großteil dieses Netzwerks zählt bereits seit Beginn der
1980er Jahre zu den Pionieren der HipHop-Kultur in der
ehemaligen DDR. Seit 1994 veröffentlicht Harzfein in immer
wieder unterschiedlichen Konstellationen Schallplatten als
Beleg einer stets lebendigen Idee: sich gemeinschaftlich
musikalisch frei ausleben und ausdrücken zu wollen.

Ninja Tune’s Leon Vynehall veröffentlicht 12” mit neuem Song!

Leon Vynehall veröffentlicht seine neue 12” „I, Cavallo“ auf Ninja Tune! Dunkel, pochend und intensiv ansteckend, richtet er seinen Fokus auf einen dichten und nervenaufreibenden Raum. Leon Vynehall hat sich in kurzer Zeit als Künstler mit echten handwerklichen Fähigkeiten etabliert. Er bringt ein viel breiteres Spektrum an Skills und Einflüssen in die elektronische Musik ein. Sein umfassender Ansatz wurde im Juni letzten Jahres durch sein faszinierendes Debütalbum „Nothing Is Still“ auf Ninja Tune bestätigt, das von der Kritik hoch gelobt wurde. Unter anderem sprach hierzulande der Deutschlandfunk von „literarischer Clubmusik“, Groove beschrieb das Album als „fesselnde und wunderschöne Platte“ und Spex meinte, „‚Nothing Is Still’ klingt erstaunlich kohärent.“.

‘Dreams of empty spaces’ is the second release from Electro Label Suborder. With that new EP, French based producer NGA doesn’t bother about flourish and goes straight to the point. Expect nothing but 3 dancefloor killers. Every track is a pure piece of Minimalistic Electro which will perfectly fit in every highskilled DJ set. Whatever the side you choose to play, you can count on that mix of metallic
basslines, 808 drums and hypnotizing keyboards, to activate clubbers body mechanics.

'I was raised off tapes by Skibba
Learnt the streets off Skinner
Where the walls are thin and the grey cloud thick Tick tock, another day's lost
As I drown in smog..."

Peckham MC & DJ Pinty is set to release his debut EP 'City Limits' this March on Rhythm Section International. Following the recent release of his debut single 'Tropical Bleu' , a laid-back broken-beat roller produced by friend and collaborator King Krule under his DJ JD SPORTS alias, Pinty has quickly become the talk of the town.

As the new voice of South London, Pinty's witty wordplay and effervescent club sound take influence from the introspective poetry of The Streets, the downbeat moods of King Krule and the jazz tinged house tones of production partner Maxwell Owin. Since his self-released 2015 mixtape, the ten-track spectacle 'Midnight Moods', he has also begun to make waves with his distinctly individual live performances, playing in Paris with hip-hop star Rejjie Snow, in New York with RATKING, and locally for the likes of Boiler Room and Just Jam. Features on Glenn Astro and Jamie Isaac tracks along with gracing the Autumn issue of the Peckham Peculiar round off a noteworthy rise to prominence.

Lead single 'Tropical Bleu' boasted the hallmarks of Marshall's late-night production coupled with Pinty's unique MC-led approach to the dancefloor.

Now 'Nightcrawler' presents a simmering nocturnal dance cut, charged with glowing bursts of deep house, candid lyrics and aself-directed video portraying a woozy tale of London's underbelly.

Flitting between hip hop, house, UKG, and darker electronic sounds, Bradley Zero's Rhythm Section International makes perfect sense for Pinty's debut release, which takes its title from a prolific early 2000's South London graffiti legend. With deeply personal lyricism and wry humour, 'City Limits' adds colour to a mostly grey city. Music and creativity was a core part of Pinty's youth, his dad was a poet and older brother an MC during the golden age of garage and jungle. Fast forward to 2019 and he's part of a dynamic collective of producers, singers, musicians and rappers, as well as hosting radio shows on influential stations Reprezent and Balamii.

Already a major pull in the capital, 'City Limits' marks Pinty's graduation from local sensation to international proposition, as he prepares to fly the nest of the city that spawned him.

Repress

Topping off an incredible run that included last year's releases SICKO (KOMPAKT 322) and YOU ARE A BLADE (KOMPAKT 343), UK producer and long-time Kompakt ally REX THE DOG presents two brand new jams on TEUFELSBERG - this latest offering connects the dots between the powerful, melody-driven techno of Rex's earlier works and his current set-up that favors muscular, raw tracks with a distinctive analog bite. The latter is no accident, as Rex has become increasingly involved in DIY synth design, building his own modular hardware for studio and live use. Title cut TEUFELSBERG starts off lean and mean, quickly establishing momentum with propulsive beats and a simple, but seriously effective bass line - the track's main protagonist, however, is a sweeping melody blowing up for the track's entire run time, an utterly scenic synth job that doesn't even flinch from a ground zero break. Meanwhile, the flip side shells out a proper rave whacking with industrial-infused banger SHORTWAVE - another relentlessl piece of prime time techno that is as monolithic as it is playful.
+Als weiterer Höhepunkt eines unglaublichen Laufs, der letztes Jahr mit SICKO (KOMPAKT 322) und YOU ARE A BLADE (KOMPAKT 343) begann, präsentiert der UK-Produzent und langjährige Kompakt-Vertraute REX THE DOG zwei brandneue Knaller auf TEUFELSBERG - ein perfekter Spagat zwischen dem kraftvollen, melodieverliebten Techno seiner früheren Produktionen und dem rohen, muskulösen Stil mit analogem Biss, welcher seinen aktuellen Output charakterisiert. Letzteres sollte nicht verwundern, ist Rex doch zunehmend in Do-It-Yourself-Synthesizer-Design abgetaucht und baut inzwischen modulare Gerätschaften für seine Studio- und Bühnenbelange selbst. Das Titelstück TEUFELSBERG startet schlank und sehnig, dreht mit treibenden Beats und einer simplen, aber schwer effektiven Bassline schnell den Hahn auf - der wahre Star ist hier jedoch eine mitreissende Melodie, die wie in Zeitlupe über die gesamte Lauflänge des Tracks explodiert, dank ungemein malerischer Synthesizerklänge die auch vor radikalen Breaks nicht zurückschrecken. Währenddessen keilt die Rückseite mit einer ordentlichen Portion Rave auf dem Industrial-beeinflussten SHORTWAVE aus - erneut ein unermüdlicher Techno-Schieber zur besten Sendezeit, der sowohl monumental als auch verspielt kann.

Ending the season on a breezy note, our new VA 'Boogie Angst, Edition Three' delivers the ideal wares for a buoyant last stretch to an otherwise trying year. Spanning a brightly hued kaleidoscope of pop-infused house and mellifluous boogie, Edition Three pushes forth a selection of our choicest grooves from the past year as well as a batch of unheard and exclusive gems to keep you in the warmest, most positive mindset for the winter to come. Through fifteen cuts covering a wide but cohesive spectrum of balmy sonics, the compilation once again offers a much spitting image of what the label's been up to in recent times.

HIGH HØØPS playful revamp of Secret Rendezvous' fresher-than-fresh RnB joint 'Back In The Day' sets the tone right away, followed closely by Moods & Two Another's lush coastal disco number 'Control' and Snacks & Eric Biddines neo-big band style house treat 'All Night' - a singular chunk of ballroom bop tinged with soulful blues tropes and Caribbean melodic accents, sure to have the dancers jiving without further ado.

Here comes Inkswel's synth-splattered mix of 8-bit pixelation and Run DMC-esque hip-hop 'Too Late' (ft. Stan Smith) and Saux's dream folk excursion 'You're Not Wrong'. A highlight of the package and mesmerizing piece of wistful, kosmische-laced disco, Kraak & Smaak 'Centro De Placer' ushers us in a realm of velveteen ingenuousness and sun-streaked utopianism, steering us away from the tar-scented gloom of soulless metropolises into an all engulfing prism of hope, love and grace.

Utrecht-based vibist Feiertag punches the clock with 'Encino Boogie' - a four minute-odd slab of buoyant funk sprinkled with laid-back house tropes and brass-heavy, loungey dub tonalities, perfect for drawing out the pleasure of dreamlike summer boogie sessions. Clear your mind and shuffle your feet to that solar-powered mix of fevered drums, slap bass and sensually aqueous groove.

Next, Kraak & Smaak's add their easily identifiable, almost Beck-ian spin to Jean Tonique's lysergic pop hit-en-puissance 'Too Bad' whilst Bondax lo-slung remix of Moods' sense-awakening soul tune 'Slow Down' (ft. Damon Trueitt) eases you into a place of inviting suavity.

Inkswel's funky robot chugger 'The People' (ft. Dave Aju) picks up the torch next, followed by Flevans, your go-to man for proper electroid floor traction. The UK-based producer has you covered with 'Everything I See' - a surefire, bass-driven roller inbound for severe club impact with its infectious mix of fiery riffs, mangled female vox slivers and racing groove. Next, Secret Rendezvous' sun-beamy ballad 'Your Love' takes us on a gently bouncy, romantic ride.

Last but not least, Vhyce's smooth hybrid of synth-strewn RnB and lo-velocity funk 'Lose Our Minds' (ft. Yves Paquet), David Harks' metronomic disco-pop anthem 'Twice' and Saux's sleek-textured synthpop exponent 'Night Is All There Is' round off the package on a typically smooth and vibrant sentimental touch.

For the wax heads out there, a limited 9-track vinyl sampler will be issued alongside the digital compilation, featuring some of the tracks on the album + a few alternative versions, and furthermore a vinyl exclusive of Kraak & Smaak's remix of Izo FitzRoy's 'When The Wires are Down', initially released only digitally via Jalapeño Records.








h 08 | Inkswel The People (Cody Currie Remix) feat Dave Aju
feat Wolfgang Valbrun

This EP comes to you, completely designed by the amazing 3d artist, Klarens Malluta. It's packed in a black paperbag and a transparent plastic bag to give your vinyl the best protection.
As we're not only attending to the audiophile people out there, we've added a beautiful fine art print on extra thick, high quality paper.


On their new 12“, Obsession EP, Berlin-based duo CYRK expand on their unique permutation of sci-fi-inspired electro. The title track is another fine example of the brooding and cinematic atmosphere they have championed lately. Recalibration ups the ante significantly. It’s a fast-paced and tense dance floor smasher replete with screams and powerful howls by Berlin-based singer Sunru. In his remix, veteran producer The Hacker slows down the tempo and turns the frantic original into a slow-chugging lesson in new beat intensity. DJ LOUI on the other hand, strips away the layers of pads and focuses on the bass line of Obsession, turning it into a bare-bones rhythm track with an 80s twist.

2nd release of the Madrid label runned by Corp. Another limited 12″ EP with 4 Italo-disco tracks with an electro The Hague touch from the hands of Evanton. First release on vinyl format from this amazing producer from Athens. Italo-disco not for the masses!

Crew fascinated music on a hardcore street level.

Draw from all corners of rock-n-roll or hip-hop and punk-rave music.

Mission to release music with a positive intent and will not release anything which adhere s to a done to death ideal constructed by the commercial business world.

Must be some balance to the mass output of the global commercial music industry which delights in promoting anything irrelevant of its moral value
or ethical philosophy.
To encourage young kids to buy, follow, mimic and support nothing more than a profit pulling product.

As opposed to encouraging the kids to support true art which aims to impart the truestate of genuine artists creating for themselves with a desire to share their original creations.

All artists who choose to create for themselves with no thought to the selling factors of their art are true Renegades and create from the source.

Through music and creativity - aim to work together across divisions of nationaity and artistic divergence.
Remember Yourself.

Raw Materials Records is a newborn record label, based somewhere in the centre of Italy. We're a collective of Dj, Producers and music lovers focused on good electronic music with no restriction of genre. Our first release is a Various Artist ep, exposing a wide range of sounds for all club & listening needs featuring tracks of Shamako, Gaetano Battista, Calma, Simon Paw and Method Vibe. Handcrafted with love!

FNDTN00007 is courtesy of one of our main men, Ron Wells. This time we have a four tracker perfect for those day parties, early morning hours or even just to have a nice listen in the car while you’re driving into the sunset. Musical to the core and displayed through beautiful electronics.

After 3 years of silence around Earth based producer Aleks, he makes his return with an outspoken ambient journey through thick atmospheres and time-bend galactic pathways. "From Space with Love" is a rare exhibition of tracks from this artist that reflect an introspective journey that can be best described as an adventure on a familiar but unknown mystical planet.

Bowyer delivers four cuts that are dynamic and innovative from start to finish.

All tracks boast smooth organ arrangements alongside playful melodies and pop elements, rendering them modern house triumphs for the dancefloor.

The young and talented producer continues to shine in recent times with a steady output of high quality productions, simultaneously the Partisan family continues to grow and this EP from Bowyer is sure to be welcomed with open arms.

vinyl only

With The Fourth Release Of The Label We Are So Happy To Share With You Our First Guest And One Of Our Favourite Producers Of All Time. Ron Wells Pka Jack Smooth, Often Credited As The Pioneer Of Jungle Techno Presents A New Alias, Neu.ron. Three Sublime Cuts Showcase The Mans Ability To Create. He Takes Us On A Sonic Journey Through Deep Techno, Techno-house And Finally Through To His Signature J-tek Line Comprised Of Eloquently Sequenced, Crisp Sounding Drums, Rolling Bass-lines, And One Of Kind Riffs And Melodies.

Incl. Chris Geschwindner Remix

To kick off with their series, SINM presents its first record: First try Fridays (incl. Chris Geschwindner remix). The tree tracker consists of a blend between UK Garage, House and Electro to bring forward cutting edge rave sensations with futuristic vibes.

A side takes you straight to a two-stepper projectile, setting the tone with "First Try Fridays" and its powerful wobble sub and short electric stabs. Perfect for threatening the dance-floor in peak time hours alongside mysterious DDA's approach.

On the flip side, Realness teleports you to a nostalgic scenario with its polished chord progressions and breakbeat strikes. Slowly building up with vocal cuts and glitchy transitions, B2 reaches a both nostalgic and mysterious climax. To close the EP, Beam Dump's boss man captures the beautiful essence of Realness bringing beach-like sensations to a tune that's perfect for warming up a dance-floor or enjoying the after-hours.

More to come soon from the SINM crew, stay tuned!

SYNTAX (Valencia, Spain) First release in Pre-Order!
The stars aligned, everything was in favor. It was not a good idea to pass up this opportunity to create something like Syntax. After a lot of work, the first reference finally appears collaborating with artists like: Dez Williams, Go5, Lex Or, Soj Negocius man, Electrodynamique y Mauro Nakimi.