House Новости

Spiralling through the space-time continuum, Alberta Balsam's debut EP amalgamates clipped breakbeat with lithe IDM and sawtooth electro. Inspired by the visionary author Ursula K. Le Guin, the vinyl is presented by Dekmantel Records together with a transcendental sci-fi narrative. Printed on a poster-inlay designed by British artist Alex Morgan, the story tells of a quest for survival on a planet ravaged by ecological collapse.

In a bid to rescue all lifeforms from impending destruction, a lone holobot frantically consults her neurobiological interface. Humans can no longer subsist on Earth: waterways are contaminated, and the unbreathable atmosphere has taken on a toxic purple, almost holographic hue. Faced with environmental apocalypse, she turns skyward, to take root among the stars. With nods to the utopian futurism, attunement to nature and alien visions of pioneering electronic artists such as Drexciya and Delia Derbyshire, Alberta transmutes a synergy that's entirely her own. Higher Dreams journeys elsewhere on a passage that's equal parts intergalactic and introspective, questioning how, on the brink of the abyss, we can find hope.

Blasting off the A-side with 'Atuan Tombs' – a reference to Le Guin's masterful Tales From Earthsea series – a cyborg voice narrates plundering through the skeletal remains of an urban landscape. Hollowed out kick-drums thunder in 'Cascade;' glitched-out beats that shatter into incandescent, intricate melodies. On the B-side, the titular track crescendos, it’s biblical vocals conveying the gravitas of an approaching dystopia. Yet Higher Dreams is far from doom-inducing – the EP closes off with ‘Suspended in the Manifold,' the vibrant Roland TR-808 rhythm fuelled by the colossal power of a solar flare.

Renowned for her live hardware-based sets, Alberta flexes her immeasurable skill as a tech-savvy producer adept at constructing danceable, yet simultaneously lush and expansive interludes. Having trained as an epidemiologist, the theme of care reverberates through her music. Crucially, she regards dance as medicine – a primordial remedy to sustain our interconnected existence.

Now with a steady accumulation of exciting names in their back catalogue and hammering along their stride, Cardiff-based event promoters and label Haŵs welcomes Aloka to the household. For the imprint’s 7th release comes the interplanetary ‘View Source’ EP, an arsenal of controlled chaos via four essential, dark electro cuts.

The titular ‘View Source’ is a vicious opener, brandishing its pummelling acid and muscular drums with a snarl. There’s no retraction of the hostility when it moves to ‘Blind Spot’, however, whose sinister drones take flight like birds of prey over the percussion and synths that squirm as though they’re being targeted down below.

The flip side introduces ‘Red Shift’, a vehement stomper with a proud disposition and a classic electro beat, its acid-lines flaring up in a temper-tantrum of robotic aggression. Finally, the attack is subdued. The EP finishes on a more melodic close with ‘Enigma’, a drowsy, rich soundscape of atmospherics that seem to fall in slow motion. There’s a real sense of space with this finale; recurrent flares of synths stammer over the languorous bassline, withdrawing and emerging like the gasping embers of a fire in a vast room. A final breath extinguishes the flame.

Electro has many flavours, and Aloka traverses this palette with ease from its gritty peaks all the way down to its melancholic depths.

S8jfou (pronounce "suis-je fou" in french wich means "Am I crazy?") is a young French producer of electronic music. Chosen as a reference to the cynical philosophy, "Cynism" is the second album to come out of S8jfou's creative mind, this time on Rennes's imprint Parapente Music. This new record mixes skillfully UK Garage, IDM, Jungle influences, ambient music, ; and scrolls like a dream trying to escape, leaving through its melodies a message to the eternal children...

"Cynism" is an self-produced album in a remote hut in the French Alps. In order to fully live his music and to produce it, S8jfou needed to be isolate in a self-built house in the mountains, far from noises and judgments. His electronic compositions are thus freer. Since 2016, he has gained in popularity among the young producers who love analog sounds and sound synthesis in France.

The more alone he is, the more accomplished his albums become : “I discovered how to let go when one is completely alone, to live a trance-like experience when one composes, he says. By living there, I realized we don’t need anything to live. I make fire in the wood stove for heating but also for cooking, I go shopping once a month, a three hours walk away... The rest of the time I create.”

In spite of the young age of the artist, we already feels a lot of maturity and technical mastery when listening to this album. The influence of the master Aphex Twin is never very far away, both in the isolated creative process and in the sound itself. However, S8jfou manages to keep his own and personal style throughout the album.

Facing global extinction on one side and reflecting flurring dystopia on another, Dmitry Distant and Lowfish teamed up in utopian electronic music release on 7″ vinyl.

Last seen sharing vinyl space with 100Hz and Voightmann on his own E Numbers imprint a couple of years back, Bobby O'Donnell resurfaces via a collaborative outing with Reeshy, a fellow Leeds resident who is seen by many as a rising star of the Yorkshire scene. In keeping with the PILOT label's breakbeat-driven, retro-futurist feel, each of the four cuts on show doff a cap to turn of the '90s rave culture. This is arguably best exemplified by weighty, funky and spacey bleep & breaks jam '2', though the arguably even more sub-heavy, UK garage influenced opener '1' comes a close second. Elsewhere, '3' delivers subtle nods towards Rob Gordon and Richard H Kirk's short-lived XON project (look it up, kids) while '4' is an acid-flecked warehouse shuffler.

Claptone return with their third studio album, ‘Closer’.
 ‘Closer’ features the singles ‘Just A Ghost’, ‘My Night’,
‘Golden’, ‘Right Into You’, ‘Wake Up’ and more.
 ‘Closer’ features collaborators from legacy artists such
as Seal and Barry Manilow, as well as established and
emerging recording artists like James Vincent
McMorrow, Peter, Bjorn & John, APRE, Two Another
and lau.ra.
 Album singles from ‘Closer’ have been strongly
supported at Radio 1 and Kiss from the likes of Pete
Tong, Annie Nightingale, Diplo and Friends, Ricky,
Melvin and Charlie.
 Strong press support and features across the
specialist dance world and mainstream, from the likes
of DJ Mag, We Rave You, Clash and Billboard.
 CD housed in digipak with fold out booklet.
 2LP on coloured galaxy effect vinyl housed in gatefold
sleeve with printed inner sleeves.

Sometimes you just have to stop, take a moment and enjoy the flowers. Clarence Wu plants the seed on his own imprint HUA3000 with a multi-faceted vision of late night & early morning sounds. This record throws open the blinds and gently caresses the shores of your mind. So let the Sunshine in and allow your mind garden to bloom.

More understated than previous releases from Dave, but carrying the same depth, essence and sentimentality that runs through all of his music.

Expansive landscapes on this one, a real trip.

repressed !

This is the debut solo release from Eris Drew, featuring 3 new songs meticulously mixed for the maximum impact of the Motherbeat. From the very beginning of the emergence of Eris Drew, we at IT have been blown away by the power of her DJ sets, where she channels the psychedelic energies of rave and love -- the music reflects the power of transition and of fully becoming who you are. Part of what was so exciting to us is that her sets find a new path through the sounds and ideas that inspired No Way Back and so many other wonderful things.

So we asked her to create an EP for IT that would reflect these ideas, and our favorite ecstatic healer delivered! Here we find her carefully exploring the intersections of House and Breakbeat culture, a proto rave ecstasy music that exudes the Fluids of Emotion, higher consciousness and the conceptual art of the KLF. Eris has previously released on a compilation on Needs Not For Profit, and a split EP with her equally inspiring partner Octo Octa, but this is her first full solo EP. This EP was recorded at Eris Drew's parents' home in Chicago and mixed in the Interdimensional Laboratories in Detroit with BMG. Comes with full color picture sleeve.

Melbourne based Escape Artist has blessed us with a euphoria bursting EP for the 30th release on our main label series! For the past few years we have absolutely loved his genre fusing releases on labels such as Salt Mines and Kalahari Oyster Cult which wonderfully slip between Breakbeat, Techno, House and Jungle. For the “Energy Breakthrough” EP, the focus is primed straight for the lasers, with three blissfully exhilarating and ecstasy inducing original tracks, alongside a remix from one of our favourite up and coming producers, Adam Pits.

The EP begins with the title track which combines old school house piano stabs at the start that evolve into a soothing pad progression and a super saw breakdown that takes you straight to Amnesia circa 1998. Opting for a more broken drum beat, the track floats effortlessly like a night time motorway drive. For the remix, Adam Pits lifts it into the stratosphere, repurposing the bassline and slapping a thunderous 4x4 rhythm underneath. Invoking Sasha and Digweed at their absolute peak, the track fuses the classic sound of Progressive House and Trance with futuristic levels of energy. “Reach for the lasers” doesn't quite do it justice.

On the B1 is “The Dream We Share” that marries together chopped up funk breaks, plucky synth
melodies and uplifting 303 Acid squiggles with jubilant chords for an elated sonic journey. Rounding the release out is the stripped back and introspective “Breathing Room” that is a beautifully peaceful experience after the dance floor focus of the previous cuts. The refreshing aura of the track that harks to the golden age of 90s Chill-Out and Ambient Techno concludes the release in the best way possible.

We’re at our fifth episode on The Secret Sun series and we’re thrilled to have another legendary producer taking care of it.
Miki “The Dolphin” is somebody who needs no introduction as he is, together with Francesco Farfa and Roby J, one of the pioneers of the Italian progressive scene that formed in the early 90’s in Tuscany and spread across Italy and beyond. Recognized worldwide for his productions on Interactive Test and his own Major Hypnotic Key Institute, Miki forged a solid vinyl discography that is still today very much in-demand in the second hand market, with collectors paying high prices to get their hands on the few copies around.
His intense dj set activity over the past 30 years has brought the attention of many also towards his experimental analogical works: initially realized in Florence with the connection with Franco Falsini and his Interactive Test, and later, up until the first half of the 2000’s, in Ferrara, in the recording rooms of the Adrogimus Recordings Mulino where the concepts of the Major Hypnotic Key Institute were further developed thanks to long studio sessions, both alone and with renowed trained musicians.
As it is now our modus operandi here at the OCD/SS HQ, we gained access to Miki’s personal DAT archives to scour for the goods; we are now bringing under the light of our sun two previously unreleased gem “Anse Takamaka”, created together with the late jazz bass player Bruno Corticelli, and “Shamballa”. To close the EP, we’re reissuing “Art Of Libido” a highly sought after track previously released on Interactive Test.

Repress

Clear Vinyl

A long-awaited vinyl-only sampler showcases some of the most seminal and vanguard recordings from one of the finest minds behind the American electro and Miami bass scene. The four tracks listed here are all original recordings from 1984-85 fully licensed by the author himself James McCauley and accurately remastered via Omaggio Records. Thirty-five years later, its still the case to say: "Welcome to the Future".

Danalogue x Alabaster dePlume have spent the past few years traversing jazz cosmology in neighbouring orbit with one another. Now the pair come together for the first time on their debut album 'I Was Not Sleeping'.

Danalogue's profile as a producer is rising fast due to the recent success of his work at the helm of Mercury nominated The Comet Is Coming, both of the critically acclaimed Snapped Ankles albums as well as recent records by Soccer96, Bo Ningen, Flamingods, Lunch Money Life and Vels Trio.

Spoken-word artist, writer and saxophonist Alabaster dePlume (aka Angus Fairbairn) is familiar to most thanks to his recent album 'To Cy & Lee: Instrumentals, Vol. 1.' – Bon Iver recently sampling opening track 'Visit Croatia' for their single 'PDLIF' too.

The duo met at London's Total Refreshment Centre, a place that's become something of an incubator for the vibrant new London jazz scene, and also the record label with which this project has found a suitable home.

In their music, Danalogue and Alabaster dePlume seek to find utopia amidst a real-world reality of austerity, divisional politics and a UK lurching towards the right wing. The title of the record addresses this explicitly.

"It's about accountability" explains Fairbairn. "If one day in the future someone asks me about this time now, I will have to say, 'I was not sleeping while this happened. I witness what is happening around me now, I recognise I am involved in it, I am part of it, I cannot deny it, and I am prepared to do something to make it better, and to change myself in order to do so."

Much of the album came together at PRAH Studios in Margate, with the distinct aim to play outside of their comfort zones and usual instrument choices. "The approach is more as producers than in a live band setting," says Danalogue. "We pieced it together by stitching a patchwork of material, and kept building and subtracting little by little, a bit like making a sculpture."

Embedded in the stitching, the spontaneity of the duo's freewheeling shines through. Opener 'The March is Unstoppable' is a portent of this; a breaksy, hip hop-inspired beat that comes washed in chiming synth lines and squelching bass. 'You're Doing Very Well' – the first track to come from their initial sessions at TRC - is another example of the duo's ability to ride a stylistic ebb and flow, working layered saxophone through delays to create a dubby ascent to the stars.

There are guest appearances too. Among those are poet and Benin City vocalist Joshua Idehen, who appears on 'Broken Tooth Skyline', and TRC's Capitol K, who drops additional synth and drum machines on 'All Who Wander Are Not Lost'.

London-based producer, DJ, and promoter Saoirse announces the launch of her own imprint TRUST with her highly anticipated debut solo release.

TRUST 001 is a 4 track EP written by Saoirse with the concept to showcase what you can typically expect from her as a DJ - jumping through an array of dancefloor moments, a track for each common dancefloor feeling.

TRUST is one of the key foundations of safety, within yourself and with others. Vital for good health and happiness. The inception of TRUST records was finally being able to trust in one's own ability. Trust in music made for dancefloors. Trust in its simplicity yet importance. This label founded by Saoirse will be asking those who she trusts, herself, her friends and her most loved producers to join the label as collaborators and solo artists.

IV Movements' is the new EP by Antwerp-based trio SeizoensKlanken. After the success of the first full album 'DagxNacht', the group formed by Gilles Helsen (keys) and Freek Vreys (guitar) expands with jazz-percussionist Cas Kinnaer. The musical recipe of SeizoensKlanken remains the same: instrumental compositions balancing between colourful afrobeat and intimate electronica. As the title 'IV Movements' suggests, the EP is made of four 'movements' or musical parts, like a classical symphony. At the same time it refers to the interdisciplinary collaboration between SeizoensKlanken and choreographer Evelyne Van Hecke, who has created a dance choreography for the music of the EP with her dance company Moving Ground.Now the Antwerp trio has released a new video for 'The collective body'.As the title 'IV Movements' suggests, the EP is made of four 'movements' or musical parts, like a classical symphony. At the same time, it refers to the interdisciplinary collaboration between SeizoensKlanken and choreographer Evelyne Van Hecke, who has created a dance choreography for the music of the EP with her dance company Moving Ground.

SUB/012 comes from the Liverpudlian wunderkind DMC. 4 mega bass heavy cuts in his unique style. The tracks slap you round the face leaving you wondering where is left and right while your head is still in the clouds with his wonderful melodies.

Jamie Odell aka Jimpster wears many hats and wears them well. His esteemed labels Freerange and Delusions Of Grandeur have kept push incredible new music forward, and from his UK base, Jimpster has become a standard-bearer and custodian of the authentic
house sound, carrying its flag all around the world.

Based in Philadelphia, Rich Medina is widely known as a legendary Afrobeat DJ. platinum-selling record producer, recording artist, poet, journalist, and Ivy League lecturer.

He has worked on music production with artists such as Jill Scott, J.Dilla, Bobbito Garcia and the late great Phil Asher.

The Colours That Rise return for a quick lap around Earth with this special offering , "Mixtape 1" - comprising of one brand new studio production and two new compositions recorded live from the mothership in 2020 AD.

The new record may be short but contains 3 very different moods guaranteed to take you away. Their Earth-based ally - Yussef Dayes, returns to the drumkit on "Special Request" for a slice of extra terrestrial, year 3000 funk.

“Axel G” see's the team speed things up for the imminent return of clubbing to Planet Earth. The pandemic didn't reach outer space, and the martian calendar has afforded The Colours That Rise ample time to test out and refine their club dynamics: think Afrika Bambaata meets Drexciya on Mars.

The EP is closed out with “Polo 1.2” - which sees a welcome return of Simeon Jones to vocal duties - pining for a return to his roots - "no matter which way we go". 21st Century Intergalactic home sick blues.

We hope this offering bridges the gap to the next TCTR longplayer, scheduled upon their next trip back home…

ATIC Records proudly presents ‘Electric Union’, the all-new album from Niko.

Produced by Aim. Limited edition vinyl release of 200 units. Gloss laminated, 420g heavy card outer sleeve. Matt black poly-lined inner. Transparent / purple splatter wax. Shrink-wrapped. File under : Electronic, Synth, Dance, Chill

For their 7” debut on Where To Now? U mines the considerable depths of his MPC hard drive to present 3 snapshots of an artist shaking off their formative influences and commencing the journey to unexplored realms of the sampler’s universe.

'Junkies' has classical string stabs (that would later become a focal point on the sound of “Vienna Orchestra” (WTNLP05)) driven forth by dark, jazzy double bass licks, all shrouded in vinyl crackle and forced forward by a 2-step feel on the drums. It would have the essence of an early 2000s instrumental hip-hop track were it not for those drums shuffling off on a different tangent.

'Too Good For Me' toys more with the sampled nature of the music, throwing abrupt rewinds and record manipulation into a melange of rumbling industrial sounds led by a pulsing high-pitched melody. This is underpinned by a Bossa-styled beat that further unsettles the murky atmosphere of the track.

Finally 'Almost Man'’s exotic plucked strings and booming bass-heavy beat roll into snares in a marching rhythm that could reflect the march into the future for this unparalleled producer taking the lonely road to the outer edges of modern composition and electronic production.

lack Girl / White Girl make their debut on Balkan with a set of four jackers. Ty & Karin know how to inject just the right amount of funk without losing any of the direct-to-dancefloor energy. Edition of 303 hand numbered copies.

Picking up support from Ben Sims, MCMLXXXV, Ciel, Erol Alkan, Kikelomo, Cici, Noncompliant, FYI Chris, India Jordan, Fault Lines, Erika, Freshta, Jason Kendig, Joris Voorn, Justin Robertson, Matthew Herbert, Chrissy, The Analogue Cops,Totally Enormous Extinct Dinosaurs, Nikki Nair, Stacy Sexton, Scuba, Roska, Alan Fitzpatrick, Ame, Hassan Abou Alam, Addison Groove, Gene Farris, Claude Vonstroke & more

The Leuven based organisation nacht invites friends of the party to start their journey as a label. Something for the heads and the feet, NACHT01 contains 3 tracks that span different levels of intensity and cross different tempos, mirroring a good night out the way the crew feels it should.

Bordello A Parigi is delighted to welcome Endrik Schroeder to the family, the Frenchman debuting with Second Breath. Alongside a honed talent for creating vivid rhythm patterns, Schroeder’s ability to create bold and memorable hooks is truly remarkable. The two tracks on offer are pure pleasure, post-midnight synth romances with a nod of appreciation to the past. We begin our journey with the star-gazing brilliance of “Second Breath.” Warbling undercurrents are punctuated by clean snares as beaming and bright bars descend in this superbly crafted work. “The Quest” takes hold on the flip. Full beats are coupled with meandering keys as Schroeder slowly introduces his melody, misty warming notes brimming with energy. Two gems from this debutant.

It’s time to take a trip to the other side of the world and see how they are doing it over in Melbourne Australia. It’s now very well documented how much heat is coming out of the fine city of Melbourne at the moment and that rich vein is set to be continued right here, right now.

First time distribution for this killer Icelandic electro label Robotdisco Electronix , featring Petrovski, 240 Interceptor, Luke Eargoggle, Johan Inkinen, & Encounter.

Deep down in the sediment – you will find the element – of human being error. CLEAR006 is the cure. The next edition of cooperations, cross-overs and contemplations on current events brings you the soundtrack for the basements in which you will be allowed to go to again soon. Enjoy this blend of dystopian funk, battle ship movements and laid-back tributes while it’s still cold (-80°). Sorry, that we kept you waiting, but research does take time.

Side effects may include Nausea, Dizziness and Muscle Twitches.

Emotions Electric pres. Planetary Highways! A deep journey thru Interplanetary sounds in a beautiful Gatefold sleeve with artwork from the legendary Detroit visual artist Abdul Haqq.

The idea of - Worldwide Electronics is to combine Music from all over the world on one Album (In fact, there will be a vol.2 too).
The second idea was to combine well known Artist with newcomer. When Gehm, who runs Cologne Underground together, ask the Artist for Tracks, he don't ask for any specific style. The Artist were free to deliver whatever they want.
So at the end it ended up from Deep House (oldschool definition, not EDM definition) to Acid.

- Worldwide Electronics Vol.1 contains one Track from Greece (DimDj), Gerrmany (Hardfloor), Netherlands (Baz Reznik), England (Perseus Traxx), Columbia (S.Valencia, 2 Tracks from Japan (Takeshi Kouzuki and Jin-Cromanyon) and the first of hopefully a row of collaboration Tracks from Legowelt (Netherlands) and Elec Pt.1 (Germany) as - Gehm & Wolfers".

Tokabeatz back on vinyl with great new versions of some club classics!

Nervous Horizon is happy to present 'Sogno EP', the new project by label co-owner Guglielmo Barzacchini, aka TSVI. Embarking on a journey inside the mind's most deep and intricate illusions and hallucinations, 'Sogno EP' is an exploration into various different types of dream states and altered states of consciousness. Characterised by intricate rhythms, slower beats inspired by techno, dancehall and little to no melodies, the record features Italian ASMR and spoken word to enhance the hazy and hypnotic mood permeating throughout. Taking a close look at his own states of unconsciousness and channelling them into his musical creation, TSVI dives into the abstract and eerie worlds of the subconscious with a project inspired by surreal dreamscapes, trance states and the concept of shadow work, in which each track explores a different aspect of the depth of the human psyche.

Proximity is a 12-track album of richly textured and 100% analog electronic music that will appeal to fans of Daniel Avery, Andy Stott, Jon Hopkins and Max Cooper. Whilst the debut release from DEFSET - the producer has spent many years experimenting with electronic music & equipment and the album demonstrates a mastery in using modular synthesizers and outboard gear to create a pallet of evolving melodies over syncopated, glitched out rhythms - resulting in a deeply accomplished sonic blend of immersive techno and atmospheric electronic music.

The album features singles including 'Deadlines' - a dark & brooding pitched down slice of menacing techno; the airy and light 'Shira2', a piece of dreamy electronica that dances over a shuffling backbeat; 'Bathtime' - a unique piece of slo-mo dub-techno featuring live bass and instrumentation inter-woven with trance-like vocals and the tough & atmospheric 'HoneySwede'.

Repress
Leuk en Ko is the Dutch bastard child by Unit Moebius members Jan Duivenvoorden and Richard van den Bogaert. Creating a vault of hard to classify material from mid eighties until early nineties, it didn't get out there for whatever reason. After ''De Snoei 1'' appeared on ''World of Rubber 3'', the big follow-up is here â an album of 13 selected ''songs'' mastered from tape, pressed on vinyl and put in a nifty package (song texts included!) that works like a charm at home, on the floor or at a funeral.

The second release in the exit planet earth compilation vinyl series features four exclusive tracks designed for space travel, including the first ever collaboration between Keith Tucker of Aux 88 and Carl Finlow. The resulting track 'Coder' is an electro masterpiece. The more established electro pairing of Jensen Interceptor and Assembler Code hit heavy with 'Red Cell' while Voitmann brings the bass to space with 'Subtopia'. The record is rounded off beautifully by Cignol with Detroit infused string sections and harmonies on his '51D' track.

Limited edition 12" dedicated to the Neve A Maggio song flavoured with four remixes. Three from Mushrooms Project and one with a 90's house style by Deep88.
Wrapped in elegant electronics and an international flavour, Sara's voice recounts the unusual in these days characterized by strong anomalies and cold solitude. Like when it snows in May, like when you want to pick a rose and instead find yourself blinded by a white reflection, completely out of place. Yet there is life, under that white; breath, pulsation, a rhythm that presses and makes you dance: a song that drags you away from a daily life troubled by extraordinary events, which become intimate and confidential, but still unique, like every single snowflake.
Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of mostly Italian music but also all over the world of the 70s, 80s and 90s.
All releases are licensed audio tracks re-mastered in their original form with sleeves recreated for today but all based on the original images.
Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.

REPRESSED !!

Wolfsheim are a synthpop duo from Hamburg, Germany consisting of Markus Reinhardt (music) and Peter Heppner (lyrics and vocals). The band was founded in 1987 by Markus Reinhardt and Pompejo Ricciardi and was named after Meyer Wolfsheim, a fictional character from F. Scott Fitzgerald's novel 'The Great Gatsby'. Ricciardi soon left the band and was replaced by Peter Heppner, a childhood friend of Reinhardt's. Together they produced their first demo tape, Ken Manage', in 1988.

After making a second demo tape, Any But Pretty', in 1989, Wolfsheim applied at various labels until they caught the attention of independent record label Strange Ways Records. They are best known for their debut breakthrough single, "The Sparrows and the Nightingales', the first single to be released on Strange Ways in 1991. The band's musical style takes cues from the 1980s New Romantics, new wave, synthpop, and darkwave. The track's sombre synths were produced by Carlos Peron of Yello. Reinhardt says the lyric was inspired by 'The Great Gatsby', "in the 'onomatopoeic tension' between predator and security." Over six minutes, the narrator describes being lost, unsure of where his life is heading, using highly metaphorical language. On the flip is a brand new remix by German producer Ancient Methods, a pseudonym of Michael 'Trias' Wollenhaupt, who provides a driving, EBM-leaning, amphetamine-laced club ready cut.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Designer Eloise Leigh has updated the record's original design with two sparrows enclosed in a blood moon circle against a deep black purple backdrop. Each copy comes with a black and white photo postcard notes by Carlos Peron and the song's lyrics. This release comes in time to celebrate the single's 25th anniversary.

Italian weirdologist Bottin strikes again with another private pressing for Artifact Records. Side A starts off with an edit of a super rare italo-electro utterance, perfect for your breakdancing. A2 is Italian new wave, replete with passionate lyrics and funk guitars. B1 is a collab with balearic legend Leo Mas: Italian freestyle with a hint of new beat, isn't it? The closing cut is the weirdest of the bunch: trippy strings and & arps, throat singing & ecstatic chanting all around. Hot, hot, hot and limited as a night train on a holiday weekend.

After Land of Dance release and the successful bootleg compilations on F.T.P records, DJ これからの緊急災害 make his debut release on Jupiter4 with 4 stunning original tracks, going from electro with “MODULAR GHOST SYSTEM” to trancy rave sounds on “SPREAD THE VIRUS”, jungle in “808 FUTURISTIC RAVE” and even hip hop with “NIGHT DRIVE”. Super electro star Jensen Interceptor complete the tracklist with a powerful remix on the A side. The first release of the year for Jupiter4 comes with a new concept on artworks: Modeling animation by the 3d artist NARF from Buenos Aires, who creates a story with different futuristic amorphous characters that will be displayed on short videos thru social media.