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Last In: 19 months ago
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Brian Harden is a second generation Chicago House head, starting in 1995 under the wings of Glenn Underground, being part of the legendary Strictly Jaz Unit. His work on Detroit's Mike Grant and his Moods & Grooves label should also be noted.
One of his most famous works is his second EP on Cajmere's Relief Records, originally issued in 1996. The EP contains some of the most prolific drum machine action ever committed to vinyl and stands for the sound that brought Chicago House on top of the underground Music map in the mid 90s.
All four tunes have been carefully remastered from the original material for maximum club performance!
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Neon Green Vinyl
Idealism Forever is the reissue of Digitalism's genre defining debut studio album from 2007. Now it will be released as a remastered 3 LP set with 2 x 12 " on coloured vinyl and 1 x 12" LP on etched vinyl with bonus tracks, a poster, spot lacquer paint, as a limited edition. The original album double LP is sold out for years.
To date the album tracks have been used in numerous games and commercials. They have been sampled and used in new song interpretations all around the world. The songs have millions of streams over the different platforms and never lost their appeal. The new analogue master of the album shows the songs in their best outfit and the bonus material, which originally was recorded while making the album back in the days, have never been heard before.
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Classic House is the unique coming together of world-famous DJ Pete Tong, conductor Jules Buckley and The Heritage Orchestra for a truly unique release. Orchestral versions of some of the greatest electronic dance songs as you've never heard them before. First released 25th November 2016, the album was an instant hit, reaching number 1 on the UK Albums Chart, marking Tong's first ever number 1 album and certified gold by the BPI. Featuring classic tracks such as Faithless ‘Insomnia’, The Shapeshifters ‘Lola’s Theme’, Energy 52 ‘Cafe Del Mar’ with guest vocalists Cookie, Katy, B, Ella Eyre, John Newman and the one and only Jamie Principle singing 'Your Love'. This 2LP is re-pressed on lime green vinyl.
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Re-issue alert!
Whirlpool Productions "Fly Hi/Gimme" appeared first in 1993 on the one time and made up label 5th&Madison. The fascination that a young Justus Köhncke had for the then bubbling sounds, strictly rhythms and nu grooves of New York house music sparked the idea to join in the chant with a production of his own. Add his co-producer Fred Heimermann, the buzzing DJ and brilliant music journalist Hans Nieswandt and a visitor from San Francisco named Eric D. Clark, the singer Heather Sachs and samples by Mel Tormé to the flamboyant picture and you know why the records sounds like it does: swinging house music through the lenses of a colorful cast or how some German people thought New Jersey's Zanzibar would sound. Fly Hi embodies the sophisticated deep and soulful approach, while Gimme satisfies the more hysteric approach. Favoured and championed by DJs like Tony Humphries at the time, officially released by Snap's Logic Records and never vacated from Move D's record bag, it's re-issued in all its glory for the first time on Running Back. Additionally, Move D puts his fingerprint on it with a disco leaning and upbeat remix of "Gimme". Extensive liner notes by Hans Nieswandt upon request. Life is still in hi-fly!
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2024 Repress
M.A.N.D.Y. aka Patrick Bodmer and Philipp Jung, and Booka Shade, aka Walter Merziger and Arno Kammermeier, are Get Physical co-founders alongside DJ T., and 'Body Language' is one of the label's, as well as dance music's, biggest ever tunes. Released in 2005, it defined an entire generation of house music and spawned myriad copycats in its wake as well as making household names of the artists behind it. It became an instant classic that worked as well in cosy clubs as it did on festival main stages and it has remained an
ever-green house anthem. The influential track has been sampled many times over the years but nothing beats the original.
The chunky house drums still sound from the future today, with fleshy hits and warming bass. What makes it such a standout track, though, is the gorgeous melodic hook that rides up and down the scale. Those soft focus notes are full of subtle but playful soul that never fails to unify a crowd, bring smiles to faces, and get hands in the air.
The first to remix is acclaimed German artist Patrice Bäumel. He is a master of stylish and deep house and techno with expressive synth work on labels like Kompakt and his own HALO. His superb version is a complete overhaul with deeper drums and a sense of late-night tension that is released in glorious fashion when the iconic melody
comes in. It's the sort of tune that is suited to 4 am dance floors and will take things to the next level. The second remix comes from fellow German HOSH. For many years a core part of the Diynamic family he is also the founder of the fryhide imprint and an assured underground talent. He layers in some fresh and airy breakbeats to power along an expansive remix. After a long and atmospheric build with plenty of cosmic synth work, the original melody arrives during a breakdown and then plays out over the suspensory grooves.
This is a superb package that brings a widely loved favourite back to the fore with contemporary remixes and a fresh remaster.
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Best of 1996-2019” , the very first Cassius Best Of.
Cassius , one of the seminal & most exciting French Touch pioneers.
20 track / 2LP Black gatefold sleeve with
Liner notes by Hubert ‘Boombass” Blanc-Francard about the story of Cassius and his beloved mate Philippe” Zdar”Cerboneschi who sadly passed away 5 years ago.
Covering all classics of all albums : from Cassius 1999 – I < 3 U So - Feeling For You – Toop Toop to Go Up & The Sound Of Violence & Don’t Let Me be.
Including some Boombass’sx favourites with some rarities.
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expected to be published on 08.06.2026
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In certain circles, this is a record that would easily be called „eternal“. Back in 1996, when it was originally released, it sounded like nothing else - and still does. The sixth record of Frankfurt’s soon to be imperial Playhouse label and Losoul’s first outing on the label, it hot-wired many things at once: house and techno, US roots and European fruits, grittiness and wittiness, high tech funk, the expansion pf playtimes and the concept of minimalism in dance music. Elegance met effectiveness.
A composition that hooked you and also caused a stir elsewhere. Daniel Bell licensed it to his Elevate label and commissioned a very young Theo Parrish to remix it, Michel De Hey did the same with his EC Records and treatments by Gerd among others.
Here you finally get both of those carefully restored, remastered and reissued next to the originals. Amply placed on a double 12“, it also features the previously unreleased D1. Stemming from the same time and era as Open Door it rings and feels like a compact lost brother. Addictive as on the very first day and here to stay.
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Yellow Vinyl
The 11th release on "CCR - Club Culture Rarities" SUEÑO LATINO Derrick May Remix originally released on Creative Label 1992
Built around Manuel Göttsching’s astral classic E2-E4, Sueño Latino is, with no doubts, one of the most iconic records of the late 80's electronic music. Several remixes have followed the 1989 original release, but above all stands up Derrick May’s “Illusion First Mix” that adds his typical tribal motifs to the euphoric carpet of stars, tropical birds and cowbells. This reissue of Detroit genius’ version of Sueño Latino gives wings to our imagination making us fly on the most joyful nights of Ibiza.
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Detroit's John Beltran can do no wrong if you ask us, and what he does do is always famously varied, from sound design for TV to melodic techno excellence via ambient beauty. Here for MotorCity Wine he revisits his Back To Bahia series with a third volume that finds him flexing his Afro-Brazilian deep house chops. The 7" opens up with the jazzy boogie of Lsaura' which is steeped in Minneapolis funk and will get cultured dancefloors in a spin. 'As The Sunsets' that appears on the flip and is a superbly emotive sound with wispy late night melodies and glowing harmonies and shuffling Latin grooves. Essential.
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Faith presents the first in a new series of 12” pressings, collating together current and forthcoming productions and remixes from the recently reignited label. Volume one includes the huge Darius Syrossian remix of Pete Heller & Terry Farley’s Junior Boys Own classic ‘Movin On’, Harry Romero’s monster retake on the Villalobos favourite ‘Wild Luv’, plus two remixes of 2000’s WMC anthem ‘Love You Some More’ by Cevin Fisher from Cevin and Harry Romero.
DJ Support:
Paul Woolford, Jamie Jones, Nic Fanciulli, Heidi Lawden, Gerd Janson, Darius Syrossian, Doc Martin, Groove Armada, Dam Swindle, Dario D’Attis, Sasha, Tedd Patterson, Austin Ato, Oliver $, Oscar G, Luke Solomon, Fouk, Smokin Jo and more
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Limited Edition! The "LaBush - Temple of House" Volume 2 Vinyl Box Set for the 30th Anniversary of the Legendary Club!
Barely six months after the phenomenal success of the first box set, La Bush - Temple of House makes history once again, celebrating its 30th anniversary with the release of Volume 2 in a limited edition 10x12" vinyl box set. A true must-have for collectors and electronic music enthusiasts!
This exclusive box set features no less than 35 tracks, an incredible number for a vinyl collection, offering unparalleled pressing quality that guarantees an exceptional listening experience, perfectly suited for any turntable. Each track has been meticulously remastered, preserving the essence of the original versions while enhancing every sonic detail.
The deluxe packaging of this box set is a work of art in itself, designed to captivate the most discerning vinyl lovers. Moreover, with tracksfrom legendary artists like Paul Kalkbrenner, Paul van Dyk, David Guetta, Tomcraft, Oliver Lieb, Matthew Herbert, and La Bush resident Mr. Sam, this box set is an essential treasure.
For those who already own the first box set, this new volume is the perfect opportunity to complete your collection in the best possible way, adding a new centerpiece to your La Bush ensemble.
Don't miss this unique opportunity to add a masterpiece to your vinyl collection. Order now before it's too late!
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2023 Repress
One of the enigmatic producer’s more obscure releases, Gemini’s Get Down EP showcases some bumpy electronics on the title track, then rolls out some of his signature bassline and moody stabs on “A Tight Grip”. The B side sees the great man flip a disco sample with some spiky percussion on “Turn Da Music”, and back to some classic Gemini beeps and noises on “Ca”. This is one reissue you don’t want to miss.
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You've Come a Long Way, Baby ist das zweite Album von Fatboy Slim. Es wurde am 19. Oktober 1998 im Vereinigten Königreich bei Skint Record und einen Tag später in den Vereinigten Staaten bei Astralwerks veröffentlicht.
You've Come a Long Way, Baby erwies sich als Cooks weltweiter Durchbruch und erreichte Platz 1 der UK-Albumcharts und Platz 34 der US Billboard 200. Von den Kritikern für seinen Sound und Stil gelobt, brachte das Album Cook internationale Aufmerksamkeit ein und verschaffte ihm 1999 einen Brit Award. Später wurde es von der BPI mit viermal Platin und von der RIAA mit Platin ausgezeichnet. Aus dem Album wurden vier Singles veröffentlicht: "The Rockafeller Skank", "Gangster Trippin", "Praise You" und "Right Here Right Now", die alle in den Top Ten der UK Singles Chart landeten. "Build It Up -
Tear It Down" wurde auch als Promo-Single veröffentlicht.
Das Album wurde jetzt mit halber Geschwindigkeit in der bestmöglichen Audioqualität neu gemastert.
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OUT SOON ON RAWAX: RV-02 - TERMITEN (RICARDO VILLALOBOS) - NORDHORN (RE-ISSUE FROM 2002) VINYL ONLY!
RAWAX proudly presents the second release by Ricardo Villalobos on his own series!
This time we have the honor to release Ricardo under his Termiten Alias. "Nordhorn" came originally out on LINEAR in 2002. The release will be re-mastered and viny only - don't sleep!
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Afro Medusa’s ultimate dance classic proudly welcomes another sonically delicious remix pack.
In celebration of Armada Music’s twentieth anniversary, Sunnery James & Ryan Marciano delivered a bombastic rework of Afro Medusa’s iconic house classic.
Sending sparks flying with its charged beats, summer-scented tones and delightful rhythm, this reimagination of ‘Pasilda’ takes you back to memories of sunset parties and summer club nights.
This 12” also features previously released versions from Knee Deep, Afterlife and Blank & Jones in addition to the unique touches of London-based tastemaker Sunship through broken rhythms and quirky sound effects
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1999, drei Jahre nach dem Erfolgsalbum "Synkronized", kehrten Jamiroquai, angeführt von Jay Kay und dem Keyboarder Tobby Smith, mit einem Longplayer zurück, das noch mehr Hits wie "Little L", "You Give Me Something" und das geniale "Love Foolosophy" enthielt. Doppel-LP aus schwarzem Vinyl, Cover aufklappbar, bedruckte Innenhüllen. Jamiroquai feiert 2022 sein 30-jähriges Jubiläum!En 1999, trois ans après le raz de marée "Synkronized", Jamiroquai emmené par Jay Kay et le clavier Tobby Smith, reviennent avec un album qui aligne encore les tubes comme «Little L», «You Give Me Something», l'imparable «Love Foolosophy». Double LP vinyle noir, pochette ouvrante, sous pochettes imprimées. Jamiroquai fête ses 30 ans en 2022 !
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You can call them a »supergroup«, but Moderat understands that it's the »group« aspect that makes them interesting.
Gernot Bronsert, Sebastian Szary (aka Modeselektor) and Sascha Ring (aka Apparat) have been working together as a trio almost as long as their two separate projects have existed. We've seen their collaboration grow from »laptop boy-band,« (as Ring playfully puts it) in 2003—with computers synched using software Ring himself had written, because at the time, »there was just no live performance software around.«
Ring confesses that Moderat wasn't »really meant to be a recording act ,« with Bronsert agreeing that, »it was really just about fun.« This maybe explains the six-year break that followed Moderat's first EP before they finally returned in 2009 with their selftitled debut album. Intent on creating something that contrasted with their own projects, the group started the cycle which blossoms on their second album, aptly titled II, culminating now in the trilogy's completion, III. Whereas I was the combination of two separate entities, II brought the members closer together, and in III, the final chapter in the trilogy, Moderat sounds like one band.
Both Szary and Ring will tell you that Moderat moved progressively from making tracks towards a more traditional writing approach of making songs a process more fully realized on III. That's partly why the vocals have become more prominent. Mostly, you hear Ring singing (there are no guests this time), as he so often does as Apparat, but listen closely to »Ghostmother« to hear Bronsert and Szary backing him up. Stepping out of their comfort zone is the kind of thing that helped create their interplay between pop and electronics; doing it right won them the Resident Advisor Best Live Act honor as early as 2009, and they continue to gain popularity while remaining independent and underground.
Szary describes the idea behind Moderat as, »imagin(ing) yourself sitting in the cinema and watching a movie with an incredible soundtrack.« This is true with Moderat in general, but III in particular pairs an emotional pull with sensual imagery, creating dynamic sound and depth with lyrics such as »the calming scent of lavender fills the air,« or »burning bridges light my way.« You'd have
to ask them whether they're intending to manipulate the listener in the same way that John Williams or Hans Zimmer might with traditional orchestras.
One of the best parts of Moderat is their use of electronics to achieve orchestral diversity. They update the songwriting tradition with an intriguing palette, borne of careful attention and skill, informed by their »experiences with sounds of nearly 25 years of suband club culture.«
Let's not forget that these three were brought together by Berlin's now legendary rave scene. With this as their common foundation as individuals, III signifies Moderat's maturation in modern pop an achievement shared under their collective belt.
Bronsert explains that, »the new album isn't based on jams. We went into the studio and knew exactly what we needed to do.« This is reflected in the sophisticated themes explored in the music. Take »Ghostmother,« which ponders inner peace, acceptance, fear of the unknown and how facing that fear often reveals something not so scary. Or »Running,« which is about being part of a mass that constantly needs to move to function, but doesn't have the power to decide the direction of motion. Or how about the wisdom of »Reminder,« which recognizes the world for its flaws and our role we've each played in that, but choosing to act differently and light the way to something better.
Given that, it's a bit of an understatement when Bronsert says, »I'd say our music has definitely matured.« Successful in their own endeavors, now they've mastered the »group«. It doesn't mean the end of Moderat, but it does mean they'll have to find something else to excel in.
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