Nuevos Lanzamientos Hip-Hop - Novedades

Blood Smoke Vinyl. The Instrumental version of the underground classic El Michels Affair & Black Thought collaborative album Glorious Game When Leon Michels and El Michels Affair released their ­rst record, Sounding Out The City, in 2005, it was hard to guess what was next for Michels and his then-introduced, now-patented "cinematic soul" sound. Now, four EMA studio albums and scores of tribute and remix projects later_all while producing for some of the biggest names in the industry_Michels has trademarked his sound, with each project taking audiences somewhere new and pushing the boundaries of what he is known for. The man is a river, not a lake and this time he takes his golden touch into the realm of hip-hop laying down a musical bed for one of the greatest to ever rhyme into a microphone: Black Thought of The Roots crew. Releasing on Big Crown Records, the LP is called Glorious Game and it is a remarkable debut partnership in more ways than one. Michels provides his bottom-heavy, soul-tinged production for Black Thought who gives us some of the more personal and transparent verses we've ever heard from him. Michels and Black Thought have been in each other's orbit for a while now. The two ­rst met in the 2000s when Thought was ­rst getting familiar with the contemporary soul scene. "Out of that whole world, Menahan Street Band was probably my favorite," recalling the funk and soul group Michels was a founding member of back in 2007. Fast forward a few years and musicians from that collective_Dave Guy on trumpet and Ian Hendrickson-Smith on sax _are now full time players with The Roots. This connection eventually led Leon and Thought to doing a few fundraising events around NYC and Philly together. "Before long, Black Thought was coming around the studio and would jam with us from time to time," Michels explains. "Then, fast forward to 2020 and COVID lockdowns, he just hit me up out of the blue, wanting me to send him stuff to write to. We both were looking to stay busy." Being that Black Thought is the co-founder and emcee for, hands down, the best live-band group in hip-hop. Michels took a decidedly different approach to this project and instead of sending recorded tracks of live compositions, he pulled out the sampler and sampled himself and some records from his collection. "I'm a big fan of soul music," as if Michels has to remind us. "And part of hip-hop's appeal to me has always been the sample-based production" For Glorious Game, Michels would make wholly composed and recorded soul songs in his studio, sample himself, then chop and/or loop up his sounds and create instrumentals for Black Thought. On some tracks he took a more traditional hip-hop approach, starting from samples of other people's music but then adding live instrumentation on top. But for the most

An integral part of La Fine Equipe's famous La Boulangerie series, La Boulangerie II had never seen its Part 2 released on vinyl until now. That’s now a thing of the past thanks to this double LP!

Amaury “King Klavé” Acosta’s debut solo album features virtuoso collaborations with Pino Palladino, Pedrito Martinez, DJ Harrison, Marcus Machado; as well as the vocal stylings of Jake Sherman and J. Hoard.

The Album is a 17-song genre bending synthesis of Jazz, Hip Hop, R&B, Funk, fused with Afro Cuban Music that was recorded in New York City with over 20 musicians.

This project is a multi medium art project, tying in music, film and painting. The film will be released in 2023, and the cover art was painted by world renowned Cuban artist Luis Cruz Azaceta. The music was inspired by many topics including, mental health awareness, navigating the duality of having multiple cultural identities (Cuban & American), Finding the courage to preserve regardless of the world’s uncertainty, and staying steadfast to his vision.

The very first Zeitnot album, ZEITLP01, comes from American deep techno don Roman Debnar. Having previously released on Zeitnot with the 'Dark Matter EP', Roman is following this up with a wider variety of club oriented sounds on ‘X’.

Plate 1 comprises four heavyweight dance tracks, featuring bittersweet rave nostalgia in 'Lightsdown', and the swirling bass swamp of 'Anger Management'.

Plate 2 takes a different turn, down the route of trip-hop and downtempo. Reminiscent of old 90's IDM and breakbeat comps, we see Roman building emotive atmospheres out of his love for hip-hop and electronic music. ‘After Dark’ in particular brings to mind early Black Dog , while on 'Flip Mode' we hear influences from across the pond, in the form of jazzy keys and a stoned out vocal sample.

As one half of Minutes Unlimited, a group formed with fellow electronic producer Michna (Ghostly International), Eliot Lipp displays a talent for creating precise, shiny techno/trap that showcases both artists’ synth and drum machine dexterity.

He also provides the prefix for the appropriately named Lipphead, a collaborative effort with underground hip-hop and downtempo producer Blockhead. Lipphead’s loose and experimental approach to dance music stands in stark contrast to the cold, methodical tone of Minutes Unlimited.

Somewhere in between and slightly off-center of these two sounds is 'Encounters,' Lipp’s forthcoming full length LP. From laid-back downtempo cuts 'Know By Now' and 'The Lowdown' to choppy upbeat hip-hop instrumentals like 'Guitar Maniacs' – Eliot condenses years of growth and influence into this expansive double LP. Comprised of 16 tracks, the sequencing of Encounters pulls from Lipp’s DJing experience, creating a seamless and cohesive listening experience from start to finish.

Bastard Jazz is proud to present the debut EP from producer and multi-instrumentalist Simon Mavin. Most well known as the Grammy nominated keyboardist/co-producer and co- writer of the celebrated Australian band Haitus Kaiyote, Simon's had a hand in multiple projects across the spectrum, but has yet to release under his own moniker until now.

The EP, which features two original tracks and two remixes from fellow Aussies Harvey Sutherland and Close Counters starts out was recorded in-between projects at the Grove, a small recording sanctuary in Melbourne. In Simon's studio, he had installed a library of keyboards. 30-40 synthesizers, all of which were painstakingly patched in to be simultaneously accessible and ready to record in an instant. A drum kit in the corner was constantly mic'd up, and everything routed through a multitude of analog mixing desks providing different flavours of tone and texture. The Grove had such appeal that it was chosen as the studio to record the Gilles Peterson compilation 'Sunny Side Up' on Brownswood Recordings.

Things kick off with "Good Hair Day", a track originally blossoming from an infectious piano loop in which fellow collaborators Nick Lam and Henry Hicks added guitar parts and bass parts. What's resulted is a danceable, infectious feel-good dancefloor jam with an ultra funky synth bassline that harkens back to Herbie Hancock's 1970's repertoire. Harvey Sutherland takes the tempo up and takes the track deeper into outer space with deep synth work, four on the floor drums, and a punchy bassline for late night sessions.

On the flip, "Only You & Me" is a lower tempo, slow burning joint with a live drum loop played by Nick Martyn, with an alien bassline, squelching keys, otherworldly oscillating vocodor parts and jazzy keyboard solos. Up and coming trio Close Counters take the song into new territory, stripping things down with a classic Broken Beat vibe, a driving bassline and synth stabs from the original, moving things squarely on the dancefloor – definitely atrack for the breakers in the building.

"The Art of Chilling" series is going on. Volume two is the successor to the first Edition that came out late 2019 and is sold out by now.

Since then, Breedy has been preety busy. He produced songs for Anderson Paak, Kodak Black, some german acts, scored a movie and released an LP with his Band Project Papi Churro. But he also released some instrumental music during that time. All those songs are now available on Vinyl plus some fresh material. With the help of some dope features and guest musicians such as Shuko, MXXWLL, Ruck P, B-Side, ZeDe, FLKS, Papi Churro and Seb Zillner he created an adequate Second part of his Beat-Series, and gathered the who is who of the Instrumental Beat Scene on this LP.

17 smooth Beats. All played live, no samples, just gimmicks.

Vinyl Limited to 300 copies.

Mastered by Lex Barkey!

For nearly eight years Oonops is performing his (bi-)monthly vinyl show on Brooklyn Radio in New York. On the 21th March he dropped his 150th episode of "Oonops Drops" including exclusive guest mixes from around the globe like Skratch Bastid, Coldcut, Rich Medina, Kutiman, Morcheeba, J.Rawls, Fingathing, Guts, Supreme La Rock, DJ Kaos (The Artifacts), Fat Freddy's Drop, The Reflex, The Herbaliser, Hunger (Gagle), Scratch Perverts and many more. Link to the show and back archive: see brooklynradio website

Time to celebrate this event with an exclusive 45-vinyl like at his 100th episode.

He invited artists from his show and network to join him for this multifarious single compilation. Starting on side A with Slick Walk (Merse & DJ Robert Smith) and Sneaky from Fingathing who conjure a heavy scratchy bassy version of Moondog's legendary song "Bird's Lament". On the flip DJ and beatproducer Avantgarde Vak from South Korea drops a cool oldschool instrumental track named "Keep Ya Eyes Up" before Toshiyuki Sasaki from Japanese Jazz Trio Nautilus is ending this 45 with four precise drum breaks for all beatjugglers out there.


And here is little story which Sneaky has to tell you about their version of "Bird's Lament":

DJ Deviant drops ‘The Rhythm’ this June, complete with Make Em’ Bounce and Deviant Skratch Tools. Following a several well received releases singles over the course of 2022 and 2023, on the Regulate Recordings imprint, DJ Deviant prepares his latest single ‘The Rhythm’. The A-Side, "The Rhythm," by DJ Deviant, showcases classic hip-hop vocals, funk-fueled guitars, driving bass lines, and heavy horns, all layered over a combination of cut-and-paste B-boy breaks.

Guaranteed to rock the spot and bust out those b boy moves. The B-Side, "Make Em Bounce," is a mid-tempo, funk-heavy jam with classic '90s hip-hop vocals, horn stabs, organs, and boom bap drum breaks—perfect for making you bounce and groove on the dance floor.

The new album from The Peter Franks Group beautifully combines live instrumentation and dusty samples, creating a warm, organic hybrid of jazz and beats featuring an outstanding ensemble of contemporary guest artists from the UK including Nat Birchall on sax, Amanda Whiting on harp, Robert Mitchell on keys, Tom Mason on bass, Marc Rapson on keys, Rachel Crennell on flute, Gordon Wedderburn on spoken word and Julian Ferraretto on strings.

The combination of intimate yet focussed playing with raw edged production makes for a beautiful journey through filtered sonic landscapes and adventurous individual solos, covering varied tempos and time signatures with a nod to past greats as well as keeping an eye firmly on the future.

Peter Franks wanted to seamlessly blend the samples and live musicianship by using additional vinyl ‘noise’ to create a cohesive and consistent sound throughout the album giving it a distinctly retro feel and a certain authenticity.

‘Dark Farfisa’ is the debut EP by Bruxula, the studio project of Toronto’s Cosmic JD and Jerusa Leao. Firmly rooted in the city’s music scene, JD runs the Hypnotic Mindscapes parties and label whilst Jerusa works as a singer and multi-instrumentalist exploring traditional and fusion sounds centered around a Brazilian music repertoire. Introduced to us by our mutual friend Raf Reza, the pair began to jam together in the summer of 2020 with JD curious to incorporate Jerusa’s vocals into his often club-focused electronic productions. The results sit somewhere between the dancefloor and the living room, a psychedelic range of rhythm, melody and vocal harmonies that felt like an immediate fit for us.

First sharing an early mix of ‘Pala Mo’, the rest of the EP began to form quickly based on further recording sessions and we at 12th Isle are ecstatic to share their work with the world.

The only track with vocals on Steel City electro-funk wizard Buscrates' second full-length album is "On My Way," where Soraya Watti's smooth and soulful tones prove to be the perfect addition to the Buscrates machine. This is exactly the kind of cut that used to cause rewind buttons on boomboxes to get their wear back in the day. It's a great indicator of the mostly-instrumental delights which await you on Crates' much-anticipated album release.

Mobb Deep was a legendary 1990s rap duo formed in Queensbridge, New York, by Havoc and Prodigy. They are considered the foremost progenitors of hardcore rap and one of the most influential hip hop groups in history. Their music reflects the hostile reality of an era when poverty, drugs and gang violence plagued the streets of New York. Their music is characterised by dark samples, the drums, snares and bass are defined and the raw lyrics are of a very high standard, in the most competitive era in rap history. With their albums The Infamous (1995) and Hell On Earth (1996) they achieved fame within and outside the hip hop community, including hits such as "Shook Ones (Part II)" and "Survival of the Fittest". They would later collaborate with top East Coast rappers such as Notorious B.I.G., members of the Wu-Tang Clan collective, Jay-Z, Nas and 50 Cent, on whose label G-Unit they would release their album Blood Money (2005). Prodigy's sad death in 2017 due to a long and cruel illness only has amplified an already existing legacy. On this album we will be able to enjoy the instrumentals and acappellas of many of their best tracks throughout their career.

After releasing his debut “Brighter Future” last year, Belgian dj/producer Gratts returns with an EP showcasing his skill crafting emotive house cuts. Written while stuck in Adelaide in 2020, "Euphoria" was dreamed up during coastal car rides, windows down, bumpin’ beats, with added musings by local legend Brian Ruiz. When “Méditation Nocturne” kicks off we’re still in the car - this time on a nocturnal meander through the ill-lit Adelaide hills, evoking misty feelings of nostalgia.

On the flipside, DIY Discs’ staple PJ Principle (FKA Peej) out of Nottingham steers “Euphoria” straight into disco heaven with a tasty Linn Drum groove, piano and guitar - a cut that wouldn’t sound out of place on a Steely Dan record. Last but not least, New York's Jenifa Mayanja delivers a lush and dreamy rework of “Méditation Nocturne” that’s sure to captivate dancefloors worldwide.

Repress.

The first in a series of compilations by Jura Soundsystem is a blend of Dub, Ambient, Downtempo, Boogie and Proto House with a focus on music never before released on Vinyl, sought after out of print titles and some special versions edited specifically for the album.
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The intention with this project was to delve deeper into the reissue pond and unearth some lesser known tracks and artists. Highlights include Smackos (AKA Legowelt) Ambient epic 'We Can Watch Alf In The Hotel Room', never before released on Vinyl, the Dub / Psych hybrid of Minus Group's 'Black Shadow', Kash's sought after 'Percussion Sundance' and special edits of Ken Dang and Tabou Combo.

The end of the album includes some soothing Ambient tools.

The classic Nas "Ultra Black" from King's Disease, on black ice (semi transparent) colour vinyl 7" single, in a matt finish jacket w/ spot gloss hits, and a printed inner sleeve featuring the song lyrics.

Introducing 'Planet SP1200' by KLIM. KLIM, the producer and beatmaker based in Kyiv, draws inspiration from classic hip-hop, chill music, and boombap to craft music that combines fresh soulful vibes with a hard-knocking style. With over 4 million streams across various platforms, including lo-fi beat staples such as 'Night Café' and 'Butterfly,' KLIM returns with fifteen tracks created using the EMU SP-1200 and Akai S900 samplers, infusing a '90s vibe throughout the project.

Influenced by artists like Pete Rock, Lord Finesse, Jay Dee, George Fields, and Mr. Brown, KLIM's music is a reflection of the magic found in everyday moments that surround him. It's a product of the emotions that stir within him, where the world serves as his artistic canvas, and each sound and melody is a heartfelt attempt to capture his experiences and thoughts. In his words, "My music is a bridge between my soul and the world, and I hope it can touch the hearts of others, just as it touches mine". Join KLIM on this musical journey, where the past and present harmonize in a symphony of emotions and experiences.

Highly active in the electronic music scene in South Korea, Livigesh releases his 6th official album "303 Romance" via No Slack Records. Livigesh has immersed himself into acid house, 90's hiphop and 70's funk music while making "303 Romance." His extensive use of the 303 "ACID" basslines are present throughout the album. "303 Romance" is a look into Livigesh's musical influences. Squelching acidic and funky basslines, breakbeats and abstract vocal samples present Livigesh in his most uplifting, playful and simple to date.

His first album, critically acclaimed and certified with a platinum single, places the French producer as a key player on the independent beatmaking scene.

The legendary Tru Comers release their first instrumental double album "Avantgarde"! On the album you can expect over 60 minutes of finest productions which will not only excite all lovers of the CominTru sound. The music on this album reaches deep and sweeps the listener along from the first minute. This project is a must have! Get your vinyl copy now!

Only 100 numbered copies of black 180g vinyl were made.

LUMBAGO is a duo of two renowned musicians - Paweł Stachowiak (bass) and Tymek Papior (drums). Their shared fascination with music on the border between jazz, hip-hop and electronic music led to joint recording sessions, from which LUMBAGO was born. The project is focused on playing live and does not intend to be pigeonholed.

-Back in print with a revamped cover art.

״It feels odd to call this self-titled release by Soul Supreme his 'debut album'; the Amsterdam-based keyboardist, DJ & producer has been widely recognized for over six years now. With best known his 45 records reinterpreting music by Grandmaster Flash & The Furious Five and Mos Def (sold out within a matter of days), and more recently his ATCQ 45Check The Rhime b/w Lyrics To Go(an instant success with two represses). But here we are, with his first official album with his own compositions and productions. Chasing more supreme sounds on this self-released LP.

The album finds Soul Supreme in a dizzying array of musical twists and turns. From the infectious house vibe on 'Rich in Soul' to broken beats on 'Keep Moving.' And from putting the soul in a synth on 'Mellow Thompson' as if the keys are singing over hip-hop drums, to the G-funk-in-space album closer 'Orbit.' And in good ol' Soul Supreme fashion, two reinterpretations of tracks he loves: French sample classic 'Huit Octobre 1971' by Cortex (sampled by MF DOOM, Madlib, Tyler, the Creator), and an ode to the late last year deceased L.A. jazz-fusion multi-instrumentalist Tony Palkovic ('Born With A Desire').


Let's skip the promotional gibberish of 'Sounds Like…' or 'For Those Who Dig…' This is Soul Supreme's official introduction to Soul Supreme. Hope you're pleased to meet him.״

The turntables-drums extravaganza trio is back with something that might be their first proper album!

After a handful of mixtapes, EPs, countless edits and a double single in the form of a rakija, Jusqu'ici tout va bien is a stylistically almost consistent, compact, neatly arranged and thoroughly produced – sometimes frantic other times slow – dance with the devil in the pale moonlight. The key component of the process being trying out the new tracks live, then tweaking, adding, scraping, changing ...

The selection of samples though is as usual all over the board. The record is thus a complete mess of references – a bouillabaisse of hard funk, Afro fuzz, Brazilian interventions, Greek nostalgia, bluesy chants and library digs, with lots of vocals thrown in! All in all, a loyal music companion to get you through these gangster times.

So far, so good!

WE ARE BEYOND EXCITED TO BE CELEBRATING OUR 5TH ANNIVERSARY.

THE PAST TWO YEARS HAVE KEPT US FROM FULLY EXPRESSING WHO WE ARE AND WHAT WE DO AS A COLLECTIVE. THANKFULLY, WE HAVEN’T LOST OUR PASSIONS AND INTERESTS.
SO, THERE SHOULD BE NOTHING STOPPING US FROM HAVING THIS CELEBRATION - A FIRST STEP YET A VERY IMPORTANT ACHIEVEMENT!

5-TO-HYPERSPACE IS A SPECIAL PROJECT EMBODYING AN 8
TRACK COMPILATION AND A COLLABORATION WITH OUR DEAR FRIEND AND GRAPHIC DESIGNER YURI KABAN, WHO HAS FRAMED OUR INFAMOUS CATHODE-RAY TUBE AESTHETIC IN A T-SHIRT DESIGN.
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• 8-TRACK COMPILATION
• 12” VINYL 300 LIMITED COPIES

WE’VE GATHERED A CREW OF NEW AND GOOD OLD FRIENDS WHO EMBODY WHAT WE’VE ACCOMPLISHED DURING OUR JOURNEY SO FAR, POWERED OFC BY OUR SOUND DIVISION FUNCLAB RECORDS.
THIS PROJECT COMES TO LIFE THROUGH THE EVER GROWING AND EVOLVING SOUND-VISION AND VISUAL RESEARCH OF OUR COLLECTIVE.
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• TRACKLIST A/B

1. FUNKYCAN - ILLUSION OF LOVE
Berlin based producer and DJ, aka Am Kinem. He’s Max Graef’s live-set associate and sonic ambassador of Tax Free Records. — DREAMY AND HYPNOTIC HOUSE

2. MINIMONO - INVISIBLE DAY
Fabio della Torre & Ennio Colaci (Bosconi Records) Minimono was born in Florence in 1997 as a multimedia project involving experimentation through music installations, graphic design and theater performances. — HARD-DRIVEN MOODY BREAKBEAT

3. UFFE - U-DOLLAR
Blending dusty-sounding samples and live instrumentation into jazz and downtempo-inflected house music, Amsterdam-based Danish producer Uffe Christensen began making music when he was ten years old. He resisted going to his piano lessons but loved experimenting with samples and music- making apps on his father’s computer. — JANGLING DUB TECHNO

4. KID SUBLIME - THE MUSIC
Growing up in Amsterdam, Jacob Otten, aka Kid Sublime, started to play drums and piano at the early age of five. As a teenager he founded his first band with schoolmates, dedicated to hardcore punk, and short after was heavily attracted to skateboarding and hip hop. — MELLOW LOUNGING DEEP HOUSE

5. RADIUS - BUILDING A STAR
Radius aspires to inspire, heal and bridge community by any means necessary Many influences with nature in the forefront Improvisational Aesthetics South Chicago B-boy Live PA/electronics Founder of Etc Records, with releases on
D81, Mathemathics Recordings, The Secret Life of Sound, Beyond Luck Music. — SOULFUL BROKEN BEAT

6. OHBLIV - FLOWING WITH TIME
Oddly hypnotic, mesmeric visions of a musical utopia where hip hop flirts with RnB, makes love to Jazz, and travels with ambient. Timeless, ethereal. Traditional but not purist. Sometimes experimental, these healing tones are cosmic sound therapy for generations. — DUSTY AND SYNCOPATED SWEET BEAT

7. PSYCHEDELIC ENSEMBLE. - BOOM!!!
Psychedelic ensemble is a London based beat wizard! See also Psyche Nah! — KNOCKING DRUMS AND DEEP SYNTHS

8. DELPHI - CAT PARADE
Valerio Del Prete aka Delphi - his Hip Hop moniker - is a DJ and producer from Rome. Also member of the eclectic House duo Tiger & Woods, together with Marco Passarani, a veteran in the Italian Dance scene. — CHILLED OUT LO-FI HIP HOP

Pressed on recycled vinyl.

Andy Cooper, member of Californian Hip Hop group Ugly Duckling recently released his solo project "Hot Off The Chopping Block" on LP and digital. Now here's your chance to get Andy's and Oonops' favorite handpicked tracks plus two unreleased fiery and exclusive instrumentals on your favourite format of choice.

Hip Dozer embarked on its journey almost a decade ago, in 2015. Diggers and producers joined this adventure, bound by a shared dedication and passion for the 90s hip-hop music and culture. Nearly 10 years since our label’s creation, the beat-making scene has evolved significantly, tingering closely with its mother genres that are jazz, library music, funk and soul music. We’re happy to be able to illustrate this continuous evolution of the artists’ skills, now richer than ever.

Eight years after the initial release of our 1st Anniversary compilation, our goal remains unwavering and will always revolve around championing the beloved art of beat-making while supporting and highlighting the talents of emerging artists.

This year, we are delighted to collaborate with some of our long-time partners: Konteks, Mama Aiuto, Shuko, KaspaHauser, SoulChef, Emapea, and some new ones—Juan Rios, doidoi, Farhot, and Tremendous Aron.

A massive thanks to all the incredible artists who jumped on board for this project! Your enthusiasm has made the journey exciting from the start, and we have much more in store for you. Thanks to all the listeners who keep tuning in with us.

18 freshly baked instrumental Hip Hop tracks from the best of the global underground.
To celebrate Volume 10 we've cooked up something special...
Limited edition 12" vinyl will also come with issue 1 of a 3 part Cheeba comic series illustrated by

Written, Produced, and Mixed by Jai Paul.
RECORDED AT HOME IN RAYNERS LANE, LONDON, ENGLAND.

Published by BMG Music Publishing Ltd. Except:

Str8 Outta Mumbai contains a sample of Bala Main Bairagan - Vani Jairam. Banner: Suchitra International Productions “Meera”. Music: Ravi Shankar. Lyrics: Meerabi. Licensing courtesy of UNIVERSAL MUSIC INDIA PVT. LTD.

Crush Written by Berny Cosgrove, Kevin Clark, Clifford Mueller and Andy Goldmark. P ublished by Warner/Chappell North America Ltd., Universal Music Publishing Ltd. and Shapiro Bertstein & Co. Ltd.

Baby Beat contains a sample of “All My Life” performed by K-Ci & JoJo. Courtesy of Geffen Records, A Division of UMG Recordings Inc., under license from Universal Music Enterprises.


Chix contains a sample from “Adagio For Strings, Op11.” as recorded by Leonard Bernstein and The New York Philharmonic, used courtesy of Sony Masterworks, a division of Sony Music Entertainment.

Lacquers cut by Scott Stratton at Bernie Grundman Mastering, Hollywood CA.

Glenn Echo and Daniel Meineck are back on Detroit label MotorCity Wine with their first new music in two years following their well-received Partly Cloudy album. What Happened to Yesterday? is, we are told, the first of two albums from the pair that will arrive several months apart. It finds the pair get super hazy and dubby, with psychedelic charm swirling around their absorbing grooves next to subtle cues taken from the diverse likes of DJ Premier and King Jammy.

There is a superb Moog-based cover of De La Soul's 'I Am I Be', Afro-Carribean disco in 'Dancehall of Grandeur' and epic jazz-rock on Volcano Sound' so dig in and prepare to be wowed.

Still fresh from the release of KELDER EXTASE and their contribution to Sassy J’s excellent A SANCTUARY tape, Left Bank unexpectedly present their new album, SOUL DISCHARGED MAGNETIC TAPE. While the sonic trademarks of their earlier work are still present, SOUL DISCHARGED MAGNETIC TAPE showcases a raw and emotional side of the beatmaking duo:
“Musically, this tape is all about true soul music. The place where love and loss are just two sides to the same single. Distorted by low bit-rate samplers and bass heavy EQ’s, the forever classic lowrider oldies let all their dreams & deep feelings shine through (brightly…). Listen close: underneath all the hiss, pops & crackles, the analog tape also caught the brutally and painfully honest heart of the soul music (…by magnetic force!). Now we bring you the SOUL DISCHARGED MAGNETIC TAPE!”

Spiritual jazz fans are going to rather excited about this new one from the hard working people at P-Vine over in Japan: Chicago saxophonist Prince Billy Marge Wright's finest work, 'Summer Love', is now arriving on its own 7" for the first time ever. It is previously lost material that showcases his next level sound though here featuring mainly keyboard instruments as opposed to his more usual saxophone, but that only makes it all the more uplifting. On the flipside is a remix that is just as rare so this one really is an essential record for your collection.

A complete collection of sounds from the 80's !!! Maximum samples aera, 42 diffrent sources from the Oh My God to the Detroit classic drums...

Spanish Town, Jamaica's Duppy Gun collective doesn’t need much of an introduction for what is now a decade-long run of creating some of the world’s most forward music. The Twin Cities based duo, Feel Free Hi Fi first connected with foundation member, mentor and leader I Jabhar through U.S. underground artists Cam Stallones and M. Geddas Gengras. This eventually culminated in the production of two medley vocal tracks with accompanying instrumental versions presented here. Featuring I Jahbar along with Tokeeno and King G, these vocals paired with Feel Free's industrial tinged rhythms generate what is possibly the most heavy tracks in Duppy Gun's discography. These tracks are well suited for a full rinsing in any international DJ set inclined towards propulsive dark bass music. Digital Sting is honored to release this collaboration with Dubby Gun having been long inspired by the collective’s prolific collection of records and tapes released on Bristol’s excellent label, Bokeh Versions.

The records come in double sided silkscreen printed DJ jackets, with Obi Strip style stickers and hand stamped white labels created and printed by Digital Sting.