Hip-Hop Novedades

With a career spanning over 50 years, U Brown is one of the last legends of Jamaican reggae. Singer, toaster and producer on the famous Hits Sound label, he has spanned the decades, leaving an indelible mark on roots reggae with hits like “Weather baloon”, “Superstar” and “Tu Shung Peng”.

His discretion and humility, despite being one of the world's greatest toasters like U Roy or Big Youth, make him a cornerstone of this music.

After many years of collaboration on stage and in the studio, U Brown and French label Irie Ites Records have teamed up to produce this new album entitled 'Still Chanting Rub A Dub'.
Comprising 12 tracks, this opus showcases U Brown's inimitable voice.

U Brown's inimitable voice and flow, recognizable from the very first notes. The themes addressed revolve around current social issues, in which the artist encourages us to surpass ourselves on a daily basis and to fight against the corruption of the most powerful. Lyrics that will speak to a wide audience!

Musicians on the album include the cream of reggae songwriters such as Roots Radics, Naram & Art, Med Tone, The Ligerians, Irie Ites All Stars, Nambo Robinson and Dean Fraser. Mixed by Roberto Sanchez and Irie Ites for a rootsy result in the image of 70s albums. A host of roots reggae greats feature on various tracks, including Eek A Mouse, Cornell Campbell, Frankie Paul, Sugar Minott, Linval Thompson, Glen Washington, Al Campbell, Naggo Morris and Trinity.

Still Chanting Rub A Dub is an album that will undoubtedly mark U Brown's long career as one of his landmark albums. A must-have for all fans of Reggae Roots and Rub-A-Dub!”

Rebel in Styylle is one of the last four U-Roy albums and on this one, The Originator, like people call him, has decided to share each song with one artist, just to name a few: George Nooks, Anthony B, Bushman and Tony Curtis. He used some of the top musicians in Jamaica to record, such as China Smith, Obeah, Axeman and Dean Fraser.

So of course, the result sounds like of the best U-Roy album and everyone who loves the king of toasters should have it!

The pioneer of toasting Ewart Beckford, better known by his stage name U-Roy, is a Jamaican vocalist. He was bursting onto the Jamaican scene in the early 1970s with his typical rapping style of singing (toasting) over the rhythms and beats he created. All of a sudden, Jamaica awoke one morning and U-Roy was everywhere. He released his debut album Version Galore in 1970, it consists of his earliest songs, all recorded for Duke Reid’s Treasure Isle label. Most listeners will especially recognize “Tide Is High,” originally by the Paragons and recorded later as a 1980 hit by Blondie. Enjoy listening to the way he’s bringing his lyrics all over the record. It’s toasting at best.

Version Galore is available as limited edition of 750 individually numbered copies on orange coloured vinyl.

The Uniques possessed the qualities of excellent stage appearance and the ability to make hit records in rapid succession. Their dormant qualities have come alive and have brought out the true feelings in their songs and this can be verified by listening to such songs as “Watch This Sound”, “Out of Love”, “Gypsy Woman”, “You Will Lose A Precious Love”, “Just A Mirage” and many more heard on Absolutely The… Uniques. Whenever they deliver a song, whether a bright or a sad one, the Uniques lift your soul and bring joy to your heart with their tremendous projection of soul, sung in Rock Steady and Reggae style. As you listen to these unique renditions of the Uniques you’ll realize that this album is a must for your record collection.

Absolutely The… Uniques is available as a limited edition of 1000 individually numbered copies on orange coloured vinyl.

Lee ‘Scratch’ Perry & The Upsetters’ classic Return of Django. Lee Perry had already been making name in the Jamaican music scene for about a decade before Return of Django hit the UK charts in 1969. Soon after, Trojan released a hugely popular collection of Perry’s biggest instrumentals. This album is a must for everyone that enjoys that good old vintage reggae sounds.

Lee ‘Scratch’ Perry was a pioneer of dub music and worked together with artists such as Bob Marley and the Wailers, The Clash and The Beastie Boys. This legend turned 84! this year and he’s still performing and recording music.

What is the connection between the queen of Soul (Aretha Franklin) and the queens of Lovers Rock?

There are several as many consider that Rocksteady music from Jamaica in the 1960’s heavily inspired Aretha Franklin and her track ‘’Rocksteady’’. Also,

it would seem the singing style adopted by Phyllis Dillon, Marcia Griffiths and Dawn Penn who took the Soulful approach to singing went onto inspire singers

like Carroll Thompson, Sandra Cross and Deborahe Glasgow. Here on this wonderful new release from the Mad Professors ARIWA Record label we see a meeting of styles and Rovers Rock artists by way of a tribute

album to the first lady od Soul Music Aretha. It’s all here from Sandra Cross version of ‘One Step Ahead’ also covered by the Heptones through to the amazing Susan Gadogan version of ‘Say A Little Prayer’.

A wonderful tribute to one of history’s Soulful legends.

When, a few years ago, we started planning on compiling 60's and 70's songs influenced by Jamaican rhythms by different artists from the Latin/american continent, and published the first two volumes of "Latinameriska", we didn't think we would be able to continue with the series. However, this period of time has allowed us to continue with the "archaeologic work" of search and capture that every collector has in its blood. There's no bigger pleasure for any of us than being on a trip and going through a flea market, shop or just exploring the web and coming across a gem to thicken your record collection. Likewise, it's also a big satisfaction showing those discoveries and making them available to other collectors (so they can start their own hunt) or to the general public which would simply dance and enjoy them.which is enough. Thus this record is the fruit of that passion and has no different goal to the previous volumes> that you listen, dance and enjoy this "piece" of Jamaica born in latin american territory. You'll find artists you'll already know from previous volumes and such as "Las Cuatro Monedas" or "Conjunto Habana", together with real rarities such as "Aristides Paz" or "The King's Trials"... with covers of Jamaican classics ("Ritmo del Alma") and original tracks ("Cuando tú me quieras), from vintage Ska ("Lucky Lucky") to Reggae with skinhead roots ("Doble Barril"),... but always with the same essence. And not to loose a good habit we close with a new ghost track, from Colombia in this case and merging a Jamaican music classic with other classic rhythms. Enjoy it one more time!!!

The journey of latin american artists from the 60-s and 70-s with a Jamaican style has a new stop> "Latinameriska"'s fourth volume. And even though it may sound like a cliché we have to say this is the best installment of the series without a doubt. Here's why? Because you'll get to learn about unknown bands (from out of the Jamaican scene like "Los Creyentes de BC" or studio ones like "The Stars"), get almost impossible to find tunes ("Rosario" or "Los Costeños") or listen to covers as good as the original (hurray for "Los Robbin's"!!!).or with sounds that enrich the cover (those amazing Calypso touches of René Santos or the cumbia flavour of Carmen Rivero). We have realized the richness of "Latin Jamaica" has no limits, and from north to south and east to west our treasure chest keeps growing with gems of all kind. This precious stones are all different and all highly valuable> from Jamaican Beat to Early Reggae or Calypso< with covers that range not only from Jamaican scene classics to Jazz and Soul. With such good raw materials and our culinary expertise it was impossible not to cook a delicatessen to be consumed with the ears. And once again we have a ghost track at the end< from Panamá this time and giving an Antillean flavor to another Jamaican classic. Enjoy this new installment.and be calm, it won't be the last one!!!

You must have wondered how it all began with the Jamaican beat music called Ska. Let’s set the records straight, it was “Duke” Reid from Western Kingston who developed this beat based on the indigenous music of Jamaica. It was way back in 1952 and then “Duke” called it ‘Rhythm ’n Blues’. Exciting, hypnotic, a mixture of Jamaican folk music and rock ’n roll. Duke Reid, lover of music and the deep rolling rhythms of his Jamaican people heard the beat develop from watching his people dance. He got himself an amplified “Sound system” and while hiring it out for dances, he listened and he watched, on so many Saturday nights when the back streets and dance halls of Kingston come alive - and his dream was born - music sprung from the basic beat of Jamaica with all the U.S.A. influences and the power and beauty and joy of the earth. This respective ska album focuses on much of the work from The Skatalites and Babba Brooks.

The Birth of Ska is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.

This is a tribute to the song writing skills of Bob Andy, by some of the great voices in reggae. Musical backing is provided by great sessions

musicians such as Mafia & Fluxy, Jahpostles Band, Black Steel, and many more - mixes are by Gussie P, Mad Professor and Bunny Tom-Tom. For good measure, there is a previously unreleased song by Bob himself.

The Treasure Isle Recording Studio, which is now acknowledged as the leader in producing the hits of Jamaica-and where Rock Steady all happened. Backing all the tracks on this LP is Tommy McCook and the Supersonics, the original Rock Steady Band. Tommy, on tenor sax, is one of Jamaica’s greatest musicians, and his arrangements on this and other records, as well as his superb solo work are evidence of this. Thanks to the artists, musicians, engineers, and the producer, Duke Reid—here is Rock Steady at its best.

Jamaica’s most successful producer, manager and promoter is undoubtedly Duke Reid. Many may remember him as Duke Reid—The Trojan, with his famous, and for many successive years, top award winning, Trojan Sound System ; and his almost legendary Saturday evening Radio Programme “Treasure Isle Time”. Duke Reid produced and promoted his first record in 1959, and since then has contributed to the success of a vast number of Jamaican artists: Millie Small, Derrick Morgan, Hortense Ellis, Laurel Aitken, The Techniques, Alton Ellis and the Flames, Ken Boothe, Stranger Cole and many others. And as for records-remember “Dukes Cooking”. “Rough and Tough”, “Carry Go Bring Come”, “Musical Communion”, “River Bank”-to name but a few.

Greatest Jamaican Beat is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.

When Nkrumah Jah Thomas hit Number 1 on the
Jamaican Charts in 1976 with his debut single
‘Midnight Rock’ on Alvin Ranglin’s GG label it gave the
new DJ a theme song and an entry into the world of
music. Within three years he had launched his
Midnight Rock label and, alongside more music under
his own name, he produced a series of classics by the
likes of Tristan Palmer, Anthony Johnson, Early B and
many more.
In 1997 he signed a deal with Acid Jazz’s Roots label
and since then his career as a producer has been
developed and anthologised; the release of a series of
archive King Tubby and Scientist mixes, the use of his
masters to be sampled by Nas (on ‘The Don’), Protoje
and others, plus reissues of his classic albums.
To celebrate 40 years of Midnight Rock, Thomas went
back into his tape archive to unearth another 10
tracks, either with original vocals or guest names
brought in.
Behind original rhythms recorded at Channel 1, Tuff
Gong and others, featuring the Roots Radics and The
Midnight Rock Band and mixed in places like King
Jammy’s and Tubby’s we are presented with a line-up
of stellar talent - Linval Thompson with the plaintive ‘I
Can Be Your Man’, the forthright Super Cat on ‘Me
Glad She Gone’ and Luciano on the rare ‘Good Thing
Goin’ On’. They are joined by Courtney Melody,
Pinchers and Joesy Wales, Daville and more. Keeping
the circle complete, Thomas appears on two tracks,
including the future classic ‘Sounds A Go Dead
Tonight’ with Junior Vibes.

The Upsetter is a rocksteady, reggae compilation that was originally released in 1969 on the Trojan label. The album features early recordings by the iconic producer Lee Perry. Most of the instrumentals are by Perry’s studio band The Upsetters, but the recordings also feature vocal tracks by Busty Brown and The Muskyteers. The latter are also known as The Silvertones, but sometimes they recorded under the name of The Muskyteers. On The Upsetter they’ve recorded their version of Brook Benton’s Sixties R&B/pop song “Kiddio”.

Es gibt eine Dub-Serie die seit Jahren für Furore sorgt, und das seit der VÖ der "KING SIZE DUB 1" (damals in Zusammenarbeit mit dem Kult-Magazin SPEX) im Jahre 1994! In der Serie gab es immer wieder Ausflüge zu obskursen Zählweisen (Vol.69) und Specials über bestimmte Regionen (Dub In Germany), Labels (ON-U Sound Records aus London) oder Bands (Dubmatix aus Toronto)! Wunderbar, dass nun mit KSD 25 eine weitere Compilation der Reihe Dub als vielschichtige Kunst des Klangmischens darstellt. Im Rahmen dieser Ausgabe dubben sich alte und neue Freunde des Hauses Echo Beach gegenseitig oder präsentieren eigene Versionen von Pop- und Reggae-Hits von u.a. Ramones, Bob Marley, Blondie, Robert Palmer und David Bowie. Die Musik suggeriert Sonnenschein und Sound Systems, heissen Sand und coole Drinks, der Bass schlurft gelassen aber auch aufreizend rebellisch. Dub ist die Kunst des Disk Jockeys, den sie zunächst in Jamaika zum Star erhoben haben. In den Fünfzigern waren dort Musikmobile, die "Sound Systems", der Ersatz für fehlende Radiosender. Die auf Exklusivität bedachten DJs nahmen ihre Hitsingles bald selbst auf, mit instrumentalen Rückseiten für Ulk und Ansagen. Ende der Sechziger verselbständigte sich dieser Dub durch den technischen Fortschritt. King Tubby und Lee "Scratch" Perry spielten mit Hall, Echo und rückläufigen Bändern. Dub löste sich von Jamaika, ging nach New York oder London, wo er in seiner Militanz gut zum Punk passte.

 The latest volume in the much-loved and
collectable series of On-U Sound label samplers,
packed with exclusives, alternate mixes and
previews of upcoming releases.
 Includes unreleased tracks from Lee “Scratch”
Perry, Tackhead, African Head Charge, Mark
Stewart, Creation Rebel and Andy Fairley.
 CD housed in 6-panel eco-friendly digipack with
sleevenotes and full track information.
 Transparent blue vinyl in 3mm colour printed
sleeve with printed inner, full sleevenotes, fold-out
24” x 12” Pay It All Back concert poster and digital
download card.

A collection of powerful songs from across the Trojan catalogue, calling for unity and solidarity.

Trojan Records played a pivotal role in bringing Jamaican music to the UK and Europe; not only did it provide comfort and a sense of home for the Caribbean community living in the UK, but it also became an outlet for many thousands of white, working class youths, drawn to the exciting new sounds of reggae. This in turn created a new youth subculture within the UK.

Trojan became more than a music label, it also brought people together through culture, style and fashion. For the first time, people of all races and creeds would unite in the dancehalls, and friendships blossomed because people shared a common love for one thing - the music.

This collection of songs communicates an intergenerational, international story that, on the one hand, elucidates the black experience; on the other, repeats the call for us all to come together in unity.

2022 Repress
Many Reggae aficionados see the concentrated phase of Rock Steady between 1967 - 1969 as the Carribean's most productive era of all time. Never before had such sweet melodies, inspiring rhythms and beautiful love lyrics come together. Numerous Soul hits by the likes of Curtis Mayfield, The Impressions, The Supremes all got the bass-driven, Jamaican style treatment. "The Bunny Lee Rock Steady Years" collects some of the most essential and rarest songs of that era - in a better sound quality than ever before! It showcases a wealth of soulful singers, ranging from top acts like Slim Smith (also lead-singer in the Techniques and Uniques) or Alton Ellis to the rather unknown Cnythia Richards or Webber Sisters. All songs were produced by Bunny Lee, one of the greatest Jamaican producers, who had one Rock Steady hit after another - finally earning him the nickname "Striker".
This compilation is a valuable slice of history for Reggae and Soul fans alike, for lovers of great voices, for those who do not confuse "cool" with cold and appreciate a good love song when it comes from the heart.

In the 1950s, Jamaican dancehall regulars were crazy about the haunting sounds of American Rhythm & Blues. But in the mid-1950s, Rock 'n' Roll began to replace RnB in America, and Jamaican dancehall owners like Duke Reid and Clement Dodd turned to local musicians to record their own versions of American RnB.
The trend of covering foreign hits exploded during the Ska heyday of the early 60s and continued through the Rocksteady and Reggay eras. Jamaican musicians have covered virtually every genre of music, from jazz and rock to film scores, television soundtracks, pop, classical music and more. Over the years, they have also recorded many "versions" of already existing covers. Cover of cover of cover…
Admittedly, some of these covers were futile but many were sublime as this new and eclectic collection of Ska, Rocksteady and Reggay nuggets, compiled by the very competent and very charming D.J. Héléa, brilliantly demonstrates. Attention we are here "undercover", there are no well-known covers. Some of the tracks selected are rare, others unknown or forgotten - but all are excellent and blended in an impeccable mix, in line with previous the Harlem Shuffle compilations... All Killer, No Filler!
REGGAY UNDERCOVER is an exciting musical kaleidoscope of Jamaican and Reggae music from the early 60s through to the mid 70s.
We hope you will enjoy listening to this album as much as we had composing it for you.
All aboard for REGGAY UNDERCOVER!

Reggae Collected is compiled from the broad world of Jamaican artists, groups and its diaspora. This brand new compilation contains early reggae by Jimmy Cliff, classics from Third World, Peter Tosh, Toots & The Maytals, Steel Pulse, Black Uhuru, lovers-rock from Dennis Brown, Linton Kwesi Johnson, Gregory Isaacs, Yellowman and the #1 hit from Althea & Donna “Uptown Top Ranking” which was championed by BBC Radio 1 DJ John Peel.

The album Reggae Collected is part of the Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest and best names of its genre, combined with forgotten hits and less discovered gems, giving the listener an experience of both nostalgia, and uncovering new musical grounds at the same time.

The 2LP Reggae Collected is available as a limited edition of 2000 individually numbered copies on yellow (LP1) and light green (LP2) coloured vinyl and includes an insert.

A slightly revised & edited take of Death Is Not The End's Jamaican Gospel special for NTS Radio, originally broadcast for the station back in late 2016. A dusty heap of JA gospel from the 60s and early 70s. Split across two sides - all vinyl and all 45s - played through a touch of delay pedal with crackle aplenty.

The immediate successor to ska, the soulful, melodic sound of rock steady first developed during the long hot Jamaican summer of 1966 and reigned supreme thereafter for two glorious years before finally being superseded by the more energetic style of reggae.

Despite its relatively brief period as the island’s national sound, the rhythms of many of its biggest hits have continued to influence and inspire music-makers to the present day, resulting in renewed interest in the sub-genre among record buyers in recent years.

This superb 2xLP vinyl collection features 24 of the most popular recordings of the rock steady era, including the UK hits, ‘007’, ‘Train To Skaville’ and ‘It Miek’ and The Maytals’ anthemic dance-filler, ’54 46 That’s My Number’.

Pressed on high quality 140gm vinyl and presented in a stylishly designed sleeve, the album not only provides the ideal introduction to this hugely popular and influential sound, but is also a must for established fans of the Jamaican sub-genre, with many of the tracks appearing on vinyl for the first time in decades.

This is the second Jamaican Recordings sampler collecting together rare dubs from the label.

"It may surprise some that, after two decades of silent films, when Alam Ara broke the silence in 1931, it and every South Asian talkie that followed was what we in the West think of as a "musical." Music had been integral to the culture's staged drama going back to the Gupta Dynasty — sometime between the 4 th and 6 th Century CE. Since its inception, South Asian cinema drew heavily from Marathi, Parsi, and Bengali musical theatre and silent film screenings were often accompanied by live music to mimic a live staged experience.

When sound films arrived, actors with serious singing skills became the next wave of stars. Songs were performed live while shooting, with musicians hidden off-camera, to the side or sometimes even in trees. Playback singing — the practice of dubbing a real singer's voice over a lip-syncing actor — didn't become standard until the 1940s.

Thus, the biggest stars of the 1930s were also the greatest singers, with some, like Govindrao Tembe and Pankaj Mullick, excelling as both composers and vocalists. None, however, were more beloved than K.L. Saigal, whose emotional, untrained crooning captivated audiences across the subcontinent. Saigal's voice inspired a young Lata Mangeshkar, who vowed to become India's greatest filmi singer to win his heart. Sadly, Saigal grew increasingly addicted to alcohol, unable to perform without it, and passed away at age 42, seven months before the Partition. Lata never married.

This collection features some of the earliest songs from South Asian cinema, sourced from CDs and LPs found in Jackson Heights, Queens, Coney Island Avenue in Brooklyn, Lexington Avenue in Manhattan, and Oak Tree Road in Iselin, New Jersey — areas home to vibrant immigrant communities. South Asian immigration to New York and New Jersey surged after the 1965 Immigration and Nationality Act, which lifted non-European quotas. By the 1990s and 2000s, the region's Indian, Pakistani, and Bangladeshi media outlets flourished, especially in Jackson Heights, where such stores outnumbered the total number of regular record shops throughout the five boroughs.

The nascent period of sound film featured a limited palette of musical styles, predominantly Marathi Bhagveet, like the Ghazal, but with greater flexibility of subject matter and rhythm, and Rabindra Sangeet, the approximately 2,000 songs and poems composed by Bengali Nobel laureate Rabindranath Tagore. But there was some evolution as well, with the success of South Asian cinema's first woman composer, the classically trained Saraswati Devi, and the introduction of Western instruments including the piano and Hawaiian guitar.

While much of the music was dark and brooding, perhaps exemplified best by Devika Rani's interpretation of Saraswati Devi's "Udi Hawa Mein" from 1936's Achhut Kannya (Untouchable Maiden), there were moments of brightness, such as R.C. Boral's "Lachhmi Murat Daras Dikhaye" sung by Kanan Devi in Street Singer, an otherwise thoroughly depressing film from 1938 that cemented Devi's and co-star K.L. Saigal's superstardom.

This selection was chosen to emphasise a range of expressivity, instrumentation and style achieved even within the decade's relatively limited scope, setting the listener up for the relative explosion of possibility in the 1940s, to be covered in the next installment of this series."

Zum 30-jährigen Bestehen gönnt sich das Hamburger Dub-Label Echo Beach ein multidimensionales Porträt seiner Heimat- und Hansestadt Hamburg. Musikalisch hat das Label bereits die ganze Welt bereist und Dub-Sets aus UK, Südafrika, Neuseeland, New York, Jamaika und Germany veröffentlicht. King Size Dub - Hamburg ist die erste Album-Compilation, die sich exklusiv der Dub-Musik aus Hamburg widmet. Schon als das Label mit einer Compilation mit UK Dub die Bühne betrat, gab es mit Soundhaudegen wie Silly Walks und Dub Me Ruff, Projekten um den Producer Matthias Arfmann sowie Bands wie Dub Division und Di Iries eine vitale Dub-Szene in Hamburg, die im Lauf der Jahrzehnte ebenso wilde Blüten trieb wie outernational das Echo Beach Label, wobei es durchaus zu Überschneidungen und Kreuzungen kam. Nun ist die Zeit der Ernte gekommen: Für die Vinyl-Version hat sich das erste Dub-Label am Platz mit dem nicht nur für Dub-Heads besten Plattenladen der Stadt zusammengetan und jeweils eine Rille voller Versions, Specials und Exclusives aus den Hamburger Studios gepresst.

2025 Record Store Day title - now available for general sale. A selection of top quality tracks from some of reggae’s legendary singers backed by some of the best musicians - Tyrone Taylor, Joseph Cotton, Errol Dunkley, Gregory Isaacs,Frederica Tibbs, J Nile featuring his son J Nile, Cornell Campbell, Jimmy James (of Jimmy James and the Vagabonds fame, one of the first Jamaican recording artists), Winston Reedy (Mr Dim The Lights – lovers rock king) , The Heptones - top Jamaican group who recorded countless hits for Studio One, and BB Seaton (one of Jamaicas best songwriters). Recorded at the Room in the Sky Studio, Tuff Gong Jamaica, Music Lab Jamaica, and Ariwa,. Musiciams: Sly Dunbar, , Winston Horseman Williams, Michael ""Megahbass"" Fletcher, Flabba Holt, Alan Weekes, Vin Gordon,,Noel Fish Salmon, ,Ashanti Selah, Bongo Herman.

Echo Beach proudly presents: Don Letts - The Rebel Dread - legendary film and video director, disc jockey and musician. Don Letts, in his capacity as a selector (it"s not for nothing that he hosts his own show on BBC6 radio), enthusiastically accepted the invitation to create a compilation from Echo Beach"s extensive catalog to mark its 30th anniversary. A splendid and crisp selection.

600% Dynamite is the critically acclaimed Soul Jazz Records compilation series of Jamaican music, praised for its eclectic selection of upbeat reggae, ska, soul, rocksteady, dancehall, funk and dub satisfying both connoisseurs and newcomers alike.Originally released in 2003 this album has been out of print for nearly 20 years making it one of the most-collectible of Soul Jazz Records" Dynamite! Series. This is the first ever Color Vinyl edition of this classic album.Party classics and non-stop reggae anthems such as Tenor Saw"s "Golden Hen", The Uniques "Queen Majesty", Johnny Osbourne"s "Buddy Bye" and many more, 600% Dynamite is an addictive mix of well-known classics and rarities.Classic artists such as Dennis Brown, Johnny Osbourne, I Roy, Yabby You and Tenor Saw which feature alongside classic and rare tracks by lesser known artists such as Tall T and The Touchers, Prince Mohammed and more.