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Tapes - Hissing Thetricals EP

Tapes

Hissing Thetricals EP

12inchJTR06
Jahtari
21.03.2019

Originally contrived on the streets of London-Hackney, then properly finished off in a Leipzig trailer squat in 2009, this hissing debut EP by Jackson "Tapes" Bailey is spooling low-end goodness in fast forward mode.

Magically clashing 80s digital dancehall (Gold Love Riddim, C20 Riddim), ultra-wonky beats (Hackney Dub, Lowry Dub) and BBC Radiophonic Workshop / Library music vibes (Ticker Tape) this masterpiecce is buzzing with bass-charged Ferrum particles, ready to set off on a journey that will reel your mind.

Limited 10 years anniversary re-issue!

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Various - Soul Jazz Records presents Bunny Lee: Dreads Enter the Gates with Praise - The Mighty Striker Shoots

Johnny Clarke & King Tubby & Dillinger & Prince Jazzbo feat. Tommy McCook & The legendary Aggrovators & The Mighty Diamonds - Soul Jazz Records presents Bunny Lee: Dreads Enter the Gates with Praise - The Mighty Striker Shoots the Hits!

Soul Jazz Records presents this new collection featuring the heavy 70s roots reggae of Bunny
Lee - a living legend, one of the last of the great Jamaican record producers who helped shape
and define reggae music in the 1970s from a small island sound into an internationally
successful musical genre.
From teenage fan to young record plugger for Duke Reid, Sir Coxsone and other early
pioneering Jamaican musical entrepreneurs, Lee has spent his whole professional life inside the
Kingston music industry. In the 1970s he rose up to become one of the major record producers
in Jamaica alongside Lee 'Scratch' Perry and the other 'small axe' producers who broke the
dominance of the 'big tree' producers that had ruled Jamaican music in the 1960s.
Featuring some of the heaviest Jamaican artists, including Johnny Clarke, King Tubby, Dillinger,
Prince Jazzbo, Tommy McCook, The legendary Aggrovators (featuring Sly and Robbie), The
Mighty Diamonds and more, the album is a rollercoaster ride of rare, deep and classic 1970s
roots, dub and DJ sounds.
During this era, 'flying cymbals', crashing reverbs, dark echoing thunderclap gunshots and
other 'implements of sound' filled his record productions as Bunny Lee explored the outer limits
of dub with his friend King Tubby in the mix on wild versions that accompanied any 45. A
Bunny Lee record provides a creative and mysterious hidden guide to reggae music itself, a
double-sided three-minute intangible history lesson etched in wax.
Bunny Lee was one of the first Jamaican producers to travel to England in the late 1960s, at
the beginning of the nascent British reggae music industry as record companies such as
Trojan, Pama and others began licensing Jamaican music in the UK to supply the expanding
West Indian communities living up and down England. Lee encouraged other Jamaican
producers to do the same, including Lee Perry, Harry J and Niney The Observer and also
became a conduit between the British music industry and numerous younger Island-based
producers - a frequent flyer reggae ambassador, a musical courier exchanging tapes for
royalties.
Bunny Lee's first recordings in the late 1960s were mainly rock steady but as the 70s
approached the music soon began to mutate and slow down into 'reggae' as the sound became
heavier, more rootsy and the sound itself began to change with the explosion of dub.
Lee was at the forefront to this dramatic musical shift into roots reggae and by this time had
become a major producer, capable of working with whoever he chose as world-famous singers,
DJs and musicians lined up to work with the charismatic man. Lee also employed a fluid but
stable set of crack session musicians who he named The Aggrovators.
Most of the recordings featured here come from the mid 70s, a time when Bunny Lee was
definitely in the zone, releasing heavyweight singles at an almost unstoppable rate. Bunny
Lee's career stretches over five decades and he has upwards of 2,000 production credits on
vinyl.
This album comes with extensive sleevenotes, an interview with Bunny Lee and exclusive
photography. The album is available as a CD pack with 24-page booklet, massive triple LP vinyl
with digital download code, house inner and full notes, as well as digital album.

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Last In: 7 years ago
Various - The Early Years of Joe Gibbs Vol. 1
  • A1: Stranger Cole & Glady - Just Like A River
  • A2: Pioneers - Long Shot
  • A3: Cool Sticky - Train To Soulville
  • A4: Pioneers - Love Everyday
  • A5: Roy Shirley - Hold Them
  • A6: Versatiles - Push It In
  • B1: Lord Comic - Jack Of My Trade
  • B2: Pioneers - Shake It Up
  • B3: Ernest Wilson - Private Number
  • B4: Pioneers - Dip And Fall Back
  • B5: Lynn Tait & The Jets - El Casino Royal
  • B6: Dennis Walks - Uncle Sam Country
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Dubbing Sun & Digid - BigTune EP

Dubbing Sun&Digid

BigTune EP

12inchMS047
Altre
22.02.2019

One big tune a day keeps the evil away! Happy to welcome the notorious dub masters Dubbing Sun & Digid on our next output. This monster EP from the infamous duo features Troy Berkley on the vocal and Dj Madd on remix duties. Big tunes!

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Last In: 6 years ago
The Wailers - Dub Marley

The Wailers

Dub Marley

12inch3365406
Wagram
02.04.2019
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Last In: 7 years ago
John Clarke - Big Leg Mary / Wasn't It You (2nd Cut)

Double sided killer Wackie's from 1978 - Both sides fully smoked out dubwise trademark Wackie's style, essential.

Originally released on the Jumbo Caribbean Disco label from Brooklyn. "Big Leg Mary" is on the same rhythm as Wayne Jarrett's killer "Come Let's Go" (same rhythm as DKR-125 ). Wasn't It You is a different cut from the earlier one on the Senrab label (a different cut of DKR 132), but equally as killer.

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Linval Thompson - Love Is The Question
  • 1: Love Is The Question
  • 2: My Girl
  • 3: Africa Is For Blackman
  • 4: Dreader Than Dread
  • 5: I The Cheater
  • 6: Love For Peace
  • 7: My Love
  • 8: Girl You Are A Cheater
  • 9: Natty Is A Righteous Man

1978 LP now re-released on 180 gram vinyl.

Advertising in, Black Echoes, Record Collector Magazine and Riddim

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Sugar Minott / Calabash & 4th Generation Band - In The Ghetto / Zion Land

A couple of excellent Wackie's 12" sides from the '80s now paired together for maximum pressure.

Each originally appeared on separate 12"s in approximately '85 and '80 respectively. The A-side is another killer Sugar Minott shot, one of his many for Wackie's. That is paired with a more obscure one in the Wackie's catalog, "Zion Land", a great shimmering and chanting roots tune which is tough to find on original pressing.

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Take Us Home - Boston Roots Reggae From 1979 To 1988

Compilation of reggae music by artists active in 1979 - 1988 in Boston, US

In the 1970s reggae music burst forth from its birthplace of Jamaica and took over the world. Who would have ever thought that one of the first outposts it captured on its way to global domination would be an unlikely city known mostly for its Brahmin heritage and blue-collar brawlers as well as for violent racial polarization Boston, Massachusetts was the first region in the US to really 'get' reggae, adopting it as early as 1973 when the city's huge student population turned the low-budget Jamaican B-flick The Harder They Come into a midnight cult classic. The city would gain a reputation as a key market for any international reggae act trying to gain a foothold in America. But besides being early enthusiasts and advocates for the music, Bostonians would also become bountiful producers of reggae as well, with a network of clubs, singers and musicians coalescing to form an organic Boston roots scene: A scene that would yield acts as varied as Zion Initation (a solid, spiritually-inclined Rasta band), to the I Tones (an ambitious, multiracial group that set a new standard for pop success), and even reaching across New England to embrace the Vermont-based Lambsbread (a latter-day reggae reincarnation of the legendary African-American proto-punk trio Death, later made famous by 2013's revivalist documentary (A Band Called Death).

Boston-based music journalists/historians Noah Schaffer and Uchenna Ikonne have teamed up with Cultures of Soul to compile an overview of some of the most crucial cuts to emerge from Boston during the height of the reggae boom in the 1980s. Formatted on CD or 2LP set both configurations come with a 28-page book documenting the rich history of this music scene with in-depth analyses and photos of the reggae artists involved.

Almost all of this music is reissued for the very first time, including rare gems such as Danny Tucker's 'Our Father's Land,' Zion Initation's 'Think About It,' I Tones' 'Love is a Pleasure' and Lambsbread's 'Two Minute Warning' are sure to delight both roots connoisseurs and newcomers to the genre, and open up a time tunnel to a little-known golden age of American reggae, and an even less-known scene that facilitated the expansion of the music into an international phenomenon. Coming out on March 1st you can pre-order now!

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UB 40 - For The Many

Ub 40

For The Many

12inchSHOELP1
Wienerworld
15.03.2019
  • 1: The Keeper
  • 2: Broken Man (Feat. Kabaka Pyramid)
  • 3: Gravy Train (Feat. Slinger)
  • 4: I'm Alright Jack (Feat. Pablo Rider)
  • 5: Moonlight Lover (Feat. Gilly G)
  • 6: You Haven't Called
  • 7: What Happened To Ub40
  • 8: Bulldozer
  • 9: Poor Fool
  • 10: All We Do Is Cry (Feat. Hunterz)

Reggae-Könige UB40 veröffentlichen erstes neues Album seit 5 Jahren
For The Many ist das 19. Studioalbum der Birmingham-Reggae-Veteranen - ihr erstes seit dem
2013er Release Getting Over The Storm. Die UB40-Gründungsmitglieder Robin Campbell (Co
Vocals / Gitarre), Brian Travers (Saxophon / Keyboards), Jimmy Brown (Schlagzeug). , Earl
Falconer (Bass / Keyboards / Vocals) und Norman Hassan (Percussion / Vocals) sowie Duncan
Campbell (Vocals), Martin Meredith (Saxophon), Laurence Parry (Trompete) und Tony Mullings
(Keyboard) sind für For the Many erneut ins Studio gegangen. Resultat: Eine groovige Reggae
Scheibe im tyischen UB40-Style! Das Album enthält ein 24-seitiges Booklet mit Fotos der Band
und Liedtexten.
UB 40 erzielte weltweit 100 Millionen Verkäufe und landete Dutzende von Hits, darunter Red, Red
Wine, I Got You Babe und (I Can't Help) Falling in Love with You, die alle in Großbritannien und
in vielen anderen Ländern die Charts anführten. Die Band hatte eine Reihe von Hit-Alben, die
insgesamt elf Jahre lang in den Top 75-Albumcharts des Vereinigten Königreichs verbracht
hatten. Damit wurde UB40 zu einer der erfolgreichsten britischen Bands aller Zeiten.
Print- und Onlinepromo in allen relevanten Medien!

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The Congos - Back in the Black Ark

The Congos

Back in the Black Ark

2x12inchUTOPIA002
Utopia
01.03.2019
  • 1: Chain Gang
  • 2: Celestial World
  • 3: Garden Of Life
  • 4: Charriots
  • 5: Forever Young
  • 6: Spider Woman
  • 7: Old Time Friend
  • 8: Great Powers
  • 9: Raining Night In Georgia
  • 10: Music School
  • 11: Crying Times
  • 12: Tip Of My Tongue
  • 13: Under The Sun
  • 14: Up On The Roof

More than thirty years after the fabulous " Heart of the Congos ", classified among ten better albums reggae of every time, The Congos, Cedric Myton, Ashanti Roy and Watty Burnett, find again Lee " Scratch " Perry in Jamaica to record their last album very exactly named " Back in the Black Ark ".

Time had come to come back to studio and of put a new stone in the history of the reggae. " Back in the Black Ark " begin with the recording of a cover, Sam Cooke's " Chain Gang ", song speaking about the suffering of prisoners used as slaves, story of the most poignant for Jamaican.

Thirteen other titles of the album also have each their anecdote, but certainly the ones where Lee Perry put his voice which really represent the atmosphere which reigned in the studio during the sessions, "Spider Woman" and "Garden of Life", because they almost consisted there live and played directly by the musicians. That's Jamaica!

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Various - Here Comes The Duke

Various

Here Comes The Duke

12inchMOVLP2339C
Music On Vinyl
02.04.2019

- 180 GRAM AUDIOPHILE VINYL
- LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON ORANGE COLOURED VINYL

The famous Jamaican record producer Duke Reid founded record label Treasure Isle in the 1960s. Some of his best production skills can be found on the compilation album Here Comes The Duke. Showcasing the talents of some of the giants of the rock steady era, the recordings, all issued during the latter half of '68, demonstrate just why the Duke is widely regarded as the king of the rock steady sound. The grooves are thoughtful and the brass section adds the right attitude to the different songs.

Here Comes The Duke is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.

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Last In: 7 years ago
Max Romeo - Horror Zone

Max Romeo

Horror Zone

2x12inchNUROOTSLP001
Nu Roots Records
15.02.2018

Max Romeo has teamed up with UK based, Grammy Nominated Producer Daniel Boyle, to create a stunning return to form, Roots Reggae album with accompanying Dub versions.

''Max is noted for his critically acclaimed work with Lee Scratch Perry in the 1970's, and for his timeless classic songs penned over the last 50 years - Such as 'War ina Babylon' 'Melt away' 'one step forward' and the worlds most sampled reggae song ever -''Chase the Devil'. Picked up by artists such Jay Z, Kanye West, The Prodigy and Blockbuster hit movies.

Max and Daniel have teamed up with an all-star cast of musicians to create a true Part 2, to Max's legendary, ''War Ina Babylon'' album. Using strictly Studio equipment ranging from between the 1950's - 1970's, recorded and mixed in 100% analogue format, and presented with stunning artwork in Physical format.

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Last In: 7 years ago
Al Wootton - Selah

Al Wootton

Selah

12inchTRULE002
TRULE
07.02.2019

On the second TRULE release Al Wootton (AKA Deadboy) drops his first ever record under his own name. Traces of dub, UK garage and techno inform the forward leaning, club-focused sound.
On SELAH, Al creates a driving steppers rhythm shot through with dub manipulations and UK swing.
OMEGA and UNTITLED on the B side continue in the percussive, tracky, swung techno vein of the first TRULE record.

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Combo Lulo - The Sieve & The Sand

Combo Lulo returns to Names You Can Trust for their sophomore single, digging deeper into the diversified sounds of the Caribbean that helped define their debut. While the first single took a Jamaican foundation south into the neighboring continent, fusing the sensibilities of rock steady with those of classic Afro-Latin orchestras, this single goes far east. Inspired by the heady and sublime sounds of foundational ska mixed with East African influences, (think Buster's Islam, Don D's Addis Ababa or Further East), The Sieve & The Sand is a brand new composition within this natural order, albeit with the fortune of different reggae eras and studio styles to draw from. Divided into two parts (but also available seamlessly as it was played in the studio), Combo Lulo's talented players move effortlessly from the galloping shuffle of ska into a deep and dark, Roots Radics-styled instrumental. It's a lovely ode to the original styles of reggae, but also another impressive accomplishment that will surely leave listeners and new fans in anticipation of the shape of things to come for Combo Lulo.

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Last In: 7 years ago
Dubben - Jesus Boogie | Cachaça

Dubben is back! The highly esteemed producer duo make their debut on Matasuna Records with this superb 7inch. The two have been active since 2007 and released great music with their unmistakable style on labels like GAMM, Resense or Dejavue. Their reworks are not only appreciated by brasileiros, but are also popular all over the world.

With "Jesus Boogie" on the A-side, Dubben turns in a new direction and give this Brazilian gem from the 70s a nice boogie touch. The focus of their treatment is the dance floor, so that the usual dub effects are not used here. The result is an extremely danceable number that makes you scream for more!

On the B-side you'll get "Cachaça" - a rework of an obscure 60s bossa number from Poland. The song was re-arranged and got new rhythm parts, which were flavoured with additional sounds and various effects. The extended dub part with psychedelic harmonica and delays blends seamlessly into the track. A great tune in beloved Dubben style!

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Enos McLeod - Dub House
 
3

McLeod was born in 1946 in Trenchtown, Kingston, Jamaica, and before his career in music he trained as a cabinet maker and. Boxer. His debut release was "Mackie", which was produced by Sid Bucknor, who at the time was the resident engineer at Studio One. Under Bucknor's tutelage, McLeod learned the basics of record production, soon having success with late 1960s releases such as "Young Love" by Lloyd Clarke. His production work included recordings with some of Jamaica's top singers, including Gregory Isaacs, Ken Boothe, and The Gaylads. McLeod also produced the first recording by Michael Williams credited to Prince Far I, previous recordings being issued under the name Cry King Cry, with new stage name given to Williams by McLeod. McLeod also produced Augustus Pablo's 1975 album Thriller. McLeod continued to work as a singer, having hits in Jamaica with singles such as "Tel Aviv", "Hi-Jacking" and "If You Love Jah", and the combination hits "Jestering" (with Shorty the President) and "Jericho" (with The Mighty Diamonds).

In the mid 1970s, McLeod's boxing skills saw him employed by Joe Gibbs as a bouncer at the latter's recording studio on Retirement Crescent, also working on recording sessions with resident engineer Errol Thompson, with McLeod voca l sides from this era including "Money Worries", and his biggest hit "By The Look". He also recorded several singles under the name Preacher, including "Black Moses", "Psalms of David" and "Rhythm Bible". McLeod continued recording sporadically, and became based in Europe from the 1980s.

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Tecumsay Roberts & Commy Bassey - The Triassic Tusk EP

Two monster funk fuelled afro disco monsters released in conjunction with the Triassic Tusk label from Scotland and their 2018 compilation Screamers Bangers & Cosmic Synths Vol II. Now presented here on a fat 180 gram 12'' remastered both tracks get a whole side of wax for the first time and now sound better than ever ! ''It Makes Me Dance And Sing'' is pulsating afro disco groove and comes from Liberian artist Tecumsay Roberts who originally released one album in 1979 - ''Getting It On'' which is extremely hard to track down. On the flipside Commy Bassey gives us the main track from her ''Let's Dance'' long player from 1980 with the catchy ''We Want Togetherness''.

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Zara Mcfarlane With Dennis Bovell - East of the River Nile

Brownswood-signed, sublimely talented vocalist Zara McFarlane is back, linking up with legendary producer Dennis Bovell for a new single picking up where she left off on 2017 album, arise. She carves out a soulful, reggae-and dub-influenced sound, marrying the rhythms of her Jamaican heritage with a finely-tuned jazz musicality. Delivering four different reinterpretations of the title cut from Augustus Pablo's 1977 classic album, 'East of the River Nile', she sings the original's Melodica Melody, her crystal-toned vocals as the track's guiding force.

Since announcing her arrival with her 2011 debut, Until Tomorrow, she's released 2014's assured follow-up if you knew her, and 2017's arise, where she took a further step in lacing together her different strands of musical upbringing. In that time, she's also worked with house music icon, Louie Vega, collaborated with new york trumpeter, Leron Thomas, and supported iconic acts such as Hugh Masekela and Gregory Porter. She's performed at iconic venue, the royal festival hall, as part of Orphy Robinson's reinterpretation of Van Morrison's astral weeks, and toured venues and festivals internationally, from Istanbul, to Vietnam and St. Lucia.

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P. Allen - Fisherman 7"

P. Allen

Fisherman 7"

7"-VinylSR003
Shella Records
15.02.2019

Wicked lost Canadian business from 1984. Fisherman is a low-fi proto digital masterpiece which predates the release of King Jammy's Sleng Teng by a full year. Hooky as a fishermans rod. DEADLY! TIP!
Peter Allen released only one tune, recorded at Aquarius Studio in Kingston, Jamaica in 1984.


Allen recorded an album's worth of material with his backing band Food Clothes and Shelter before emigrating to Canada. Unfortunately Fisherman is the only track that survived after a basement flood in Toronto tragically destroyed his other master tapes.

In 1986 he self-released Fisherman in his new home Toronto on his Ponko Dread label, hand distributing it to local record stores and sound systems.

Perhaps it was too ahead of its time -- or too unusual, with its dirge-like synth and deep roots lyrics -- but Fisherman was largely overlooked until a few copies emerged around 5 years ago, becoming coveted grails by European digi collectors with deep pockets.


Shella Records located Peter Allen who lives east of Toronto where he drives a school bus and still loves to sing.

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Desmond Dekker and The Aces - 007 Shanty Town

180 GRAM AUDIOPHILE VINYL
- LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON ORANGE COLOURED VINYL

Desmond Dekker recorded some of his best known songs together with his backing group the Aces (consisting of Wilson James and Easton Barrington Howard). Their debut album 007 (Shanty Town) includes their single of the same name, which made him Jamaican music's first outernational superstar, reaching the 14th place in the UK charts. You'll hear how the Ska music from the mid-60s is developing to the Rocksteady sound. This was 'Ska' or 'Blue Beat'—(or its new name for the slower tempo 'Rock Steady'), and the lyrics come from the Calypso-Mento method of telling about current events in music. So in a groovy way, Desmond, James and Barry (the Aces) have given a report of love, politics, nagging women, the celebration of the Fifth anniversary of Independence, and gang warfare. This is were it all started before Desmond became the international star.

Even before Bob Marley and Jimmy Cliff Jamaica already had their own international superstar, Desmond Dekker was his name. Famous because of his international hits, such as 'Israelites' (1968) and 'It Miek' (1969).

007 (Shanty Town) is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.

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Last In: 7 years ago
Freddie McKay - Giving You A Try Girl / Red Eye Girl
  • A1: Giving You A Try Girl
  • B1: Red Eye Girl

Freddy McKay later went on to fame, if not fortune, at Studio 1 but this early recording is a much less sophisticated affair, with a back to basics roots rhythm which perfectly suits the song, and with the backing vocals sounding very reminiscent of the Freedom Singers' Studio 1 rarity 'Pyaka'. 'Red Eye Gal' was released on the other side of Freddy's 'Giving You A Try Girl' which appears later in this collection. Both sides were issued back to back on the Blue Beat label, but labelled copies are rare, to say the least!

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Larry Marshall - Suspicion / Broken Heart
  • A1: Suspicion
  • B1: Broken Heart

'Suspicion' was originally a hit in the US for Terry Stafford after the Elvis Presley version had been kept as an album cut before Stafford's success forced its release a couple of years later in 1964. Larry Marshall gives us a spirited rendition, and it sounds very much like it may well have been recorded at the same session as Buster's 'Love Oh Love', with horn section and single guitar adding some spice to the rhythm.

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Prince Buster / Righteous Flames - All My Loving / You Don't Know
  • A1: All My Loving
  • B1: You Don't Know

'All My Loving' is Prince Buster's most wanted and rarest Killer Rocksteady. The reissue copies from Rock A Shacka about 10 years ago have been bid over 400 USD on several auctions.
This is a chance to get the crucial tune! Flip side 'You Don't Know' is an interesting alternative to the cut they made at around the same time for Coxsone Dodd.

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Oku Onuora - I A Tell... Dubwise & Otherwise

A compilation of some of the very first recordings Mr. Onuora, father of Jamaican dub poetry, made upon release from prison.

Most of them are 7" A and B sides from the late seventies and were recorded at Tuff Gong (Bob Marley's home) studios with Bob's own ridim section, Aston & Carlton Barret, "Touter" Hartvey, "China" Smith et al.
Oku's sharp observations on ghetto living and calls to resist the opression of Babylon are amply matched with some of the wickedest, tightest dub and the sheer level of musicianship elevates this collection way above the many similar reissues of reggae music from the same period.

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Ramone - Soul Reggae Prisonnier

Ramone

Soul Reggae Prisonnier

7"-VinylBJR45-007
Bongo Joe
28.05.2019

"This single features 2 of the greatest heroes of history of Mauritius island Sega music and announces the upcoming release of vol.2 of Soul Sega Sa! compilation.

Unique character and overexcited singer Roland Fatime (also known as Ti L'Afrique) began his career on the Mauritian scene in the early 70's, along with the group Features of Life, with Eric Nelson's saturated electric guitar and Raoul Lacariate's untamed rhythms; Fatime sparked a new raw, funky and explosive Séga style.

His superb Séga-Blues lo-fi tune 'Bal Souki Souki" is reissued on this very 7' along with another nugget buried on the island: 'Soul Reggae Prisonnier' by Ramone, Ti l'Afrique's ex-rival! In the same blues and soul vein, this Séga immerses us in a dramatic story of judicial error and prison environment, which are unfortunately all too familiar with some mauritian musicians!"

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Last In: 7 years ago
Dub The Earth Feat. Steve Swann - No Barriers

* These recordings stretch back to the tail end of the late 1980's, with the original line up of Dub The Earth, who were one of a few dub reggae-inspired groups sprouting up in the west of England in those times, such as Military Surplus (who morphed into Radical Dance Faction), Rhythmites and Revolutionary Dub Warriors who all had a strong presence in the free festival scene in the UK at that time.* Featuring the late Steve Swann (Revolutionary Dub Warriors, On-U Sound) on vccals and mixed & produced by Rej Forte from Jah Works.
* The 10" features a vocal, dub and a violin cut.
* The vocal and violin cut have only previously appeared on the cassette only various artists release `One Foundation' from 1990.

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Last In: 7 years ago
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