Beats News

A Fresh transmission from Perth producer Guy Contact has arrived! After his debut outing on Bitterfeld in 2017 we were hooked and chasing more. His follow up 'Liminal Space' satisfies cravings and exceeds expectations.

The crisp five-tracker is rich with plasmic deep house, pounding bass and brain-tingling electronics. The title track is a writhing techno-house mutant, brimming with warped, space age textures and a striking beat. On "Holding Bay" and "Kawai K4 " Guy puts the brakes on and enters a deeper terrain. Extraterrestrial acid licks and murky drums a-plenty with the latter giving a proper nod to new-age music. On the flip, "Phase Value" dumps the clutch and gets things going again with it's spiralling synths, synthesised kicks and classy chords paying tribute to 90's trance moods. Hypno-house bomb "Void If Removed" rounds out the EP with euphoric pads and a solid, crunchy groove underwritten by a stomping kick drum.

A mind melting EP from the Perth young gun that'll satisfy your inner raver and tickle the cerebrum. Limited to 300 copies.

This 3 track EP comes from out of 3rd Party Records vault called Vintage Vol #3 and produced by Noise Factory. Each of these tracks represents the musik from rave scene back in the early 90s. A.Fire - This classic track produced by Noise Factory in 1992 highlights the merging of hardcore with jungle beats that were entering into the scene back than. Combined with a rock vocal sample of Sara speedy up to give that edgy feel with synthesized piano stabs and brief reggae/house samples and dominate drum patterns.
AA.All Crew - This track was made back in 1992 by Noise Factory and a game changer as it had a dominant reggae sample in the intro and mergers into the hardcore elements of that time. The term 'all junglists massive' can be heard and strong jungle breaks holding they own. This was when the musik was evolving into what was to be jungle. AAA.Set Me Free Remix - This track by Noise Factory made in 1992 and a remix of the original shows their versatility of moving hardcore into a new genre that was becoming so dominate. The stronger reggae samples speeded up and the ability to switch up the drum patterns and still have that hardcore feel was helping to push the scene and promote these jungle breaks coming through.

In late 2017 Hyperdub released 'Diggin In The Carts', a compilation put together by Nick Dwyer and Kode9 of pioneering and rare Japanese video game music from the 1980s and 1990s.
Since then, from Sonar Festival in Barcelona to Liquid Rooms in Tokyo, Kode9 has been touring a live audio-visual set in collaboration with visuals from anime legend Koji Morimoto, who also designed the artwork for the original compilation.Finally, on this first new Kode9 EP since 2014, a handful of these remixes see the light of day.

9 rivets his 80/160bpm rhythms onto these classic 8bit and 16bit melodies, re-animating the Steve Reich-ian arpeggios of Soshi Hosoi, the grimelike horn fanfares of Yuzo Koshiro, the sour pads of Koichi Ishaibashi, and pitching Tadahiro Nitta down into a slow building, frantic low end grind.
Sleeved in artwork by Konx-om-Pax, adapted from the visuals from the live A/V performance

An urgent, headstrong body of work, the LP uses the music as a mechanism for delivering ideas central to the group’s moral and political ethos. Vargas explores themes of power, identity, surveillance and environmental justice atop Rochman’s raw mix of rave synths, acid basslines, breakbeats and dembow rhythms.
While at times unpredictable, the album is unified in its fast and loose approach. A Mí Me Juzgan Por Ser Mujer (‘I Am Judged Because I’m a Woman’) is an anti-machista anthem, stylistically nodding to NY house. Though Vargas doesn’t identify as a woman themselves, they understand their experience as a woman in an imbalanced patriarchal society that excludes women, femmes and non-binary people. Habla Tu Verdad (‘Speak Your Truth’) emphasizes the need to overcome the stigma around discussing sexual harassment, offering courage and strength to those who may need it. Asegura (‘Secure’) deals with the unprecedented power of Big Data, which monetizes a surveillance based economy through its users’ data and behaviours. These themes are set to fierce unrelenting bpms, nods to gabber, and samples of a reality show where young men compete in a prison fitness contest. Caderona (‘big hips’), features a hardline perreo-tinged beat that carries Vargas’ vocals with refreshing ferocity.
Inspired by a cumbia song, Caderona offers a counterpoint to the male gaze, acting as an opportunity to demand space. Aquí describes the reality of a global corporate domination, where capitalist insatiability meets government inaction as we sit on the precipice of a mass extinction of our own making. Pelada hope to inspire critical self- reflexivity through engagement, building power, demanding space and action. Or as it is written in their liner notes: ‘ABRE TUS OJOS, LA BESTIA SE ALIMENTA DE LA EXPLOTACIÓN’ which translates to ‘OPEN YOUR EYES, THE BEAST FEEDS ON EXPLOITATION’.

Inspired by cosmology and ancient mythology, the Anunaku project is a continuation of TSVI’s debut album 'Inner Worlds' and aims to explore the use of various drums from around the world combined with elements of UK underground club music.

Nomine Sound has always boasted an eclectic roster and for their next release they’ve drawn on grime instrumentalist Boylan to present his 14 track LP project ‘2 hrs Sleep’.

Supported by the likes of UKF and Red Bull, his cross pollinations of jungle, drum & bass, dubstep and grime instrumentals have caught international attention, leading to the top tier collaborations which feature on his forthcoming LP.

With heavyweight names such as Devlin, Slimzee, Riko Dan, Flowdan, Spooky, Logos and Oz making an appearance there’s a range of musicality explored throughout, packaging the sub genres which Boylanhas mastered throughout his career.

Chicago footwork legend and co-founder of the Teklife producers crew (alongside his musical collaborator DJ Rashad), DJ Spinn makes his long awaited return to Hyperdubwith ‘Da Life’ EP, and we couldn’t be happier to have himback. Featuring four brand new offerings, ‘Da Life’ EP is energetic, fast paced and classic footwork. First up is the high energy ‘Knock A Patch Out’, a frantic and cascading key melody contained in crisp claps, with Spinn’s vocal flowing in half way through the track. Next up is ‘Make Her Hot’, which starts out in half time blossoming into a full blown footwork slow jam. ‘Sky Way’, featuring Teklife member DJ Manny, has a moody G Funk melody that starts slowly in half time,with rolling snares and organic kicks. Closing track ‘U Ain’t Really Bout Dat Life’ is an ode to Teklife. Icey synths rise and shimmer with an auto tuned vocal from Spinn spelling out ''T-E-K-L-I-F-E”. Alongside Rashad, Spinn united the footwork genre's producers and took it global. 'Da Life' represents his re-entry back into the scene, four years after 2015's 'Off That Loud' EP, and he’s coming back as strong as ever.

Limited Warehouse find !

Vinyl only limited sampler of the forthcoming Clap! Clap! LP premiered by Gilles Peterson on 22nd October.

ONLY 1 LIMITED COPY PER CUSTOMER !!

2x12" Purple Vinyl

Ascendant star of the new global underground, Slikback wraps up his first two digital-only EPs with three killer bonus cuts on a vinyl premiere for Hakuna Kulala, his prized sublabel of Nyege Nyege Tapes.
Hailing from Nairobi, Kenya via Kampala, Uganda, Slikback has rapidly attracted a wave of attention to his undulating mutations of current club styles, as found on the ‘Lasakaneka’ and ‘Tomo’ EPs between 2018-2019. Due to popular demand both those EPs now make their vinyl debut, packaged along with three previously unreleased zingers to weigh in the most significant showcase of Slikback’s acclaimed style and pattern in club circulation right now.
Distilling a range of inspirations from local East African hip hop to Congolese rhythms and Gqom’s cold percussion, plus influence from US trap and footwork, and the subbass common to JA and UK soundsystem cultures; Slikback’s music has arrived at a grippingly powerful sound which, while singular, is also entirely symptomatic of the thrilling styles emerging from Central Africa right now, and after many years of underrepresentation in the shadow of West and South African styles which have been popularised around the world.
On his debut ‘Lasakaneka’ EP Slikback swaggers from icy, robotic dancehall in ‘Acid’ to a gripping fusion of footwork and Gqom with a jungle bent in ‘Bantu Zen’, and dancehall techno drill on ‘Ascension’, along with the palpitating footwork pressure of ‘Venom’, and a nervy new ace in the itchy step of ’Shell.’ The follow-up of 2019’s ’Tomo’ meanwhile represents a mean progression of his sound; exerting a firmer control of his scudding bass rudeness in ‘Sonshitsu’, and the dissonant synth tone of ‘Gemini’, while the syncopated gabber styles of ‘Zuhura’ and ‘Rage’ give way to almighty exclusive joints in the hard seam of trap called ‘Kite’, and the Equiknoxx-gone-psycho styles of ‘Senshi.’
If you’re new to Slikback, trust this 2LP is the perfect place to get acquainted with his lucid, hi-tech madness, before checking for the full frontal futurism of his two new EPs in collaboration with Svbkvlt’s Hyph11e, Yen Tech, and Osheyack. But if you’ve already heard Slikback’s EPs, his Boiler Room at Nyege Nyege Festival, or witnessed his European tour dates, there’s surely no need to overstate the crucial nature of this “early years” 2LP comp.

Holy smokes batman! Brand new label straight outta MCR here as esteemed clubnight House of Wax launches a new, vinyl only imprint entitled Jupiter's Melody. What a coup for this debut release - The Drop are a London based, 9-piece reggae band operating since 2009 and with a soundsystem informed mentality. Fitting then that soundsystem operative, UKG legend and accalaimed bass music progressor DjRum is enlisted on remix duties to take these UK reggae skankers into the club for some grooving 2-step business. Felix Manuel has a storied history across UK dance music, most notably through releases on the iconic 2nd Drop records and a much lauded Resident Advisor mix. "Looking To The Sky" is THAT festival burner you wish you'd have packed for the Summer just gone. Gliding in on waves of undulating bass, punctuated by a typical but none less arresting 2-step beat, the rastaman vox from the Drop fit so well you won't actually believe it's a remix! Deep, emotive and beautifully poised, its retroist in many ways but this only adds to the warm and welcoming nature of the track. The flip is more introspective, and in someways melancholic, but with a massively uplifted message. Again, taken from a completely different OG piece (check youtube for The Drop's original vid), the vocal sits perfectly in another crisp and frenetic take on the UKG beat. This side builds slowly, with a defined song structure and lush musicality, never quite climaxing but simmering gently with a mindful glow. Appearing out of nowhere and instantly having us climbing over each other to see what was playing, we expect this to be a big smash here in Manchester over the coming months. If you've felt something missing in your life since MJ Cole, Zed Bias and Todd Edwards last released summat, then you could do much worse than adding this to your collection! Limited copies so get those orders in quick folks...

British-Japanese Producer/DJ Maya Jane Coles has amassed an astonishing level of international success and uncompromising studio credentials maintaining a uniquely focused approach; writing, producing, engineering, arranging and mixing every element of her output mastering genres from techno and house through to hip-hop, dubstep, folk, pop and beyond. Following on from Maya’s award winning 2015 eponymous debut LP as Nocturnal Sunshine and unlocking a true representation of her musical identity, today Maya announces the forthcoming album ‘Full Circle’ out November 1 st on her own imprint I/AM/ME. The new album from Nocturnal Sunshine is another exciting glimpse into an artist internationally renowned for her unique and skillful creative vision. The drop of an unannounced single ‘Foundation’ at the end of 2018 sent out the first signal; something was building. The acclaimed ‘U&ME’ EP followed, the momentum of new music while Maya toured the world merely hinted at what was in store from the experienced studio producer. Introduced here with debut single “Pull Up” Feat. Gangsta Boo & Young M.A., Maya Jane Coles’ assured, and bold production teems with confidence; continuing her line of grungy breakbeats and uncovering new depths in hip-hop and trap-esque realms. Across ‘Full Circle’ LP, Maya seamlessly navigates through ranging tempos and moods, all instilled with a strong sense of freneticism all unified within an unmistakable Nocturnal Sunshine sonic sensibility. Evident to the width of her talents with her own collaborations with Tricky, Nadine Shah, Kim Ann Foxman and Miss Kittin et al; Maya has previously lent her production skills to other acts; producing for others from Chelou to Little Boots as well as remixing the electronic undergrounds finest; Bonobo, Bookashade and Tiga; to leftfield acts like The XX, Massive Attack and Little Dragon through to pop’s most credible; Dua Lipa, Sia, Sam Smith, Florence & The Machine, and even the legendary Ella Fitzgerald alongside a massive underground dominating Nocturnal Sunshine bootleg remix of Lizzo’s “Tempo” ft. Missy Elliot. More so, Maya’s breakthrough track “What They Say” track was slowed and looped to form the backing track for Nicki Minaj’s “Truffle Butter”. The track also featuring Lil Wayne and Drake would receive a Grammy, BET & Soult Train Nominations and ranked 66 for the best-selling tracks of 2015 by Billboard, with artists such as T.I., Tyga and Ludacris releasing cover versions. The track has now sold over a million copies around the world. Maya’s beat was then latter sampled again on “Swish Swish” Katy Perry’s collaboration with Nicki Minaj.

In 1985 an unknown "American" band hailing from Big Sur in California dropped a package at the doors of the Play It Again headquarters in Brussels.
Four 12"s and an LP later they had to reveal they were only half American and hailed from Brussels.
Their fifth single: "Poison!" hit gold. A firm staple in the New Beat dancings. Weathermen weren't a New Beat band, they weren't even an EBM band. Though their label branded 'em as such on the groundbreaking "This Is Electronic Body Music" sampler
Weathermen were tongue in cheeck, they were humour on the next level.

* Last year it was estimated, that every minute 400 hours' worth of content was uploaded to YouTube, 2,430,555 posts were liked on Instagram, and 6,944,444 videos were watched on Snapchat. And these figures won't stay static. The amount of data we upload, and in turn the amount we consume every year, is growing exponentially. As this expanding data pool grows, making sense of it becomes concurrently more difficult; the distinctions between dream and reality, fact and fiction, truth and lie fade to obscurity.

* 'Information City', the sophomore album from Copenhagen's Tobias Hjørnet Pedersen aka Beastie Respond, attempts to reflect this world in a very direct sense. 'Information City' is the simulacrum in which we live and exist, where our cultural identities exist primarily as representations of a real without origin, he explains.

* Writing the album Pedersen set no limits on his sample sources, instead taking fragments from a vast array of media, reflecting on the themes outlined above. This resulted in 'Information City' being completely stylistically unchained, giving reference to everything from UK bass genres to electro, footwork and synthwave. 'Downloaded 4 R. D4wkins' for example pits Moving Shadow reminiscent rave stabs against juke-like percussive workouts, while opener 'Real Without Origin' recontextualises cliche´ trap-style drops with hollowed-out, swaggering low-end, calling to mind recent hybrids of UK Grime and American hip-hop.

* At other points, Pedersen eschews the dancefloor entirely. Tracks like 'Lullabies for the Lost and Forgotten' or 'He Used His Bench Lathe to Form His Wooden Sculpture' provide respite from the thunderous barrages of percussion with slurred melodies and dream-like anime soundscapes.

* Comprising the fourth release from Foul-Up, 'Information City' is a brave proposition for a second album. Pedersen tackles it with vibrance and audacity, inviting us into a fast-paced world of bright lights and unbridled imagination.

Launch event on September 5th in Image Movement, Berlin with Beastie Respond and Eva Papamargariti

Pure worries from Leipzig — three club burners steeped in Detroit traditions, distilling the explorations in collective, nervy hypnosis of KM live sets. As the music slowly unfurls, there he is at every turn, subtly tweaking its parameters, redistributing its weight, pricking its grooves into a state of utterly infectious perpetual movement.
The two visions of Chilazon track opposite pathways: the first is twelve minutes of gorgeous, dubwise, aquatic techno, spattered with kicks and razor-sharp hi-hats, and smeared with ghostly echoes, then a terse mesh of broken drums, escalating to a quiet yet feverishly intense peak. Lanthanum is calligraphic swordplay, its toms and bass stabs warily circling one another in a graceful steppers' dance, spaced-out and fathoms-deep.

Zygos has been non-stop killing it for a good few years now. Every dub he churns out is a madness and he is constantly pushing and evolving his sound for the better. We couldn't be happier to get the man himself back for his third release and second wax outing on the label. His signature techno / industrial influenced sound runs throughout the EP from the twists and turns of Rotation to the deep dark sound designs of Sick as a Dog. Big ups Georgio on this wikid wikid plate!!!

Introducing Lost City Archives - showcasing the sounds of the UK's underground. Kicking off proceedings we have the enigmatic new-comer(?) Ash Brown, delivering 12 inches of 90's tinged nostalgia. Crispy.

DJ Support
Coco Bryce - "Well havin this"
Persian - ""Highly recommended Bass Bin Business, Sounds like something i would of made..."
Dead Mans Chest - "Dutty & dusty, dope rhythms!"

New Age" is one of those tracks that get requested year after year - or in this case decade after decade! With origins in 2008 and played by every big name of the scene it has earned an undisputed anthem status and it’s the most wanted dub in the extensive Loxy & Resound catalogue."Stone Cold" on the double A-side is equally exciting. Vintage production from 2009 it combines Resound's trademark metallic funk with some dark vibes & haunting vocals.
Digital only "Forgot Why Mix" flips the script & sounds more contemporary now than ever, highlighting Resound as one of the most innovative producers out there.

Djrum returns to R&S with two heavy hitting tracks on a double a-side release. This is his first original music to be released since the ‘Portrait With Firewood’ album in 2018. “A meticulous, moving electronic album.” Quietus “As audacious as anything in electronic music right now” Pitchfork Both tracks see him exploring his more dancefloor influences keeping the tempos high and the emotions heightened. While Tournesol takes in a characteristically broad set of influences - from braindance to Shaangan electro - Hard To Say focuses on the ambient-gabber sound that Djrum has pioneered. This is uncompromising music from a producer working at the top of his game.

Foundation Audio are back at it again dropping this limited 10” gem out of nowhere. Sibla & Teffa make for a perfect combination on the buttons providing those warm vintage tones and classy beats that we’ve come to expect from the duo. ‘Bobby’ is a discordant swaggery monster steeped in jazz with the most concrete of sub heavy grooves. Truly unique stuff from the production dream team.

Nervous Horizon is very proud to present TSVI's debut album: 'Inner Worlds'.
The album is about reconnecting to one's true self and the discovery of the inner worlds: it is born from an ongoing artistic journey, which began in TSVI's childhood. The artist grew up with parents who practise Hinduism, which is quite unusual for an Italian family. In most recent times he was hugely inspired by his partner's religious and musical background, after she exposed him to Middle Eastern music and Sufi ideologies. TSVI started creating tracks that were influenced by bellydance percussionists such as Emad Sayyah and Hossam Ramzy, combined with Dancehall, Tarraxo and Trance.
The album is largely influenced by the role of music in transcendental Sufi practices and resembles an inner journey through different states of meditation and self-discovery.
Vedic and Tantric knowledge are also important here. Each track is a state of mind from the opening one, 'Root', to the last one, 'Crown', as they represent the first and last Chakras and all the other states found in-between.
Get ready to embark on a journey through mind, body and soul.

OG Deth” is ragga for 2015. Wheez-ie twists and turns his way through genre tropes. Mixing elements of jungle, footwork, and grime, “OG Deth” bashes its way through the wilderness. Can you keep up?

Can you feel it? Wheez-ie’s 2015 update has been destroying dance floors all around the world for quite some time! “Touchy” burns its way through 90’s garage at a speedy 160 bpm. Not for the faint of heart!

Get ready for some original DJ culture!
As cassette tapes are making a comeback it is time for us to revive Intrauterin Tapes after a 15 years hiatus with a new release by Intrauterin Recordings mastermind baze.djunkiii who is
bringing on his latest mixtape outing „The Gangster Files“ for all lovers of original and classic UK Garage / Sublow as well as real Jungle / Drum'n'Bass headz featuring a massive vinyl selection
of rare whitelabel cuts and essential classics.

The history:
Originally launched in 2001 and operating until 2004 the Intrauterin Recordings sister label Intrauterin Tapes released eight volumes in these first years, making a previously unprecedented move in German mixtape culture in focusing on studio recorded, MC-free vinyl only DJ-mixes for true bass music lovers, covering a musical spectrum from Drum'n'Bass, DarkJungle and UK Garage, put together by both hot, emerging talent from the local Hamburg
underground as well as a special final edition featuring US-based (Dark)Jungle legend and scholar Larissa Mann a.k.a. DJ Ripley for a preliminary closing in 2004.

Gantz debuts on Exit Records with two tracks that set him apart from his contemporaries. This release sits perfectly on the label, Gantz has captured the essence of what Exit Records is whilst also moving his artistry further. He delivers two vocal tracks, Garam ft Amos and Rabid ft. Elif Dikec. Amos is a part of A/T/O/S, a duo with a discography that included an album on Deep Medi, Elif Dikec is a classically trained musician and a producer in her own right.

It's quite unbelievable that it is now 10 years in passing that Smokin' Sessions was launched as a Record label and their releases history has been nothing short of magnificent!

To mark the occasion the label is releasing a compilation - The Session - which will aim to consolidate the label's legacy and celebrate the label's future as a key player within the UK- and indeed the world's electronic music landscape.

Expect long out-of-press and highly sought-after classics & recordings from the likes of Djrum, Synkro, Geode, Biome, Versa & Rowl, as well as an abundance of fresh material from the label's new signing Escapism Refuge.

Escapism Refuge also provides us with a stunning DJ mix that accompanies the release that is a magical journey through the labels sound.

2 step beats with loads of shuffle provides the back bone of the Smokin' Sessions sound, with influences of Jazz, Garage, ambient soundscapes and a good serving of Bass to round it all off.

Double pack Vinyl includes Download Card.

Early DJ Support comes from Compa (Deep Medi), J Kenzo (Rinse FM), Synkro (Appolo / R&S), Biome (Levelz / too many to mention) N-Type (Rinse FM), Don Letts (BBC Raio 6Music), Lefto and Tim Parker (Rinse FM) too name some highlight names.

Om Unit's Cosmic Bridge label returns with 'Dark Matter', its first compilation since 2017's 'Cosmology Selections', offering a fresh snapshot of the exciting possibilities and experiments happening at the intersection of hip-hop, jungle and bass music; a hybrid sound the label has pioneered since its first release eight years ago. Across 14 tracks, 'Dark Matter' showcases Cosmic Bridge's growing global roster of artists: Moresounds, Danny Scrilla, Proc Fiskal, Margari's Kid, Oliver Yorke, J:Kenzo, TMSV, vromm, alongside new faces Samba and Rude Operator, and perennial favorites Es.tereo, Synkro and Djrum, the latter two in collaboration with label head Om Unit. Dark Matter is a finely crafted statement of intent from Cosmic Bridge and Om Unit, shunning easy self-congratulation for a dive into the musical potentials and connections of a sound that is now an established part of the global bass music vocabulary.

The title track, “We On 1” is the pinnacle of footwork minimalism. Gut wrenching subs compliment Rashad’s own vocals in this syrup laden anthem! Not for the faint of heart!

Rashad teams up with longtime partner in crime DJ Spinn for “Come On Girl.” Drawing from their Ghetto House roots, Rashad and Spinn have crafted a club banger guaranteed to destroy dance floors.

The long awaited answer from the notorious southern-hemispherian sound system, Subtle Sound System. This debut release from their record label aptly named Subtle Recordings is bringing some heavy weight straight out of Christchurch, New Zealand, first up with local legend Headland. Exquisitely imprinted 'no holds bar' by the masterful Optimal Media in a full art sleeve, this 180 gram, vinyl only, no-repress recording superbly ushers in a new beginning for the sound system and is another pillar of foundation to the future sound of bass music.

Headland, with his atmospheric soundscapes, sparatic drums, jarring percussion and punishing basslines, has been taking his unique sound to the world for the past few years and has sequentially been picked up by some of the most forward thinking labels in the bass music scene. From notoriety like Innamind Recordings and Zam Zam Sounds, Headland is one of the most noteworthy artists on the scene today and is a staple in sets from artists including, Samba, Mala, VIVEK, Commodo, Sleeper, just to name a few. Headland's infamy continues on Subtle Recordings debut release with the two outstanding tracks, Quiver and Deathbed.

From a spacious beginning, Quiver quickly builds pressure, manifesting into a track that by the end of, you'll have to regroup your crew as all would have been taken on their own solo journey. Navigate through high level percussion, sonic stabs, sub-temperate basslines and menacing vocals, all encompassed within a 130 bpm landscape where the richters leave you feeling vulnerable and insignificant. Quiver is a force of nature not to be taken lightly. After setting the stage, this behemoth pushes to another level, with erratic note changes and misplaced beats, before opening up to a plateau of relative safety within rolling basslines and familiar haunts. Recollecting yourself, you are once again thrust into unknown territory. A barrage of death blows commences until eventually you find yourself on the other side, disorientated, demoralised, but thankfully unharmed. With support from dons like Gantz, Boofy, J Kenzo, Mr K, Quiver has begun to leave its mark through the next frontier of bass music.

A usually silent, still and chilly affair, Deathbed is anything but, with its uplifting groove, conscious beat scape and warm bassline. But don't get too cosy, cause this assortment of frequencies is cold. Foreboding basslines. Wholesome mids. Trademark Headland accents. Deathbed builds in monumental 140 bpm splendure, in a simplistic formation, that will have you calling home to tell Mum of your triumphant return. Bask in all the glory as the track sheds back into its essential ingredients before collapsing into a well rewarded breakdown. Another confident drop will re-immerse you within the ride, reminiscent of what has been conquered and celebrated in the dystopian sound Headland has crafted in this atmospheric masterpiece. Banging dancefloors worldwide by artists like, Commodo, VIVEK. Deathbed produces the goods for an old fashioned shelling.