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[electro] 
Randomize - Cómo Se Divertirán Los Insectos

Though highly unknown, Randomize's Album has become somewhat a cult record for the one's that have discovered it.

Produced in the mid eighty's by Eugenio Muñoz (one half of Mecánica Popular) this Album is getting more and more followers since the reissue of Mecánica Popular ¿Que Sucede Con El Tiempo'

Damian Schwartz is a friend and have worked for Eugenio Muñoz, after some time, he managed to convince him to go through the original tapes and find the ones from the Album, to do a proper repress.

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Sabla - Spirits

Sabla

Spirits

12inchGODREC0011
Gang of Ducks
02.02.2015

Spirits is the debut EP of Sabla, one of the heads who's always been close to the Gang. Field recording, ethnic samples and machine sound live together to create structures midway between Andy Stott's dark journeys and Donato Dozzy's relentless rhythms, marrying at the same time the philosophy of Gang of Ducks.

The sound matrix of the ep, through its repetitive and progressive attitude, takes the role of alienating the listener and taking him into a state of hypnosis. A polirythmic definition confuses the percussions in order never to define a single loop line, but softening the rhythmic cycles.

G.O.D remixes the main track 'Spirits' annuling the rhythm section and adding a vocal mantra, taking everything on an esoteric level. Ital, fresh from his double ep on Planet Mu, centers his rework midways between house and techno, perfect to crash the dancefloor during peaktime.

Sabla is a project born and raised in Turin, devotely committed to the study of hypnotic sounds and poly rythms. Alter ego conceived during the performance A Great Symphony For Torino in collaboration with Kode9, DVA, British Council and Club to Club festival, for which he has produced two tracks together with XIII in 2013 and 2014. At the beginning of 2015 his debut ep is released on the label Gang of Ducks, with reworks by Ital (Planet Mu) and by the curators of the label G.O.D. He's also active under different monikers as a visual artist.

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Datawave - Datawave

Datawave

Datawave

12inchNATURAL016
Natural Sciences
16.10.2018

Natural Sciences is a "Manchester mutant electronics" label with an irreverent view of dance music history, making classic genres lo-fi and crunchy, recklessly mashing them together or dipping into newer trends. They put out a lot of records—some better than others—but you can usually count on them to deliver a zany energy. The debut from Belgian producer Datawave feels a little more serious, launching into the outer-space world of established electro artists like The Exaltics and Dopplereffekt. But the more considered approach works wonders, making for one of the label's most fully-realized releases yet.

"Stellar Wind" is a pitch-perfect piece of Detroit electro, with anxious choral pads, booming basslines and a brisk but steady drum pattern make you feel like you're cruising through space at a comfortable warp speed. The darker "Hidden Outpost" features jagged basslines and vocoder vocals, while woozy synths give it a sci-fi sheen. Neither of these tracks are terribly original, but they're lush and confident, yet another Natural Sciences release that reveals a confident new artist.

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Stavroz - Talabout Ep

Stavroz

Talabout Ep

12inchLUL009
Laut & Luise
10.08.2016

Waking up in the middle of the night, feeling the gentle touch of moss on your bare skin and overwhelmed by the eery yet calming atmosphere of unknown surroundings. A location no one ever goes to, a destination unreachable by common means, but a place blurring the lines between having a dream and a state of mind. Welcome to Talabout.

Stavroz managed to create a wholesome, comforting soundtrack for a place, which no words can describe. Take a rest, lay down, close your eyes and listen to a story told in an orchestral fashion, with such profession and ear for details like Luise never heard before. We are deeply impressed and thankful alike to be able to present this musical masterpiece. A heartly welcome to Stavroz, everyone.

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Biosphere - Substrata

***2017 REPRESS!!***

One of the all-time classic ambient albums. This edition of Substrata is released by Geir Jenssen's own label Biophon Records. It comes as a double gatefold album with the bonus album Man With A Movie Camera.

Biosphere is widely regarded as one of the legendary names in ambient / electronic music. Residing in Norway, near the Arctic Circle, he has found the focus to slowly and steadily create a self-contained aural universe, made up of reflective and immersive sound sculptures. For almost fifteen years he has released a string of critically acclaimed albums. Substrata, which marked Jenssen's embarkation towards an intensely minimal style, is not only often considered to be Jenssen's best work to date, but is also seen as one of the all time classic ambient albums.

David Stubbs, Melody Maker, 1997: "The best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty".

New artwork by David Coppenhall.

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Eric Lau - Examples

First Word enters 2017 with a bang: a 28-track album courtesy of Eric Lau. This, his third instrumental album, is a veritable tapestry of vibes, ranging through Hip Hop, Soul, Jazz, Funk & Brazilian beats. A mere taste into the genius production skills of London's Mr. Lau, it's easy to understand why he's so revered by DJs, artists and producers across the world, including Rich Medina, 9th Wonder, Bobbito, Dam Funk, Gilles Peterson, James Poyser (The Roots), Phonte and Ali Shaheed Muhammad (A Tribe Called Quest), amongst others. Eric has had previous outings for First Word as part of the Record Store Day beat-challenge trilogy, along with Tall Black Guy, Kidkanevil and Mr. Thing, and was recently initiated into Jazzy Jeff's star-studded annual Playlist Retreat. As a producer, he's worked with a host of artists, including Kaidi Tatham, Oddisee, Yussef Kamaal, Guilty Simpson, Dego, Tawiah, Rahel and Fatima, to name a few, whilst his DJ skills have seen him tour the globe with luminaries such as Erykah Badu, Robert Glasper and Questlove. Additionally to three instrumental LPs, he previously released his debut-proper for Ubiquity, 'New Territories', and the acclaimed 2013 sophomore album, 'One Of Many'. 'Examples' really provides you with what it says on the tin - a mere taster of this man's talents, available digitally and on wax, black vinyl for the purists and limited edition yellow vinyl for the heads. Kicking off the new year with a bounce, it's unnecessary that we tell you that you shouldn't sleep on this.. Don't sleep on this.

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Hecker - A Script For Machine Synthesis

The latest work from Florian Hecker A Script for Machine Synthesis is an experimental auditory drama and a model of abstraction. A Script for Machine Synthesis presents a complex simplicity that spirals in an unending manner as an audio image of the uncanny valley. It is the third chapter in the trilogy of text-sound pieces Hecker has collaborated with the philosopher Reza Negarestani. A resynthesized voice outlines procedure as procedure itself unfolds.

The suggestive encounter with a pink ice cube is a conceptual point of departure for a scene in which linguistic chimeras of descriptors are materialized through synthetic trophies, mental props and auditory objects.

Hecker presents a synthesis of the gap in the valley which we almost know. The motifs Hecker has staged in the last decade, the text, the sound, the scent, the obelisk, the demon, the self, the other all appear throughout in a thorough, rigid and formal exploration.

Exeunt all human actors, A Script for Machine Synthesis is an experiment in putting synthetic emptiness back into synthetic thought.

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Jay Glass Dubs - Dislocated Folklore

Dimitris Papadatos (b.1981,USA) is a composer, musician and sound artist based in Athens Greece. His experimentation in various territories of sound began in 2002 and since then he has indulged in sonic areas that vary from pop music to music-concrete, post-grime and dub. At the moment he actively runs three projects: U, The Hydra and Jay Glass Dubs.

Jay Glass Dubs is an exercise of style focusing on a counter-factual historical approach of dub music, stripped down to its basic drum/bass/vox/effects form.

His work has been presented in various institutions and festivals from the Transmediale, the Athens Biennale, the Onassis Cultural Centre and Fasma Festival, to the Athens/Epidaure Festival, Cynetart Festival and the Greek National Theatre while he has composed scores for award winning short films and pioneering theatrical performances.

He has performed in venues and spaces such as Haus der Kulturen der Welt in Berlin, mo.ë in Vienna, Bios in Athens,Echo Buecher in Berlin,Salon Des Amateurs in Dusseldorf , Detail Gallery in Paris and Goldsmiths University in London. His music has been featured in various radio shows including Trevor Jackson's show on NTS Radio, Sam Segal's show on WFMU, Tristan Bath's "Spool's Out" show on UK's Resonance FM and Tiny Mix Tapes' "Tabs Out" podcast.

Dislocated Folklore, recorded especially for The Tapeworm, consists of two 30 minute long tracks that incorporate mainly stretched-out 0'03" sample recordings of 90s Ragga 12" single intros combined with and recordings of a Quran recitation from a Turkish TV channel and Jay Glass Dubs' signature hybrid hardware/software set-up. The title refers to (and therefore is an intended pun of) the misinterpretation of "otherism" "orientalism", "exoticism", etc..., - phrases often used over the past 100 years to describe a tendency of metropolitan musicologists to intellectualise forms of expression that have a very strong relation to roots, religion and ethics.

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Kassel Jaeger & Jim O'rourke - Wakes On Cerulean

Timely outing from two grand masters of exploratory electronics. Kassel Jaeger is the moniker of French musician François Bonnet who works at the GRM and has released a number of books including the highly regarded The Order of Sounds, A Sonorous Archipelago published by Urbanomic in 2016. Jim O'Rourke is known to most through his explorations of the song and shapes, the high and low, the east and south.

Wakes on Cerulean is a joint adventure where process folds upon process and the operation of procedure remains unknown. Amongst a mysterious cloud of excited high frequencies tiny whistling howls. Frog leaps in technique lay out a thrilling and uplifting journey that runs from the soothing to ecstatic and back to the buoyant again.

Wakes on Cerulean is a staggering feast of the joys found in electronic process. A malleable bubble of hovering excitement, melody and joyous refrain.

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Simon Scott - Stuk

Simon Scott

Stuk

CassetteTTW93
The Tapeworm
24.02.2017

"STUK is dedicated to the victims of 13.11.15. As the devastating and abhorrent news of the Paris attacks was breaking I took to the stage to perform with a sinking and heavy heart." - Simon Scott, 21.01.16.

Recorded live at STUK Kunstencentrum, Leuven, Belgium on 13th November 2015. Room recording made on an Edirol R-09hr. Written and performed live by Simon Scott.

Simon Scott is a sound ecologist and multi-instrumentalist from Cambridge, England. His albums "Insomni" (Ash International) and "Below Sea Level" (Kesh/TouchLine) are out now. His work explores the creative process of actively listening, the implications of recording the natural world

using technology and the manipulation of natural sounds used for musical composition. He plays the drums in Slowdive and has recently collaborated with artists James Blackshaw, Spire, Taylor Deupree (Between), Isan + many more.

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Dan Lywood - Junk

Dan Lywood

Junk

12inchCBRLP001
Cochabamba Records
14.12.2016

Lywood has worked alongside some of the most prestigious names in art, fashion, music and film - from Led Zeppelin to Louis Vuitton, The Venice Biennale to The Serpentine Art Gallery, in a career spanning over 20 years. JUNK sees Lywood stepping into the limelight for the first time with these eight epic psychedelic dance-floor and spaced out instrumental visions.
JUNK is inspired by Vik Muniz's ground-breaking documentary Waste Land, which tells the story of the landfill site, Jardim Gramacho, on the outskirts of Rio De Janeiro. Recycling fragments of German electronica, disco and 80's synth from his childhood and fusing these with new, found sounds, Lywood takes us on a journey through his world of JUNK re-imagined.
Five of the tracks are named after some of the largest landfill sites around the world, and Trash Vortex is named after the swirling mass of plastic waste the size of Texas, in the North Pacific. Lywood stays close to Muniz's mission to 'change the lives of a group of people with the same material that they deal with everyday'.** Cover artwork by Keith Coventry, the celebrated fine artist represented by Pace Gallery**
The debut Cochabamba album comes courtesy of respected sound designer and fine artist Dan Lywood!

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Cass - Youth Sessions

Following his participation in the SchleiBen series last year and his recent collaborative release with Wolf Muller on International Feel, Cass. returns with his new explorative solo album, Youth Sessions.Niklas Rehme-Schluter aka Cass. has been making a name since the aptly titled Loops and Farewell Sketches debut appeared in 2013. Collages of soundcaped textures, his music has progressed via a series of cassette releases. Recommended by Jan Schulte during a visit to Dusseldorf, the inclusion of 6 near ambient pieces for the label's SchleiBen albums were a highlight of the series for many.Succeeding this summers The Sounds Of Glades mini-album with Jan (as Wolf Muller), Youth Sessions sees Cass. expand his solo works beyond ambient and kosmische defines towards a more whole encompassing ouvert.Mixing field recordings, percussion loops, samples, Cass. now adds vocals to build and layer with a warmth and glow - evoking long overlooked, but sought feelings. Moments, glimpses of something new yet known. Tracks like Jelli, U and Prismatic Prolog create tension towards The Chase / Holding On, before peaking with the anthemic Ann and outwards again.
Leaving us with the refrains of Space Talk and Your Beautiful Look Is Looping Endlessly In My Head, Cass. progresses his music and also, Emotional Response too. A parallel journey to an end still unknown, with that rush of yearning and hope, a youth that may never of existed, but still for a short time, feels recaptured.

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The Junto Club - Shiviana

After two well received releases on Optimo The Junto Club return with their debut EP on brand new label Snap, Crackle & Pop, born of the London club night of the same name. The A side features two slices of dance floor ready post punk from the Glasgow four piece, throwing references from everything from Suicide to Weatherall. On the B-side Khidja's remix teases out the disco groove before growing into a monstrous acid house inspired freakout in its second half, paving the way for the Ivan Smagghe & Cross version which delves even further into acidy motoronic beats.

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Edmx - Mind Mechanixx

Edmx

Mind Mechanixx

12inchPOWVAV015
Power Vacuum
31.05.2016

Other than thousands of hardened workers elbow to elbow, pounding sheets of metal, we're in a dead zone - an imaginary sphere extending miles in every direction, devoid of life. Volume and vibration drove away all that could sense it, with the remainder of the food chain following.

In municipal work yards thousands of men and women (panel beaters in this case) are pegged out in a grid, each allocated a 120cm square. Amenities amount to uncovered channels from each work station, feeding into larger channels which facilitate the exodus of waste, like an irrigation system in reverse. However a lone figures' tributary remains unblemished. Yard Elders claim he hasn't relinquished solid nor liquid, neither eaten, slept, or spake a single word since his presence permeated sector eight. Preposterous this claim undoubtedly is, it was only talk of his strike rate climbing to nine hits per second that pushed the Elders' credibility beyond repair.

At work in his booth, this man's worn, nub-like hammers thrash away as though their true destiny lay a foot beneath the steel. It is his rhythm alone that welcomes the dawn, and continues on to exceed the standard work-day by God knows how long. The question being: what fuel then does this man-machine require to punctuate time's passing so relentlessly

Somewhere in the sprawl an inaction sparks a pause. Metal workers exponentially drop out of the industrial orchestra, stillness rippling outwards til the whole yard rests agape. The figure everybody now beholds bears aloft a mighty hammer that with the inevitability of death, comes arcing down while impoverished lungs screech into the air "CHANCELLOR!!!"

PLIMK!

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Mythologen - Mythologen

Alexander Palmestal was fifty procent of the electro duo Pistol Disco - a band that during the 00's bustled around in the music scene of Gothenburg and became known for having a certain sound and for their unpredictable and often magical live shows. The later incarnation of the band took a step away from the German 70's influences to move towards a more club friendly universe. In 2015 the band released the 7inch 'Goo/Pool' on Hoga Nord Rekords which was their last release and now Palmestal, under the name Mythologen, make a release on Hoga Nord Rekords.
Mythologen continues building on the foundations that Pistol Disco and Palmestal's other band Iberia was made upon. The songs on this album named 'Mythologen' is the perfect combination of the fragility and melancholy of Iberia and Pistol Disco's monotony and drive. Underneath layers of dreamy, free floating synthesizers and restrained yet steady drumbeats lies muffled melodies waiting for the air to be let in. And then, all of a sudden the clouds disappear and the sunlight is beaming down over the music, like on the closing track 'Brighter Summer Day'. In other songs on the album the darkness is more present, embodied by polyrhythmic tribal drums giving the music weight and suggestion.
'Mythologen' is the soundtrack for recovering from a depression. The album seduces the whole spectrum of your moodswings, eliminates your ego and moves your focus from the past to the future.

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Dj Shadow - The Mountain Will Fall 2 X 12"

DJ Shadow, widely acknowledged as a crucial figure in the development of experimental, instrumental hip-hop, will return with 'The Mountain Will Fall' via Mass Appeal Records, his first full length release since 2011. The 12-track album finds DJ Shadow exploring new realms in addition to the deep samples and kinetic soundscapes that helped to launch his career 20 years ago. On 'The Mountain Will Fall' he's shifted further toward original composition, a vast experimentation of beats and textures, synthesizers and live instruments including horns and woodwinds. The album features Run The Jewels, Nils Frahm, Matthew Halsall, Ernie Fresh and more

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Jamie Lidell - Building A Beginning (2lp/gatefold)

Jamie Lidell has announced his first new album in more than three years. On October 14, he'll release Building a Beginning, the follow-up to his self-titled LP. It features DaRu Jones on drums, Pino Pallodino on bass, and multi-instrumentalist Pat Sansone, along with Kudisan Kai, Traci Brown Bailey, and Tiffany Smith. Justin Stanley and Ben Ash produced. Below, check out the tracklist and cover art, along with the lyric video for lead track 'Walk Right Back.' Lidell will hit the road behind the record; see his European dates below, and stay tuned for a North American run.

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Maribou State - Rituals

Maribou State

Rituals

12inchCOUNT058
COUNTER RECORDS
18.03.2015

Hotly tipped duo Maribou State are set to reach their most impressive apex yet in 2015. Newly signed to Counter Records (an imprint of Ninja Tune) they will release their debut album 'Portraits', preceded by 12' single 'Rituals'. - An irresistible marriage of deep, resonant guitar licks and dishevelled synths riding upon loping breakbeats and overlaid with trademark deconstructed vocal dubs, 'Rituals' picks up where Maribou State left off in 2013.
The first single from the duo's forthcoming album 'Portraits' is equal parts emotive instrumentation and sturdy rhythms, stark soundscapes and rich textures.

- Recommended for fans of Jamie xx, Gold Panda, SOHN, Caribou.
- Heavyweight 180g 12' vinyl in a 3mm spined sleeve.
- 12" features exclusive track 'Raincoats'.

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Mnlth - Laser 80

Mnlth

Laser 80

12inchOA004
Organic Analogue
27.12.2016

Following the wealth of techno, electro and jungle on DJ Guy's Structures & Rhythms '94-'99, Organic Analogue turn to cult champion MNLTH for a fulsome six-track EP.Dave Monolith has been busy under a variety of aliases since first releasing his Volume 1 EP on Rephlex Records. He went on to drop the fantastic Welcome album on the Cornish institution before further quality electronic explorations on WeMe, CPU, not to mention the fig.03 and fig.04 EPs on his own Photodementia label.
MNLTH comes to Organic Analogue with a singular selection of tracks that completely encapsulate his sound in all its warmth and weirdness. This is unsettling electro done the British way, nodding to the electronica tradition but equally channeling a rave spirit throughout. In that sense, it speaks to the core principles of OA perfectly."111Pad" is a laid-back machine jam of dirty drums, bass and piano stabs, while "Q Express" raises the temperature with a surge of unnerving pads and heavy analogue drums. "Zirberterai" meanwhile takes shape as a darkside roller peppered with crusty, flitting vocal sampling.
"Fline" showcases all the deftness and subtlety in the MNLTH arsenal with a limber arrangement that pivots around pulsing square waves and delicately simmering beats. "Polynana" reaches skywards in a celebration of after-hours electro with an ambiguous mood that lies just beyond your comprehension. Finally "Meadow" rounds the EP off by evoking all the idealism of the quintessential outdoor rave in a cascade of kicks and piano chords.Having originally surfaced as clips through an obscure YouTube account, the tracks on Laser80 were already garnering the attention of more switched on techno fans in niche corners of the internet. Now, with this official release on OA, the dynamic blend of techno futurism, rave energy and hi-tech soul gets the airing it deserves.Very limited pressing so be sure to grab the Laser80 while you still can.

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V/a - Bpbeats01

V/A

Bpbeats01

12inchBPBEATS001
Banoffee Pies
20.12.2016

Banoffee Pies Records have paved their way in dance music as an eclectic label with little restraints on their sound or style as a free flowing and flexible music platform. Now the imprint ventures into a new genre spectrum with BPBEATS01 - the LP presents 12 tracks of dusty hip hop, heavy cut samples and original vocals from well renowned Beat maker Flo Filz and a group of local producers, further in keeping with their ethos of letting the sound do the talking and representing friends and family along the way. For all of those interested in music this is a record that will turn heads and become another respected collectors item from their catalogue. Smokey jams for the lovers, hand selected by Banoffee Pies. x

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Renato Din Salaj/ Ion Din Dorobanai - Renato Din Salaj & Ion Din Dorobanai

Future Nuggets is proudly introducing Renato din Slaj using the dark side of the manele force, this is a breakthrough on all accounts. A hit from the future produced by Ion D (aka Ion Din Dorobani), the prodicer behind Steaua de Mare LP and Raze de Soare EP, an already established lover and pusher of psychedelic local oriental.

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East Wall - Eyes Of Glass

East Wall was an Italian electronic dark wave band formed by Fabrizio Chiari (ex keyboardist of Kirlian Camera) and Wilma Notari in 1982. After a series of demos and live performances, the duo recruited Angelo Bergamini of Kirlian Camera to help with arrangement and synthesizers. In September 1984 they booked a recording time at Master Studio 33 in Cremona Italy. Working with produced Ray Masola, they recorded their debut single 'Eyes Of Glass', which was released on No Comment in early 1985. The equipment set up was a PPG Wave 2, Roland ProMars, Roland Juno 60, Simmons drum, and an upright piano. 'Eyes Of Glass' is an outstanding example of 1980s Italo disco full of dark, moody atmosphere and depth. Wilma Notari's coy vocals cast a spell on the listener as she weaves a story about lost love and 'bitter tears'. Included here are the original extended 12' mix and instrumental version with mid-song breakdown and dubbed out chorus.

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East Wall - Silence

East Wall

Silence

2x12inchDE145
Dark Entries
03.02.2017

East Wall was an Italian electronic dark wave band started by Fabrizio Chiari (ex keyboardist of Kirlian Camera) and Wilma Notari in 1982. After a series of demos and live performances, the duo recruited Angelo Bergamini of Kirlian Camera to help with arrangement and synthesizers. They released their debut single 'Eyes Of Glass' in 1985 which had huge success in Germany, leading to a deal with ZYX.

By 1991 the band consisted of Fabrizio Chiari (Synthesizer, Electronics, Keyboards), Tiziana Wells (Vocals, Synthesizer) and Angelo Bergamini (Synthesizer, Piano, Arrangement). At the beginning of the year, they recorded their next batch of songs at Prominence Studio in Cremona and A Love Sound Studio in Piacenza. "Silence" was self released by the band in 1991. The lead track 'Silence' was a left-over song by Kirlian Camera recorded in 1985 with vocals by Simona Buja under the alias Lorenza Larini. It was recorded largely using a variety of now-classic Roland, Yamaha, and Oberheim synthesizers. The album displays East Wall's maturity and unique aesthetics, with instrumental pieces reminiscent of Angelo Badalamenti' Twin Peaks score. Tiziana Wells sings with pure emotion, hypnotic at times, upbeat and carefree at others. Frankie Teardrop (of the Wierd party and the Systems of Romance blog) describes this album as "possibly the closest thing to darkwave freestyle that exists.' We decided to expand the album, releasing it as a deluxe double LP cut louder at 45 RPM. We have also included an unreleased extended version of 'Ice Of Fire' and the bonus track 'Intro', found on the DAT tapes Fabrizio Chiari sent us.

All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. It is housed in the original jacket, featuring a dramatically lit photograph of the band by Andrea Gambetta. Each copy includes an 11x11 double-sided insert with photos of the band, lyrics, and liner notes by Intergalactic Gary, who's Despair Mix turned us onto to this album

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Helena Celle - If I Can't Handle Me At My Best, Then You Don't Deserve You At Your Worst

HELENA CELLE is the synth work and multi-dimensional audio practise of Glasgow-based musician Kay Logan. A dedicated 21st century polymath, Logan's interests lie in the power relationships inherent in technology, how to harness aleatoric practise in a discipline that is often rigid and in exploring the interface between computer science (Logan is also a computer programmer) and sound. Originally recorded in 2014, "If I Can't Handle.." is the first step on the wander, a deliriously sun-burnt foray into abstract techno and a very personal take on an electronic music language that remains obscure to outsiders but here rendered a unique form of emotional communication.

While Logan's interests are powered by academic exploration, what's most striking about Helena Celle's approach to electronic music is how effortlessly she deconstructs it: the results are emotive without being explicit, raw and engaging, a true outsider music. The taking apart of norms can be heard on the squelched solo on "I'm Done With 666", governed by love of noise, the wave is eviscerated, smothering the track in a glorious disregard for convention. The crashing, ultra-compressed chords that flatten opener "Streaming Music for Biometrics" re-wire the listener to appreciate chance, to break the loop. Recorded exclusively using a faltering MC303, live in a room straight to consumer dictaphones, the breadth of texture and depth of ideas on these tracks is truly astonishing. "Miming Swinging Baseball Bat" manages to submerge a bass-line straight into the tape heads, grounding a celestial synth arpeggio.

Informed by limit yet sounding limitless, If I Can't Handle Me... evokes a personal space, a rewired take on electronic music, convention seen through the prism of anti-tradition. A lovingly careless disregard for electronic music dogma before Logan's next phase as Helena Celle. After several releases under various other pseudonyms (Rick Ross, Larks) Helena Celle sees Logan focusing her ideas into a coherent whole, questioning the hegemony of neo-liberal ideas and their intersection with capital, culture and social practises, how these ideas inform the music we make, the choices we buy. Indeed, while Logan's current practise is moving further into the field of an open-source musical programming language, developing a truly democratic music practise set adrift from capital, here Logan's intent is to make sense of the nonsense we take for granted.

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Mirt - Random Soundtrack

Mirt

Random Soundtrack

12inchDRONE1601LP
Monotype Rec.
22.12.2016

"Random Soundtrack" is a kind of extended field recording or sonic Écriture automatique. It's another attempt to search the point where music and found sounds intersect. "Random Soundtrack" is a sort of sister album to last year's "Vanishing Land". Similarly to its predecessor, it is a series of interfusing recordings, compositions, scraps of field recordings, ordinary connectors. However, while "Vanishing Land" was the result of laborious shuffling a well-known material, "Random Soundtrack" is an album created in its own right, almost unconsciously. Its framework was created by some forgotten compositions and improvisations found in the memory of the recorder which coincidentally shaped a whole by themselves. Several elements that were added later only developed this sketch in a similar manner to the idea of André Breton. The album that was created this way is in fact more a synthesis of real images than a surreal vision. Quasifilm aesthetics and seemingly hypnotic sound hide a worrying thought about capturing the image of the last quiet days of the chaotic world.

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Timothy J. Fairplay - The Cat Prowls Again/a Strange Servant

Perhaps best known for his work with Andrew Weatherall. Originally operating as Weatherall´s engineer the pair went on to form The Asphodells. Fairplay is also a DJ and producer with solo records on Bird Scarer, Emotional Response, Astro Lab and more. Together with Scott Fraser he runs the adorable label Crimes of the Future. On this 7" he delivers a jacking and chugging A-side named The Cat Prowls Again. Sustained (and prowling) freak-outs guaranteed. B-side A Strange Servant is a bit more laid-back. But lovely cold and dark. Slow-motion psychedelic dance music for forward thinking.

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B12 - Brokenunbroken

FireScope Records is the new sub label of the legendary B12 Records. A label core to the UK techno scene with roots starting in the early 90's launched by Michael Golding and Steven Rutter. FireScope Records is here to exist in conjunction with B12 Records and with the same ethos, quality music, quality packaging, without compromise and a product that will stand the test of time. FireScope will diversify somewhat, not just deep meaningful techno, but also techno with vocals, real songs with real meaning.

The first release is by B12, UK techno at its finest. Established early 90's with a multitude of releases appearing on Warp Records UK, B12 Records, Soma Records, Delsin Records, ART

B12 became active again in 2015 with the Soma release Bokide 325' and the Delsin release Orbiting Souls' and this year on DeTuned Transient Life'

The EP entitled BrokenUnBroken: A moody down tempo risky start for a first release on a new label, however its enigmatic beauty, sounds, artwork and themes make it the only natural choice.

In Pieces' is enough to tear at the heart strings, it is an emotion loaded audio picture of sadness and despair. The producer conveys these feelings with a disturbingly natural ease and is an indication of a mental state he makes no secret of sharing. Sublime pads weave over subtle beats and crashes until joined by a hypnotic bassline.

Over !Hear!' is an old school vibe featuring a fetal doppler recording. Warm pads and bassline presents familiarity and rolls along conjuring up a safe place to be.

Battle Within' is a slow track there is no real drive forward but a multitude of entwined sounds and shapes that represent a whole piece. A piece constantly pulled out of shape. With a dual meaning originally inspired by the producers visit to a war torn city. An attempt to put into music almost from a child like perspective the mixed emotions and confusion that are felt when suffering.

There Is No Escape' is a Sci Fi dub style track. A driving break inspired beat and drooling bassline are joined by a constant abstract dialogue. Escape from where Escape from oneself

Finished in Full Colour sleeve and White/Green marble vinyl with exclusive artwork by Sarah Sparkes

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Zombie Zombie - Slow Futur  2x12

Zombie Zombie

Slow Futur 2x12

2x12inchVERLP032
Versatile
18.04.2016

Original music of the "Slow Futur" show by Elsa Guérin and Martin Palisse, played and composed by Zombie Zombie (Cosmic Neman, Etienne Jaumet, Dr Schonberg), here presented separately from the show.

Slow Futur features two jugglers (Elsa Guérin and Martin Palisse) on a treadmill (8 x 2m) which carries them along a neon light installation which delimits the choreographic space as a kind of space-time tunnel: "the hyperspace". Their minimalist juggling practice - with 3 white balls each - plays with opposite movements like acceleration/immobility, synchronization/progressive transformation, and thus evokes a way of making the body face the inexorable passing of time. The music of Zombie Zombie, repetitive and floating, as a vector of the choreographic mechanic, mixes analog electronic sounds and acoustic rhythms that rise in intensity in order to bring the two jugglers into a frantic and hypnotic rush, whereas the treadmill submits their bodies to a movement independent of their will, so becoming an infernal machine. Between abstraction and representation of reality, Slow Futur questions the relationships between human beings, where the individualism caused by the modern world leads to loneliness, as the human condition is reduced to a simple machine which robotic movements are devoid of emotion. Elsa Guérin and Martin Palisse are not only renewing the image of today's circus but also continuing their research on the choreographic, dramatic and poetic potential of juggling.

Instruments: modular synthesizers Buchla & Synthesizers, Synare 3, Six-Trak Sequencial Roland TR 808, OP1 Teenage Engineering, oscillators, Gretsch & Ludwig drums, percussions LP, rototoms, vibraphone, Korg and Boss Vocoder, Oto Bim & Ibanez EU 305 delay, Selmer alt sax... Recorded in April 2015 at Midlive Studios (former Vogue studios), Villetaneuse and mixed in June 2015 by Angy Laperdrix at Solaris Studio, Paris. Mastered by Stuart Hawkes at Metropolis, London.

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Kaitlyn Aurelia Smith - Ears
  • 01: First Flight
  • 02: Wetlands
  • 03: Envelop
  • 04: When I Try, I'm Full
  • 05: Rare Things Grow
  • 06: Arthropoda
  • 07: Stratus
  • 08: Existence In The Unfurling
also available

LP


Listeners familiar with Kaitlyn Aurelia Smith's previous album Euclid (an album that prompted Dazed to call her "...one of the most pioneering musicians in the world.") will no doubt notice her heavier use of vocals on her new album EARS. On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds. After initially composing on a Buchla analog synth, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's "Boys Latin" video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).

Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces). Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä, which she cites as an inspiration.

EARS is a masterful articulation of Smith's vision, which she achieved in part by spending time preparing her mind prior to composing the album.

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Model Man - Pieces For Prepared Piano And Percussion

Two brothers from the outskirts of London. Model Man set about on a journey of enlightenment through minimalism. Dissecting the piano, replacing its parts with nuts and bolts and turning conventional instrument into something unpredictable and unique. They say Before releasing anything we were lucky enough to play and record with some great artists such as Damon Albarn and Squarepusher on various projects. They taight us things about minimalizing our toolset and using space to create new textures in our arrangements'
They have enjoyed the support of the likes of Gold Panda. For fans of Nils Frahm, Four Tet, Caribou etc

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The Durian Brothers - Ausgewahlte Durian Stucke

Emotional Response returns to the music of the Diskant label to look more closely at a band of forefathers for the resurgent Dusseldorf music scene, The Durian Brothers. A collaboration between artists Florian Meyer, Marc Matter and Stefan Schwander has seen a trilogy of EPs on their own Diskant label - itself initially created as a means to release the band's music - a split release (with Konono Nº1) on Fat Cat, a live cassette, last years mini-LP on Kontra Musik and the most recent split with High Wolf. Although often based in different cities across the Continent, recording is centered around Dusseldorf's Salon des Amateurs. While some tracks were directly recorded there, all of them were developed and rehearsed at the groundbreaking arts/bar/club space. The distinctive polyrhythms come from modified turntables - without using records - along with effects and sequencing, thereby creating a unique, experimental, dense and warm dance music - oft described a wooden trance muzik. Ausgewahlte Durian Stucke ('Selected Durian Pieces') takes the music from the early EPs that did not feature on the Diskanted (ERS022) album and presents them as one stand-alone. As the solo projects of Don't DJ and Harmonious Thelonious become more distinct and known, what the future holds for the Brother's collaborations is uncertain, but together their music has little to compare.

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Second Storey - Spin Cycle Ep

Burgeoning club label Nervous Horizon follow up label boss TSVI's recent 'Sacred Drums' EP with a new EP from Houndstooth, AUS and R&S signee, Second Storey.

'Spin Cycle', comprised of three tracks written in the same warehouse space Storey shared with TSVI and fellow NH boss, Wallwork, earlier this year, details a micro-world of new ideas that Storey manifests within a sprawling, hyper-specific web of weird and wonderful bass abstraction. It's not often you go to a viewing and your potential house-mate actively wants you to make noise with no restrictions', he says reflecting on first meeting TSVI while looking for a new place to live in London.

Energised by this new sense of creative freedom and boosted by a support network pro-vided by the extended NH crew ( Gugli (TSVI) and Tommy (Wallwork) were buzzing off these tracks when I played them'), Storey is at the top of his game across the EP.

From the fuzzy, looping programming on the title-track, written as if in a 'spin cycle', to the swinging, crunchy pressure on 'Critters' and the muffled, industrial-tech tones to 'Sludge 3D', 'Spin Cycle' plays right into the NH ethos — making music that sounds like nothing you've heard before.

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V/a - Setting Forth 2x12

V/A

Setting Forth 2x12

2x12inchEXPLORATIONLP01
EXPLORATION MUSIC
14.10.2015

"Setting Forth" is the first release from parisian label and crew, Exploration Music. The Exploration crew has been very active promoting parties, festivals and label showcases for the past 6 years and has made its mark on the blooming Paris electronic music scene inviting artists and labels such as Sigha, Shifted, AVN//OCS, Trevino, Lucy, Truncate, Skudge, dBridge, Exit Records, Goldie, Youngsta, Truss, Conforce, Dement3d Records, Moresounds, Vakula, Henning Baer or Akkord ... some of which for their very first time in France. The Exploration parties have always been about diversity of styles and genres but also about discovering new, upcoming artists and supporting the local scene. The crew is also involved in many local
collaborative projects such as Rinse France radio or 75021, always aiming to push niche electronic music to a wider audience. The first release on the imprint is a double vinyl album featuring four artists from the crew. It is an album in the sense that the music has been carefully selected into a seemless 8 tracks and 40 minute journey. It is not a randomly tracklisted compilation of tunes but more a statement of what the label will be : an imprint focused on providing strong vibes and emotions, transcending genres and bpms, in the tradition of such labels as Warp, Ninja Tune, Stones Throw, Brainfeeder, Hyperdub or Houndstooth ... From ambient to bass music, going through techno, dub or hip hop, no boundaries have been set and it will be up to the artists from the collective to define the sound of the label as time progresses. The album itself tells the story of the up and downs of setting up new projects, preparing new aventures. From the positive and uplifting bass music number "Envol" and instrumental hip hop "Horizon" to the more reflective ambient/dub techno tracks "Computerised Genesis" and "Area Memento", the first vinyl evokes the early hopes and dreams that arise with a new idea. The second disc is darker, hesitation and doubt start to take over in the "In Between" interlude and "The Tube" dubstep track. And finally doubt turns to despair in the intricate 170 bpm "Clockwork Escape" reminiscent of Photek's early drumwork and dark atmospheres. But this story has a happy ending which is
here provided by the heavy but positive instrumental hip hop/trap beat "Frantic", summarizing all the lessons learned, putting all doubts at rest, and confidently setting forth into the unknown.
As it is shown on the cover artwork, drawn by french artist Olivier Blanchin, and as it can be heard in the music, all is now set for
Exploration Music to finally become a label.

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