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Beats Vinyl New Releases - News
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DJ Support: dBridge, Laurent Garnier, Vladimir Ivkovic, Lukas Wigflex, Konx-om-Pax, Borusiade, Rob Hall (Skam), Mincy, Black Cadmium, Em & Stav, Tailor Jae, Pressa, Roger 23, Shcuro + more.
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repress !
Venetian Snares’ classic orchestral 2005 album reissued on limited edition gold vinyl in full-sleeve artwork. What if, for just a day, we could both be pigeons? Sometimes one moment in time can take on such an important significance that it becomes an endless world unto itself and everything outside of that moment, past and future spots in time, become the folklore of that world. What if we could both fly over the Királyi Palota and see it just as these pigeons do? A beautiful culture of dissimilar angles as donkey angels above this city. But even in the world of the infinite moment, we cannot choose the feather of our bird and the pigeon may long to be the goose, the donkey the pigeon and so on. Furthermore as our world blossoms out of this single tick in time, it is for one pigeon a swirling romantic flood of euphoric possibility and fascination, for the other an inferior life of shitting on everyone from the sky, awkward and ashamed, resigning themselves to be the wretched nuisance they are painted as by those they shit on. Ultimately, as quickly as our world blooms, our world is discordant, and our pigeons are wounded, and as our world dies, we die, and we are extinct. If only we could kill ourselves over and over until we get it right. So just as an entire genre of music can be born out of one sped up ten second breakbeat, a full symphony orchestra can come together in harmonic unison to create that perfect moment in time, thus every moment can give birth to an entirely new world, and every world can house the perfect moment, and just as that breakbeat may be broken beyond any recognition, that orchestra may combine to bring forth a dissonant barrage of colossal sorrow, and so the moment disintegrates it's world and that world suffocates the moment under it's collapse.
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Weirdo acid tracks and spacedout braindance by RTR. Probably the most energetic up there tracks RTR has done so far. Putting those 10 tracks together makes us go through an immersive musical journey that goes from stuttering, rapid breakbeats all the way through the record to complex melodies, needling acid basslines, mind-melting electronic workout that'll leave you on your knees. One for the Aphex Twin and Rephlex fans (and isnt everyone a Aphex Twin fan???). Limited edition of 300 copies!
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Copenhagen-based HVAD releases a new solo album entitled YUG, an electro-acoustic shrine. The double LP also serves as the second release on HVAD's newly founded, self-owned label ULLLU. The album YUG consists of nine separate tracks but breathes as one unified piece, presenting something for the brain, something for the body and something for the soul in alternating measures throughout the one hour long release. YUG is Hindi for era or an age of time, framing the musical material by HVAD made over the last few years. The album reflects a continuum of creating a personal, musical language; building a new home by drawing upon classical Indian instrumentation as well as electronics, in total making for an expression that has been the foundation of HVAD's practice for more than a decade. The cover of YUG portrays HVAD's grandmother and her two sisters, bringing to the foreground family roots as a cornerstone of the album, ancestral ghosts running through the music. As a prerequisite of eerie emotion, this weaves together material across a broad musical spectrum with both determination and sensibility. Some tracks are in steadfast 4/4 while others are stretched out in free form with each their pulse or ambience, always seeking ahead towards some place that is even more free than the last.
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- A1: Labyrinth & Sandling - Grotesque to Glossolalia
- A2: Void Settler - Creeping Curse
- A3: Labyrinth - A Ghostly Semblance
- A4: Void Settler - The Needle Wheel
- A5: Void Settler - Haruspex
- B1: Labyrinth - La Dispute
- B2: Void Settler & Sandling - Bauxite Gravel
- B3: Void Settler - Mutoscope
- B4: Void Settler & Sandling - Darken Thine Path
- B5: Void Settler & Labyrinth - Divine Aegis
- C1: Void Settler - Voltaic Cell
- C2: Void Settler - Tenvolt
- C3: Void Settler & Labyrinth - Perpetual Gardens
- D1: Void Settler - Corrosive Node
- D2: Void Settler - Stasis
- D3: Void Settler & Eiro - Components of Decay
- D4: Void Settler & Sandling - Fadesmith
White / Blue Vinyl
The mysterious Void Settler is back with a brand new album: Given In Vigil!
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A repress offer using exactly the same stampers as our first run!
The masters were sourced from original reel to reel tape, we carefully remastered this classic release while retaining all the character of the original. Mastering is by Bob Macc @ Subvert Central Mastering. You can be assured the tracks sound fantastic but do not suffer from the Loudness Wars while still holding their own when mixed with modern productions.
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Fuck our bodies - or are our bodies fucked? -
Like the 32 steps it took (actually it felt like chunga Godlike3000)
before this complex and corrupt Third World Bomb came to this grotesque release.
No lady cadaver or cryptic messiah was spared when going straight to hell, accompanied by their flying body parts and tortured genitalia.
No comments are wasted on AMFRS & my fav Hollywood whore
when they die in a murder of GT flames
Oh and quick recoup to *corrupt* :
ALL PROFITS MADE WILL BE USED
TO BUILD A WALL AROUND GUATEMALA - now we know he isn’t quarantined in the White House anymore - - -
assuring that the orange-wigged-mad-man can’t go putting
his greasy fingers on GUA's fabulous nature & people.
Building materials will consist out of fruit and vegetables for the best repellent result :-D
Have a nice day and as always PLAY IT LOUD!
! ! ! RUIDO HECHO EN GUA ! ! !
expected to be published on 27.05.2022
Noise industrial dub effect for the start opening on a Breakcore dry long drink.
expected to be published on 27.05.2022
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expected to be published on 20.07.2022
isuals Painted by NEUROBUG
C'est une magnifique surprise. Ca faisait longtemps que je n'avais pas été surpris... que je n'ai pas entendu un morceau aussi riche et aussi précis... Un truc chargé où tout est défini, où tout est clair, et tout existe. Chaque son, chaque fréquence... une 3D sonore... du mastering à la composition infernale tout est incroyable... Il faut une sacrée concentration pour écouter. Je réapprends à écouter... Et c'est aussi insupportable et aussi fascinant et aussi fort et j'aime et je réécoute avec surprise encore. Je suis accro ! Surtout la face "Je Le Sais Je Le Sang"... Terry Riley est mort. ça y est il a eu sa peau. Le hardcore est mort, ça y est il a eu sa peau. La musique est vivante, enfin encore, en kore.
Rappelez-vous que les gens avaient plus ou moins mal reçu les Hangars Liquides 01 et 02, ou le 21 et le 28... Toujours une longueur d'avance...
Ce Vinyle est plus proche de l'art-core que du hardcore et pourtant... Quel bonheur ce sera de l'entendre sur du gros son !! mwhahahahah !!!
STRICKTLY LIMITED
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16-17 return to Praxis with a triple assault of ultrasonic remixes. The Pandemic Wargames Remixes are based on backing tracks originally recorded in 1995 for a follow up to the album Gyatso which eventually materialised earlier in 2020 in the form of the Phantom Limb LP on Trost. After that Alex Buess once more gave three tracks a severe treatment for The Pandemic Wargames Remixes 12” on Praxis, bringing sound and mix firmly into the 2020s.
16-17 started in 1983 in Basel, Switzerland as a three-piece “industrial punk jazz” outfit with Alex Buess, Markus Kneubühler and Knut Remond. They released a number of cassettes, before debuting with their self titled album in 1987. Two years later this was followed up by When All Else Fails, an LP of treated live recordings on Vision, the precursor label to Praxis.
By this time 16-17 had already garnered a cult following with their incredibly forceful live performances.
Around the same time there was a proliferation of side-projects and Alex Buess became the sound mixer/co-producer of the Vision material and it wasn’t till 1994 that the band came out with a new album. Gyatso was produced by Kevin Martin (Techno Animal, The Bug) and released on his Pathological label (re-released in 2008 on Savageland, both times on CD only) and, besides Martin, featured G.Green (Godflesh) as a guest musician.
Buess also collaborated with Martin on the ICE project which also included Justin Broadrick aka J.K.Flesh of Godflesh, the other half of Techno Animal. Buess also took part of the Sprawl project with Peter Brötzmann, William Parker, Michael Wertmüller and Stephan Wittwer which appeared on Trost Records in 1997.
Following Gyatso there were to be two other significant releases bearing the 16-17 name. The first was a direct outgrowth of the collaborations with Kevin Martin: Human Distortion, released on Digital Hardcore Recordings in 1998, and Mechanophobia on Praxis (Praxis 31, 1999).
Mechanophobia presented two “Sound System Mixes”, dynamic, morphing tracks, produced by Alex Buess and Roger Graf, and featuring Daniel Buess on drums. Around the same time the two Buess started the Cortex project and would together reappear on Praxis with Vacuum Theory (Praxis 48) in 2011 and “Skin Craft” (Praxis 55) in 2016.
Unknown to the public there were a number of 16-17 recordings with the line-up Alex Buess/Damien Bennett/Michael Wertmüller from 1995 which had remained unfinished. Out fo these, with contributions of Eugene S. Robinson, Kasia
Meow and Roger Graf, the album Phantom Limb was crafted in 2018/2019 and released on Trost in January 2020.
Out of these sessions came the raw material to The Pandemic Wargames Remixes which include the first track of the Phantom Limb album ‘The Hate Remains The Same’, as well as two more mixes,including the heavy dub version of ‘Nemesis’.
Praxis is very happy to present these on vinyl, available now!
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Rare artist is Elektroplasma ! And rare as well is remixer, Izsolocape... Who opens the EP with a hardcore industrial remix... followed by an Elektroplasma breakcore full-out track.... and then a pure beauty of kind stands on the full side Tune on the flip : L'Aube des Chaos. Total beauty !!
Strickly limited to 180 copeis (planned 200 but only 180 pressed finally !
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Grey Vinyl
Wayne Adams AKA Ladyscraper AKA Petbrick AKA Big Lad AKA amen-punk legend teams up with esteemed producer, Napalm Death engineer and musician Russ Russel for their debut outing as WARR. Four tracks of gnarly breakcore on this special hand-stamped and numbered 7", limited to 200 copies - just like the good ol days! For metal heads who like to rave and ravers who like to headbang.
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Limited & Numbered to 100 copies.
Defenitly a Deluxe record.
But also defenitly a record for passion. Or even devotion i would say.
Extremely punk breakz, abstract crazyness, un-continuously experimental and complexe.
A pure Digging thing... to be put aside with No-Tek 19 from La Peste...
SUPERB !
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Marrrtin is back on vinyl with some new and some unreleased
tracks on vinyl before.
If you don't know "Tango Hustle", you have to know it!!! Marrrtin
took time to totally replay it, cause it's one of his favorite funk track
EVER !!!!!
On B side 2 two b-boys tracks never released on vinyl.
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The hardcore gods sit aside the holy fires of uptempacron. Shaking their heads, they ponder...
30 dark years have passed... DJs have hidden their faces and flapped their arms like spastic monkeys,
The human's music has fallen to a desperate state...
But wait, from the gloom a Squirrel Fish beast/human yells "FUCK ALL YOL DOOM CUNTS, GET YA TITS OUT AND EAT MY GOLDEN POOLCORE BEATZ!!!"
"The Earth is saved", decree the Gods, Hellfish has has nuked the darkness and brought back the rave with his french bong break bashing hydra kick in the nutz core life giving album -
NOW THATS WHAT I CALL HELLFISH Vol.5
Available for acquisition soon at your friendly terrestrial crack dealer.
*Enlightenment, happiness and sweaty armpits 100% guaranteed
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In this compelling debut release, NETSH takes the listener on a one-way trip to his world with his own unique take on acid, braindance, electro, jungle and even a dash of hardcore. Frenzied breakbeats, thick and melodic 303 sequences, ass-shaking drum programming along with deep and lush pads are the constant on this record, coherent and diverse a the same time, which tells a lot about the young producer's musical maturity.
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Rare artist is Elektroplasma ! And rare as well is remixer, Izsolocape... Who opens the EP with a hardcore industrial remix... followed by an Elektroplasma breakcore full-out track.... and then a pure beauty of kind stands on the full side Tune on the flip : L'Aube des Chaos. Total beauty !! On eth A-side,
expected to be published on 31.01.2022
- A1: Violence - The Rising
- A2: Violence x Code Pandorum - Behind Masks
- A3: Violence - I Met The Devil
- A4: Violence - Engine (Ft. Bastien Hennaut from 'Horskh')
- A5: Violence - Repression
- A6: Violence - My Fate (Ft. Billy from 'Biohazard')
- B1: Violence - Backfire
- B2: Violence - The Poison And The Cure (Ft. Julien Lebon from 'Atlantis Chronicles')
- B3: Violence - Wolves (Ft. Julien Lebon from 'Atlantis Chronicles')
- B4: Violence - Before It's To Late
- B5: Violence - Violence Will Not Save You (Ft. Anomali(e)s)
VIOLENCE is a brand new Metal, Industrial, Bass-music project produced by Niveau Zero. After “In_Sect” (2010) and “Jasmine” his last album released in 2012, It was time for him to produce a
new Lp. Composed of 3 members : Fabio Meschini (Guitar / L’Esprit du Clan, Ex: As They Burn), Morgan Sansous (Drums / Henker) and Niveau Zero ( Production & Vocal). VIOLENCE is an ode to a rising insurrection. It results in a raw, metallic and powerful sound.
Chronicle of the brutality of our era, OPUS 1 is a concept album composed with guests of choice such as Billy Graziadei (Biohazard, Powerflo), Code: Pan- dorum , Julien Lebon (Atlantis Chronicles), Bastien Hennaut (HORSKH)...
expected to be published on 15.08.2021
LTD 100 copies / Printed Sleeve
A real brain destruction, so hard that it turns mental.
A side begins with a long bugcore electric spiking electro... A fakir track !
The second tune is experimental as well, destruction of jungle, of breakcore, of noises... Spiky too ! Fakir too !
The flip opens with a speedcore destructured tunee, keep your breath and drown into this mental distrurbance !
The finish, Zenkout... is a crunchy speedcore tune, shaking your body with a non-stop fatal kick.
A superb EP again from Les Neiges Noires De Laponie !
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Gyatso is the 1994 album by legendary “industrial noise jazz” outfit 16-17 produced by Kevin Martin (Techno Animal, The Bug) and first released on CD on his Pathological label, re-released on Savage Land in 2008. Gyatso is the only pure studio album recorded by the original 16-17 line-up of Alex Buess, Markus Kneubühler and Knut Remond and besides Martin also features G.Green from Godflesh as a guest musician.
Praxis is teaming up with Skin & Speech, Alex Buess’s label, to bring forth the first ever vinyl release of this crucial album and releases a 6-track LP edition with all the other tracks (there are 13 in total) available as a download.
16-17 started in 1983 in Basel, Switzerland. They released a number of cassettes, before debuting with their self titled and self released album in 1987. Two years later this was followed up by When All Else Fails, an LP of treated live recordings on Vision, the precursor label to Praxis.
By this time 16-17 had already garnered a cult following with their incredibly forceful live performances.
Gyatso is a crucial release where the raw power of 16-17’s live appearances clashes with a studio-as-instrument approach, as Kevin Martin and Alex Buess add effects and dub techniques to the band’s recordings.
Further collaborations between Martin and Buess include the ICE project which also included Justin Broadrick aka J.K.Flesh of Godflesh, the other half of Techno Animal, as well as Human Distortion, released on Digital Hardcore Recordings in 1998. Buess also took part of the Sprawl project with Peter Brötzmann, William Parker, Michael Wertmüller and Stephan Wittwer which appeared on Trost Records in 1997.
This vinyl release of Gyatso comes hot on the heels of two important records that came out in 2020: The album Phantom Limb on Trost, based on band recordings from 1995 and finished in the studio in 2019 by Alex Buess, and most recently the 12” The Pandemic Wargames Remixes on Praxis. The latter was a continuation of collaborations dating back to the pre-Praxis days of the Vision label, continuing with the 1999 release of Mechanophobia on Praxis as well as the more recent Vacuum Theory by Cortex and “Skin Craft” by Alex Buess and Daniel Buess.
Praxis is very happy to present this release in collaboration with Skin & Speech, for the first time on vinyl.
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Originally released in 1999, Trocante Gramofony E.P. by Nomex is re-pressed in a limited edition of 100 copies on black vinyl from the original plates.
Trocante Gramofony opens with the monumental ‘Fire Is The Centre’, followed by two other Nomex masterpieces, ‘Life Destroy’ and ‘No-Step 2000’, as well as three speaker-destroying fragments and locked grooves.
Official release date is May 10, 2021. Only 50 copies are available for general distribution, the other 50 are reserved for the Praxis online shop and bandcamp.
Trocante Gramofony E.P. was originally released in an edition of 500 copies on transparent white vinyl as Praxis 33.
It was a departure from Nomex’s releases on his own Adverse label and was naturally quite different from the DJ Scud collaborations on Maschinenbau. In relation to his other solo work, Trocante Gramofony is perhaps less conceptual and more composed.
‘Fire Is The Centre’ features vocal snippets recorded at a Dead By Dawn party sometime between 1994-1996. Some of these snippets had been used on the Dead By Dawn record by Shitness & The Jackal, but here they were embedded in a surging wall of noise spread over the first side of the record, complete with crackles, shrieks and ever
mounting intensity.
The second side opens with ‘Life Destroy’ an intense collage of voice, noise and music and ends with ‘No-Step 2000’.
Tracks don’t end in orderly fashion, instead the needle jumps out of the groove or is locked in a loop. The flow gets interrupted in the middle of the side of the record. These elements are again vinyl specific and can’t easily be transported to the digital realm, and this is one reason we decided to make this brilliant record available again in its ideal format, the vinyl 12”.
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Maschinenbau Was A Label Run By Djscud From Ambush And Nomex From Adverse Which Released Only Two 7's In 1997/98. The First, Eurostar/piling Machine, Was Limited To Just 300 Copies. It Combined Psychogeographical Exploration And Field Recordings With Amiga-produced Non-conformist Breakcore And Noise-abuse, While The Second One, Total Destruction, Became A Classic Of Breakcore / Noise Crossover With Several Appearances On Compilations Such As Collision Drive On Pias (compiled By Kevin Martin, Aka The Bug), But Nevertheless Fell Into Relative Obscurity - Like Most Of The Great Early Breakcore - During The Following Decade. Listening Back One Can Only Be Astounded By The Raw Energy And Urgency Of These Tracks.
Twenty Years After The Original 7's, Praxis Is Proudly Releasing A 12' With All Four Original Tracks In October 2018 With The Catalogue Number Praxis 56.
expected to be published on 19.10.2018
Factory Food is the first album from the Wirebug aka Dan Hekate for over a decade. Now a feature film director Dan has brought all his expertise in sound design to bear on this full-length album of industrial beats, soundscapes and noise. Intertwining broken rhythms with melancholic melodies, harsh analogue percussion with acoustic instruments, this is a series of tracks that asks the listener to engage or retreat.
Including collaborations with Praxis founder Christoph Fringeli, instrumentalists Enrico Gontero on the accordion and Steph Voodoos on acoustic guitar this is a listening experience in of itself. It includes tracks that you would drop to packed breakore dancefloor as well as those that would feel more at home in a noise concert but all the
same it is cohesive and true to it’s own nature – a cold, minimal, mechanical beast rumbling across the landscape of our digital age.
Within the album package is also included a 23 minute AV set mixed by the Wirebug and remixes of two of the tracks by Black Mass Plastics and Killabomb, as well as an alternative version by The Wirebug himself.
A digital remix EP featuring re-interpretations of the title track ‘Factory Food’ by Monrhea, Psychic Defence, Killabomb and an extended mix by The Wirebug himself is in preparation for release in Summer 2021.
As a piece the album can be taken as a fable, a story of what happens when we sacrifice all to the machines in the hope that they will grant us wealth, fame and everlasting youth.
Nothing essential happens in the absence of noise.
Factory Food appears as a 6 track vinyl edition with a full colour cover based on a painting by Luke Hekate, which includes a download code for all 11 tracks of the album as well as a login for the 23 minute AV set.
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- A1: Counterstrike & Dub Elements & Thrasher - Renegades
- A2: Eye-D & DJ Hidden & Switch Technique - One For The Team
- B1: Sinister Souls & Hallucinator & Fragz - Alive
- B2: Limewax & Cooh & The Panacea - Going Bad
- C1: The Outside Agency & Mindustries & Dither - Control Freaks
- C2: Deathmachine & Detest & I:Gor - 3 The Hard Way
- D1: N-Vitral & Sei2ure - Let's Get Dirty
- D2: The Dj Producer & Hellfish & Dolphin - Tribe Of XTRM
- E1: Ruby My Dear - Babe
- E2: The Satan - Trunk
- F1: Deformer & FFF - 20th Century Jungle
- F2: Akira & Stazma The Junglechrist - Beyond Help
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proper mixed bag this one.. soothing, grinding, banging, and disturbing!
.
New York City by way of Miami, Alex Suarez delivers his debut lp the eight track "Autogolpe" for L.I.E.S. Autogolpe, is a term for military coup initiated by a dictator to take control of an existing government and Suarez uses this loose idea to create the sonic equivialent of the pain, strife, oppression, isolation, and joyous freedom associated with said act. Musically he expands on his prior releases for Bank and Primitive Languages as heavy industrialized sonic beatings sit next to somber passages, oil drum slow beat tribal clangers provide a back drop for screams shooting out of the dark. Musically it paints a distorted picture of world in decline, an exile from another land and arrivial to anothers in chaos or the clinging hope of something better on the other side.
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A benchmark project that has been in fruition over the past year, 'One Against Time' is the magnum opus of John Dimas' career. It is a pivotal milestone that embodies his depth of knowledge and his personal fascination with the mysteries of life and the universe. Spread across 14 tracks, 'One Against Time' sees Dimas really broaden his artistic capabilities, drawing from a melting pot of influences and woven together by his desire to channel a feeling of intrigue and curiosity taking a journey outward into the deepest recesses of outer space while simultaneously traveling inward to that same area of deep space inside his own soul...
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